Antalya Film Forum begins with 50 films competing this year



The Antalya Film Forum, which is being organized for the fifth time this year as part of the 55th International Antalya Film Festival, was inaugurated by Antalya Mayor Menderes Türel.

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Asghar Farhadi: Extraordinary storyteller of ordinary lives



One of the most anticipated motion pictures of the year, ‘Everybody Knows,’ is being screened at the 55th International Antalya Film Festival with the film’s accomplished Iranian director Asghar Farhadi…Click To Continue



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55th International Antalya Film Festival kicks off



The oldest Turkish film festival – the Antalya Film Festival – kicked off its 55th edition with an opening ceremony on Sept. 29Click To Continue



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Nine films debut this week



BlacKkKlansman

Directed by Spike Lee, “BlacKkKlansman” will open for cinephiles this week. Featuring Adam Driver, John David Washington, Topher Grace, Laura Harrier, Ryan Eggold, Robert John Burke and…Click To Continue



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Bradley Cooper on his new movie ‘A Star is Born’



Renowned Hollywood actor Bradley Cooper directed and produced his first film, ‘A Star is Born,’ contributing to its writing and soundtrack as well as starring in the lead roleClick To Continue



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Dr. Manhattan Confirms He’s Behind DC’s Rebirth

Warning: SPOILERS For Doomsday Clock #7

The latest issue of the Doomsday Clock mini-series has confirmed the identity of the architect behind the rebirth of the DC Comics reality and their connection to the world of Watchmen. While the series to date has dropped numerous hints as to this revelation and many a would-be Batman had deduced the culprit before now, this issue marks the first time that the character in question has been openly acknowledged as altering the reality of the DC Universe.

The first sign of the architect’s influence came in Justice League #50, when an unseen figure vaporized the New God Metron as well as the villains Owlman and Grid. DC Universe: Rebirth #1 ended with the mystic called Pandora suffering a similar death after she accused an unseen figure of being heartless for having created a universe without hope. The same fate awaited Eobard Thawne, The Reverse Flash, at the end of the Batman/The Flash crossover event “The Button.”

Many fans noted that all these deaths resembled the manner in which Dr. Manhattan killed the vigilante Rorschach near the end of Watchmen and that the novel had ended with Dr. Manhattan saying that he had regained an interest in human life, further stating “I think perhaps I’ll create some.”

Related: DC’s Mystery Killer Claims A New Victim

The first page of Doomsday Clock #7 recalls the origins of the first Green Lantern, Alan Scott, who gained his powers from a magical jade lamp. A narrator, whose dialogue boxes are rendered in the same shade of blue as Dr. Manhattan’s internal monologue in Watchmen, describes how Alan Scott’s empowerment led to the creation of The Justice Society of America. The narrator then describes how they changed things so the lamp that saved Alan Scott’s life was out of reach and, with his death, the JSA never came to be in this world. This narration is delivered over images of a blue insect flying around the emerald lantern, symbolic of both a moth drawn to the flame and the butterfly whose flapping wings change the world on a quantum level.

The narrator is later confirmed to be Doctor Manhattan, who is confronted by all of the characters from the reality of Watchmen who are now on the prime Earth of DC Comics’ multiverse. The action of Doomsday Clock to date has centered on Adrian Veidt’s efforts to track down Doctor Manhattan and ask him to return to their world to save it from utter destruction. When Veidt is finally able to make his request, Doctor Manhattan refuses, saying that he is “in the middle of something.”

While Doctor Manhattan does not elaborate on this point, he does suggest that he was not the original creator of the DC Comics multiverse as many suspected. He claims to have traveled to the DC Universe hoping that he might find a place among other super-powered beings. Dr. Manhattan’s plans changed, however, after he used his quantum vision to look into the future and saw himself confronted by another superhero – “the most hopeful among them. Heading toward me. Now hopeless. And then I saw… nothing.”

The end of Doomsday Clock #7 shows us this vision and which hero to whom Dr. Manhattan was referring. Though his powers normally allow him to see the hows and whys behind future events, for once Doctor Manhattan does not know what brings this battle about. Nor can Dr. Manhattan begin to guess if why he cannot see beyond this point is because that is when he dies, or if the conflict with the other hero causes him to destroy reality.

Doomsday Clock #7 is now available from DC Comics.

More: DC’s Doomsday Clock is The ‘Anti-Crossover’ Event Comic



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2018-09-26 04:09:15 – Matt Morrison

Love in the time of climate change: Indian film with a new take on romance



Eschewing the typical Bollywood storyline of young lovers facing family opposition, an upcoming Indian film instead features a couple battling climate change in order to be together.

“Kokoli”, which…Click To Continue



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Monday Films to screen ‘Tanztraume’



Organized by Beyoğlu Pera Cinema and Goethe-Institut Istanbul, Monday Films will present “Tanztraume” (Dancing Dreams) by Anne Linsel and Rainer Hoffmann at Beyoğlu Pera Cinema today at 7 p.m.

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Chinese directors to introduce Turkey’s İzmir to China



Two Chinese directors visiting Turkey within the scope of “2018 Turkey Tourism Year in China,” shot a short movie and a documentary to introduce Turkey.

Working with Shenzhen Media Group, Chinese directors…Click To Continue



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8 films debut this week



Never Leave Me

Written and directed by Aida Begic, “Never Leave Me” stars Carol Abboud, Motaz Faez Basha, Isa Demlakhi, Feyyaz Duman, Nisreen Faour and İsmail Hakkı.This Bosnian-Turkish co-production…Click To Continue



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