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Watch: Bradley Cooper & Lady Gaga Perform A Star Is Born Song Live

Bradley Cooper and Lady Gaga have given fans a treat by performing their Oscar-nominated track “Shallow” from A Star Is Born together live on stage. Having already won a Golden Globe and Critic’s Choice Award for the song, this was the first time since the film was released that Cooper and Gaga have performed the popular song live together.

Lady Gaga is currently in the early days of residency at Park MGM Las Vegas, which showcases two different shows: Enigma and Jazz and Piano. The residency will run until next November, and Gaga includes A Star is Born’s “Shallow” on the setlist. The song was written by both Cooper and Gaga, and it was recently nominated for Best Original Song at the Academy Awards. Both Cooper and Gaga were also nominated for Oscars for Best Actor in a Leading Role and Best Actress in a Leading Role, respectively, with the film being nominated for a total of eight Oscars.

Related: Little Mermaid Rumor: Lady Gaga Possibly Up for Ursula Role

Surprising the concert’s audience, Cooper joined Gaga on stage to sing with her during her performance of “Shallow.” The entire performance was captured on video, which can be seen below, courtesy of Deadline. Gaga initially teased the unsuspecting crowd prior to Cooper’s arrival by saying “So a really good friend of mine… I don’t know if you know him, but his name is Bradley. He made that movie, umm, A Star Is Born.”

Just before the performance begins, Cooper, while preparing to put in his monitors, can be heard saying, “Jackson never used these.” The reference is directed at his character in A Star Is Born, Jackson Maine, who remained stubborn regarding his ongoing hearing loss and outright refused the use of monitors, despite the insistence of his brother Bobby (Sam Elliot, who was also nominated for his performance). The performance could be considered as something of a rehearsal for Cooper and Gaga, who are expected to perform “Shallow” together at this year’s Oscar ceremony. The film is seen as a big Oscar favorite, though many are counting on heavy competition from The Favourite and Roma, which lead the pack with 10 nominations each.

There’s no doubt that “Shallow” is a powerful song and fits in perfectly with the overall themes of A Star Is Born. Given that this was the first time Lady Gaga and Bradley Cooper have performed together since the film’s release, the duet remain strong, though Gaga’s is clearly the voice that brings the performance to its most stirring heights. For his part, Cooper’s voice seemed to be slightly lacking the charming gruffness that audiences were used to from Jackson Maine in A Star Is Born, but come Oscar night, a live performance of “Shallow” should be nothing short of spectacular.

More: 12 Worst Oscar Snubs of All Time

Source: Deadline



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2019-01-27 02:01:51

Little Mermaid Rumor: Lady Gaga Possibly Up for Ursula Role

Disney is rumored to want Lady Gaga as part of their live-action The Little Mermaid movie cast. The Mouse House has found great success remaking films from their animated library in a new way. These big budget live-action takes on the stories have made the studio billions, and that’s only the beginning, with properties like The Lion KingAladdin, and Mulan on their way in the next two years. One of the other IPs they’re looking to bring to the big screen in this new light is beloved film The Little Mermaid.

The studio has been mulling a live-action Little Mermaid for the past two years, and some progress has been made. Even before the buzz for Mary Poppins Returns truly begins, Disney reportedly already courted its director Rob Marshall to tackle this next. There’s still no indication when the movie will be made, but the latest rumor shares which rising star Disney is reportedly eyeing.

Related: All the Live-Action Disney Remakes In Development

The Disinsider shared a rumor regarding a name they’ve heard is high up on Disney’s wish list for a role in Little Mermaid: Lady Gaga. The outlet notes that this is an unconfirmed report they are hearing, and one that Disney representatives declined to comment on, so this rumor should be treated as such and taken with a grain of salt for now. However, if this is true, it’s believed that Gaga is being considered for the villain role in the movie as Ursula.

Gaga is currently enjoying overwhelming praise for her performance in Bradley Cooper’s directorial debut A Star Is Born. Her efforts both as an actress and as a singer in the movie have blown away critics and general moviegoers alike. This buzz also reportedly had her in consideration for a role in Birds of Prey. That didn’t pan out, and now it could be Disney’s live-action department that adds her. It would be a huge coup for the project, and give them someone with legitimate talent as a singer to bring the sea witch to life.

