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Scott Wilson, Walking Dead’s Hershel, Dies at 76

Scott Wilson, who played popular character Hershel Greene on The Walking Dead, has passed away at the age of 76. Hershel memorably died on the show at the hands of The Governor, but since then, Wilson has appeared at a number of conventions – including Walker Stalker Con – and remained a favorite among fans.

Wilson started his Walking Dead journey back in 2011, when his character Hershel was introduced. His first appearance was in the episode “Bloodletting” in season 2, after Carl Grimes was accidentally shot. Hershel is able to save Carl’s life because of his experience as a veterinarian, and had been living a secluded life on his farm with his family since the outbreak. He always had a strict moral code, and cared deeply for his daughters Maggie and Beth. As the show went on, Hershel became a mentor of sorts to Rick Grimes, and provided wisdom and advice to other main characters. Wilson took part in 37 episodes of The Walking Dead, with his last appearance coming in season 4.

As first reported by Comic Book, Wilson passed away today at the age of 76. Reports of the actor’s death occurred after many people posted tributes honoring Wilson on social media, and those reports were later confirmed to be true. TMZ later revealed that Wilson “passed away peacefully at his home in L.A”. Dominic Mancini, who worked as Wilson’s rep, explained that the actor passed away as a result of complications from leukemia. Bizarrely, Wilson’s death was confirmed not too long after Hershel was confirmed to appear in season 9 of The Walking Dead.

Wilson had been a well-known actor long before his time on AMC’s hit show. Wilson started his acting career in 1967 with the film In the Heat of the Night, and later became known for roles in films like 1974’s The Great GatsbyThe Ninth Configuration, and A Year of the Quiet Sun. In the years after his time on The Walking Dead was up, Wilson appeared on the TV shows Bosch, Damien, and The OA. Most recently, he appeared in the movie Hostiles alongside Christian Bale and Rosamund Pike, as well as voiced his Walking Dead character in an episode of Robot Chicken.

Wilson’s character on The Walking Dead had a big impact on the other characters, and fans often credit Wilson’s casting as one of the stronger decisions made by the show. Many actors have come and gone during the show’s eight seasons, but none have been quite like Wilson. With season 9 looking to recapture the feel of earlier seasons,  one can’t help but look back and reminisce about Wilson’s journey on The Walking Deadand his career in general.

RIP Scott Wilson: March 29, 1942 – October 6, 2018

Source: Comic Book, TMZ



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2018-10-06 09:10:28 – Christopher Fiduccia

Leather-Jacket Superboy Finally Returning To DC

Conner Kent, the original Superboy from the 1990s is finally returning to DC Comics, and his leather jacket look is getting even more punk rock when he does. The costume may not be everyone’s cup of tea, but the long-awaited return of the “true” Superboy to an entire generation is absolutely good news.

The return of Conner Kent, a.k.a. Kon-El, a.k.a. “The Metropolis Kid” is more than just a throwback to the famous Death and Return of Superman era of DC Comics. Superboy’s reboot and return to DC continuity was announced during New York Comic Con, but he’ll be making his return under a new imprint – and with his best friends Bart Allen and Tim Drake at his side.

RELATED: DC’s New Robin is More Violent Than DCEU Batman

Conner is expected to return in January, with the trio of Young Justice stars just a handful of the larger roster of younger DC heroes being relaunched as part of Wonder Comics, a new imprint overseen by Brian Michael Bendis and targeting teenage comic readers. And with a new take on Bart, Conner, and Tim, new costumes are in order, courtesy of Patrick Gleason:

As the official designs released by DC show, Gleason isn’t straying too far from the original – some might even say dated – costume cooked up by his creators, Karl Kesel Tom Grummett back in 1993. But then, one person’s idea of outdated is someone else’s nostalgia, and the same rules applies to all three heroes included. We’ll reserve judgement until we hear the explanation for Conner’s shoulder spikes, sunglasses, Superman patches, and Solo-style hip holster in the comics themselves. What these designs will force fans to ask more than anything is how this new Young Justice will be worked into the existing canon.

DC has been dropping more and more hints about a possible return of Conner Kent’s Superboy, ever since the beginning of Rebirth started to rewrite the changes made with the launch of the New 52. When the old and new versions of Superman merged into the current version, his memories of the “Rise of The Supermen” came fading back into canon… but with Superboy nowhere to be seen. Will the launch of Wonder Comics and this new Young Justice begin to tell that story of DC canon being restored once more?

For now we would advise fans hold off on getting their hopes up. While this Superboy is featured in the Wonder Comics announcement artwork by Jamal Campbell, the cirumstances of his reintroduction are as vague as the heroes surrounding him. And Dan DiDio’s explanation of their return during a NYCC panel – alongside Bendis – implied a larger, in-the-works story may not have been the plan at all:

People have been asking for them over and over again… But we don’t want to bring them back and have nothing to do with them. It wasn’t until Brian came back and said he wanted to do Young Justice that we decided it was time to bring them back.

The confusion isn’t a sign of quality at this point, since there are likely to be just as many fans who would want a fresh start for this Superboy redux as a return of Superman’s successor (especially with Superman’s son Jonathan acting as current Superboy). And is the Bart Allen beside him the same Impulse who returned from the Speed Force in Flash War?

What lies ahead for the future of Conner Kent, Young Justice, and the rest of the Wonder Comics books has yet to be revealed. But rest assured, we’ll keep fans updated as more official details are released.

Superboy is expected to make his Wonder Comics return in January 2019.

MORE: Superboy Conner Kent Returns From a Dark Future

Source: DC Comics



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2018-10-06 09:10:26 – Andrew Dyce

20 Crazy Details Behind The Making Of E.T. The Extra-Terrestrial

It’s been almost forty years since E.T. the Extra-Terrestrial was first released, but this 1982 Steven Spielberg-directed gem is still going strong to this day with audiences of all ages. This wonderful film about a boy and his friend alien melted the hearts of all those who first watched it back in the early 1980s, and it still remains a most treasured family film. Its legacy is seen in every aspect of our pop culture, and it is regularly cited as people’s favorite film of all time. Only a director as visionary as Spielberg could take such a simple concept and transform it into a lasting cinematic treasure.

E.T. also helped transform the lives of those who participated in its making, sending a young Drew Barrymore into stratospheric fame and solidifying Henry Thomas as one of the most famous child actors of all time. There’s no doubt that E.T. will continue to leave its mark on future generations, and we can only hope that its perfection is respected without Hollywood grasping for a remake or an ill-advised, modern-day sequel.

If you’re a fan of this classic film or if you’re a Steven Spielberg aficionado wanting to know his tricks of the trade, you’ll be fascinated by the secrets that went on behind the scenes during the movie’s making. From the movie’s conception based on Spielberg’s life to the inspiration behind E.T.’s famous face, we have all the facts you’ll want to know about this iconic film.

With that in mind, here are 20 Crazy Details Behind the Making of E.T. The Extra-Terrestrial.

20 Henry Thomas Brought Up His Tragic Past For His Audition

Landing the role of Elliott in E.T. unquestionably changed child actor Henry Thomas’ life. Having only previously done a couple of small movie parts in 1981, Thomas all of a sudden became the most famous kid in the world thanks to his on-screen adventures with his alien co-star.  

According to the Mirror, Thomas was only nine years old when he landed this role of a lifetime. In order to secure himself the part, during the audition the young actor drew upon the traumatic experience of seeing his pet dog attacked by his neighbor’s dog, which brought on real tears. Spielberg and the casting directors were immediately impressed. Being able to call upon real emotion showed the director that he could definitely act, and solidified Thomas as a genuine child talent.

19 Drew Barrymore’s Vivid Imagination Got Her Her Role

Drew Barrymore has been on the Hollywood scene for a long time, but her first big start on screen was in E.T. playing the part of Gertie. According to an interview on Ellen, Barrymore revealed that she wasn’t originally even going to audition for E.T. During her interview, Barrymore explained how she was actually trying to get a part in Poltergeist, but the director wasn’t there that day. Instead, Poltergeist’s producer, Steven Spielberg was there in his place.

She told Ellen: “I was six, and I lied my face off. I told him I was in a rock ‘n’ roll band, that I was a drummer, that I was a cook.”

After her audition, Spielberg said she wasn’t quite right for Poltergeist, but that he’d love to have her come in and audition for another project he was working on. Sure enough, he called her up soon after and gave her the part of Gertie in E.T.

