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Harry Potter: 20 Strange Details About Draco Malfoy’s Anatomy

Draco Malfoy is one of the most memorable secondary characters in the Harry Potter movies and books. It may be due to his irredeemable and despicable behaviour,as everyone loves a good villain. It could also be the appeal of actor Tom Felton in the movies, and all the subsequent fan fiction they have produced.

However, not a lot is revealed about him in the books, and less even less is shown on screen, leaving him a mystery. We do know that his family has an unhealthy obsession with their pure blood heritage and an unflinching loyalty to Voldemort. One thing that we also know is that during his sixth year, Draco became even more villainous. He was given the task of assassinating Dumbledore and allowing the Death Eaters access to his present school, Hogwarts.

Some aspects that remained more hidden, though, including the origins of his name, which has links to the Hogwarts motto. His talents in transfiguration, charms, potions, and Occlumency are also never fully explored or known by the average person.

More surprisingly than all of this is the fact that despite being mortal enemies, Draco and Harry only duel twice – and one of them was in the presence of teachers, so it barely counts. Including these examples and every other duel that Draco is involved in, we have discovered that he never wins a single fight. This might be J. K. Rowling highlighting his cowardice and lack of morals that weaken his character ultimately. However, it might also have to do with his particular skillset.

With that said, here are the 20 Strange Details About Draco Malfoy’s Anatomy In Harry Potter.

20 He is a gifted Occlumens

While Harry Potter is undoubtedly a gifted wizard, one of the things he was never able to master was Occlumency. This is the act of closing your mind to anyone who attempts to read it.

Draco managed to surpass his rival by mastering the art of this notoriously tricky skill.

While it may seem peculiar that Draco can keep other wizards out his head while Harry cannot, this is in keeping with his character. J. K. Rowling confirmed that Draco managed to become a gifted Occlumens due to his ability to suppress his emotions. The fact that Draco can excel in this area is only due to his repressed emotional issues that may stem from his dysfunctional family.

19 His name says a lot about his personality

J. K. Rowling puts a lot of thought into her character’s names and the names of locations – and the seemingly bland name of “Draco Malfoy” is no exception upon closer examination if we take a look at its origin on Pottermore.

The name Draco can either be linked to the Latin for “dragon” or the constellation. The word “Draco” is even in Hogwart’s motto: “Draco Dormiens Nunquam Titillandus, “which translates as “never tickle a sleeping dragon.” Draco’s last name, Malfoy, could have its roots in French, with “mal foi” translating as “unfaithful.” Rowling could have perhaps been a bit more subtle when thinking of names for her villains, however, as “unfaithful dragon” doesn’t leave a lot of space for redemption.

18 He temporarily had control of the Elder Wand

During his sixth year, Draco was given the task of destroying Dumbledore and giving the Death Eaters access into Hogwarts. While he succeeded with the latter, Draco was unable to take the life of the Hogwarts headmaster.However, when confronting Dumbledore, he disarmed the professor, which was a significant action even if Draco did not realize it at the time.

 By disarming Dumbledore, Draco unknowingly had control of the most powerful wand in existence – the Elder Wand.

This was only temporary, though, as Harry later confronts Draco in his house in the Deathly Hallows and disarms him. This meant that control of the Elder Wand was passed down to Harry, who still technically can wield it today. For one brief moment, however, Draco could have been the most powerful wizard in the world.

17 He learnt the Unforgivable Curses

Draco’s sixth year at Hogwarts was a pivotal and important year for the sole Malfoy child. As well as being given the task of overthrowing his school, he was taught the Unforgiveable Curses by Bellatrix Lestrange.

Lestrange, being Draco’s aunt, most likely taught him these forbidden spells to prepare him for his role. We know for certain that Draco can perform Crucio (the torturing spell) and Imperio (the controlling spell). However, it is unclear whether Draco ever learnt the ultimate Unforgiveable Curse: Avada Kedavra, which would destroy the receiver. Though Draco seemed like an antagonist during his first year at Hogwarts, few fans expected him to become such a villain later in the story. However, it could be argued that this was due to the pressures of his family.

16 He is supposedly one of the only Death Eaters who can love

Death Eaters are more ingrained to respond with acts of hate than love. This is hardly surprising, though, considering the amount of carnage and havoc that they have created. However, what is surprising is that even though Draco is a Death Eater, he is supposedly capable of feeling genuine love.

This love manifests itself towards both his parents and his future wife, Astoria Greengrass. This is at odds with the other Death Eaters, whose hate trumps their love. Be it Bellatrix Lestrange or Lucius Malfoy, these individuals are consumed by their service to the Dark Lord. While it could be argued that they love Voldemort, this is closer to worship than a romantic or platonic love.

15 He’s proud of his pure blood family

The Wizarding World of Harry Potter may be incredible, but when it comes to metaphors, it is not very subtle. The fact that some wizarding families, such as the Malfoys, favor those with pure blood is meant to echo the real world prejudices that some hold. Draco’s parents instilled the belief that he is superior to half blood and muggles on him at a young age. This explains his resentment towards Hermione, whom he calls “Mudblud” incessantly.

This hatred for anyone who is not pure blood is a trait that many of the old wizarding families share.

The notable exceptions are Nymphodora Tonks and Sirius Black, who were cast out of the family for their beliefs that muggles and wizards are equal. Draco may not be as hostile towards muggles and muggle-born wizards by the end of the Deathly Hallows, but it is still a prejudice that he cannot escape.

14 He has used a Time Turner

J. K. Rowling may live to regret introducing Time Turners into the Wizarding World. The amount of problems that this device, which was used by Hermione in Prisoner of Azkaban, could solve is countless. It could be used to stop Voldemort from ever existing or it could be used to bring back beloved characters. However, in Prisoner of Azkaban, it is used by Hermione to ensure that she can go to all her classes and to save Buckbeak.

Having not learnt the amount of plot holes attached to such a device, Rowling revealed the existence of a secret Time Turner belonging to the Malfoys. Without revealing too many details of The Cursed Child, Malfoy uses it successfully, which makes him – alongside Hermione, Harry, Albus, and Scorpius  – one of the few known people to have used a Time Turner.

13 He has a Dark Mark

Some fans believe that it was inevitable for Draco to follow in the footsteps of his father and become a Death Eater. He did this sometime between the events of Order of the Phoenix and Half-Blood Prince. We know this since we can clearly see a Dark Mark on his arm during the events before Dumbledore’s assassination. While Dumbledore looked unsurprised to see Draco pointing a wand at him, he did seem surprised by the fact that Draco now had a Dark Mark.

It is not possible to get rid of a Dark Mark, so despite the fact that Draco’s character has since been redeemed, he is not able to reverse the procedure. Draco will forever have the mark of He Who Must Not Be Named on his arm.

12 He was an extremely intelligent student

Although the movies show Draco to be just an arrogant bully, in the books, we see another aspect of Draco – we soon discover that he is an intelligent student, too. While Harry was always picked on in Potions due to Snape’s hatred for him, Draco was always the teacher’s pet.

Whether he was actually better than Harry is debatable, though, as Snape never gave the Gryffindor student a fair chance. However, one subject where Malfoy definitely excelled was in Charms, in which he was described as equally intelligent as Hermione.During his sixth year, he managed to cast the extremely difficult Protean charm. The only other person in the class who could cast it was Hermione.

11 He was supposed to get along with Harry

Draco and Harry were supposed to get along. According to Pottermore, Draco’s birthday is June 5, which makes him a Gemini. Meanwhile, Harry’s birthday is July 31, which makes him a Leo.

These two star signs are meant to get along with one another and are even able to become close friends.

During their first meeting, there was definitely potential for them to become friends, as Malfoy extends a hand of friendship to Harry. However, Harry sensed Draco’s arrogance and hostility and rejected him. Despite this, the fact that their star signs match up so well may have been a coincidence on behalf of J. K. Rowling. Or perhaps it could have been a hint that had Harry Potter shaken Draco’s hand, they could have formed an evil alliance.

10 He really wished he was the heir of Slytherin

While it may be obvious that the heir of Slytherin could only be Voldemort in hindsight, there was a lot of speculation over who it could be. During the events of Chamber of Secrets, many students thought that Harry was the heir due to his Parseltongue abilities.

Harry himself believed that Draco was the heir and took Polyjuice Potion in order to investigate. However, Draco admitted he was not the heir of Slytherin despite his family’s allegiance to Slytherin and their prejudiced view against Muggles. Although Draco didn’t know who the heir was, he served as nothing more than a pawn of the real heir: Tom Marvolo Riddle. This was still an honor for his family, though.

9 During Half-Blood Prince, he is described as unhealthily pale

Though one of Draco’s defining features is his pale skin, in Half-Blood Prince, he is described as being paler than ever. This is due to the fact that he was assigned by Voldemort to take down Dumbledore and help the Death Eaters infiltrate Hogwarts, which can put a lot of stress on a person.

Since he is the only one able to complete the tasks, he begins to physically show the signs of stress. It is notable to other students, particularly Harry, who notices his rapid deterioration over the course of sixth year. Before Half-Blood Prince was filmed, Tom Felton was told that he wasn’t allowed to come back tanned from holiday. His paleness may also draw some parallel’s to Voldemort’s own appearance, as some fans have spectated that Draco becomes more gaunt by committing evil deeds.

8 He wanted to use alchemy to become a better man

Alchemy is an ancient practice. Because of this, it is shielded in mystery. However, it principally involves turning lead into gold. For some reason, Draco became heavily invested in Alchemy after he left Hogwarts.

Post-Deathly Hallows, Draco settled down with his wife and child and began to study Alchemy. Being the heir of his family fortune and the Malfoy Manor, he did not have to worry about getting a job after school. However, Draco also spent time caring for his wife, Astoria, who was ill due to a curse that was put on her ancestors. While at home, Draco soon became fascinated by alchemical manuscripts. According to Pottermore, Draco’s obsession with Alchemy was pure – he wished to use it to become a better man.

7 He is never seen winning a duel

Despite Draco and Harry being sworn enemies during their time in Hogwarts, they only face off against each other twice. Their first duel happens during their second year in front of other second year students. However, Snape and Lockhart intervene after a snake is conjured by Malfoy. When Draco and Harry next duel, it nearly results in the demise of Malfoy during Half-Blood Prince.

During the events of Order of the Phoenix, Ginny and Draco also duel, which results in Draco losing his wand.

The final duel we see Draco participate in is during Deathly Hallows, when Hermione gets the better of him. At least during his youth, it was clear that Draco’s arrogance was just used as a shield.

6 He was a Prefect

A Hogwarts prefect is meant to inspire the younger students and act as a role model to them. By definition, Harry Potter would be the ideal Prefect for Gryffindor students, or any house for that matter. However, throughout his six years at Hogwarts, he is never given the coveted Prefect badge. While students like Percy Weasley may be obvious choices to become prefects, characters like Draco Malfoy aren’t typically expected to obtain the badge.

Draco is not a character that you typically associate with good morals, leadership, or as a role model. Regardless, Draco does become a prefect. Perhaps this was done by J. K. Rowling to show us that Draco did make for a decent leader, despite his lack of morals. In fact, some fans speculate that by giving Draco the badge, Rowling was not giving up on him.

5 He has ice grey eyes in the books, but Tom Felton has blue eyes in the movies

In the books, Draco is described as having platinum blonde hair and ice grey eyes. There are many parallels between Voldemort and his army and the Axis leaders and their army in WWII, so it makes sense that Draco would look like this.  However, in real life, the actor who brought Draco Malfoy to life on the big screen, Tom Felton, looks nothing like this. Felton has brown hair and blue eyes. Because of this, he had to dye his hair blonde for the movies.