The prospect of Gaga joining Little Mermaid comes on the heels of Zendaya previously being rumored to have an offer on the table to play Ariel. That has yet to be confirmed too, but the rising actress is open to taking on the role. A potential Little Mermaid live-action movie led by Zendaya and Lady Gaga would be quite the impressive start to the cast. If either or both do join the movie, expect Disney to go after similarly big names for the roles of Eric, King Triton, and the voices of Flounder and Sebastian. Hopefully these castings do pan out, and some official updates on The Little Mermaid aren’t too far away.

MORE: What Zendaya Could Look Like As Disney’s Live-Action Little Mermaid

Source: The Disinsider



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2018-10-09 06:10:26 – Cooper Hood

Zoe Saldana Teases Her Return As Gamora On Avengers 4 Set

Zoe Saldana teases her return as Gamora in Avengers 4. Even before reshoots for the Phase 3 capper began, the actress already let it slip that she’d be back as Gamora, despite her fate in Avengers: Infinity War. However, it wasn’t until now that fans finally learned that she’s partaking in the scheduled reshoots that will serve to wrap-up the blockbuster sequel.

One of the most integral relationships in Infinity War was that of Gamora and Thanos, who were finally reunited for the first time following the former joining the Guardians of the Galaxy. Despite what his adopted daughter thought of him, it turns out that the intergalactic villain did love Gamora, which helped make the Mad Titan compelling to viewers. With his goal of balancing the universe now fulfilled, Thanos is enjoying retirement, but with the surviving heroes gearing up to avenge the universe following the galactic genocide, the original Avengers may have one more ally to help them take down Thanos, in the form of Gamora.

Related: Bradley Cooper Defends the Thanos Snap: He Has a Point

Taking to Instagram, Saldana posted an image of her getting prepped to reprise the Gamora role for Avengers 4. The caption may have indicated “flashback,” but it could very well be in reference to Neil Young’s “Harvest Moon,” which lyrics she used in the caption. Additionally, actress Karen Gillan (Gamora’s sister Nebula) also added an Instagram story of her being made-up, using it to announce her last day on set. While some wondered if Saldana’s post might have been a throwback to a prior shoot, the fact that Gillan was on set at the same time lends credence to Saldana’s image being new. Check out Saldana and Gillan’s posts below.

While it’s no secret that Avengers 4 will bring back characters who were dead by the end of Infinity War, resurrecting Gamora will be a bit trickier compared to those who were affected by Thanos’ snap. Instead of being turned to dust, the character was thrown off a cliff, as her life was sacrificed in exchange for the Mad Titan to get the Soul Stone. Of course, since fans don’t really know much about how exactly the exchange works – with a young Gamora seemingly reunited with Thanos in the Soul World – there’s a possibility that she was just trapped in the alternate dimension like some popular theories claim. That said, Marvel Studios would have to craft a solid explanation if they decide to revive her, so as not to cheapen the impact of her emotional death in Avengers 3.

Otherwise, Gamora can appear in Avengers 4 in flashbacks or via time travel. Loki, who also died differently from those who were snapped out of existence, looks likely to make a return in the still-untitled sequel, after leaked set images made their way online last year. His involvement, however, is believed to be limited to flashbacks, as the film revisits the Battle of New York, which he was an integral part of. Considering Gamora’s large part in Thanos’ history, not to mention the fact that Nebula is still around, the sisters’ relationship with their adoptive father could be further explored, and might even factor into the villain’s defeat.

More: Loki’s TV Show Means His Infinity War Death Should Be Undone

Sources: Zoe Saldana, Karen Gillan





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2018-10-09 06:10:17 – Ana Dumaraog

Harry Potter: 25 Behind-The-Scenes Photos That Completely Change Deathly Hallows Part 1 & 2

Harry Potter and the Deathly Hallows had a lot of ground to cover, as Harry had to destroy the remaining four Horcruxes that were hidden around Great Britain, while Voldemort was just beginning to take control of the wizarding world from the shadows.

The fact that there was so much content in The Deathly Hallows meant that the creators of the Harry Potter films decided to split the final book into two movies, which opened the door for the creators of the Twilight and The Hunger Games movies to do the same.