18 It had a very boring title at first

When a movie becomes a huge hit, especially one that continues to garner success decades and generations after its first release, it’s hard to imagine it separately from its title. Indeed, the title of a movie becomes its first point of cultural consciousness, and there are those that last the test of time, and those that don’t.

Mention E.T. The Extra-Terrestrial to anyone and they’ll know exactly what you’re talking about. It’s not only a memorable film title, it’s also become so deeply ingrained in our collective pop culture that we all know what it is even if we haven’t seen it. Well, E.T. might have faded away in the land of forgotten films, had they gone with the original title, A Boy’s Life, as noted by The New Yorker. While there’s nothing inherently wrong with A Boy’s Life, it’s not half as memorable as E.T. The Extra-Terrestrial.

17 Harrison Ford Shot a Cameo

While Spielberg was working on getting things ready to begin filming E.T., he was still in the process of filming Raiders of the Lost Ark, which, of course, starred Harrison Ford as Indiana Jones. Ford dating Melissa Mathison, who was the scriptwriter for E.T., at the time.

Because of his friendship with Spielberg and his relationship with Mathison, Ford agreed to make a cameo appearance in the film.

According to Entertainment Weekly, Ford’s bit part was supposed to be a kind of a joke as he was going to play against his usual type, here as an uptight school principal who would scold Elliott after the frog-releasing scene. In the final edit, the decision was made to cut the Ford scene as it didn’t fit in with the rest of the movie and it was thought Ford’s presence would be too distracting from the story line.

16 M&M’s Were Supposed To Be E.T.’s favorite candy

Reese’s Pieces surged in popularity after the release of E.T.. The candy was featured in the scene where Elliott tries lays a trail of candy to lure E.T. back to his house. Many people back then, and now for that matter, might have thought it strange that Elliott used Reese’s Pieces.

Well, according to Business Insider, the reason for the choice of sweet was down to the fact that M&Ms had refused the production permission to use its brand in the film. Culinary Lore also states that Mars Inc., which owned M&Ms, refused the filmmakers the right to use the candy because it didn’t want to be associated with aliens. This was clearly a bad call, as after the release of E.T., sales of Reese’s rose exponentially, topping the numbers sold of M&Ms for the first time ever.

15 E.T.’s Face Was Modeled On Some Famous People

E.T. is one of the most recognizable movie characters in history and one of the cutest, albeit weirdest, examples of an on-screen alien. No character had, or has since, looked like like this singular creature, and its aesthetic is all thanks to Spielberg and his incredible designer Carlo Rambaldi.

Rambaldi created the aliens for Close Encounters of the Third Kind, and his talents were once again put to use in E.T.

In a special featurette called The Making of E.T. The Extra-Terrestrial, Spielberg reveals: “I remember saying to Carlo, here’s some pictures of Albert Einstein, Ernest Hemingway and Carl Sandburg. I love their eyes, can we make E.T.’s eyes as frivolous and also wizened and as sad as those three icons.” Based on these famous celebrities, we have the E.T. we all know and recognize.

14 E.T. Was Played by Three Different Actors

With today’s technology, it would be a fairly easy task creating a CGI alien to act as the main part in a blockbuster film. However, when E.T. was being made in 1982, things were not so simple According to The Vintage News, creating a believable, friendly alien back then took three mechanical puppets as well as three actors, one of whom was a young 12-year-old boy who had been born without legs.

There wasn’t always someone wearing the suit in every scene, as often E.T. was being controlled by a team of mechanical operators. However, when the alien was required to walk or move about, a small person was often behind the movements. Watching E.T. today, the alien might seem like quite a basic piece of engineering, but back then, Spielberg and his team were making technological strides.

13 Drew Barrymore Thought E.T. Was Real

Drew Barrymore was only six years old when she played the part of Gertie in E.T., and even though she was already developing into a bright, young, talented actress, she was still very much at an age where imagination and make-believe can cloud reality. Barrymore’s acting is fantastic in the film, especially for someone so young, but her great reactions to things on screen could be down to the fact that she believed E.T. was a real alien.

 The cast and crew encouraged her to believe E.T. was really alive, and she seems to have taken the bait completely.

In a behind-the-scenes featurette for the movie, Elliott actor Henry Thomas reveals: “Drew, she’s imaginative. She introduced E.T. to her mom and said ‘He’s just a little shy now. He doesn’t want to talk to you right now but he’s just a little shy.’”

12 E.T.’s Voice Comes From Raccoons, Otters, Horses, and Burps

E.T. is one of the most imitated movie characters, with people of all ages having tried at one time or another to impersonate the alien’s singular speech patterns. If you listen closely, you’ll hear that there are a lot of different elements and sounds to the alien’s voice. This wasn’t achieved by employing one spectacularly gifted voice recording artist. Instead, as we learn from the BBC, it was a talented sound designer, Ben Burtt, who collected noises from an entire array of sources and put them together to create E.T.’s voice.

As Burtt tells the BBC: “I created the voice for E.T. out of many different things, about 18 different people and animals and sound effects. There are raccoons in there, there are sea otters, there are some horses, there’s a burp from my old cinema professor from USC.” They also used the voice of a chain-smoking housewife.

11 Spielberg Dressed As A Woman On Set

Being around such a young cast, Spielberg had to ensure that there was enough fun and playfulness on set. In The Making of E.T. The Extra-Terrestrial from 1996, we learn that the director definitely didn’t take himself too seriously while on set. Apparently, around Halloween, Spielberg came to set dressed up as a lady school teacher.

As Henry Thomas remembers: “Halloween was great. He directed the whole day like that, as an old lady.”

Spielberg adds: “I didn’t have children back then in the early 1980s, and you know suddenly I was becoming a father every single day, I felt like a father and it felt good.” Spielberg certainly knew how to keep spirits high on his set, and his kind, playful personality has left wonderful lasting memories on his cast and crew.

10 A Mime Was Hired To Move E.T.’s Arms

In The Making of E.T. The Extra-Terrestrial, we learn that it took a lot of work to create the alien we all know and love. Aside from having a whole team of mechanics working to ensure the creature looked real, Spielberg also hired a mime to help out E.T.’s gestures.

The director reveals: “When I saw the mechanical arms, they were really great but they were very jerky when they worked. The fingers would move, but almost too thoughtfully. And I felt E.T.’s got to have almost balletic arms, almost like the hands of a mime. So I just put it out there, can we hire a mime and we’ll put the E.T. hand makeup on a mime’s hand so the artist can really be artistic about picking things up and touching themselves and reaching out. So this is where this wonderful mime artist came to work with us.”

9 The Original Ending Was Very Different

When a movie is as beloved as E.T. is, it’s hard to imagine it being any different. Grown men and women still weep when thinking about the emotionally-charged final scene, but we could have ended up an alternative ending had Spielberg gone with his original idea.

According to actor Michael MacNaughton’s interview in Express, “The last scene was going to be all of us playing Dungeons & Dragons again, except this time, Elliott’s the dungeon master. Because he was the one that found ET, he sort of got in with the group. […] And then they would pan up to the roof and you’d see the communicator and it’s still working — in other words, Elliott is still in touch with E.T. But after they did the score and they saw what they had with the spaceship taking off and everything… How can you follow that? I mean, it was a wise choice.”

8 There Was A Dark Sequel Planned

Because E.T. did so unexpectedly well at the box-office, it’s a wonder why there was never a sequel released. Had the movie been made today, it’s almost certain that Hollywood would have tried to make it a franchise. Well, according to Syfy, there was actually a story treatment for an E.T. sequel, but it was so terrible that it never got made.

Apparently, its dark tone was done on purpose.

Spielberg was reportedly completely against the idea of a sequel to his 1982 film, saying: “Sequels can be very dangerous because they compromise your truth as an artist. I think a sequel to E.T. would do nothing but rob the original of its [purity].” Who knows, maybe someday someone will dust off the draft and attempt to make it, but Spielberg will certainly be the first to veto the project.

7 They shot the movie in chronological order for the kids

It’s a well known fact that most large-scale film projects aren’t filmed in chronological order. Due to shooting schedules, location requirements, and budget factors, it’s usually not possible to film in script-order. Well, E.T. is one of the very few exceptions to this usual Hollywood practice, as Steven Spielberg insisted that the scenes be shot chronologically.

According to TIME, Spielberg made this unorthodox decision in order to help his younger cast. The director explained: “I insisted on shooting the film in complete continuity so the kids knew, emotionally, where they had been the day before, and they pretty much didn’t have any idea of where they were going the next day. So, like real life, every day was a surprise – Drew, Henry Thomas and Robert really believed that this was happening to their lives.”