Similarly, Daniel Radcliffe did not have Harry Potter’s green eyes. However, he found the contact lenses too painful to wear so the movies were filmed without them. Though not many fans may remember Draco’s eye color from the books, Harry’s eyes are constantly referred to in both the books and movies, which makes it even more noticeable.

4 He was unable to produce a Patronus

Though anyone can find out what their Patronus is on Pottermore, it is not as simple in the Wizarding World. Some wizards and witches are actually unable to produce a Patronus. While we know that Harry’s Patronus is a stag, many fans don’t know what Draco’s is. However, it has since been revealed that Draco is unable to conjure one.

This is apparently a common trait among Death Eaters, as many fans believe that they don’t have enough light and goodness to summon one.

While it has been established that Draco is capable of feeling love, this may not enough to produce the special charm. J. K. Rowling has also mentioned that Death Eaters are unable to produce a Patronus because Voldemort controls Dementors anyway.

3 He is a master of Transfiguration

Transfiguration is known to be a difficult class to pass at Hogwarts. After all, we see how hard it is for Ron to transform Scabbers into a grail in the movies. However, Draco is an accomplished hand at this craft. We see signs of this during his second year duel against Harry.

When they face each other in the Great Hall, Draco manages to summon a snake that slithers menacingly towards Harry. If it had not been for Harry’s ability to speak Parseltongue, he might have been attacked by the snake. In his later years, Draco even manages to transform Harry into a doppëlganger of Voldemort, which is an extremely complex charm. While the movies do not emphasize Draco’s intelligence, it remains clear in the books that he should not be underestimated.

2 His love life is fairly ambiguous

Draco’s love life is left relatively ambiguous in both the Harry Potter movies and the books. The only girl we see Draco talk to in the books and movies is Pansy Parkinson, who is described as the closest Draco comes to a girlfriend in the books. However, it is never actually confirmed that Pansy is his girlfriend in the series. At one point, the books describe a scene where Pansy is resting her head on Draco’s lap, but this is the closest we ever see them get.

While Draco eventually marries Astoria, little is known about how they met or even when they married. However, we do know that his parents disapproved of Astoria and that she was kind, and taught their son Scorpius to respect others (including muggles).

1 He is the only person Voldemort is known to have hugged

One of the most sinister Voldemort moments happens when he tries to honor one of his followers. This moment occurs during the Battle of Hogwarts, when Voldemort demands loyalty from the students of Hogwarts.

In a gesture of goodwill, Voldemort slowly and awkwardly brings Draco into an embrace in front of his followers. Understandably, Draco looks absolutely terrified, since the Dark Lord has never shown affection of any kind before. This is the only known instance of a Death Eater – or anyone for that matter – receiving a hug from Voldemort.

Are there any other interesting facts about Draco Malfoy’s body in Harry Potter? Let us know in the comments!



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2018-10-11 04:10:43 – Dan Struthers

20 Things Wrong With American Horror Story We All Choose To Ignore

The horror anthology hit TV show American Horror Story just might be the magnum opus of Ryan Murphy and Brad Falchuck. Scarier and more riveting than any of the duo’s other projects, the spine-tingling series features a new theme and characters every season that are all still linked to each other’s universe. From the casting announcements to the series hints, theme reveals, and each season’s unique introductory visuals, it’s riveting entertainment all around. Even so, some seasons fall further off the mark than others, with many episodes barely even registering on the “horror” radar while others left us scratching our heads wondering what the heck just happened.

The thing is, we tend to give glaring errors, plot flops, and other things wrong with the show a pass because we love it so much. From intriguing horror to irresistible characters, from unexpected plot twists to some of the best storytelling on TV, American Horror Story keeps us coming back, not because it’s flawless but because it’s still addictive despite, and sometimes because of, its many flaws.

We might love a character and conveniently forget that he or she is a monster. We’ll keep tuning in even after an entire sequence left us feeling disgusted, embarrassed for the actress who had to play out the scene, or even angry at the creators themselves. It’s just that addictive.

We love it and we’ll keep coming back for me, even with these 20 Things Wrong With American Horror Story We All Choose To Ignore.

20 Some Seasons Aren’t Scary

With a name like American Horror Story, you might expect every episode to be a scream-fest. That’s just not the case, especially in seasons four and five. While there’s no shortage of horror-inducing characters in these seasons, they didn’t really give us nightmares like previous and subsequent seasons were able to do.

Were we jaded from all the mutants, ghosts, zombies, and other creatures in previous seasons?

Both Freak Show and Hotel fell short on promises of terror, often vying for more intense drama (a calling card of Falchuck and Murphy) instead. While we still received interesting stories, Gaga’s vampire and Twisty the Clown just weren’t all that scary.

19 There’s No Reason Given For All The Hotel Vampire Kids

In season five, Hotel, Lady Gaga’s character, The Countess Elizabeth, is a little less fabulous than we expected her to be. Perhaps she couldn’t live up to the Gaga we all know and love already. One of the things that just made zero sense about the character was her propensity to collect children and turn them into little vampires. Does Elizabeth have an old woman in the shoe complex? Is she just that bored? What is the point?

Here’s the thing about kids in horror movies: they add instant scare-factor. Take a look at most scary film kids, from Village of the Damned to The Others and you’ll see the scariest moments. The fact that the vampire kid collection wasn’t even scary was a pretty big letdown.

18 Teeth Fall From The Sky For No Reason

Season six of AHS, Roanoke, was able to recover some of the lost ground from the previous two less-scary seasons but still suffered from the lack of the one and only Jessica Lang. The season saw a return to the haunted house theme, always popular in AHS history, and wove in some new elements, like the whole “based on a true story” theme.  Between Deliverance-like hillbillies and more incredible Kathy Bates, Roanake was much better-received than Hotel, but it had some weird unexplained moments, like teeth randomly falling from the sky.

Not only do the teeth inexplicably fall while Matt is at work, but they also disappear.

The reason why is never given, prompting us to chalk this one up to “random scare tactic.”

17 Queenie Tried To Hook Up With A Minotaur

While we definitely applaud Murphy and Falchuck’s use of mythology throughout American Horror Story, it often makes no sense. Gabourey Sidibe was fantastic as Queenie, the young and lonely witch who gave as well as she got, used LaLaurie as her own personal racist slave, and really deserved main credits billing. But there was that one time she tried to hook up with a grotesque Minotaur…

While the inclusion of adult content is pretty standard in AHS, getting involved with a man who has bull’s head sewed over his own is pretty far out there. It didn’t make any sense, nor did Queenie’s own survival following the incident (or anything else including the Minotaur, really), so we just move along and say that there’s nothing to see here.

16 Zoe’s Hell Is Just Life Without Kyle

Zoe Benson, portrayed by Taissa Farmiga, starts out as a compelling character in the third season of American Horror Story, Coven. She has unique powers that pay homage to classic horror and a long journey ahead.

Tossing in a love interest is a great way to derail a personal growth story.

That’s what happened to Zoe with Kyle, her resurrected boyfriend played by Evan Peters. While we’re glad that Murphy and Falchuck used Kyle to illustrate that mothers can be abusive to their sons just as much as fathers can, “life without Kyle” as Zoe’s own personal hell is really stupid and overly angst-ridden.

15 Aliens In Asylum Makes No Sense

When it comes to American Horror Story, many fans reacted to the inclusion of aliens in season two, Asylum, in the same way that fans of Indiana Jones reacted to the Kingdom of the Crystal Skull. For many horror fans, aliens don’t enter the territory without very specific rules, and you certainly don’t add aliens into an already-existing story for a scare factor.

The aliens of AHS also just weren’t scary. Sure, they made Pepper more interesting and gave convenient explanations for a few weird happenings, but at the end of the day mixing aliens in with mutants, a mean nun, demons, and war criminals just doesn’t work. It’s a hodgepodge of plot devices tossed together like a salad with too many kinds of dressing. Sometimes simpler is just better.

14 The Musical Sequences

We get that Sister Jude is losing her mind in this tenth episode of season two, Asylum, but must we lose ours as well? The episode itself was gripping, but watching Jessica Lange sashay through “The Name Game” wasn’t nearly as eerie as it should have been. It played off as more of an homage to the creators’ Glee in a way that didn’t work.

While some critics enjoyed the mind-boggling number, many of us like to pretend it never happened.

It’s not the last time the showrunners implemented a bit of music and dance, either. Season four, Freak Show, featured several ditties, including a rendition of “Come As You Are” by Evan Peters, Sarah Paulson’s “Dream a Little Dream of Me”, and Lange singing David Bowie’s “Life on Mars”.

13 What Happens To Dr. Arden’s Experiments?

The mutants created in Dr. Arden’s horrific experiments are the stuff of nightmares, and they definitely present an interesting side story among the rest of the godawful happenings at Briarwood Manor in season two of American Horror Story, Asylum. Their issue, of course, is that they disappear off the radar without much of a peep.

Once turned into a mutant and taken to a hospital, Shelley, played by Chloë Sevigny as a homage to the many women unjustly committed to asylums throughout history, seems as if she may be able to lead the authorities toward Arden, but alas, Joseph Fiennes’ conflicted yet greedy Monsignor Timothy Howard takes her out instead. We don’t hear much about them afterward. What happened to the mutants?

12 The Messed-Up Historical Figures

Anne Frank was lobotomized by the evil Dr. Arden from Briarcliff Manor in season two, Asylum. Not only does this make zero sense, but it also really does a disservice to Anne Frank’s memory. There is a lot of artistic license taken with historical figures throughout American Horror Story, from Delphine Lalaurie to James March. Even characters used as backgrounds for new characters, like Nellie Bly’s inspiration for Lana Winters, often seems a bit much, especially when the representation is so loose.

The misrepresentation or grand re-representation of historical figures is nothing new.

Our own history books present complete falsehoods about everyone from Christopher Columbus to Paul Revere. Perhaps it’s just so glaring because we acknowledge that now, particularly during an age of “fake news” awareness.

11 The Opening Sequence And Spoilers Promise More Than We Get

One of the most exciting elements of a new season of American Horror Story is always the opening sequence and the slowly-revealed spoilers. Cast announcements and cool visuals trickle in until we finally get to see that first episode with its incredible casting graphics. The creepy opening sequence does much more than announce the cast: it revs us up like the announcer for a really scary joust about to take place.

The only problem is that it often goes downhill from there. While season 1 typically delivered, the casting graphics in seasons like Freak Show were actually scarier than the episodes themselves. That’s a real problem if we are supposed to be watching a horror program.

10 We Have No Idea What Happened To The Pig Boys

They were a successful execution of “the scary children” in a way that the little vampire entourage of the previous season just couldn’t seem to manage, so maybe that’s why Murphy and Falchuck decided to never let the “pig boys” of season six be seen again.

Aside from the fact that the boys could have made for some truly scary storytelling, the problem here isn’t just that they had no deeper involvement in the story than “check out these creepy kids” but that they don’t even have a resolution. Why the kids say, “Croatoan!” and why they drink pig milk remains unknown, and we may never know what happened to the charming little tykes.

9 No Consequences for the bad things the “good guys” do

As fans of American Horror Story, we sure do forgive a lot of murderers, don’t we? When someone bad finally goes good, all of their wicked deeds don’t seem to be as problematic. Even sweet Nan takes out Joan. Misty Day, otherwise a kind hippie, offs a couple of guys with alligators.

Were these warranted attacks? Maybe, but that doesn’t erase the fact that many characters end the lives of others and we pretty much turn a blind eye toward it like we wouldn’t if they occurred in real life. Of course, from people returning from the grave to mutant attacks near an asylum, there’s really not a lot in the show that applies to real life.