The process of creating the final two Harry Potter movies was an emotional one for everyone involved, as a series that took a decade to make was coming to an end. This wasn’t helped by the many beloved characters meeting their maker throughout the course of the story, meaning that there were a lot more emotional send-offs than in the previous movies.

We are here today to see what moments from behind-the-scenes of The Deathly Hallows movies were captured on film forever – from the last time that Remus Lupin & Severus Snape smiled, to the final day of the ten-year odyssey of the Harry Potter movie franchise.

Here are the 25 Behind-The-Scenes Photos That Completely Change Harry Potter And The Deathly Hallows Part 1 & 2!

25 Lupin & Snape Getting Along

Alan Rickman so totally owned the role of Severus Snape that it’s hard to imagine any other actor playing the part. It’s also difficult not to hear Rickman’s voice whenever reading one of Snape’s scenes in the Harry Potter novels.

It’s also a surreal experience seeing Alan Rickman clowning around or smiling in any behind-the-scenes footage of the Harry Potter movies, as Snape never had anything close to a light-hearted moment or laughed at anything that was funny.

Remus Lupin and Severus Snape may have had a cold relationship in the movies, but that didn’t stop David Thewlis and Alan Rickman coming together for a photo on their last day of filming, which even resulted in a rare Snape smile.

24 Voldemort & His Tracking Dots

The Harry Potter movies decided to remove Voldemort’s nose in order to give him a more serpent-like appearance. This was only accomplishable due to advances in CGI and the fact that Voldemort generally didn’t appear that often compared to the other nose-bearing members of the cast.

In order to create the effect of Voldemort lacking a nose, Ralph Fiennes needed to have tracking dots applied to his face. These were necessary in order to tell the computers where all of the parts of Fiennes’ face where in relation to each other so that they could take away the nose and remove all traces of the dots on his face. Ralph Fiennes also had to wear other prosthetics, including a gross-looking set of fake teeth.

23 Talking Through The Nagini Chase

The scene where Neville slices Nagini in two with the Sword of Godric Gryffindor is one of the all-time greatest moments in the Harry Potter series. It is meant to reflect Harry defeating the basilisk in The Chamber of Secrets, with Neville finally becoming the hero that he was always meant to be and becoming worthy of drawing the sword from the Sorting Hat.

The movie version of The Deathly Hallows botched this scene somewhat by adding Hermione and Ron to the mix, as they attempt to deal with Nagini using spells. Neville had to rush in and save them, as they both suddenly developed the aiming skills of a Stormtrooper from Star Wars. 

22 The Dark Lord Of Clowning Around On Set

Ralph Fiennes has appeared in some of the greatest movies of all time, including the likes of Schindler’s List, The English Patient, and The Grand Budapest Hotel. He is known for his extensive theatre work and for taking on roles in serious and somber movies.

All of these serious roles may give you the impression that Ralph Fiennes lacks a sense of humor, but that couldn’t be further from the truth.

He would never have taken on the part of Lord Voldemort if he was going to stick to roles that would win him Academy Award nominations. Ralph Fiennes must have known early on that the role of Lord Voldemort was going to become the one that he was most associated with, so he clearly leaned into it and had as much fun as possible with the part.

21 Hermione & Ariana

Harry Potter and the Deathly Hallows left us with a lot of unanswered questions about Albus Dumbledore, especially where his sister is concerned.

Ariana Dumbledore was attacked by a group of Muggle boys as a child, which left her emotionally scarred and unable to control her magic. The release of Fantastic Beasts and Where to Find Them and the revelations concerning Credence Barebone have led some fans to suggest that Ariana Dumbledore was an Obscurial and that Grindelwald’s obsession with them was sparked by meeting her. Harry Potter and the Deathly Hallows: Part 2 neglected to reveal much about Ariana’s backstory, though we were at least given the chance to see her in the flesh.

20 Wandless Magic

Wands are an important aspect of the Harry Potter series, which means that they appeared all of the time in the movies. The props department always had to make sure that there were lots of spare wands ready at any moment, as they were pretty flimsy and easy to accidentally break during filming.