6 Robert MacNaughton’s Dungeons & Dragons love got him his part

Robert MacNaughton played Elliott’s older brother Michael in the movie, and he revealed to Express that a childhood pastime of his helped land him the role. Apparently, E.T.’s screenwriter Melissa Mathison was a huge fan of Dungeons & Dragons and she was always playing it with her then husband Harrison Ford at their house.

This explains the game at the start of the film, where we see Elliott trying to join in playing D&D with Michael and his friends.

MacNaughton revealed that he too was an avid Dungeons & Dragons player, and when asked by Spielberg what his hobbies were, he told the director about his love of the game. Spielberg seemed pleased that MacNaughton’s hobbies fit with his character Michael’s pastimes, and the role became his shortly after.

5 The Film Was Shot From A Child’s Point-of-View

One of the things that you may not have noticed while watching E.T. is the fact that is is filmed from a child’s point of view. According to Filmsite, the movie was deliberately shot from a lower-angle in order to encourage younger audience members to identify more easily with the child characters on screen. It also helps adults put themselves back into the shoes of a child, encouraging them to remember how scary and threatening the taller, bigger world of adults can really be for a kid.

In fact, the only adult we ever see in full is the mother, Mary, who was played by Dee Wallace.

Otherwise, most of the other grown-ups in the movie are seen from the waist down, the way a child would see the world in front of them.

4 Real Doctors And Nurses Were Hired As Actors

E.T. is a very emotional movie. From the burgeoning friendship between Elliott and E.T. to the ending when we face the teary goodbyes between these unlikely friends, the movie is rife with sentiment. One of the most poignant, dramatic scenes is when E.T. and Elliott are lying side-by-side in the makeshift medical facility at their house, both fading away while doctors and nurses try to revive them.

According to People, the medical staff we see looking after these two friends were actually real-life medics. Spielberg contacted the UCLA Center for the Health Services in order to get information on cardiopulmonary resuscitation, and he was referred to a specialist. Wanting the scene to look as real as possible, Spielberg got real-life medical staff to play out the scene in order to simulate the chaos that really happens in emergencies.

3 E.T. was inspired by real children

E.T. is one of the most lovable incarnations of an alien to grace our screens.

Part of this androgynous creature’s charm is the fact that there’s so much goofiness and childlike innocence to it.

Well, this sweet naivete, as well as E.T.’s powers, were actually inspired by the screenwriter’s interactions with children. As Melissa Mathison tells us in The Making of E.T. The Extra-Terrestrial: “Many of the scenes from the movie come from my own experience being with children. For instance, what children would like [E.T.’s] powers to be. A lot of the children would mention the obvious of telepathy or telekinetic powers but I was struck by the fact that several of them mentioned that they would like this magic creature to be able to heal. And I thought it was such an incredibly poignant idea to come from a child.”

2 Spielberg Didn’t think E.T. Would Make A Lot of Money

According to Business Insider, E.T. The Extra-Terrestrial is the fourth highest-grossing movie of all time– not too shabby for a low-budget film about a boy and his alien pal. While the movie became a immense success and has been hailed as the most successful film to come out of the 1980s, Steven Spielberg didn’t think it was going to be a hit with audiences.

Speaking in The Making of E.T. The Extra-Terrestrial, the director said: “I think E.T.’s not going to make a lot of money, I think I’m making a movie that is only going to appeal to kids. I said I’m probably making a big mistake, I’m going to make an old-fashioned Walt Disney movie about an alien and a kid and that’s all it’s going to be.”

1 The Movie Was Inspired by Spielberg’s Lonely Childhood

It’s always interesting to find out how some of our favorite movies came about, but no one would ever expect that Spielberg’s tale of a boy and an alien would stem from his own childhood experiences. In an interview with director James Cameron for People, Spielberg admitted that E.T. was “never meant to be a movie about an extra-terrestrial,” but instead about something very personal.

“It was supposed to be a movie about my mom and dad getting a divorce,” he explains.

“So I started a story, not a script per say, but I started writing a story about what it was like when your parents divide the family up and they move to different states.” Eventually, the idea for a boy and an alien friend developed from this, and the rest is E.T. history.

Do you have any other trivia to share about E.T. the Extra-Terrestrial? Let us know in the comments!



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2018-10-06 04:10:51 – Steph Brandhuber

Twilight: 20 Things About Bella And Jacob’s Relationship That Make No Sense

The Twilight Saga dominated the teen world for years even after both the books and the movies were released. When the first book came out, neither Stephanie Meyer nor fans of the novel expected it to blow up into the pop-culture phenomenon it became. No matter where someone turned, a vampire or werewolf would be there to greet them. It was either immensely loved by fans or abhorred by people who just wanted the series to be over with. Either way, it was inescapable.

Part of the draw of Twilight was the divide between Team Edward and Team Jacob. The love triangle spawned intense debates among passionate fans. While a lot of fans favored Edward, who Bella inevitably chose in the end, Jacob had his fair share of supporters as well.

Despite all of the support, Jacob and Bella certainly had their own set of issues. If she had chosen Jacob, it definitely wouldn’t have been picture perfect, just like her relationship with Edward was flawed at times. While it’s easy for fans to believe Bella and Jacob were an ideal romantic pairing, their were some strange aspects of their relationship.

From controlling behavior to imprinting on babies, here are the 20 Things About Bella And Jacob’s Relationship That Make No Sense.

20 Bella Treats Jacob Like A Backup Plan

In New Moon, a lot of fans began to argue that Bella clearly has feelings for Jacob. As the series continue, that only became clearer, especially when she asked Jacob to kiss her in Eclipse. Despite being in love with Jacob, Bella constantly chooses Edward over him.

She can’t help what her heart wants, of course, but she continues to dangle her love in front of Jacob even though she knows it’s hurting him that she’s choosing Edward.

It’s like she’s keeping Jacob around and toying with his emotions in case it doesn’t work out with Edward. In New Moon, she only hangs out with him because she can’t be around Edward anymore, and continues with this behavior throughout the series.

19 Jacob Has Nice Guy Syndrome

Often times, Jacob comes off as the understanding, compassionate alternative to Edward. While he appears to be sweet and patient, he’s actually possessive and whiny a lot of the time when it comes to Bella. He would be understanding in order to try and get Bella to choose him, but when she would choose Edward, he would storm off in a fit of rage and try to guilt her into feeling bad. He would act like she owed him something more than her friendship.

Despite Bella clearly choosing Edward multiple times, he would always act surprised and hurt when she told Jacob she just wanted to be friends. Many fans believe that he’s sweeter than Edward, but both characters tried to manipulate her emotions.

18 Jacob Is As Dangerous As Edward

When Jacob tries to encourage Bella to choose him instead of Edward, he continues to insist on how dangerous the Cullens are, despite being dangerous himself.  While Edward is a bloodsucking vamp, Jacob is a werewolf with rage issues who spends his time fighting vampires. Choosing him over Edward wouldn’t be a much safer decision. Even if Edward and Bella had never met, vampires still would have been in Forks causing Jacob to shapeshift.

Even without the Cullens, threatening vampires like James would still be a threat that the wolves would have to fight, putting Bella in danger.

It doesn’t make sense to paint Jacob as the safer choice when werewolves are known to get into supernatural entanglements and lash out at those they love in anger.

17 They Have Zero Chemistry

While in the books it can be hard to gauge the chemistry between characters, in the Twilight movies, it was easy to see the lack of chemistry between many of the actors, including Kristen Stewart and Taylor Lautner. Though he was supposed to long for Bella while she secretly held feelings for him and didn’t want to admit it, it was hard to tell from their acting alone.

While the dialogue and their actions may have showed their feelings, the chemistry between them felt forced.  There have also been complaints that Robert Pattinson and Stewart also lacked chemistry. It doesn’t make sense to cast actors to play these characters in a love triangle who don’t play it believably.

16 Jacob Would Have Taken The Life Of Bella’s Baby

A lot of Jacob fans think he’s the warmer, more understanding man in Bella’s life, but there were moments when he acted even colder than Edward, like when decides he wants to take the life of Bella’s infant, despite her clear love for her child. It’s understandable that he’s angry that Bella’s life would end because of the child, but deciding to take the life of the woman he love’s baby is messed up regardless of his reasons.

Yes, Renesmee is technically a monster, but she’s still just a baby.