8 There’s Really No War Between The Coven And The Voodoo Witches

During season three, Coven, there’s a big build up about an oncoming war between the coven and the voodoo witches of the area. Both are led by powerful women, and who wasn’t excited to see Fiona, played by Jessica Lange, and Marie Laveau, played by Angela Bassett, go up against one another?

While there was plenty of tension and a zombie attack, it pretty much stopped there, especially after the witch hunters came to town.

AHS often builds up to something we’re expecting and completely abandon it for another plot instead. While we get that they want to keep us on our toes, broken promises do leave us unsatisfied and underwhelmed.

7 Zoe And Madison Gave Their Souls To Azaezel And It Never Came Up Again

When the bus full of frat boys who assaulted Madison wrecks, taking out all of the monsters on board on Madison’s whim, it’s satisfying. Even seeing Kyle taken out doesn’t bother some of us, given that we’ve already seen Evan Peters return from the grave before and wouldn’t be surprised if he returned. He may have stopped his “brothers” but he certainly tried to help them not get caught, making him complicit in the attack.

When Zoe and Madison decide to put “boy parts” together to resurrect Kyle as the perfect Frankenstein boyfriend, they sell their souls to Azaezel in order to do so, and yet it never comes up again. Given that both girls bite the dust during the show, shouldn’t that at least be an issue?

6 Roanoke’s Reality Show Inception

It was one of the most pointless plot points to ever be inserted into a season of American Horror Story. During season six, Roanoke, we’re treated to a reality show type of setting where re-enactors help us understand what happened to the Millers in “My Roanoke Nightmare”, an obvious play on so many other popular reality-based ghost hunting and experience shows. That’s an intriguing concept that works well for much of the season, but then we’re hit with reality-ception.

Getting all of the actors and people involved in actual events together for the blood moon event is one thing, but what about the disclaimer that nobody even survived the ordeal? If that’s true (which makes sense, since this is Roanoke), how did we get the footage in the first place?

5 There’s No Point To Scathach

Scathach, the mythical warrior from the Isle of Skye in Irish folklore, is an incredible character. It’s too bad we didn’t really get to know her in season six, Roanoke.

Lady Gaga’s Scathnach has a plethora of powers, is said to be the first Supreme and yet has no real point in the series.

The witch does a few nefarious things here and there, from purchasing souls to rendering people evil and insane, but in the grand scheme of things she has no real point except to serve as one of those random elements of horror woven in to just be spooky. Given the history of the traditional character, it would be amazing to see Murphy and Falchuck to use this as a tie-in for a more myth-heavy season.

4 People Are Constantly Offed Only To Be Brought Back

Character losses in the American Horror Story realm are pretty much like those in any comic book series: you don’t ever count them as permanent. Even when an entire series ends and you believe a character to be truly gone, they may return in another season! It’s definitely not a new tactic to have characters return from the grave; it’s a strategy used in everything from Dallas to Supernatural.

It makes us feel a little more jaded and a little less invested when tragedy does strike.

Oh, Fiona is sick? Oh, Ethel’s not going to make it? It’s too often meaningless. We want to feel affected, and we can’t help but worry a bit because we do love these characters, but deep down we’re always still wondering when they’ll return.

3 Twisty’s “Resolution” Is Basically A Deus Ex Machina

Season four’s big villain, Twisty the Clown, turned out to be much more Bozo than Pennywise. Sure, he was scary-looking, and he had the tragic backstory to boot, but Twisty’s crimes felt more garden variety scary movie than the monstrous panache we’d expect from AHS.

Twisty, played by John Carroll Lynch, even had a disappointing resolution as a character. Not only was he never really sorted out by a main character or a victim bent on revenge, but he was literally yanked out of the show to join Edward Mordrake’s nightmarish troupe, collecting the clown’s soul after hearing his tale of woe.

2 Misty Day Was Unjustly Lost

One of the characters fans most resonated with in season three, Coven, was Misty Day, played by the talented Lily Rabe. Misty’s character screamed Supreme, from her unique abilities to her lack of really caring about the position.

Misty was all about fairness, being kind to animals, and protecting the vulnerable, making her a fantastic character to root for.

Unfortunately she was also a red herring. Falchuck and Murphy offed her in such a terrible way in a Hell made up of her own personal vivisection nightmare, which made zero sense given her ability to bring things back to life so easily. Misty didn’t deserve her ending, but neither did Nan and many other characters.

1 Tate Is A School Shooter

Tate Langdon is one of the most romanticized characters in the history of AHS. The season 1 character is a doting friend, devoted boyfriend who would do anything for Violet, and speaks volumes of teen angst to many a smitten heart. It doesn’t hurt that Evan Peters, who plays Tate, is easy on the eyes as well. Is that why it’s so hard to remember that Langdon is such a deplorable character?

Tate is a school shooter. He took the lives of several classmates and should represent what we most despise and do not condone in this nation right now. He also assaulted Violet’s mother, Vivian, causing her to become pregnant with his Antichrist baby. How can anyone still crush on this guy knowing what harm he’s done?

What other problems with American Horror Story do fans overlook? Let us know in the comments!



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2018-10-10 08:10:37 – Sara Schmidt

Harry Potter: 20 Crazy Details Only True Potterheads Knew About Wormtail

For a lot of reasons, Peter Pettigrew, AKA “Wormtail”, may be one of the creepiest characters in all of the Harry Potter series. First and foremost, is the rather strange decision on the part of author J.K. Rowlings, to make Pettigrew’s animagus form hang around so closely with a preteen Ronald Weasley. With that particularly large elephant out of the room, we can get into some of the more unnerving, crazy, and interesting facts about this Voldemort supporter.

Everyone knows Wormtail to be the man who betrayed Lily and James Potter’s location to Voldemort, who sought to destroy them and their newborn son after finding out that Harry may one day defeat him. Although Voldemort’s attempt on Harry’s life backfired (quite literally), this moment it did cement Wormtail as one of Tom Riddle’s most famous supporters. In addition to this, Wormtail also got away with it all by blaming Sirius Black for that horrible night.

In many ways, Wormtail was the most unlikely member of Voldemort’s inner circle. He didn’t have the dedication to Voldemort’s evil agenda that Lucius Malfoy did. Nor did he have the obsessive nature of the deranged Bellatrix Lestrange. At the end of the day, Wormtail was a coward, and that why he let betrayed his friends to become part of one of the darkest cults of all time. Despite all he has done, Wormtail was still a far more engaging character than most fans may recall.

Without further ado, here are 20 Crazy Facts About Wormtail.

20 He Was Almost Not Sorted Into Gryffindor

When Peter Pettigrew arrived at Hogwarts School of Witchcraft and Wizardry, he lined up with the rest of the First Years to await The Sorting Hat’s decision on which House he would join. While in line, he met both Sirius Black, who uttered his contempt for Slytherin House, and James Potter. Immediately, Pettigrew took a liking to these boys and longed to be Sorted with them.

When he finally was placed under The Sorting Hat, Pettigrew waited a whole five minutes to be placed in Gryffindor.

This is what was called a “Hatstall.” The Sorting Hat clearly saw that this character was suitable for more than one house. Although Slytherin would be the obvious alternative choice, Hufflepuff was one as well.

19 He Was A Member Of The Order Of The Phoenix

Due to Peter Pettigrew’s friendship with James, Remus, and Sirius, he joined The Order of the Phoenix after his time at Hogwarts School for Witchcraft and Wizardry.

The Order of the Phoenix was a secret society founded by Albus Dumbledore to combat Voldemort and his sycophantic followers during the First Wizarding War. This was the time when Voldemort returned from traveling abroad and sought to overthrow the Ministry of Magic and persecute Muggles and Muggle-born magical folk. Although Pettigrew wasn’t a fan of Voldemort’s ideology, he was part of the Order purely because his friends were. It was a community for him. He did not have the same passion for the cause as the other members did.

18 He Wasn’t A True Believer In Voldemort

Much like Peter Pettigrew wasn’t a true believer in the Order of the Phoenix, he wasn’t one of Voldemort’s dedicated followers either. He did not share the same lust for dominance over the Wizarding World, nor the same level of intolerance.

When Pettigrew became a spy for Voldemort, it was purely out of fear.

Wormtail, at the end of the day, is an opportunist. He is someone who will do just about anything to survive, and that included betraying his best friends in order to remain on the powerful dark wizard’s good side. In many instances, especially in the books, Wormtail even couldn’t bear Voldemort’s violence and occasionally attempted to suggest alternative measures to achieve his dark desire.

17 McGonagall Didn’t Like Him, even as a kid

If there’s one thing that Minerva McGonagall has never done, it’s mince words. First and foremost, this Transfiguration professor and Gryffindor Head of House is brutally honest. In the books, she was honest about how she felt about Peter Pettigrew during his time at Hogwarts.

Of course, McGonagall taught him Transfiguration as well as watched over him as the H.O.H. She claimed that Pettigrew “hero-worshipped” both James Potter and Sirius Black. In fact, she even described him as a “lump of a boy” who constantly followed Sirius around like his lap-dog. She even claimed that Peter was “stupid” as well as “foolish.” However, Minerva clearly grew to have some respect for him once he joined the Order. She even spoke sadly about him before she learned that he was the one responsible for the betrayal and not Sirius.

16 He Lived As A Rat For 12 Years

As most fans know, Peter Pettigrew was one of the Mauraders, the small group of friends that consisted of James Potter, Sirius Black, and Remus Lupin. Peter even decided to become an animagus in order to make Remus feel more comfortable with the fact that he was tragically turned into a werewolf. The fact that Pettigrew could turn into a rat at will was something that came in handy after he was forced to fake his own demise in order to properly frame Sirius Black.

Due to his fear of being caught, Pettigrew lived as a rat for a solid 12 years.

He was eventually discovered by Sirius and Remus in Harry Potter and the Prisoner of Azkaban.

15 He Chose The Weasleys As Owners To Avoid The Death Eaters

After Pettigrew faked his demise, he chose to live as a rat in order to both keep up his lie as well as to avoid the Death Eaters. At this stage, many of Voldemort’s followers were unknown to the authorities and lived amongst the common-folk. Due to the fact that Voldemort’s apparent demise happened due to Pettigrew’s information, the Death Eaters believed that Pettigrew was a traitor and therefore sought to destroy him.

Wormtail knew that he stood a better chance at staying alive if he picked a “good” family to stay with. Eventually, he came to be Percy Weasley’s possession and was handed down to Ron. Presumably, Wormtail (as “Scabbers”) stayed with the Weasleys because he knew that the family would treat him right as well as shield him from Voldemort’s secret followers.

14 He Almost Ruined Ron And Hermione’s Relationship

Although Wormtail didn’t mean to, he almost completely ruined Hermione and Ron’s friendship in Harry Potter and the Prisoner of Azkaban. Throughout the book and the film (to a lesser extent), Ron was constantly trying to save Scabbers (AKA Wormtail) from Hermione’s carnivorous new cat, Crookshanks. When Wormtail heard that Sirius Black had escaped from Azkaban and was poking around the Hogwarts grounds, he decided to flee, faking his demise a second time.

In the book, he bit himself in order to leave blood that suggested that Crookshanks had finally taken him out.

It completely convinced Ron, and the pair’s relationship nearly ended until the truth was revealed. This is just another instance of Peter Pettigrew doing anything necessary to remain alive.