Daniel Radcliffe broke over eighty wands on the set of the Harry Potter movies, either through being too rough with them or for just wearing them down with overuse. This can be clearly seen in the behind-the-scenes footage where he has a tendency to use them as drumsticks when bored on set. Luckily for Daniel Radcliffe, there were times when wands were added in later with CGI, so he just had to pretend to hold one.

19 Draco’s Fear Of Flying

You might think that the flying broom sequences in the Harry Potter movies are accomplished using only green screen effects, but there is a practical element involved that is necessary in order to make the movement of the brooms seem more natural.

The flying broom is connected to a rig that looks like the mechanism used for a theme park ride, which is essentially what it is.

This flying machine can be moved in such a way as to make it look like the broom is tipping or changing direction, while the background can be added in using CGI in order to complete the illusion. Poor Tom Felton was stuck riding on a broom while looking like a wimp, as Daniel Radcliffe got to look like a super cool wizard.

18 Griphook’s Goggles

One of the most difficult aspects of wearing a prosthetic mask that covers your whole head is what it does for your sweat. Robert Llewellyn who played Kryten in Red Dwarf has talked about how his mask was so tight that the sweat was all squeezed down onto his back.

Warwick Davis is no stranger to prosthetics and masks, which is why he was well-prepared for the outdoor scenes involving Griphook in The Deathly Hallows movies. The Griphook outfit not only covers all of Warwick Davis’ head but also his hands. This is why he is seen wearing goggles during outdoor sequences, as they protect his eyes from the elements without risking him accidentally touching his eyes with his clawed hands.

17 Filming Helena Ravenclaw

In order to discover the truth about Ravenclaw’s diadem, Harry must seek out the Ghost of Ravenclaw House, who is revealed to be Helena Ravenclaw. She is the one who reveals to Harry that the diadem was stored within the Room of Requirement, as Voldemort was dense enough to believe that no future Hogwarts student would ever discover the existence of the room.

The meeting between Harry and Helena involved two separate sets, as she was a ghost and spent almost all of her scenes floating off the ground or passing through objects. This meant that Kelly Macdonald (the actress who portrayed Helena) and Daniel Radcliffe had to shoot their scenes separately, as Radcliffe wasn’t available during her shooting days.

16 Filch & Harry Make Up

David Bradley played Argus Filch in almost every Harry Potter movie, missing out on only Harry Potter and the Deathly Hallows: Part 1. Filch’s role was greatly diminished from that of the books and he was mostly used as a comic relief character in the movies.

As one of the few actors who had remained with the franchise from the beginning, David Bradley made sure he was there for the final day of shooting, where he embraced Daniel Radcliffe.

On the surface, this image makes it seem like Harry and Filch finally made amends, which seems out of character for both of them, even though Filch did aid in the defense of Hogwarts during its hour of need. The other reason why Filch may be smiling so much is that he’s already planning his party for the Stark family.

15 Hagrid & The March Of The Death Eaters

The role of Rubeus Hagrid was mostly played by Robbie Coltrane throughout the eight Harry Potter movies. We say mostly because another actor also played Hagrid in many different scenes. Robbie Coltrane is slightly over six-feet tall, but that still isn’t tall enough to play the role of a half-giant. This meant that Hagrid was often played by Martin Bayfield for the purpose of being a body double and performing stunts, as Bayfield is almost seven-feet tall.

The version of Hagrid from the Harry Potter books was over eleven-feet tall, meaning that it would have been impossible to recreate him on film without using CGI. This meant that Robbie Coltrane and Martin Bayfield still had to wear bulky costumes in order to increase their size in order to make Hagrid look bigger than he was, as even carrying someone that is the same size as Daniel Radcliffe needs to look like an impressive feat of strength.

14 Luna Loves Harry Potter

Evanna Lynch had never acted professionally before auditioning for the role of Luna Lovegood in Harry Potter and the Order of the Phoenix. She was a huge fan of the Harry Potter novels and won the role because, as producer, David Heyman said: “The others could play Luna; Evanna Lynch is Luna.”

The passing of Dobby and his subsequent burial was filmed outdoors, which meant that Evanna Lynch had to find some entertainment while she waited for the crew to finish setting up each scene. This would normally result in the smartphone or tablet being whipped out at this point, but Lynch decided to go old school and read her copy of Harry Potter and the Order of the Phoenix. 