Before that, he pushes Bella to get rid of the baby and grows incredibly angry when she refuses, despite it being her child and not his. It’s really messed up to want to take the life of an infant, even if the same infant is the reason Bella perishes.

15 Jacob Tries To Control Bella

While a lot of people don’t like the way that Edward tries to control Bella, Jacob’s possessive behavior isn’t much better. Like Edward, he’s constantly trying to manipulate Bella’s feelings and actions. Their relationship has some abusive undertones. Jacob acts as if Bella can’t make her own decisions and is extremely overprotective. When he doesn’t agree with her choices, he’ll yell at her, become aggressive, or run away because he didn’t get his way.  

He even forcibly kisses her to try and convince her she feels something for him. While he’s easy-going and understanding on the surface, he’s controlling when he gets upset. The men in Bella’s life both try to manipulate her like she’s not capable on her own.

14 Bella Won’t Let Him Move On

While Bella does realize that she harbor’s feelings for Jacob, she still chooses Edward, over and over again. It’s clear that she will never decide to be with Jacob. Despite this, she continuously inserts herself into his life, which only causes him pain. Jacob eventually makes the decision to cut Bella out of his life in Eclipse because it’s too painful for him. Bella won’t accept that choice and selfishly tries to keep him in her life, but just as a friend. 

This is a big reason why Jacob grows more frustrated and angry with Bella when she keeps choosing Edward.

She is giving him false hope so that he can never fully move on, which isn’t fair to him and causes his unfair attitude towards her.

13 Jacob Yells At Her At Her Wedding

It’s totally understandable that Jacob wouldn’t want to watch the woman he loves walk down the aisle towards another man, but when he eventually does decide to show up, he ends up yelling at the bride on her wedding day.  He appears without warning and dances with Bella. Just when it seems like the two will be able to get along without arguing, he finds out that Bella will consummate the marriage despite Edward being a vampire.

This causes him to explode in anger at Bella. It’s hard to tell if it’s just fear for her life that makes him angry because he may also be reacting in jealousy. Regardless, he shouldn’t have shown up at her wedding when he clearly isn’t comfortable with Bella being with Edward.

12 Bella And Her Daughter Will Love The Same Man

It was strange enough when Jacob imprinted on Bella’s daughter, but it became even more uncomfortable when fans realized that Renesmee will likely kiss the same man who was in love with her mother one day. Bella and her daughter will one day have been romantically involved with the same man.

It’s also very likely that Renesmee will grow up to resemble her mother, which will have to be strange for Jacob.

It does seem that while Renesmee is still a child, Jacob and Bella have pushed the imprinting argument aside, but it’s bound to cause conflicts one day in the future. It’s not quite inappropriate, but it’s way too weird for most people’s comfort.

11 Jacob Is Closer With Bella’s Dad Than She Is

Throughout the Twilight movies, Bella repeatedly tells Edward how important Charlie is to her. However, her actions don’t seem to match her words. Even Jacob seems to be closer with Bella’s dad than she is.  Especially in the later movies, Jacob is seen with Charlie more than Bella is. He’s even the reason why Charlie gets to continue to have a relationship with Bella after she is turned.

When she and the Cullens plant to leave Forks, Jacob brings Charlie to Bella to get her to stay.  Without Jacob, Charlie would have lost his daughter forever. Even if Jacob did it for selfish reasons, he helps Charlie have a relationship with his daughter when she just planned on running away and hurting him.

10 Jacob Was Attracted To Bella Because Of Her Baby

From the moment Jacob saw Bella in the first Twilight film, it was clear that he was attracted to her. He continued to have feelings for Bella up until she had her baby, Renesmee. He imprinted on her immediately. Renesmee will also grow up to look a lot like Bella with her identical eyes and long, dark hair.

Since Jacob was into Bella before she was even pregnant, it could have been an attraction to her genetics and the child she would eventually create.

Jacob’s entire basis for falling for Bella may have been because his werewolf genes could sense that she would create the person he would eventually imprint on. The entire premise of imprinting on the woman he love’s child is too much of a weird coincidence.

9 Bella’s Anger At His Imprinting Is Hypocritical

When Bella first learns that Jacob is a werewolf, she’s intrigued by the concept and asks to learn more about the Quileute culture, including imprinting. While she’s a little unsure about the concept of imprinting at first, she comes around to it after Jacob explains that even if they imprint on a young girl, like Quil, who imprints on a two year old, their feelings won’t be romantic until she is of age.

Despite accepting this, she goes insane when she learns that Jacob has imprinted on her daughter, Renesmee. While it’s certainly a creepy situation, she was okay when it was someone else’s young child. Why not her own? It’s pretty hypocritical and doesn’t make much sense.

8 Jacob Is More Like Edward Than Bella Thinks

A big driving force in the Bella/Jacob/Edward love triangle is that Edward and Jacob are different. One is a vampire, the other a werewolf. Really, though, they aren’t as different as Bella and some fans want to believe. 

Both men love Bella in a possessive, overprotective way and try to tell her what’s best for her while ignoring her own opinions.

Edward follows her around and aggressively guards her, while Jacob pushes her to leave Edward to the point of lashing out in rage and running away. Sure, they have very different hobbies, with Edward being into books and classical music and Jacob being into action movies and motorcycles, but it seems that Bella has a thing for controlling, unstable men.

7 They Don’t Respect Each Other’s Choices

Throughout Twilight, Jacob and Bella never seem to be on the same page despite being “best friends.” Bella never really respects Jacob’s decisions and he is constantly telling her what she should think and do. Whenever Bella decides to be with Edward, Jacob tells her how wrong she is and tries to manipulate her into choosing him instead rather than accepting her decision.

Bella, also, refuses to respect Jacob’s decision to cut off his relationship with her because it’s too painful for him. She continues to insert herself into his life anyway.  They’re supposed to love each other, but refusing to respect one another is a strange way to show that love. It doesn’t make sense to treat the person you care so much about like a child who can’t make his or her own decisions.

6 Jacob Starts A War For Her

Despite all that happened throughout the first three Twilight installments, Jacob is still ready to perish for Bella in Breaking Dawn. Not only that, but he’s also willing to take lives and start wars in order to save her life. He was always a loyal pack member, but when he learned that Sam was going to take Bella’s life along with her future child’s, Jacob left the pack and started his own in order to save her life, causing a deep rift between the wolves.

Not only that, but he also was ready to stand by the Cullens when the Volturi came, despite them being a major threat to his own life, in order to protect both Bella and her daughter.

That’s a lot of sacrifice to make for a woman who didn’t choose to love him back.

5 Jacob Can’t Give Bella A Normal Life

While Jacob was once human, by the time the second book rolled around, he was transitioning into a shapeshifting wolf. Despite this, part of his reasoning why Bella should choose him is because she could stay human and live a normal life. However, dating a werewolf isn’t exactly a normal human thing to do.

Yes, Bella wouldn’t turn into an immortal vampire if she chose Jacob, but she would still be choosing to date a supernatural creature who brings danger into their lives. The wolves also don’t age as long as they’re still shifting, so Jacob would most likely outlive Bella if she were human. His reasoning about why she should choose him don’t always make sense.

4 If It Weren’t For Edward, They’d Be Together

If the Cullens hadn’t decided to settle in Forks, Bella’s love life would have been drastically different. She likely would have ended up with Jacob.  Their two families are very close, so they would have been spending a lot of time together. It’s clear that the pair has chemistry and they are attracted to each other.

Without Edward, she also wouldn’t have had Renesmee, so he would never have imprinted on her child.

Instead, he would stay in love with her. It seems clear from the books that if Edward weren’t around, she would have ended up with Jacob. It’s weird to think that their relationship could have been drastically different without one character being around.

3 Jacob Kisses Bella Against Her Will

While Bella does eventually kiss Jacob willingly, their first kiss wasn’t exactly consensual.  Jacob has always been a bit frustrated with Bella, but he took things too far when he grabbed her and forcibly kissed her on the beach. In the book, she even says that she shut down and didn’t reciprocate the kiss. Afterwards, she calls him an idiot and punches him.

While it was laughed off as a joke, it really wasn’t okay for him to kiss or grab her without her consent. Even Charlie laughs at the concept when Bella is obviously upset. It’s brushed aside like no big deal but it shows that Jacob has some control issues. It doesn’t make sense to romanticize the encounter like it was nothing when it was technically assault.

2 Bella Treats Jacob Like A Child

Edward and Bella’s age difference has always been weird. It doesn’t matter if he looks seventeen– she’s a teenager and he is over one hundred years old. Despite their very large age difference, she constantly jokes like Jacob is way too young for her.