13 Rats helped him find Voldemort

A lot of fans of Harry Potter who haven’t paid close enough detail to the books wonder how Wormtail and Voldemort were reunited before the events of The Goblet of Fire. Well, the truth is Wormtail learned from fellow rats that a dark force was living in a forest in Albania. This force ended up being Voldemort himself, who was living off the animals in the forest. However, Voldemort was just clinging to life in his shriveled-up form.

Wormtail lured a prominent ministry witch, who was on vacation in Albania, into the forest and then proceeded to force information out of her that helped persuade Voldemort to take him back into his good graces.

12 He Fed Voldemort Nagini’s Milk to Save Him

Aside from finding Lord Voldemort in a forest in Albania and giving him some vital information about the upcoming Triwizard Tournament from the ministry official he lured into the forest, Wormtail also stayed in Voldemort’s good graces due to the fact that he kept him alive. At this point, Voldemort was simply a shriveled up humanoid creature who barely had any power at all.

With Wormtail’s help, he managed to stay strong enough to last until the end of The Goblet of Fire when he was “reborn.”

Wormtail was able to do this because he milked the venom out of Nagini, Voldemort’s giant snake who will appear in human form in Fantastic Beasts 2: The Crimes of Grindelwald. This venom provided Voldemort with the rudimentary body we see in Goblet of Fire.

11 He Helped Capture Mad-Eye

When Wormtail traveled to Albania to seek Voldemort, he ran into a ministry official who he forced into telling him legitimate information about the goings on at Hogwarts. This included the upcoming Triwizard Tournament that they would get Harry Potter to take part in, as well as the fact that Alastor “Mad-Eye” Moody would be the next Defence Against the Dark Arts teacher.

Another piece of information this ministry official gave was that there was a Voldemort supporter hiding out in England. This ended up being Barty Crouch Jr., who, with the help of Wormtail, tracked down Mad-Eye Moody and captured him. Crouch then famously continued to take locks of Mad-Eye’s hair in order to brew a Polyjuice Potion that turned him into Mad-Eye.

10 Snape Got His Revenge On Pettigrew

As we found out through various flashbacks during Harry’s time learning legilimency from Severus Snape, Severus was teased and pushed around by Harry’s father, Lupin, Sirius, and Peter Pettigrew as a child. Pettigrew probably wouldn’t have been the one to instigate this, but he was happy to play along with what the “cool kids” were doing. That, after all, was sort of his M.O. However, in their later years, Snape got his revenge on Wormtail after Voldemort ordered Wormtail to live with Snape at Spinner’s End in order to help him with various things.

Wormtail ended up being Snape’s punching bag and personal servant.

In fact, Snape treated him quite poorly, which, without a doubt had more to do with Wormtail betraying Lily Potter than anything else.

9 Voldemort Loathed Him

Lord Voldemort may not have had the ability to love anything except for himself, and even that is arguable, but he certainly had some appreciation and respect for certain members of his cult. At one time, he had immense respect for Lucius Malfoy, but that went away after Lucius continued to fail him. Bellatrix and Snape seem to be in his good graces constantly as they appeared to be his most ardent supporters. Snape, specifically, was the one he thought was infiltrating Dumbledore and the Order.

Wormtail is a different story entirely. Voldemort never liked Wormtail at all. He put up with him because Wormtail helped to keep him alive. But even before Voldemort’s first downfall, the villain knew that Wormtail was only around out of fear, not out of duty or respect.

8 He Wasn’t Skilled At Magic

Throughout the course of the Harry Potter series, two very different powerful magical folk made comments on Wormtail’s lack of power. The first was Wormtail’s old Transfiguration teacher, Minerva McGonagall, who claimed that he was far less talented than his friends when it came to magic. Then there’s Voldemort, who always regarded his servant as particularly weak. The truth is, they were mostly right about him.

He was a hopeless dueler, only besting opponents when catching them off-guard.

However, there are a couple of instances where he’s shown more potential than even he believed. One of these moments was when he caused an explosion that ended the lives of twelve Muggles and allowed him to get away from Sirius Black.

7 He Was Surprisingly Intelligent And An Opportunist

You can say a lot about Peter Pettigrew, including his cowardly demeanor, but one thing you can’t say is that he was dumb. On the contrary, Wormtail was actually pretty intelligent. This cunning helped him frame Sirius for the crime that he committed, as well as search out Voldemort.

Wormtail’s intelligence also allowed him to be quite the opportunist. This trait perhaps sums him up the most, as from the start of things he knew how to get in with the “right” crowd. When the tides changed and there was a better group to be associated with, that’s exactly where Wormtail would end up. A fool wouldn’t be able to navigate situations like this, let alone stay on Voldemort’s good side.

6 The Other Death Eaters Didn’t Like Him

Being an opportunist didn’t quite go over well when it came to Voldemort’s closest servants. First of all, many of them, including Bellatrix Lestrange, were there because they either believed in Voldemort’s cause or Voldemort himself.

Many of these Death Eaters saw Wormtail as a clinger; someone who was merely there to survive and never truly fought for what they believed in.

Another major source of the dislike the Death Eaters had for Wormtail had to do with Voldemort’s first downfall. This event happened on Wormtail’s information. When Voldemort was seemingly annihilated after attacking Harry Potter, many Death Eaters saw Wormtail as a traitor who purposefully led Voldemort to his grave.

5 His Hand Was Cursed

Although the filmmakers behind the Harry Potter movies didn’t explore Wormtail’s silver hand, it was certainly talked about in detail in J.K. Rowling’s novels. Wormtail first got this magical silver hand after he severed it from his body while resurrecting Voldemort in The Goblet of Fire. However, it came with a catch.

The catch with Wormtail’s replacement hand was that it was cursed. Sure, the hand had magical properties, including being impervious to certain jinxes, but it also led to his downfall. Though Wormtail didn’t receive a proper final scene in the films, his demise in the books occurred when he was planning to do good on his “life debt” to Harry. Wormtail’s magical hand turned on him, wrapped around his neck, and took his life.

4 He was insecure about his body

Every single person on the planet has their own set of insecurities. This is true of all of the characters within J.K. Rowling’s masterful series. For Wormtail, it was his stature. Not only was his short height an issue for him, but his weight and shape particularly bothered him. He no doubt compared himself to the more traditionally handsome James Potter and Sirius Black while growing up.

Due to actor Timothy Spall’s height, Wormtail was portrayed a taller than he was in the books.

However, when he first appeared in Prisoner of Azkaban, he was around the same height as a 13 and 14-year-old Harry and Hermione. Both Harry and Hermione would grow to be taller, while Pettigrew remained the same height.

3 He Was Made More Rat-Like For The Films

J.K. Rowlings described Peter Pettigrew has had some of the qualities of a rat, especially after living as one for a solid twelve years. These traits included watery eyes, grubby skin, a pointed nose, and even a squeaky voice that followed him after he revealed himself in The Prisoner of Azkaban.

Azkaban director Alfonso Cuaron wanted to make sure audiences absolutely knew that Pettigrew would have maintained some of his rat-like qualities after his twelve-year stint. These added details included extra nostril hair, knuckle hair, two big teeth, and a consistency between Scabbers’ fur and Wormtail’s locks. Hiding his neck with the right coat also made Wormtail’s rat-like look more believable. These details also came in handy for Wormtail’s visual transition back into his animagus form as he escaped.

2 He Took Voldemort’s Wand

Wormtail didn’t keep his distance the day after Voldemort’s downfall in Godric’s Hollow. He made sure he was nearby as he hoped his information would be useful. Voldemort, of course, wanted to take out a young Harry Potter due to the prophecy that stated that the boy could lead to his demise. Unfortunately for Voldemort, his attempt on Harry’s life backfired and he was practically disintegrated.

Wormtail deduced this once he came across the rubble of the house. He then found Voldemort’s iconic phoenix-feathered wand and took it for safe keeping.

He later gave it back to Voldemort once he was strong enough to use it once more.

There’s no telling where exactly Wormtail stored the wand while living as a rat for twelve years.

1 His Demise Was Connected To The Marauders

Wormtail’s connection to the Marauders, Lupin (Mooney), Sirius (Padfoot), and James (Prongs) was fully realized the day that he met his end. This is because Wormtail’s demise (at least in the book) was very similar to those of his three classmates.

All four of them, in one way or another, passed away while trying to protect or save Harry.

James met his end at the hands of Lord Voldemort that day in Godric’s Hollow. Sirius was protecting Harry when he was struck by Bellatrix’s curse. Lupin fought in the Battle of Hogwarts, giving Harry a moment to escape from Dolohov, who was later revealed to have taken Lupin out. Finally, Wormtail’s cursed hand turned on him the moment he was about to let Harry go, honoring his life-debt.

What do you think is the craziest fact about Wormtail in Harry Potter? Let us know in the comments below!



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2018-10-10 06:10:32 – Dylan Parker

18 Best Sequels, According To Rotten Tomatoes (And 8 Stuck With 0%)

We live in an age where sequels are all the rage. Every major studio is chasing those franchises that can keep their cash flow healthy for years to come. Sometimes, they’re exhausting. Other times, they can be our most anticipated movies. Maybe we could do without more Transformers movies, but Marvel and Mission: Impossible sequels are event movies that drive us to the theater in droves.

Sequels are tricky and unpredictable, though. On one hand, they’re often necessary for expanding stories and the good ones continue sagas we want to see progress. On the other, some are soulless cash grabs that shouldn’t exist. In the worst cases, some of them completely derail promising franchises by failing to deliver the goods. Then again, in some instances, sequels can get a series back up and running after they’ve experienced setbacks.

This list will look at those rare sequels that are considered worthy — and even superior — follow-ups. Those rare beasts that make us grateful for multiple movies in a series. Furthermore, we’ll also be discussing the most maligned sequels that brought no critical good will to their respective franchises whatsoever. It’s more fun this way. In order to fully appreciate the best of the best, we also must acknowledge the worst of the worst. Without evil, we wouldn’t be able to understand all that’s good and pure. Without terrible movies, we wouldn’t be grateful for the good ones.

With this in mind, here are 18 Best Sequels According To Rotten Tomatoes (And 8 Stuck With 0%).

26 Best: Captain America: Civil War (91%)

The decision to keep the same team of writers for all three Captain America films paid off in the end. The trilogy just went from strength to strength with each passing entry, though some would argue that The Winter Soldier is equally as good — if not better — than Civil War. Either way, they’re both prime examples of how to do sequels right.

Civil War tackles the same themes you’d expect from a movie about a do-gooder like Cap, but where the film truly soars is during its wild third act. The airport showdown is the best action showdown in the MCU, and that’s saying something.

25 Worst: The Bad News Bears Go To Japan (0%)

If you didn’t know that sequels to The Bad News Bears exist then no one would think any less of you. While the first movie is a cult classic about an underdog baseball team, the sequels have faded from the collective memory with the passing of time, lost like tears in the rain. That’s for good reason.

None of the sequels are good, but The Bad News Bears Go To Japan is especially bad.

While the idea to relocate to Japan for a big game is good on paper, the sequel is just bland, forgettable, and was made to cash in on the brand name.

24 Best: Star Wars: Episode VII – The Force Awakens (93%)

Some fans argue that The Force Awakens is essentially a retread of A New Hope in many ways. However, clearly the critics and audiences didn’t necessarily agree, given its stellar Rotten Tomatoes score and its audience score of 87%, not to mention its impressive box office haul.

As far as Star Wars movies go, it hits the spot. The new characters are great, the return of some old faces is a trip down memory lane, and the story still made significant effort to push the franchise forward. In those regards, the film definitely succeeded.