13 Dobby Relaxing On Set

The actor who played Dobby was a notorious drama queen on-set. This was partly due to trouble that started early on in his career, brought on by the numerous fake news reports that stated he was being sued by the Russian government due to his resemblance to Vladamir Putin.

The passing of Dobby is one of the most emotional scenes in The Deathly Hallows films, which is why it took so long for his actor to get into the right frame of mind in order to expire in Harry Potter’s arms.

You may think that the Dobby guy is sneaking in a few moments of sleep while on the set, but he’s actually using an advanced method of the Meisner technique in order to get into character.

12 The Secret Of The Brooms

We mentioned earlier that the broom sequences required the use of a moveable rig and a green screen in order to make the flying sequences seem realistic, but not all of the broom scenes involved high-speed chases. There were times when the brooms sat in a static position while floating in mid-air, as they waited for their owner to climb on top of them.

In order to create these scenes, the special effects team developed a standing rig for the brooms that would suspend them above the ground. These rigs had to be strong enough to hold the weight of an adult person, while also being slender enough to be easily removed later by the special effects team. The scene shown above comes from the Seven Potters sequence, where everyone is preparing to leave Privet Drive on broomsticks, save for Hagrid, who is using Sirius Black’s bike.

11 Bellatrix & Warwick Davis

The Harry Potter franchise was very kind to Warwick Davis, as he played Professor Flitwick since the first movie and Griphook in both of The Deathly Hallows films. He also voiced Griphook in the first movie, but the physical role was played by Verne Troyer, making him one of the few American actors to appear in the Harry Potter movie series.

Warwick Davis spent much of his time in the makeup chair, as even the reworked version of Professor Flitwick still required a fancy new hairdo and mustache. The picture above gives us a glimpse of Davis out of costume, but Helena Bonham Carter wasn’t so lucky, as she was fully adorned in the Bellatrix gear.

10 Bellatrix Posing

Bellatrix Lestrange may be one of the most loathsome characters in the Harry Potter series, as she is Lord Voldemort’s most devoted follower and will gleefully commit atrocities in his name. Bellatrix is responsible for disposing of Sirius Black, which immediately earned her a significant hatedom among the Harry Potter fans.

The movie version of Bellatrix is much more difficult to hate, thanks to an incredible performance by Helena Bonham Carter, who managed to turn Bellatrix into the Harley Quinn of the Harry Potter franchise.

Helena Bonham Carter never let the fact that she was playing a crazed murderer affect her on a personal level, as she can be seen clowning around in many different behind-the-scenes photos from the Harry Potter movie series.

9 The Weasley’s Prepare For Battle

The Battle of Hogwarts is probably the most chaotic moment in the series, with seemingly every important character showing up for the final conflict between the forces of good and evil.

There were moments of the battle that were sectioned off, in order to make them easier to film. One of these involved the final duel between Bellatrix Lestrange and Molly Weasley, which took place in the Great Hall as a battle raged on behind them. The duel scene was shot in such a way that you could only see directly behind Bellatrix & Molly, which meant that you only saw a small portion of the battle that was happening. This was likely done in order to make the scene easier to film.

8 Filming The Battle Of Hogwarts

The Battle of Hogwarts was incredibly difficult to film, which is true of all battle scenes that involve a lot of participants. The reason why the Battle of Hogwarts was even more difficult than normal was the fact that almost everyone involved was either using a supernatural weapon (usually a wand) or was some kind of magical creature.

There were parts of the Battle of Hogwarts which involved Harry running through a battlefield that was filled with dueling wizards, huge spiders, suits of animated armor, and giants, all of whom were fighting each other. The producers and special effects team that worked on Harry Potter and the Deathly Hallows: Part 2 rose to the challenge and created one of the greatest looking battles in movie history. They managed to capture the chaos of a large-scale conflict while also maintaining the fantastical elements that the Harry Potter series is known for.

7 The Burrow Set

One of the new scenes that were added to the movie adaptation of Harry Potter and the Half-Blood Prince involved the Death Eaters attacking and burning down the Burrow, which is the home of the Weasley family.

This scene wasn’t popular with the fans, as it ignored aspects of lore and was totally pointless, as the Burrow needed to return for the wedding of Bill Weasley and Fleur Delacour in Harry Potter and the Deathly Hallows movies.