While Bella and Edward’s age gap spans multiple decades, she and Jacob are only two years apart.

She acts like he is ridiculously younger than her when they really have way more in common than she and Edward do, and a lot of that has to do with their ages. It just doesn’t make sense to treat Jacob like a child when she should look like a child in Edward’s eyes.

1 Jacob Imprints On Bella’s Daughter

One of the strangest aspects of Twilight is Jacob’s imprinting on Renesmee. There’s no way to spin it without it being a little bit uncomfortable. Fans have been upset by the concept since they read the final book.

While she’s a baby, the feelings are platonic and protective, but it seems clear that everyone is banking on the pair being romantic once Renesmee is of age. When she’s older, Jacob will be in love with her after helping to raise her. To make things weirder, he’ll have to explain how he was once in love with her mother. There are so many potential endings that could have been written for Jacob, but this is the one that makes the least amount of sense to fans.

Are there any other aspects of Bella and Jacob’s relationship in Twilight that make no sense? Let us know in the comments!



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2018-10-06 02:10:53 – Britt Poteet

Star Trek’s New Spock Revealed in Discovery Season 2 Trailer at NYCC

A new trailer for season 2 of Star Trek Discovery debuted at New York Comic-Con this weekend, offering a first look at Ethan Peck as Spock and promising a universe full of new adventures. The panel also confirmed that the show is set to return to CBS All Access in January 2019.

Starring Sonequa Martin-Green as disgraced Starfleet officer Michael Burnham, Star Trek Discovery premiered last year on CBS before moving exclusively to CBS All Access, to encourage fans to sign up for the streaming platform. Season 1 was a wild ride, featuring a giant space tardigrade, the Mirror Dimension, and a major character twist. It also ended on a tantalizing cliffhanger, with the Discovery receiving a distress signal from none other than Captain Christopher Pike of the USS Enterprise.

Related: Star Trek Discovery Klingon Look Will Change In Season 2

Anson Mount (Inhumans) joins Star Trek Discovery season 2 as Captain Pike, while Michael’s adoptive brother Spock will be played by Ethan Peck (The Honor List). Given that both of these characters have a long history in the Star Trek franchise, fans have been eager to see Discovery’s take on Pike and Spock – and now they finally can. Also revealed in the trailer is Rebecca Romijn (X-Men) as Number One, telling Pike to “be careful.” Check out the trailer for Star Trek Discovery season 2 below:

In addition to revealing Spock in the trailer, CBS also shared an official photo of Peck’s character:

There were plenty of interesting reveals during the Star Trek Discovery panel at NYCC, including the tidbit that the home planet of Saru’s (Doug Jones) species, the Kelpians, is called Kaminar. The crew will visit Kaminar in season 2, and we’ll get to meet Saru’s sister, Sarana. Saru had a complicated relationship with Michael in season 1 – acting coldly towards her after her act of mutiny, but eventually warming to her again and growing to respect her strong moral compass. The season 2 trailer indicates that Saru and Michael will grow even closer in a clip where Michael holds Saru’s hand and tells him, “You are my family.”

The trailer also sets up a season 2 arc related to Spock and Michael having visions of a “Red Angel,” which is apparently the “biggest mystery of the season” and “appears to Burnham at a very critical moment.” The Red Angel may be connected to the seven signals mentioned in the trailer, but Martin-Green and Peck stayed tight-lipped when asked for more clues about what these mean. Color us intrigued…

More: Star Trek ‘Runaway’ Trailer Teases a Spooky Discovery Short Story

Star Trek Discovery season 2 will premiere on CBS All Access in January 2019.



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2018-10-06 02:10:28 – Hannah Shaw-Williams

A Star Is Born’s Ending Is Bad (And Always Has Been)

WARNING: Major spoilers for A Star Is Born

A Star Is Born‘s ending undoes what could have been a Hollywood classic – but that’s not exactly Bradley Cooper’s fault. From its first version in 1937, A Star Is Born has always had a problematic resolution to its story, one that’s only got worse over the past century, and this latest version is no different.

A Star Is Born is a classic story that Hollywood loves so much it’s told it four times (with a suspiciously-similar earlier version, several failed attempts and many, many imitators). A top-of-his-game star (in 2018, Bradley Cooper’s rock star Jackson Maine) is suffering from alcoholism and in a stupor discovers a struggling artist (Lady Gaga as Ally, a waitress moonlighting in a drag bar), falling in love with both her and her talent. He provides her with a big break, sending her fame into the stratosphere just as his addictions begin to derail his career. The pair marry, but despite their love things begin to fray.

Related: Read Our A Star Is Born Review

It’s a tale of rags to riches, of falls from grace, of the power of love, and personal identity within all of that. And, for much of the runtime, A Star Is Born 2018 is genuinely a great version of all those stories. Gaga’s first major concert leaves you floating, Cooper shows mental affliction with grace, both perform their songs incredibly (to actual live crowds, no less), and are utterly believable as troubled lovers. It is, for much of its runtime, a very good film worthy of that deafening hype.

However, everything implodes into a black hole of pretentiousness as what could have been a great film its own right has to follow through on being called A Star Is Born

  • This Page: The Problem With A Star Is Born’s Ending
  • Page 2: A Star Is Born’s Ending Has Always Been Bad
  • Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

What Happens In A Star Is Born’s Ending

We’ll stick with Cooper’s take for now before going deeper into the past. A Star Is Born‘s third act is kicked off by Ally winning the Grammy for Best New Artist – a major step for her career, undercut entirely by Jack drunkenly taking to the stage with her and relieving himself on live TV. He goes into rehab and she wrestles with where her focus should lie, eventually deciding to try and protect her recovering husband. She cancels her European tour when her agent, Rez, blocks the duo playing together.

As a result, Jack kills himself. He’s confronted by a seething Rez who has no sympathies or expectations of sobriety and states outright Jack’s ruining his wife’s career. When she matter-of-fact states the tour cancellation, he sees the impact of his actions and, while she plays a concert, he hangs himself in their garage.

Related: Every Song On A Star Is Born’s Soundtrack

This breaks Ally at first, leaving her emotionally distraught, before her understanding the meaning of Jack’s sacrifice – to enable her to truly become the star he always saw – helps her pull through. The film ends at a tribute concert in Jack’s memory. “My name is Ally Maine.” she declares before singing “I’ll Never Love Again”, a song based on their relationship they wrote together while he was recovering. A flashback shows the pair singing, she looks through the camera at the audience, the end.

Why A Star Is Born’s Ending Is Bad

Removing the ending of all presentation and self-imposed importance (a character looking into the camera at the end is an overused trope that Cooper simply doesn’t earn), in just writing down the events of A Star Is Born its problems should be obvious.

Jack decides to kill himself to save his wife, committing suicide because it’s the only way to set her free. This comes about two hours into a film which has slowly built up its numerous interpersonal relationships, and so comes as a drastic and rather unearned turn. Now, there is an argument to be made about accuracy to the unpredictability of mental illness, but given the intimacy audiences had with both Jack and Ally up until this moment, that doesn’t fit with the rest of the film. A Star Is Born, plainly, presents suicide as the only way out. It’s meant to come across as a selfless act but still values success as a true route to happiness, meaning anything emotional about the “gesture” is laced with hypocrisy.

But it’s what comes after and Ally’s coming to terms with her loss that’s so disquieting. For all her innate talent being the drive of the story and her freely made decision to step back what motivated Jack to kill himself, the final scene makes everything about Jack; the mononymous singer for the first time takes on her husband’s surname at his concert, where she performs a song that he helped her write in her original singer style. The suggestion is meant to be that Jack was holding her back, but in the shadow of the previous two hours the strange implication is that the act of a true star being born came from the adversity of Jack’s sacrifice. Making Ally’s success symbiotic to her dead husband is already heavily in the text of the film, but the final scene makes her final ascension even more indebted to his drastic act.

It’s hard to not read A Star Is Born‘s ending as trivializing suicide down to a plot point to give the fundamentally broken male lead the defining role in its female protagonist’s arc. It’s a weird move to make in 2018, although don’t believe this is just the product of an 80-year-old movie being remade. There’s something flawed at the heart of A Star Is Born.