23 Best: War for the Planet of the Apes (93%)

Anyone who has a problem with classics being rebooted needs to watch the most recent Planet of the Apes trilogy.  The finale pits the apes in a brutal battle against the humans, which leads to an epic confrontation between the Caesar the Ape and humanity’s ruthless colonel (played by an utterly wicked Woody Harrelson). As far as concluding trilogies goes, War for the Planet of the Apes has everything.

By no means is this a pleasant movie, but it is rewarding. And not only does it wrap up an epic story, but the film boasts some of the great CGI wizardry out there. The action is also ridiculously impressive and compelling, which is crazy considering it’s a movie about people versus monkeys.

22 Best: Logan (93%)

James Mangold’s Logan, the gloriously violent and heartbreaking farewell to Patrick Stewart’s Professor X and Hugh Jackman’s Wolverine, is an all-timer. Taking cues from the Old Man Logan comics, the movie has just as much in common with neo-westerns as it does with superhero yarns, which makes for a gritty, character-driven elegy to characters many of us grew up with.

Logan deserves praise for going R-rated and taking some stylistic risks.

The movie is proof that audiences will still flock to see superhero movies with some edge. If you’re going to send off some icons, this is the way to do it.

21 Worst: Return to the Blue Lagoon (0%)

Considering that no one liked The Blue Lagoon (it currently holds a 9% rating on RT), why anyone would want to return to the franchise is beyond comprehension. Of course, every sequel is a perfect opportunity to right some old wrongs if handled with care. Unfortunately, this was not. The story follows two children who are marooned on a tropical island as the grow up and fall in love, etc. The characters don’t wear enough clothes either, which makes for some weird, uncomfortable viewing.

There are some unintentional laughs to be had at the poor script and performances.

Otherwise the Blue Lagoon isn’t a scenic cinematic paradise worth spending time in unless you want to punish yourself for some reason.

20 Best: The Dark Knight (94%)

Few superhero movies are ever regarded as anything more than popcorn fare. However, if there were ever a superhero movie that proved the genre could be prestige cinema, it would be The Dark Knight. Christopher Nolan’s take on Batman is an exploration of chaos and just how far people are willing to go to achieve their goal.

The Dark Knight — for better or worse when you consider how devoid of fun some DC movies have been since — also brought a gritty, realistic touch to the genre. The movie feels more like a Michael Mann crime saga than it does a story about superheroes versus their outlandishly evil counterparts.

19 Best: Finding Dory (94%)

In recent times, Pixar has been criticized for relying too heavily on sequels, but if it ain’t broke… Finding Dory was released 13 years after Finding Nemo, and it was a smash with critics and audiences alike.

Its 94% on Rotten Tomatoes is complemented by an 84% audience score.

Upon release Finding Dory was praised for being as funny and thought-provoking as the first movie, while also adding a new dimension to the story. As with any Pixar movie, Finding Dory can be appreciated by audiences of all ages. 

18 Worst: Staying Alive (0%)

No other actor on the planet has experienced a career of ups and downs like John Travolta has. When he broke out he had the world at his dancing feet. After that, his career experienced a downturn until it was resurrected briefly following Pulp Fiction until it ultimately plummeted when he started starring in movies like Battlefield Earth. Staying Alive was released in 1983 when Travolta was experiencing his first fall from grace. Following up a classic like Saturday Night Fever was never going to be easy, but it shouldn’t have been this difficult, either.

The sequel lacks the gritty realism of its predecessor, and instead tries to get by on dance sequences. What’s the point in dancing when we don’t care about who’s doing it?

17 Best: Creed (95%)

No franchise tends to remain compelling seven sequels in, but Creed is proof that the Rocky franchise is the rare exception. Granted, some Rocky movies aren’t exactly knockouts, but Creed got things back on track and showed that it’s game for a few more rounds.

By serving as both a sequel and a spin-off/soft reboot, Creed gave the franchise a breath of new life.

It passed the gloves on to Michael B. Jordan as the eponymous character.  Creed 2 is right around the corner. Let’s see if it can do what the original saga failed to do and deliver a second outing that’s as good as the inaugural entry.

16 Worst: Leprechaun 2 (0%)

The first Leprechaun movie doesn’t come close to being certified fresh rating on Rotten Tomatoes, so it should come as no surprise that the sequels didn’t receive any critical acclaim. Especially not the second movie, which no critic seemed to enjoy at all.

Here, the infamous critter resurfaces in Los Angeles to find a bride, which leads to him abducting a young woman and trying to claim her as his own. This isn’t high art by any means, nor does it try to be.

15 Harry Potter and the Deathly Hallows: Part 2 (96%)

The Harry Potter books were an emotional roller coaster that affected millions of readers worldwide. Reliving those adventures on the big screen was also a great time to be alive, and the grand finale lived up to expectations. In the final installment of the saga about the Boy Who Lived and his fight against the forces of darkness, the ultimate showdown finally happens as our hero and his pals face off against Voldemort in Hogwarts castle.

It’s a true epic in every sense of the word.

As far as wrapping up the story goes, Death Hallows: Part 2 delivered the goods and gave us cinematic closure in style.

14 Worst: Looking Who’s Talking Now (0%)

Look Who’s Talking is a perfectly serviceable comedy that should never have received any sequels. In a bid to end to the trilogy on a high following the disappointing previous sequel, Look Who’s Talking Too, someone thought it would be a good idea to introduce talking dogs to the mix for the series’ swan song. 

Needless to say, Look Who’s Talking Now wasn’t the glorious goodbye the series was looking for, but at least the film did cast some cute dogs.

13 Best: The Good, the Bad, and the Ugly (97%)

The third installment of Sergio Leone’s influential Dollars trilogy, The Good, The Bad and the Ugly is the creme de la creme of spaghetti westerns. 

The story centers around two men who form an uneasy alliance following a scam.

This leads them on a quest as it turns out there’s money buried in the desert and they want to find it. However, they have to compete against another who won’t hesitate to put a bullet in them to claim the prize. On top of being one of the most acclaimed movies out there, the film has been hailed as a major influence on directors like Quentin Tarantino.

12 Best: The Godfather: Part II (97%)

The continuation of Francis Ford Coppola’s Best Picture-winning 1972 crime saga, The Godfather: Part II chronicles Michael Corleone’s further ascendency in organized crime while simultaneously taking us back to the past to explore his dad’s humble beginnings.

Like its predecessor, the sequel also won Best Picture and is hailed by many a critic and film buff as one of the best movies ever made. Whether it’s better than the original is up for debate, but they’re like two sides of the same coin. These movies set the bar for mob pictures, and to this day, other directors are still trying to recreate the formula.

11 Mad Max: Fury Road (97%)

Director George Miller was in his seventies when he unleashed Mad Max: Fury Road, but the energy and madness imbued in every frame of this extravaganza suggest a man half his age.

Maybe we’ll never see another Mad Max movie, but the world needs a Furiosa spin-off eventually.

Fury Road is essentially one non-stop chase that barely lets up from the get-go all the way to the climactic ending. Furthermore, it’s a movie that defied expectation by taking the focus away from the titular character and making Charlize Theron’s Furiosa the real hero of the adventure. 

10 Worst: Jaws: The Revenge (0%)

Is Jaws: the Revenge a good movie? Definitely not. Is it an entertaining movie, though? Definitely yes.

How many other movies have sharks that make a conscious decision to get revenge on the humans that wronged them? Not only that, but the shark here followed its target to the Bahamas from Massachusetts. And why would someone who wants to avoid sharks go to an island surrounded by ocean? The movie is illogical, silly, nonsense, but it does offer sheer entertainment value for bad movie buffs.

9 Best: Aliens (98%)

Alien and Aliens are quite different in some regards, but they complement each other perfectly. The first is an exercise in pure suspense and terror. The sequel, on the other hand, retains the horror elements but adds a lot more action to proceedings.

Aliens shows how to make a successful sequel: acknowledge what came before but don’t be afraid to bring some fresh ideas to the table.

James Cameron was on fire in the ’80s and he wasn’t afraid to make Ridley Scott’s baby his own.

8 Best: Mad Max 2: Road Warrior (98%)

While George Miller’s inaugural Mad Max caper is a cult classic, most film buffs would agree that a couple of the sequels are slightly superior. Taking nothing away from the first movie, Road Warrior is a vast improvement when it comes to world building and sheer action spectacle. The story follows the eponymous character as he helps a group of people steal oil from a tyrannical madman and his band of goons.

As far as cinematic thrill rides go, few movies are on par with Road Warrior. Here, Miller turned up the volume significantly by making the post-apocalyptic terrains feel more dangerous and the action sequences more gung-ho and grander in scale.

7 Best: Evil Dead 2 (98%)

Sam Raimi’s first Evil Dead movie was a huge achievement for independent filmmaking when it was released back in 1981. The movie still holds up to this day with its innovative camera work, effective scares, and excellent cast as well.

The sequel is a triumph in its own right.

While the first movie contained moments of dark comedy, the sequel amps up the zaniness to become what is essentially the splatter flick equivalent of a Laurel and Hardy flick. For 90 minutes, Bruce Campbell is tormented by laughing ornaments and his own severed hand. As silly as that sounds, Evil Dead 2 still manages to pack more punch than your average MMA fighter.

6 Worst: Police Academy 4: Citizens on Patrol (0%)

In the third installment of the Police Academy franchise, the cops are understaffed and in need of some help. Naturally, the force turns to America’s civilians to help aid in their mission. Things don’t go smoothly, for the characters in the film and the movie itself.

Rotten Tomatoes describes Police Academy 4: Citizens on Patrol as “Utterly, completely, thoroughly and astonishingly unfunny” and  a movie which sent “a once-innocuous franchise plummeting to agonizing new depths.” That sounds about right.

5 Toy Story 3 (99%)

Few franchises manage to strike three home runs in a row. Even The Godfather stuttered when it came to the third outing. Toy Story, on the other hand, never ceases to replicate the magic time and time again.

This emotional installment sees Andy get ready to leave for college and neglect his old toys.

He’s all grown up and has no use for them anymore, and what ensues is what is by far the most heartfelt movie in the series.

4 Worst: Highlander II: The Quickening (0%)

As far as pure entertaining action-fantasy goes, the first Highlander movie is a fun slice of popcorn entertainment that aficionados of cult cinema lose their head over. The sequel, meanwhile, is an incomprehensible mess.

Highlander II is too overplotted to explain, but the cusp of the story revolves around the hero from the first movie taking on a corporation after being led to believe that they don’t have the world’s best interests in mind. In this one, our hero is a defender of the ozone as well. What makes Highlander II so awful is that it completely retcons everything good about the original film and the mythology it introduced.

3 Best: The Bride of Frankenstein (100%)

We all desire to be loved by someone special– even bolt-head monsters made up of the remains of other people. But to find them a mate, one must dig up some more corpses and create a suitable partner that’s similar in genetic make-up. This is also the storyline behind James Whale’s 1935 masterpiece, Bride of Frankenstein.

There are too many Frankenstein movies to keep track of at this point, but this sequel remains the pinnacle of the original series.

The movie is a masterpiece that successfully blends campy fun with Gothic beauty and genuine chills that’s stood the test of time as a result.

2 Paddington 2 (100%)

No one expected the the first Paddington to be as good as it is. That movie is a bona fide classic in the making in its own right, but the sequel is some next-next level brilliance.

Paddington 2 sees the lovable bear go to prison and, unsurprisingly, all the mean criminals fall in love with him as well. Critics, like the fictional convicts, were also full of praise for the titular bear and his second big onscreen adventure as well. At one point, Paddington 2 was even the best reviewed movie in history.