Harry and his friends return to the Burrow at the start of Harry Potter and the Deathly Hallows: Part 1, after escaping from the Death Eaters at Privet Drive. This scene involved showing the lands around the Burrow, which was accomplished with the use of a green screen.

6 Dobby’s Funeral Is Hilarious

Dobby the house-elf was created almost entirely with CGI in the Harry Potter movies, which was a necessity due to his size and stature. Dobby helps Harry Potter and his friends escape from Malfoy Manor, but takes a knife to the chest for his troubles. This results in a scene where Harry cradles an injured Dobby and comforts him as he slowly passes away, in what is one of the saddest moments in the series.

The scene of Harry holding Dobby required the use of a physical Dobby puppet that Daniel Radcliffe could hold, which could be altered with CGI at a later date. The puppet that is seen in the picture above is clearly in an unfinished state, which may be why the cast is having such a laugh, as Daniel Radcliffe and Rupert Grint are certainly not in character.

5 Stylish & Wounded

Apparition is one of the most prized skills of any wizard, or at least it would be if it weren’t possible to block apparition within certain locations. Those who wish to apparate are required to pass a test, as those who do not perform the spell properly can screw it up and cause “splinching” which is the term used for leaving pieces of your body behind.

Ron manages to harm himself in The Deathly Hallows movies through splinching, which meant that Rupert Grint needed to have injury makeup applied. This didn’t stop Rupert from looking his best and pulling off his model pose while having holes added to his arms and shoulders.

4 The Real Father Of Delphini

Daniel Radcliffe is one of those people who is impossible to hate, except by the most bitter of people who despise the fact that he was given such an important and lucrative role at such a young age. He comes off brilliantly in interviews and seems like of the most genuine and nicest people you could ever meet.

It seems that the charms of the Harry Potter actor are even effective against Death Eaters, as Helena Bonham Carter was clearly fond of her on-screen mortal enemy.

The two of them can be seen clowning around together in various behind-the-scenes clips, which must have been a way to burn off some tension before they started chasing each other with wands again.

3 The Boring Wedding Of Bill & Fleur

The hardest part of any movie/television production on the part of the actors is the waiting around between shots. It can take a long time for the crew to set up each shot for even a simple production. When you have a movie series like Harry Potter which involves huge sets that need constructing and special effects work that needs preparing for, then it can take forever to set up even a few seconds worth of footage.

The wedding of Bill Weasley and Fleur Delacour would have required a lot of setting up, due to the sheer amount of extras that are engaging each other in the background of each shot. It’s no wonder that the main trio doesn’t look as interested as they should be.

2 Bellatrix’s Sound Check

The reason why Helena Bonham Carter is sitting on a set of benches is that this is the location where she filmed her final duel of the series. The movie version of Bellatrix’s demise is actually way more violent than what happened in the books.

In the book version of Harry Potter and the Deathly Hallows, the duel between Bellatrix Lestrange and Molly Weasley ends when Molly fires a curse that strikes Bellatrix above the heart. We never find out what spell Molly cast, but it was enough to deal with Bellatrix for good. The movie version of Harry Potter and the Deathly Hallows: Part 2 shows Molly freezing Bellatrix in place and then shattering her body into pieces.

1 The Last Day

Daniel Radcliffe, Rupert Grint, and Emma Watson were cast in Harry Potter and the Philosopher’s Stone at the age of eleven. They spent the next ten years of their lives working on the Harry Potter movie series, which meant that there formative years were spent in front of the cameras. An entire generation of Harry Potter fans grew up alongside them.

As Harry Potter and the Deathly Hallows: Part 2 finished production, more and more of the actors were given a send-off for their final day of filming.

The most emotional of these last days was the one for the main trio, who had finally finished their decade-long odyssey and hugged on the set. These last moments can be seen on the home releases of The Deathly Hallows: Part 2 and it’s hard for any fan of the Harry Potter series to remain dry-eyed when seeing them say goodbye to each other and to the roles that defined their youth.

What do you think of these photos? Do they completely change Harry Potter and the Deathly Hallows Part 1 & 2 for you? Let us know in the comments!