Page 2: A Star Is Born’s Ending Has Always Been Bad

The True Story Behind A Star Is Born’s Ending Explains The Problem

There have been four versions of A Star Is Born: the 1937 Hollywood-skewering original starring Janet Gaynor and Frederick March, the 1954 musical starring Judy Garland and James Mason, the 1976 shift to the music industry with Barbra Streisand and Kris Kristofferson, and the latest Cooper/Gaga release. Each one has its own quirks, but all endeavor to tell the same story of love and fame intertwined, and all have the same basic ending. But the 1937 version isn’t the start. While A Star Is Born‘s narrative is a fiction, it’s very much based on truth; each movie is rooted heavily in the entertainment industry of the time – Hollywood for the 1937 and 1954 versions, music for 1976 and 2018 – and aims to tell an encapsulating story. There are some real-life events that inspired it.

The established star falling for an unknown as she climbs to the top was seen in actors Barbara Stanwyck and Frank Fay’s relationship, with the pair marrying in 1928 when the former was an unknown after starring in a Broadway show together. Their marriage fell apart after she rose above him and he fell into alcoholism. They separated in 1935 after seven years of marriage, two years before A Star Is Born was released. This appears to have been composited with the death of silent film actor John Bowers, who died at sea in 1936 after failing to win a part (whether it was a suicide or not is unclear). There are others (as we’ll see) but these are regarded as the ones who powered the 1937 version.

Related: Lady Gaga Fans Are Trolling Venom With Fake Bad Reviews

Of course, there’s one key distinction between inspiration and movie: in real life, it was two unrelated stories. There are the famous lovers who piggyback success and the past-it star who takes his own life, but in all cases these two aspects are entirely independent; the woman goes on to greater success by cutting the man out, while elsewhere another man falls from grace. Both stories epitomize Hollywood together, and taken alongside each other rather than melded have an ingrained believability. A Star Is Born trades that for something more streamlined in having the suicide be the culmination of the romance, but it’s also idealistic and wistful, losing the real moral of either.

This is reflected in what is regarded as a proto-Star Is Born, the 1932 film What Price Hollywood? Released five years before the 1937 version and produced also by David O. Selznick (and directed by George Cukor, who was approached for the first A Star Is Born and directed the first remake), this is regarded as something of a dry run at the story. Obviously from the release year it can’t share the same real-life inspirations (although, because this is the Golden Age of Hollywood, there are others pointed to), but the core concept and even smaller story beats are there, albeit with one massive difference: the leads are not romantically involved. Lowell Sherman’s Max drunkenly finds Constance Bennett’s Mary and helps make her a star, eventually killing himself after he sees realizes how far he’s fallen and is hurting his friend, while Mary’s suffers an ill-fated marriage that breaks down due to her absences filming and is reconciled at the end.

Watched today, What Price Hollywood? has a cynicism about the film industry ahead of its time despite ultimately being a movie romanticizing Hollywood – and at the core of this is the tragic story of Max and its impact on Mary’s life. The title question is apt.

How The Remakes Have Tried To “Fix” The Ending

In contrast to What Price Hollywood?, A Star Is Born 1937 carries a self-awareness and charm, but in bridging the romantic and the career side of protagonist Esther creates the problematic suicide reading. It’s not helped by dated elements, including the defining part of Esther’s ascension being the actress known as Vicki Lester taking on her husband’s name with a declaration “This is Mrs. Norman Maine“. It works given the time period, but even 16 years later needed an update.

Related: Watch the Trailer For A Star Is Born

The 1954 version is, for the most part, a beat-for-beat remake, just with dance number expansion to make it a musical, but it does make some strides to justifying the ending. The toll that caring for a drunk has on Judy Garland’s Vicki Lester is shown gradually, most upsettingly in an off-stage breakdown she immediately returns to filming from: an unavoidable presentation of the line between art and performer. But, ultimately, it ends in the same way: Norman Maine overhears Vicki’s plans to quit acting to care for her husband, so he feigns going for a swim and drowns himself; after a traumatic period and being unmasked at her funeral (the invasion of the press), Vicki returns to the public eye where she declares herself “Mrs. Norman Maine“. Every issue discussed is here.

The 1976’s A Star Is Born is overall incredibly melodramatic, nowhere less than its handling of the ending. What it should be praised for is its attempts at giving the female lead a greater sense of autonomy: throughout Streisand’s Esther makes decisions that power the narrative, not just being led along by Kristoffersen as those who came before her, but that’s lost thuddingly in the finale. After his meltdown, John Howard has imposed isolation – not rehab – and when returning home immediately sleeps with a reporter wanting an interview for Esther. The couple tries to power past this, but John figures he’s still broken and crashes his car at high speeds. Again, Esther is sad before taking his name (and singing at a tribute event).

Like we’ve already explored with A Star Is Born 2018, all versions have tried to provide their own contemporary spin on the tale to iron out its kinks, yet all wind up having to repeat the same suicide-anger-name triple-tap that doesn’t belong. A degree can be accounted to the changing times, but that ignores that the original trio of movies released over nearly 40 years, and that Cooper wasn’t able to address it either.

Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

Why Bradley Cooper Can’t Fix A Star Is Born

Bradley Cooper certainly tries to bring a modern slant to the worn tale of A Star Is Born. He invests heavily in making Jack and Ally’s opposite trajectories operate independently – Jack is suffering from tinnitus before he’s heard a note of “La Vie En Rose”, while Ally’s SNL appearance is deemed to contradict his advice – while making the love story more immediate. It’s a bigger story, more personal and considerably more consummately paced.

But, like all the others, the ending hits a snag. And some of his decisions make it worse. The method of final descent is different, with the awards show upset and rehab undone not by Maine going off the rails again as in every other take, but rather by Ally’s agent calling his supposed bluff. It’s implied from the British Rez knowing when exactly Jackson first toured across the pond that he was once a fan, now disillusioned with his hero, making him a millennial scapegoat to any affronting reading.

Related: 2018 Fall Movie Preview: The 30 Films to See

This generational push and pull could have been what sent A Star Is Born to greatness. Sam Elliott’s speech about there only being twelve notes played over and over, with the majesty coming from how the artist uses them is a beautiful sentiment that sees Cooper self-justifying another remake and appears like a zen view on the entertainment business that birthed it. Except it isn’t, because this idea is also trying to explain the ending, claiming that the music industry is cyclical and that stars are born and then new stars are born later; Jack’s death is enabling that. What the film seems to miss is that for one state to ever enter another, a star must always die. Ally will fall too. The raw textual argument is that the failures are as eternal as the successes, raising the question of worth, yet the film provides no further exploration and presents it as somehow immediately uplifting.

And that’s the hump that A Star Is Born 2018, like its predecessors, can’t get over. The story thinks it’s a biting, self-aware take on itself, but it’s too close to the subject to see that it’s really just propagating a harsh cycle. This isn’t helped by the film being weighted by so much – the casting of Lady Gaga, his writer-director-producer-actor whammy, even Sam Elliott as the Sam Elliott-type – although those concerns are also the key explanation for what’s really going on.

A Star Is Born Only Exists Because Of Ego

Throughout this article, there’s been one question dangling unspoken. Why are there four versions of A Star Is Born anyway? It’s a story that is flawed and dated, on a topic which has been tackled in more films than any other. Yes, each movie got serious Oscar nominations and wins, but that alone isn’t enough to justify going back. The true answer is enlightening.

1954’s A Star Is Born was conceived as a bid to restart Judy Garland’s career after it stalled over the 1940s. 1976’s A Star Is Born was Barbra Streisand’s attempt (along with then-husband Jon Peters) to boost her standing in Hollywood. And 2018’s A Star Is Born is Bradley Cooper’s grand attempt to win the Oscar that he believes he deserves (his entire post-Hangover career is a carefully played game of chess with a Golden Baldie the King). There are studio concerns too (before Cooper, Warner Bros had been attempting to get a remake off the ground since the early 2010s, although as a Beyonce vehicle has the same career expansion goals), but those are the primary purposes of each version. A Star Is Born is a vanity project on repeat.

Related: A Star Is Born Is An Oscar Favorite – But Could An Infamous Producer Hurt Its Chances?

Now, vanity projects needn’t be bad, and indeed a lot of good comes from each of these attempts. Indeed, each was ultimately successful in both their primary and commercial goals: Garland’s career was rejuvenated; Streisand won her second Oscar; and Cooper’s currently the front-runner in multiple categories for next year’s Academy Awards.

But this aspect appears to be why each version of A Star Is Born struggles to understand the real meaning of its ending. Each powering force believes this movie will be what takes them being a Norman/Jack Maine to a new Esther/Ally while missing that it’s built into the story to be impossible. They believe so much in the two contradictory Hollywood legends wholesale, so don’t see that the story is almost warning against such a thing.