1 Best: Toy Story 2 (100%)

Following up a movie like Toy Story was never going to be easy, but that didn’t stop Pixar from trying and succeeding. In this one, we find out that Woody is a collectible when he’s discovered and stolen by a greedy museum owner. Naturally this prompts Buzz Lightyear, Mr. Potato, and the rest of the gang into action and they set out to save their friend.

General consensus on Rotten Tomatoes states that Toy Story 2 is that rare sequel that improves upon its predecessor.

The sequel raises the stakes and ups the element of adventure while retaining the humor and heart that made audiences fall in love with the franchise in the first place.

What’s your favorite sequel? Let us know in the comments!



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2018-10-10 04:10:39 – Kieran Fisher

22 July Review: Paul Greengrass Delivers Another Intense Docudrama

Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

In-between his efforts on the Bourne movies, journalist-turned filmmaker Paul Greengrass has spent much of his career making docudrama-thrillers about real-world events, ranging from the September 11 terrorist attacks on the U.S. (United 93) to the hijacking of the Maersk Alabama in 2009 (Captain Phillips). While there’s an inherent risk of exploiting a real-world tragedy that comes with any such project, Greengrass has long been celebrated for his ability to dramatize terrible events on the big screen in a manner that’s intense, yet sensitive and ultimately insightful in its presentation. Thankfully, that remains the case with his Netflix Original 22 July, even if it doesn’t necessarily represent the writer/director at his finest. Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

22 July picks up on July 21, 2011 in Oslo, Norway, as Anders Behring Breivik (Anders Danielsen Lie) – a self-declared right wing extremist – prepares to carry out a terrorist attack on the city the next day. He begins his assault by setting off a bomb in a van near the main office of the then-current Norwegian Prime Minister Jens Stoltenberg (Ola G. Furuseth), killing eight people in the process. Breivik then proceeds to continue his attack by gunning down 69 members of a summer camp organized by the AUF – the youth division of the Norwegian Labour Party – on the island of Utøya, before he is ultimately apprehended by the police and taken into custody.

Among the members of the summer camp is one Viljar Hanssen (Jonas Strand Gravli), who manages to survive Breivik’s attack despite being shot multiple times and left permanently maimed. As Viljar struggles to recover both physically and psychologically from what happened to him (along with everyone else who survived the Utøya shootings and their loved ones), Breivik works with his chosen lawyer Geir Lippestad (Jon Øigarden) to mount a defense and use his trial as a platform to publicly announce his political agenda (which calls for the immediate deportation of all Muslims and heavier restrictions on immigration to Norway, among other things). When it becomes clear to Viljar what Breivik intends to do, he grows increasingly determined to continue his rehabilitation and testify against him in court for not only himself, but also every other person whose lives were affected by what took place on July 22.

Adapted from the book One of Us: The Story of a Massacre in Norway — and Its Aftermath by Åsne Seierstad, Greengrass’ script for 22 July has a very clear-cut three act structure – with the first act focused on the July 22 attack, the second part set during its immediate aftermath, and the final third centered on Breivik’s trial. The film is strongest during its first and third acts in particular, as those chapters (respectively) play to Greengrass’ strengths as a suspense-thriller storyteller and provide the emotional payoff to Viljar and, thus, Norway’s overarching journey of recovery and survival. It’s the second act where things start to drag and get a little muddled, especially as 22 July splits its focus between not only Viljar’s story thread, but also Lippestad and Breivik’s trial preparation, and the investigation into Stoltenberg’s administration and its failure to prevent a terrorist attack. While there’s nothing in the second act that feels inessential, 22 July struggles to divide its attention evenly between its three plotlines and the film’s pacing suffers for it.

On the whole, however, 22 July does a nice job covering a fair amount of narrative ground, even when taking its pretty substantial runtime into consideration. It helps that Greengrass (as he’s known now for doing, as a director) never fully lifts his foot off the gas pedal and keeps the film’s proceedings feeling on-edge throughout, even during its more purely dramatic portions. The filmmaker, working this time around with DP Pål Ulvik Rokseth (The Snowman) and Oscar-winning Argo editor William Goldenberg, uses essentially the same vérité cinematography and restless editing style that he has on his previous movies, in order to fully immerse viewers in the film’s setting and action. At the same time, Greengrass slows things down a bit here and, in turn, delivers a movie that’s more visually cohesive than some of his weaker efforts in the past (see the last Bourne sequel, in particular). This serves 22 July well, allowing it to effectively work as both a grounded drama and thriller.

Given the sheer amount of information that 22 July strives to cover, though, there’s not a lot of room for the film’s actors to really shine – not in the way that Barkhad Abdi and Tom Hanks did in Captain Phillips, for example. Even so, the 22 July cast is uniformly strong across the board, with Gravli especially doing an excellent job of portraying Viljar’s struggles with his physical injuries, PTSD, and the sheer amount of emotional baggage that he’s saddled with after barely managing to escape the attack on Utøya with his own life. Actors like Thorbjørn Harr and Isak Bakli Aglen are similarly moving in their smaller roles as members of Viljar’s family, as is Seda Witt as Lara Rashid, a young woman who starts to make a romantic connection with Viljar before both of their lives are shattered by Breivik’s attack. As for Breivik himself: Lie is quite compelling in the role and portrays the terrorist as a fully-developed person – one whose rationalization of his behavior makes him chilling and pathetic in equal measure.

As with his previous films, Greengrass uses 22 July as a means for delivering larger sociopolitical commentary about the state of things in the world, specifically where it concerns the rise of xenophobic and nationalist ideologies in various countries (the U.S. included). While his scripted dialogue can start to become a bit on the nose as its strives to get these points across (especially in the third act), Greengrass largely succeeds in allowing the story here to shine a light on these issues organically, without getting up on his figurative soapbox to drive the point home. If there’s a downside to the filmmaker’s approach, though, it’s that July 22 winds up handling its subject matter in a way that’s more engaging intellectually than emotionally and, thus, lacks the emotional resonance of Greengrass’ best work to date.

All things considered, however, Greengrass does a very good job of bringing the true story behind 22 July to cinematic life. The final result is a film that makes for an enlightening and otherwise respectful documentation of a horrifying real-world event, rather than one that comes off as exploitative or manipulative. 22 July is showing in select theaters now – in order to qualify for next year’s major film awards shows – and it certainly benefits from being seen on the big screen, but can still be appreciated just as much as a Netflix Original on your home TV. While it’s obviously not a light-hearted viewing experience, 22 July is very much worth checking out if you’ve enjoyed Greengrass’ previous non-Bourne efforts and/or would like to know more about Norway’s own infamous modern terrorist attack.

TRAILER

22 July is now available for streaming on Netflix and is playing in select U.S. theaters. It is 143 minutes long and is rated R for disturbing violence, graphic images, and language.

Let us know what you thought of the film in the comments section!



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2018-10-10 01:10:22 – Sandy Schaefer

Grey’s Anatomy: 20 Things That Make No Sense About Meredith

Grey’s Anatomy is the longest running scripted primetime ABC television show of all time. Ellen Pompeo is the highest-paid actress on television, banking twenty million dollars each season. Grey’s is poised to surpass ER as the longest primetime medical drama, as it waits for its sixteenth season renewal, and it has received thirty-eight Emmy Award nominations during the nearly two decades it has been on the air.

Meredith Grey has gone from a damaged intern having an affair with a resident and caring for her ailing mother to a widow with three children who runs the general surgery department at Seattle Grace. More characters have passed away on Grey’s Anatomy than most shows introduced during their entire runs, and the show is nearly unrecognizable now when compared to its first season because of its revolving cast of characters.

With twenty-nine principal cast members during its fifteen seasons, the writers of Grey’s Anatomy have so much history to contend with that maintaining continuity is an uphill battle that they often lose. As such, there are some details about our favorite dark and twisty surgeon at Seattle Grace that don’t make much sense at all. The confusion goes deeper than the debate on her hair color or who the next romantic lead of the show will be. Everything from her age to her internal motivations have been altered, forgotten and recreated during the show’s epically long run, and viewers are struggling to keep up.

Here are the 20 Things That Make No Sense About Meredith In Grey’s Anatomy.

20 Her Half-Sisters

When a show has been on the air for nearly two decades, it’s understandable that a few plotlines may get recycled. After all, who’s really going to notice if four of the show’s leads are revealed to have massive tumors in a principal cast of over twenty-five characters?

However, it’s hard to believe that Meredith Grey would have two half-sisters who she knew nothing about and that both of those women would come work as surgeons at her specific hospital in Seattle.

This is not even mentioning Lexie Grey’s questionable medical timeline – she started her medical internship program when most students are finishing their undergraduate studies – or Meredith conveniently forgetting her mother’s pregnancy before Maggie Pierce was born in the ’80s.

19 She Doesn’t Contact Derek’s Sisters When He’s About To Pass

Derek Shepard’s sisters were extremely important to him – so much so, that during the second episode of Grey’s Anatomy, Shepard explicitly states that if he were ever to be in a coma, he’d want all four of his sisters with him.

Meredith forgets this not-so-tiny detail when actually faced with a comatose Derek Shepard and takes him off of life support without giving his sisters a chance to say goodbye, including Amelia Shepard, who is her coworker and is easily reachable by phone. Meredith ignoring a key aspect of her husband’s personality, his love for his sisters, is more than an example of Meredith’s selfishness. It’s a lack of continuity and a disappointing, out of character oversight.

18 Getting Together With George

George O’Malley’s unrequited love for Meredith was well-chronicled during the show’s first season, enforcing the characters’ friendship, as O’Malley’s feelings for Meredith led him to provide emotional support when Derek Shepard chose to stay with his wife. Meredith never saw O’Malley as anything more than a friend, even after her break-up with Shepard.

Meredith getting together with O’Malley came from a desire to be wanted and treated well after Shepard had broken her trust, and O’Malley was clearly in denial about Meredith’s lack of interest. Still, it’s hard to believe that O’Malley would take advantage of Meredith in her vulnerable state or that Meredith would choose O’Malley as a physical rebound rather than an emotional one.

17 She Failed Her Intern Exam… And Still Became A Resident

The year 2007 was a rough one for Meredith Grey. Her stepmother passed away from a case of the hiccups, her father blamed her for the loss of his wife, her mom passed away, and she literally passed, and understandably, she cracked under pressure. Meredith didn’t answer a single question on her intern exam.

The logical next step here would have been to see Meredith repeat her intern year like George O’Malley does after failing that same exam.

Meredith would have been able to explore new dynamics with her peers while sorting through her many issues, and the show wouldn’t have to suffer through too drastic of a change. Instead, through some nepotism and a large suspension of disbelief, Meredith is allowed a do-over and breezes through to her residency, while poor O’Malley is given the short end of the stick yet again.

16 Her Inconsistent Pregnancies

After miscarrying her first child due to apparent stress from the Seattle Grace active shooter situation in season six, Meredith is told that the real reason for the loss of her child was actually a “hostile uterus.” Medically, in the real world, this means that it is difficult for a woman to become pregnant due to a variety of factors, including hormonal imbalances. It is treatable through synthetic estrogen or certain bypass techniques and does not necessarily cause miscarriages.

Meredith is able to conceive multiple times during the show, and she even manages to have a fairly normal pregnancy and gives birth to a healthy baby girl. A medical drama probably could have come up with a more realistic plotline for Meredith after writers’ decided that they wanted to complicate her family planning.

15 She Modeled Her Life After Ellis

After hating her mother, Ellis Grey, for most of her life, Meredith follows in her footsteps, as she becomes a mother while still chasing her medical aspirations. Meredith places the blame for her issues on her mother’s workaholic tendencies while raising her daughter, then still chooses to start her family just as her medical career is gaining momentum.