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2018-10-08 02:10:12 – Scott Baird

Doctor Who No Longer Has Companions, According To Producer

Doctor Who will no longer have companions accompanying the Doctor, at least not in those terms. The long-running series of course centers on the titular time traveler, who goes on adventures and saves the universe in a time machine called the Tardis. The eleventh season of the show has now officially begun, with Jodie Whitaker as the first female incarnation of the Doctor.

Doctor Who has been around since 1963, and has become a staple of UK culture. The show was incredibly popular in its initial run, and lasted for 26 seasons on the BBC. Between 1963 and 1989, a total of eight actors played the Doctor, with even more actors and actresses playing their companions. In fact, the first person to travel with the Doctor, played by William Hartnell at the time, was actually the Doctor’s granddaughter. There have been many humans that have been companions of the Doctor, but there have also been several aliens and robots that accompanied him on his adventures. Even though the Doctor has had companions since the beginning of the series, the term didn’t become popular until the 2005 reboot launched. Now it appears that the eleventh season won’t use the term companion at all.

Related: Doctor Who Season 11: New Cast & Character Guide

According to Doctor Who executive producer Matt Strevens, the Doctor’s crew will no longer be referred to as companions, and will instead be called friends. The news broke at New York Comic Con, when Strevens was discussing the next season of the show. This was previously hinted at in the San Diego Comic-Con trailer, when Whitaker’s character asks, “So if I asked really, really nicely, would you be my new best friends?,” but the term has now officially been confirmed.

Doctor Who has become immensely popular not just in the UK, but all over the world. The show has found a new generation of fans, especially since the reboot, which kicked off with Christopher Eccleston’s Ninth Doctor. Many talented actors and actress have played the Doctor’s companions since the reboot occurred, most notably Billie Piper, Karen Gillan, and Pearl Mackie. The Doctor Who season 11 friends will be played by Bradley Walsh, Tosin Cole, and Mandip Gill.

Even though casting Whitaker as the Doctor received a lot of backlash – as has become the norm whenever a character is gender-swapped – early reviews for Doctor Who season 11 have praised the first female version of the iconic Time Lord. Since the character regenerates every few seasons, casting a woman as the Doctor never should have been out of the realm of possibility, but some fans just don’t like to see their favorite shows changed in a big way. That being said, referring to the Doctor’s companions as friends going forward shouldn’t receive as much hate, especially since the term wasn’t used often in the original series.

More: How To Watch Doctor Who Season 11: Air Time, Streaming Options

Season 11 of Doctor Who airs Sundays on BBC America and BBC One.



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2018-10-07 04:10:53 – Christopher Fiduccia

A Star Is Born’s Ending Is Bad (And Always Has Been)

WARNING: Major spoilers for A Star Is Born

A Star Is Born‘s ending undoes what could have been a Hollywood classic – but that’s not exactly Bradley Cooper’s fault. From its first version in 1937, A Star Is Born has always had a problematic resolution to its story, one that’s only got worse over the past century, and this latest version is no different.

A Star Is Born is a classic story that Hollywood loves so much it’s told it four times (with a suspiciously-similar earlier version, several failed attempts and many, many imitators). A top-of-his-game star (in 2018, Bradley Cooper’s rock star Jackson Maine) is suffering from alcoholism and in a stupor discovers a struggling artist (Lady Gaga as Ally, a waitress moonlighting in a drag bar), falling in love with both her and her talent. He provides her with a big break, sending her fame into the stratosphere just as his addictions begin to derail his career. The pair marry, but despite their love things begin to fray.

Related: Read Our A Star Is Born Review

It’s a tale of rags to riches, of falls from grace, of the power of love, and personal identity within all of that. And, for much of the runtime, A Star Is Born 2018 is genuinely a great version of all those stories. Gaga’s first major concert leaves you floating, Cooper shows mental affliction with grace, both perform their songs incredibly (to actual live crowds, no less), and are utterly believable as troubled lovers. It is, for much of its runtime, a very good film worthy of that deafening hype.