A Star Is Born Is No Longer Needed

In recent years, we’ve seen Hollywood’s reliable rotation of movies about itself take a genuinely incisive slant. 2015’s Best Picture Winner Birdman was an ostentatious exploration of ego that too ended with the protagonist committing suicide, but there it was with the wry critique that fame and adoration are fleeting and that such a bold act was the only way for the self-involved hero to reach the heights he dreamed of. Then there’s 2017’s almost-Best Picture Winner La La Land, which was a celebration of Hollywood-gone-by looking at love in a city of stars, eventually concluding that success required the sacrifice of the central relationship.

Together, these take on all the ideas that A Star Is Born is playing with and apply them in a more thoughtful way. The messages are more widely applicable and their endnotes have considerably less of the hypocrisy. Birdman and La La Land may find joy in the arts, but they also uncover the trials of creativity and fame, keeping the brutal truths in earshot while presenting from a position of success.

A Star Is Born 2018 is a good movie, an undeniable achievement for both Bradley Cooper and Lady Gaga. But there is a flaw at the heart of the tale that just doesn’t ring true. Unless it’s made with a completely revisionist, ego-less eye, in twenty years we do not need another one.

More: Every Version Of A Star Is Born Ranked, From Garland To Gaga



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2018-10-06 01:10:52 – Alex Leadbeater

20 Twilight Fan Castings Better Than What We Got In The Movies

Casting perfectly for a single film is important; casting perfectly for a film that will spawn a five-film saga is vital. Not every casting decision for a film franchise is going to be perfect. Even renowned franchises such as the MCU, Harry Potter, and Lord of the Rings have actors in roles that didn’t quite suit them or where there was an even more perfect casting decision staring them in the face.

Finding the perfect cast for a film is much harder than most people give these casting director’s credit for. All they have to go off of is the script, the director’s vision, and possibly (luckily for many big blockbusters) the source material. It’s even harder when adapting a book series whose fans have been picturing the characters in their heads for years.

Finding the perfect cast after a film’s complete is much more fun, even if it has no real impact. Though films are often recast when remade (A Star is Born) or when sequels are released and the original cast doesn’t return (The Girl in the Spider’s Web) it’s fun to still find that perfect cast when there’s no remake/sequel in sight. The Twilight Saga’s cast has been ridiculed and spoofed more than most franchises; some criticism warranted, some not. Fans took to the internet, as they’re known to do, with their ideal picks for who they think the cast of The Twilight Saga should have been.

Without further ado, here are 20 Twilight Fan Castings Better Than What We Got.

20 Rosie Huntington-Whitley As Rosalie Hale

Rosie Huntington-Whitley is more known for her runway walks and magazine covers than for her filmography, but she has three acting entries under her IMDb page; a 2009 short, Transformers: Dark of the Moon, and Mad Max: Fury Road.  Her resume  may be short, but it surely consists of some prominent movies. Her modeling career on the other hand, is one of the most prestigious and fruitful in the world.

While Nikki Reed may have been fine in retrospect for the character’s lack of screen-time in comparison to the other Cullen members, a woman with the following of Huntington-Whitley could added a higher profile cast member for the film.

19 Tom Sturridge As Edward Cullen

Robert Pattinson may be one of the few casting decisions the original filmmakers made that most fans are pretty okay with. A certain fan had a different actor they thought could have played the part a little bit better; Tom Sturridge.

Casting him with a certain actress who we’ll touch on a bit later, the On the Road and Far from The Madding Crowd actor has a lot in common with Pattinson himself.

Both men were born in London, both were in the 2004 drama Vanity Fair, and birth dates are less than six months apart.

Sturridge’s career never quite took off the way it should have, something that a leading role in a billion-dollar franchise surely could have helped.

18 David Harbour As Charlie Swan

Since his role as Eleven’s guardian in Stranger Things, Harbour has been branded as one of the best character actors to play a loving and concerned father. Billy Burke is one of the few who many fans actually thought fit the role well, but Harbour would have been such a fun and comedic addition. Many may think that Harbour would be too old to play Bella’s dad; those fans would be hard-pressed to learn that Burke is actually nine years Harbour’s senior.

Harbour has for many years been a supporting actor in films like Suicide Squad, A Walk Among the Tombstones, and End of Watch; another supporting role such as Charlie Swan would have been just perfect for the actor.

17 Angelina Jolie As Victoria

Victoria had already been replaced once, so why not do it again? Rachelle Lefevre played the red-haired vampire who was part of the coven that homes James and Laurent in the first two films, but then was blindsided when recast and portrayed by future Jurassic World star Bryce Dallas Howard for Eclipse.

The books characterize Victoria as a beautiful and strong woman, adjectives that describe Angelina Jolie quite perfectly.

As of late, Jolie has focused her time more behind the camera then in front of it, but having her play the part would have been quite exciting, especially standing next to a vampiric Ben Stiller.

16 Ben Stiller As James

James, while not the most important figure in the saga, was the main antagonist of the first film. When his coven stumbles upon the Cullen’s and Bella playing a pretty athletic game of baseball, he decides that the human will be his next meal, causing Edwards and his family to go to vast lengths to protect her.

While Cam Gigandet may have had the physique for James, Ben Stiller’s rendition of the vampire would have given the character new depth.

Stiller’s dramatic work is pretty scarce, but having acted in film like The Secret Life of Walter Mitty and Brad’s Status prove he’d be able to handle it. Stiller’s one of the biggest movie stars in the world, so getting him would have been no easy task, but could have brought something unique to the film.

15 Millie Bobbie Brown As Jane

Some might say that Millie Bobbie Brown is far too young to play the millennia old vampire, but the character was turned at the age of 12. Brown would have been far too young during the original films– she was five during Jane’s first appearance in New Moon– but she would be perfect now.

The young actress has obtained fame from her portrayal as Eleven in Netflix’s Stranger Things, though look for her soon in the Godzilla sequel, Godzilla: King of Monsters and its crossover event Godzilla vs. Kong. Jane’s supposed to be a mysterious character with an old soul, something that Brown portrays brilliantly throughout the first two seasons of Stranger Things.

14 Shiloh Fernandez As Edward Cullen

Shiloh Fernandez may not be the most well-known actor out there, but then again, neither was Rob Pattinson when he was cast as Edward more than a decade ago. As featured on one of the greatest website names of all time, otherguysasedwardcullen-blog.tumblr.com, Shiloh would have made a great Edward, after some make-up work done to make him look a little less alive.

The Utah-born actor is roughly the right age, and as seen in the picture above, looks quite convincing as a vampire when his eyes are brightened and yellowed, with his skin a bit paler, like most of the Cullen’s.

13 Liv Tyler As Esme Cullen

Though she’s been rather absent from the big screen since playing Ed Norton’s love interest in the MCU’s The Incredible Hulk, she’s still etched in cinephiles minds for her roles in The Lord of the Rings trilogy, The Strangers, and (less so) Armageddon.

Tyler looks like she was born to play a vampire, and it’s a shame she’s never been given the opportunity.

Esme is a pretty small role in relation to the other Cullens, but  Tyler could have maybe brightened up the role a bit, or at the very least, given the family a more familiar feel for viewers.

12 Hugh Jackman As Garrett

The second best cast role in the saga– we’ll talk about the first in just a bit– is none other than a small character named Garrett played by the brilliant Lee Pace. Garrett is vampire who joins the Denali coven at the end of Breaking Dawn when he and Kate begin to form a relationship.

The only way that Lee Pace could be outdone is if one of the most beloved actors of our time replaced him: Hugh Jackman.

Jackman spent a movie hunting vampires back in 2004 with the critically berated Van Helsing, so maybe joining them would be more his suit. Classy as all could be, the Jackman above (provided by Nocuus) would have been perfect for Garrett, a man who was changed in mid 18th century New England.

11 Anton Yelchin As Mike Newton

This one, awfully unfortunately, will never be able to come to fruition because of a tragic accident which resulted in Anton Yelchin losing his life at the age of 27. Mike was played by Michael Welch, but Yelchin would have been the perfect age, and perfect casting for the role. Welch actually auditioned for the role of Edward, but ended up being cast as Mike after Pattinson was brought aboard.

The nice guy from high school is more or less exactly who Yelchin was born to play, and imagining him trying to hold Bella’s hand at the movies is textbook teenage romance that feels just right with Yelchin. Yelchin, like Jackman, isn’t a stranger to vampire films, having starred in the remake of Fright Night. Yelchin’s untimely passing came right at the height of his fame, and a Twilight film would have added right to it.