She falls in love with a married man, has his children, raises them alone, and wins a Harper Avery Award, just like her mother. Her professional life causes a rift in her relationship, like Ellis’ Harper Avery nomination leading to the termination of her relationship with Richard Weber. Instead of learning from her mother’s mistakes, Meredith has done something that she swore she’d never do: she has become Ellis.

14 Her First Marriage Wasn’t Legal

In a touching display of friendship, Derek Shepherd and Meredith Grey gave their perfect wedding to their dear friends Alex Karev and Izzie Stevens so that the couple could be married before Stevens possibly succumbed to her advanced brain cancer.

Shepherd and Meredith then have their own, private marriage ceremony in the comfort of their own home, where they write their vows on Post-It notes and promise their lives to each other.

This was all romantic and dramatic, but why on Earth would they not bother going down to City Hall and legalizing the marriage at any point before they tried to adopt their daughter? They most likely already had a marriage license, and the tax benefits alone would have been incentive enough to go through with the final step of their marriage – actually getting married.

13 She Tried To Hold Derek Back

It isn’t easy having a family with two working parents. Nannies help, and Seattle Grace has shown its daycare center on Grey’s multiple times, but Meredith’s frustration with being a mother first and a surgeon second rang true as it was depicted onscreen. Asking Derek Shepherd to take a year off from his practice to give Meredith the opportunity to work was brave and fair, considering the time that she had taken off up until that point.

However, expecting Shepherd to turn down the opportunity of a lifetime at the White House was out of character and unreasonable. Shepherd staying at Seattle Grace meant accepting a demotion, while Meredith could have kept her seniority in DC. Staying behind without Shepherd ran contrary to Meredith’s character development, especially since she expected Shepherd to make himself smaller rather than thriving with him.

12 She Ran Away To San Diego

A large factor in Meredith’s reluctance to move to Washington D.C. came from a fear of airplanes that developed after the plane crash that ended the lives of multiple doctors at the end of season eight. This makes sense, considering the circumstances. What doesn’t make sense, however, is how Meredith fled from Seattle to San Diego following her husband’s loss, telling no one of her location or her miracle pregnancy.

Her decision to choose Seattle over her husband indirectly lead to his passing, but once he’s gone, she immediately leaves. Her love for him wasn’t enough to keep her with him, but his loss was enough for her to ignore all of the reasons she had fought to stay. It’s confusing, upsetting, and utterly heartbreaking.

11 She Stayed At Seattle Grace

During season eight’s plane crash, Cristina Yang keeps asking why all of the doctors at Seattle Grace lose their lives. It was a tongue-in-cheek joke anticipating a question that all Grey’s viewers have at least once during the series. There are shootings, bombs, car crashes, drownings, a flood, a power outage, a bus explosion, and an earthquake during the twenty years that Meredith has worked at Seattle Grace.

At least fourteen doctors and family members have passed away under unusual circumstances at the hospital, filling it with horrible, PTSD-inducing memories.

Somehow, Meredith still works there. After losing parents, a sibling, a husband, best friends, and coworkers, she never thought to just go across town to the other, better-ranked hospital and leave a hospital that is so unlucky it might be on top of the Hellmouth.

10 She Still Has Her Medical License

In order to help Richard Webber’s wife Adele, Meredith enrolls her into her clinical trial for patients experiencing rapidly progressing Alzheimer’s. She tampers with the trial to give Adele the experimental drug rather than the placebo, even after Derek Shepherd’s warnings that doing so would ruin both of their careers.

Of course, because this is Meredith Grey, once her wrongdoing was exposed, no one suffered any long-term consequences. Richard takes the fall for Meredith to protect her job, but neither one loses their medical license. Richard eventually becomes the head of the residency program, while Meredith is the head of general surgery. Shepard had no real backlash for being involved. Everyone was just fine and still eligible to perform surgeries in a respected hospital, somehow.

9 She Considered Herself The Other Woman

After learning that Derek Shepherd was a married man, Meredith halted her physical relationship with him, only being intimate with him one time after learning of his marital status. She legitimately felt guilt for unknowingly dating someone’s husband and didn’t actively try to home-wreck Addison Montgomery’s marriage.

Despite the fact that many of her actions during this complicated time were respectful of Montgomery and her marriage, she still bonded with Mark Sloan when they realized that they both considered themselves homewreckers. Meredith’s characterization centers around her “dark and twisty” tendencies, so her pessimistic framing of the situation would make sense in her own mind, but there’s logically little to support her enduring belief that her relationship with Shepard began with any wrongdoing on her part.

8 She Is Still Alive

Meredith’s self-destructive and occasionally life-threatening tendencies put her in many dangerous situations. She has nearly escaped passing away so many times that its statistically improbable that she would still be alive. Setting aside the fact that she briefly drowned while helping at a ferry boat crash site, Meredith’s life makes no sense because anyone else who’d had this many close calls would not longer be with us.

Meredith held a bomb inside of a patient’s body and barely handed it off before it exploded in the hands of the bomb technician.

She also had prolonged exposure to toxic blood, she drowned for a long time, she asked an active gunman to shoot her, and her plane crashed. Yet here she is, waiting for the next ridiculous trauma that life throws at her.

7 She Barely Talks To Cristina

Cristina Yang was Meredith’s person. More than a best friend, a husband, or a family member, Yang was the one person who Meredith always relied on and trusted. Since Yang left Seattle Grace for Switzerland, all we’ve really heard from her was that Meredith didn’t tell her where she had run away to after Derek Shepherd’s car crash.

There was no confirmation that Yang came to Shepherd’s funeral, as she didn’t stay with Meredith after his passing or visit her newborn child and nary a text has been sent between the two onscreen. Long-distance friendships are hard, but with modern technology like Skype, FaceTime and texting, completely dropping off of the face of the Earth is a cause for confusion.

6 She Gives Thatcher Part Of Her Liver

The last viewers had seen of Thatcher Grey, he had drunkenly, publicly blamed Meredith for his wife’s passing and uninvited her from the funeral. This comes after he abandoned her and started a shiny new family that allowed him to forget about the daughter he left behind.

Even if Thatcher treating Meredith horribly wasn’t enough to dissuade her from saving his life, a complicated position to navigate, Thatcher had multiple daughters and presumably many other family members. Even if Lexie and her sister weren’t matches, how was there no other family member able to donate their liver other than his estranged daughter? There’s no reason it should have been Meredith except as an opportunity to inflict more unnecessary pain on our protagonist.

5 She Had A Busy Two Years

Everything that happened over the first five seasons of Grey’s Anatomy occurred during a two year period. Because the intern year occurs during seasons one through three and Meredith’s first year of residency is seasons four and five, there are many plotlines that happen in a short timeframe.

Plotlines such as George’s marriage and divorce with Callie, Denny Duquette’s storyline with Izzie Stevens, and Christina’s doomed engagement to Preston Burke all happen over the course of less than twelve months.

Meredith and her friends have known each other for only two years by season six, and so much crazy drama has occur in the midst of eighty hour work weeks and eight hour surgeries that it’s almost like they could fill half a decade’s worth of life experience.

4 She’s Always Drinking

Meredith drinks a lot of tequila for a doctor. While she’s shown abstaining from drinking while on-call, Meredith spends most of her down time getting drunk at Joe’s Bar or at home, and even had to be hooked up to an IV during a massive accident to sober herself up for work.

The state of near-constant hangover that she must be functioning in would make her workdays impossible, and the likelihood that she’s be called in during her downtime to work during a disaster situation at Seattle Grace, the grand mecca of disaster, is fairly high in the world of Grey’s Anatomy. How she manages to drink so often without a sponsorship from Pedialyte or AA is a mystery to us all.

3 Her Age

In the script for Grey’s pilot, Meredith is supposed to be thirty-two years old. After taking time off to travel through Europe with Sadie and to care for her ailing mother, it’s understandable that Meredith would be older than the average medical intern. It’s clear that the Grey’s writing team put some thought into Meredith’s backstory in the early years of the show and realized that between taking the MCAT and helping Ellis, there’s no way that Meredith could have started her internship at the median age of twenty-seven.

Meredith’s birth year is confirmed as 1978 multiple times during the course of season eleven, retconning her initial age to be twenty-eight. The writers probably weren’t too concerned about continuity ten years after the fact, but Meredith’s original age made much more sense than her current one.

2 Her Disappearing Children

After a hullaballoo regarding who should watch the children and how to be an active parent and a surgeon, Meredith’s children have completely disappeared from the show after Derek Shepherd’s passing. The children are occasionally referenced, but haven’t been shown in the hospital daycare, her home, or her carpool.

Her children have become an afterthought, despite the fact that they were the main source of conflict between Shepard and herself before he passed away.

Some of these children should be starting school, while others are still in infancy, but having Meredith completely forget that she chose to give birth and adopt multiple children erases multiple seasons of character development geared towards family and motherhood.

1 She Has Gone Through An Improbable Amount Of Trauma

As mentioned multiple times, nothing seems to go right for long in the life of Meredith Grey. Meredith’s mother passes away while Meredith was unconscious, she lost her husband, her boyfriend had a wife, she nearly passed away multiple times, she couldn’t have children, and everyone she knows left or passed away.

Every aspect of her life, from family to spouses to friends, ends with a major trauma and loss. She’s still continuing on with her life and career, while most people would be deep in therapy and rarely leaving their homes if faced with the same amount of sorrow. Meredith is a strong woman, but what she has been through could drive even the most optimistic individual to depression.

Are there any other aspects of Meredith’s character that make no sense in Grey’s Anatomy? Sound off in the comments!



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2018-10-09 01:10:23 – Kristy Pirone

8 Iconic Sitcom Characters Fans Barely Noticed Were Recast (And 12 Way Too Obvious)



When it comes to sitcoms, there has been a longstanding tradition of recasting characters during a series run. Whether this happened immediately, mid-series, or in a show’s final season, it’s been an occurring theme in television since the early days of black and white programming. On some occasions, TV shows never fully recovered from a character’s recasting. Other times, the show soldiered on despite an actor’s notable absence. Surprisingly, in some cases, audiences never even noticed the switch.

The reasons behind these unexpected changes are vast. There are many instances of an actor not getting along with their co-stars and proving themselves difficult to work with. Sometimes, the replacements came because of a child who wasn’t interested in having a job at such a young age. In the infamous case of the two Beckys on Roseanne, Lecy Goranson simply wanted to go to college. In other instances, the transition is still a mystery.

Whatever the reason for the outcome, the recasting of sitcom characters still happens today, which is shocking considering how public behind-the-scenes drama is in the era of social media. It seems showrunners just become attached to their characters and would rather see an acting shift than starting from scratch…

Here are 8 Iconic Sitcom Characters Fans Barely Noticed Were Recast (And 12 Way Too Obvious).

20 Obvious: Aunt Viv (The Fresh Prince of Bel-Air)

The Aunt Viv switch has a long and ugly history, which is unfortunate considering Janet Hubert is the obvious fan favorite. After three seasons, she left the role and was replaced by Daphne Maxwell Reid.

Unfortunately, Will Smith and Hubert have had a long-standing feud over the replacement, both with drastically different ideas of what went wrong. Other actors on the show, including Alfonso Ribeiro (Carlton Banks), have claimed that she was difficult on set.

While the cast loved working with Reid, audiences agreed she never lived up to Hubert’s standard. When the actors reunited recently without Hubert, the drama resurfaced, proving the tension has yet to fade.

19 Barely Noticed: Morgan (Boy Meets World)

When it comes to the Matthews children, Morgan was an undeniable cutie but she was often overshadowed by the other kids on the show. Lily Nicksay (now Gibson) portrayed the character for the first two seasons of the series.