10 Lily Collins As Alice Cullen

Lily Collins actually auditioned for Twilight, but for the role of Bella; “I think everything happens for a reason and everyone who gets the roles they get were meant to.”

Collins has the flowing movement that Greene brought to the performance, but could have come off a bit more authentic in her compassion.

Greene was not been the worst actress in the franchise, but Collins would have potentially been a step up from the unexperienced performer. Greene’s career never took off quite like Collin’s did, which makes the films down the line seem a bit more dated when new viewers can’t recognize the fourth-billed lead; something that casting Collins could have changed.

9 Hugo Weaving as Aro

Michael Sheen wasn’t just the best casting of any of the actors in the franchise with his turn as Aro, but he gave the best performance from anyone, and even liked the source materia, Sheen may have been flawless, but another actor could have the potential to have done better; that man is Hugo Weaving. Though Aro is much younger than both Sheen and Weaving in the novels, both actors are very similar in age.

Like Liv Tyler, Weaving is famous for his part in The Lord of the Rings trilogy as well as the Wichowskis’ Matrix trilogy. Hugo’s vampire transformation above is a very reminiscent of his Elvish lineage in LOTR, but also extremely similar to Aro’s Volturi attire in the Twilight Saga.

8 Alexander Skarsgård As Emmett Cullen

Either it’s a coincidence that so many of the fan casting decisions were previously in vampire films/TV shows, or there is just an abundance of vampire films/TV shows. Alexander Skarsgård played Eric Northman on HBO’s cult vampire drama True Blood. Though he initially played the show’s antagonist, he was the favorite amongst fans and had far and away the most successful career after the show.

Standing at 6′ 4”,the Stockholm born actor has a much more towering physique than Kellan Lutz, who played Emmett in the films.

As he already plays brooding and mysterious extremely well, letting Skarsgård show a comedic soft side would have given the actor the chance to stretch his wings.

7 Rachel McAdams As Rosalie Hale

Rising to fame four years before the first films release with her starring role in The Notebook and near-perfect teenage antagonist in Mean Girls, McAdams has had an incredible career in the 15 years since; including an Oscar nomination for Spotlight. The inclusion of a renowned thespian like McAdams would have been a welcome addition for the filmmakers as well as the fans.

McAdams may be, and have been back in 2008, a little old to play a vampire who was turned at the age of 18. However she played a high schooler at the age of 26 for Mean Girls, so just a few years more later wouldn’t have been much more of a stretch.

6 Henry Cavill As Carlisle Cullen

Henry Cavill may not have been the household name back then that he is now due to his DCEU fame, but Twilight could have been that jumpstart he needed.

Though Cavill may have had a hand in pretty huge blockbusters with Man of Steel, Batman V. Superman: Dawn of Justice, and Mission Impossible: Fallout, he had been in only one mainstream film pre 2010; Stardust.

Had they stayed faithful to the books, Cavill would have been a perfect casting.

With Carlisle being the make-shift patriarch of the Cullen coven, the filmmakers wanted to go with someone a bit older than the character in the books.

5 Amber Midthunder as Leah Clearwater

Leah is the only female shapeshifter in Quileute history, and played by Native actress Julia Jones. Jones is an incredible actress, but newcomer Amber Midthunder has thrusted onto the scene after appearing in Hell or High Water and FX’s Legion.

Leah is 21 in the books, thus Midthunder is the perfect age to play the young woman, if the film were to come out today.

Acting in both Sunshine Cleaning and Swing Vote in 2008, the actress was already in high profile films the same year of the first film’s release. Midthunder’s a fan favourite on Legion, so expect the young lady to take off in the future; who knows, maybe even in a remake of Twilight.

4 Steven Strait As Jacob Black

Taylor Lautner became an overnight sensation with the success of the Twilight films, but no one could deny that the actor’s performance lacked authenticity. Steven Strait may not be any more of a household name than Lautner was, but the actor had already starred in his own film, something Lautner hadn’t done when first cast.

Strait starred in the Roland Emmerich vehicle 10,000 BC, which didn’t get rave reviews but gave the actor the experience of being first billed. Strait may be a bit older than Lautner, but that maturity and experience surely would have helped the character command a scene.

3 K.J. Apa as Edward Cullen

Riverdale may be a new show, but the Netflix series is a refreshing and original way to adapt a beloved medium. K.J. Apa shines as Archie, the title character of the original comics and his personality and way he carries himself on the show would be downright perfect for the sensitive and loving vampire.

Apa is still a relative newcomer to the scene, but with Riverdale under his belt and a role in the new drama The Hate U give he’s turning himself into a familiar face. Pattinson was a fine Edward and his career has surely taken off since ending his tenure as a vampire, but he may have been a bit happier had someone else taken the role.

2 Emily Browning As Bella Swan

Emily Browning was infamously author Stephanie Meyer’s first choice to play the role of Bella, though it obviously didn’t come to fruition. The young actress who appeared in A Series of Unfortunate Events, Sucker Punch, and Sleeping Beauty has had a very successful career by anyone’s standard, though has never been in a film quite as popular as Twilight.

The actress had this to say during a 2011 Indiewire interview: “The author at one point stated that I would be her ideal Bella, but I chose not to audition because I was at a point in my career where I wasn’t sure I wanted to work, I definitely didn’t want to sign onto a trilogy so I didn’t audition.”

Of course her wishes were respected, but one could only wonder what a Twilight saga with Browning at the helm could have looked like.

1 Millie Bobby Brown As Renesmee Cullen

That’s right, Millie Bobby Brown’s on here twice. She’s just that good!

This bit of casting could have potentially happened, with Brown being just six when Breaking Dawn: Part 2 was released.

Mackenzie Foy has matured into a great actress, but her performance in the film was a little flat. Renesmee in the book seemed to be smarter than her age; more advanced than she should be. This is something Brown would excel at, having done it for two seasons in Stranger Things.

Let’s be honest, anything would have been better than the CGI Renesmee at the beginning of her the last film.

Which actor do you wish could have had a major role in The Twilight Saga? Let us know in the comments!



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2018-10-05 08:10:45 – Mark A. Silba

Robert Redford Regrets Announcing His Retirement From Acting

Despite previous claims from the actor, Robert Redford is now saying that he regrets announcing his retirement from acting. Redford claimed to be retiring from acting in 2016 and then last month announced his retirement again explaining that The Old Man & The Gun would be his last time in front of the camera.

Redford has had a long and successful career in the movie business. Redford began acting in the ’60s when he was only in his twenties. Since then he has not only grown as an actor but become a successful director and producer for several films. Redford even won an Oscar in 1981 for directing the film Ordinary People and also won the Honorary Award in 2002 for his lifetime achievements in the film industry. Redford seemingly works just as hard behind the camera as he does in front of it as he founded the Sundance Institute in 1981. While fans of his were disappointed to hear him announcing his retirement from acting, the actor no doubt deserves some time off given his years of work. That being said, his acting career might not be over just yet.

Related: The Old Man and the Gun Trailer: Robert Redford Loves Robbing Banks

Talking with Variety at the premiere of The Old Man & The Gun, Redford claimed that he regretted announcing his retirement from acting. When asked about his previous claims of retirement Redford responded, “That was a mistake. I should never have said that. If I’m going to retire, I should just slip quietly away from acting, but I shouldn’t be talking about it because I think it draws too much attention in the wrong way. I want to be focused on this film and the cast”. The reporter then asked if The Old Man & The Gun would be his final film to which he responded, “I’m not answering that. Keep the mystery alive“.

The Old Man & The Gun is based on the true story of Forrest Tucker, who would continually rob banks, get arrested, and then escape from jail to restart the cycle. Academy Award winners Casey Affleck and Sissy Spacek will join Redford in what was thought to be his final film along with Danny Glover and Tom Waits. This film will also be re-teaming Redford with director David Lowery, who he previously worked with on Disney’s Pete’s Dragon.

While Redford’s recent comments may not confirm that he isn’t through with acting, it sure makes it seem that way. To admit it was a mistake to make his retirement public is one thing, but to play coy on whether The Old Man & The Gun is his last film seems suspicious if he really is done in the business. Regardless of his decision, Redford will continue to be a respected member of the film industry for years to come given his long list of contributions to Hollywood.

More: 2018 Fall Movie Preview: The 30 Films to See

Source: Variety



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2018-09-21 05:09:33 – Christopher Fiduccia