Lindsay Ridgeway, the face you’re probably more familiar with, took over the role in season three and continued until the series ended after season seven. According to Rider Strong (Shawn Hunter), Nicksay was too young and uninterested in working.

Despite the fact that Ridgeway was three years older than Nicksay, the change didn’t make much of an impact on the show.

In a cheeky movie, both actors appeared in the series finale of the show’s spin-off, Girl Meets World.

18 Barely Noticed: Lily (Modern Family)

Lily, the adorable adopted daughter of Cam and Mitchell, was originally played by Ella and Jaden Hiller, who were mere babies at the time. They were replaced by Aubrey Anderson-Emmons in season three.

The switch was no secret, but if it didn’t happen during the internet age, the change probably would have gone completely unnoticed.

Babies change so much that it never really feels like a different actress took over the part.

Anderson-Emmons was only four when she was cast and audiences have watched her grow for the last seven years. She’s often praised for her deadpan delivery and sarcastic take on the character.

17 Obvious: Ann (Arrested Development)

Originally, the part of Ann Veal (George Michael’s painfully plain and dull girlfriend) was meant to be played by a different actress in every episode. However, Mae Whitman stuck around after replacing Alessandra Torresani in season two.

Torresani only played Egg, uh, Ann for one episode so the change wasn’t considered a big deal by fans. In fact, the switch probably would have gone unnoticed if it wasn’t for Whitman’s longstanding career in Hollywood.

By the time she joined Arrested Development in 2003, Whitman had already appeared in over 30 films and television shows, including Independence Day. Since Whitman was such a well-known face, the recasting of Ann Veal was much more obvious than it needed to be.

16 Obvious: Carol (Friends)

The role of Carol Willick-Bunch was only played by Anita Barone is the series’ second episode, but the switch to Jane Sibbett was still glaringly obvious.

This was due to the fact that the two women looked absolutely nothing alike.

Sibbet also dove in and portrayed Carol with great energy, comedic timing, and likability. Of course, Barone cannot be blamed for not matching up considering she wasn’t given the same opportunity to explore the character.

However, it will always be a shame that audiences missed the opportunity to watch Sibbet be the one to break Carol’s pregnancy news to Ross.

15 Barely Noticed: Claire Tanner (Full House)

Every Full House fan loves the third season episode when Doris Roberts shows up as Danny’s mom. However, Alice Hirson played the part of Claire Tanner twice in the first season, including the series’ pilot.

By the time Roberts made her appearance, enough time had passed that audiences probably forget they’d ever met the character before, which was lucky considering how drastically different the actors portrayed the role.

Hirson had a sweet yet stern demeanor whereas Roberts brought her classic boisterous nature to the role. It’s a shame she never came back after that first appearance.   

14 Obvious: Laurie (That ’70s Show)

The Forman’s eldest child isn’t the first character that comes to mind when you reminisce on That ’70s Show, but Lisa Robin Kelly’s portray of Laurie Forman was excellent.

Kelly left the show during the third season and wasn’t mentioned again until she briefly returned in season five.

Her return only lasted four episodes, however, and she was ultimately replaced by Christina Moore in season six. While Moore definitely had the Laurie look down, she couldn’t match up to Kelly’s comedic timing and only lasted six episodes.

Perhaps if Kelly hadn’t returned for the brief period, the transition between actors wouldn’t have been so glaringly obvious. Sadly, the character never returned during the show’s final two seasons and Kelly passed away in 2013, leaving Laurie Forman as her legacy.

13 Barely Noticed: Frank (Seinfeld)

Jerry Stiller was so iconic as George Costanza’s father, it’s hard to believe anyone else ever dared take on the role. John Randolph, known for many classic films, played Frank in one episode during season four before Stiller claimed the role.

In retrospect, it’s more surprising to think that Seinfeld ran for so long before introducing the hilarious Constanzas in season four. Stiller remained a member of the Seinfeld family from seasons five to nine and is considered one of the funniest recurring characters of the series.

In fact, John Randolph’s scenes were eventually reshot by Stiller for syndication, so there’s a good chance you’ve never even seen Randolph’s appearance.

12 Obvious: Becky (Roseanne)

The Becky swap is perhaps one of the most memorable changes in sitcom history because the show chose to have fun with it. After five seasons of Lecy Goranson playing the eldest Connor child, there was no way to replace her without turning a few heads.

Goranson left the show to attend college and the creators weren’t prepared to let the character go, so they brought in Sarah Chalke. The girls look fairly similar, which later led to a very catchy “Identical Beckys” jingle.

Goranson returned to the show in season six and in a rare move, the two actors shared the role.

This became a running gag on the series until Chalke took the part over completely during the final season. Both women returned to the short-lived Roseanne reboot, with Goranson playing Becky and Chalke portraying a brand new character.

11 Barely Noticed: Marta (Arrested Development)

Leonor Varela, aka Marta 1.0, only appeared on the show for two episodes before leaving to film a movie. She was replaced by Patricia Velasquez, aka Marta 2.0, who played the character for the rest of season one.

The fight over Marta was one of the first big conflicts between GOB and Michael, but the change happened quickly, the switch didn’t make much of an impact on the series.

The character never returned after season one. A Marta 3.0 was featured in the show’s third season, but whether or not she was supposed to be the Marta was unclear.

10 Obvious: Mindy (Friends)

In another case of “this would have gone unnoticed if one actor wasn’t famous,” Jennifer Grey originated the role of Rachel’s pre-Friends best friend, Mindy.

In season one, Rachel starts seeing her ex Barry again, despite the fact that he’s engaged to Mindy. This is a serious breach of girl code, obviously. Then, in the season two finale, the character returns for the big wedding.

Jana Marie Hupp played the bride in one of the show’s saddest episodes (we love you, Richard) and she did just fine, but audiences were definitely disappointed that Grey didn’t make another appearance on the show.

9 Obvious: Ryan (Last Man Standing)

During the first season of the Tim Allen’s latest sitcom, Last Man Standing, the character Ryan was portrayed by Nick Jonas. He gets Kristen pregnant in high school, skips town, and returns in season two as a completely different actor, Jordan Masterson.

The two men do look similar, but you can’t exactly replace a Jonas Brother without ruffling a few feathers.

Considering the whole concept of the character is that he’s a “sissy Democrat vegan,” it’s no surprise Nick Jonas moved on to bigger and better things.

Masterson is expected to return now that the show has been un-canceled by Fox.

8 Barely Noticed: Chuck (Happy Days)

The disappearance of Chuck on Happy Days was so odd it sparked an entire TV trope called the “Chuck Cunningham Syndrome”. This, of course, is when a television character disappears and is never mentioned again.

Not only was Chuck an infamous forgotten character, but in his short life, he was played by two different actors.

Richie’s older brother was originally portrayed by Gavan O’Herlihy during the first ten episodes. Randolph Roberts replaced him in the second season, showed up for two episodes, and then was never to be seen again. At least he avoided jumping the shark, like Fonzie did!

7 Obvious: Darrin (Bewitched)

The story of Samantha the witch and her normal husband, Darrin, was incredibly charming and popular, but took a serious hit when they replaced the latter.

The network probably thought replacing Dick York with Dick Sargent was clever considering they had the same first name and looked strikingly similar.

Unfortunately, looks aren’t everything. The chemistry between Sargent and Elizabeth Montgomery didn’t even come close to that of her and York.

Sadly, Dick York’s departure was due to a back injury that led to a addiction. After he left Bewitched, he remained on his back for an entire year and fell on hard times for a while. Since audiences never warmed to Sargent, the final three seasons of the show took a major ratings dip.

6 Barely Noticed: Chris (The Partridge Family)

When the wholesome story of a singing family premiered in 1970, the youngest of the clan was played by Jeremy Gelbwaks. According to rumors, he was difficult to work with, and according to David Cassidy, had a “personality conflict” with the entire cast and producing team.

Considering he was only nine at the time, it’s hard to imagine just how difficult he was, but it caused him to be replaced by Brian Forster in the second season. Forster was considered the cuter of the two, a joke that came up often long after the show ended.

However, Gelbwaks and Forster both joined for future Partridge Family reunions, so things must have improved between Gelbwaks and the cast over the years.

5 Obvious: Nanny G (Cheers and Frasier)

In season ten of Cheers, it’s unexpectedly revealed that Frasier was married before Lilith to a famous children’s performer called Nanny G.

This was incredibly bizarre, but the character was played by Emma Thompson, so it worked.

Many years later, during the ninth season of Frasier, the character is seen for the second time in a hallucination in which Frasier is confronted by his past great loves. Dina Waters donned the silly costume this time, although, it would have been iconic to see Thompson again.

Finally, in season eleven of Frasier, we see Nanny G in the flesh for the first time in 14 years. This time, she’s played by Laurie Metcalf. Naturally, Metcalf is spectacular, but the fact that Thompson never returned was disappointing.

4 Obvious: Maggie (Diff’rent Strokes)

Dixie Carter played Maggie McKinney, Drummond’s girlfriend, during seasons six and seven of the hit sitcom Diff’rent Strokes. However, the show’s ratings dropped and it was canceled by NBC.

ABC decided to pick the show back up for a final season, but Carter chose not to return, and Mary Ann Mobley took over the role.

Considering the show was on its last legs, a casting change-up only added to the decline.

It was also odd that Mobley had played a different love interest of Drummond’s during an episode in season two. Any eagle-eyed fan would have found this addition strange.

3 Barely Noticed: Marilyn (The Munsters)

Beverley Owen played the “unattractive” Munster cousin for 13 episodes before leaving the ghoulish ’60s sitcom The Munsters. She had contractual obligations to remain on the show but allegedly loathed being there. She was reportedly often found crying onset, wishing she could go back to her home in New York.

Eventually, Owen was freed from her contract and was able to return to her home and fiancé, where she started her family and quit acting.

Pat Priest took over the role for the remaining 57 episodes, however, the two looked so similar that many people didn’t even notice the change.

2 Obvious: Marcia (The Bradys)

When The Brady Bunch ended in 1974, the cast probably didn’t think they’d continue playing the iconic roles for another 17 years. Maureen McCormick reprised her role as Marcia for The Brady Bunch Variety Hour, which aired for nine episodes in 1977. She also returned for the television movie The Brady Girls Get Married (1981) and the subsequent spin-off, The Brady Brides, which lasted ten episodes in 1981. In 1988, she reprised the role one last time in the TV movie, A Very Brady Christmas.

The final Brady show, The Bradys (1990), ran for six episodes with Leah Ayres portraying the eldest Brady daughter. While members of the fictional family had been recast before (Geri Reischl played Jan in the Variety Hour and Jennifer Runyon played Cindy in A Very Brady Christmas), the Marcia change was the most notable.

 Considering the fact that Ayres looked nothing like McCormick, the change just added to the extreme discomfort of it all.

1 Obvious: Harriet (Family Matters)

The departure of JoMarie Payton as Harriet Winslow was a huge surprise considering Family Matters was created as a spin-off for her character from Perfect Strangers.

She left the show halfway through the final season, which led people to believe that there was drama surrounding her absence.

Rumors circulated over the cast’s distaste for Steve Urkel, who originally showed up in the 12th episode of the series and wasn’t meant to return. Revamping the show around Jaleel White was certainly a shock to the cast, but considering Payton remained on the series for another eight years, it’s safe to say she parted for other reasons. According to the actress, she was just ready to do something new.

Judyann Elder only portrayed Harriet for the final eight episodes, but Payton’s absence made the last days of the show a disappointment.

Did we miss any obvious sitcom recastings? Let us know in the comments!



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