However, everything implodes into a black hole of pretentiousness as what could have been a great film its own right has to follow through on being called A Star Is Born

  • This Page: The Problem With A Star Is Born’s Ending
  • Page 2: A Star Is Born’s Ending Has Always Been Bad
  • Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

What Happens In A Star Is Born’s Ending

We’ll stick with Cooper’s take for now before going deeper into the past. A Star Is Born‘s third act is kicked off by Ally winning the Grammy for Best New Artist – a major step for her career, undercut entirely by Jack drunkenly taking to the stage with her and relieving himself on live TV. He goes into rehab and she wrestles with where her focus should lie, eventually deciding to try and protect her recovering husband. She cancels her European tour when her agent, Rez, blocks the duo playing together.

As a result, Jack kills himself. He’s confronted by a seething Rez who has no sympathies or expectations of sobriety and states outright Jack’s ruining his wife’s career. When she matter-of-fact states the tour cancellation, he sees the impact of his actions and, while she plays a concert, he hangs himself in their garage.

Related: Every Song On A Star Is Born’s Soundtrack

This breaks Ally at first, leaving her emotionally distraught, before her understanding the meaning of Jack’s sacrifice – to enable her to truly become the star he always saw – helps her pull through. The film ends at a tribute concert in Jack’s memory. “My name is Ally Maine.” she declares before singing “I’ll Never Love Again”, a song based on their relationship they wrote together while he was recovering. A flashback shows the pair singing, she looks through the camera at the audience, the end.

Why A Star Is Born’s Ending Is Bad

Removing the ending of all presentation and self-imposed importance (a character looking into the camera at the end is an overused trope that Cooper simply doesn’t earn), in just writing down the events of A Star Is Born its problems should be obvious.

Jack decides to kill himself to save his wife, committing suicide because it’s the only way to set her free. This comes about two hours into a film which has slowly built up its numerous interpersonal relationships, and so comes as a drastic and rather unearned turn. Now, there is an argument to be made about accuracy to the unpredictability of mental illness, but given the intimacy audiences had with both Jack and Ally up until this moment, that doesn’t fit with the rest of the film. A Star Is Born, plainly, presents suicide as the only way out. It’s meant to come across as a selfless act but still values success as a true route to happiness, meaning anything emotional about the “gesture” is laced with hypocrisy.

But it’s what comes after and Ally’s coming to terms with her loss that’s so disquieting. For all her innate talent being the drive of the story and her freely made decision to step back what motivated Jack to kill himself, the final scene makes everything about Jack; the mononymous singer for the first time takes on her husband’s surname at his concert, where she performs a song that he helped her write in her original singer style. The suggestion is meant to be that Jack was holding her back, but in the shadow of the previous two hours the strange implication is that the act of a true star being born came from the adversity of Jack’s sacrifice. Making Ally’s success symbiotic to her dead husband is already heavily in the text of the film, but the final scene makes her final ascension even more indebted to his drastic act.

It’s hard to not read A Star Is Born‘s ending as trivializing suicide down to a plot point to give the fundamentally broken male lead the defining role in its female protagonist’s arc. It’s a weird move to make in 2018, although don’t believe this is just the product of an 80-year-old movie being remade. There’s something flawed at the heart of A Star Is Born.

Page 2: A Star Is Born’s Ending Has Always Been Bad

The True Story Behind A Star Is Born’s Ending Explains The Problem

There have been four versions of A Star Is Born: the 1937 Hollywood-skewering original starring Janet Gaynor and Frederick March, the 1954 musical starring Judy Garland and James Mason, the 1976 shift to the music industry with Barbra Streisand and Kris Kristofferson, and the latest Cooper/Gaga release. Each one has its own quirks, but all endeavor to tell the same story of love and fame intertwined, and all have the same basic ending. But the 1937 version isn’t the start. While A Star Is Born‘s narrative is a fiction, it’s very much based on truth; each movie is rooted heavily in the entertainment industry of the time – Hollywood for the 1937 and 1954 versions, music for 1976 and 2018 – and aims to tell an encapsulating story. There are some real-life events that inspired it.

The established star falling for an unknown as she climbs to the top was seen in actors Barbara Stanwyck and Frank Fay’s relationship, with the pair marrying in 1928 when the former was an unknown after starring in a Broadway show together. Their marriage fell apart after she rose above him and he fell into alcoholism. They separated in 1935 after seven years of marriage, two years before A Star Is Born was released. This appears to have been composited with the death of silent film actor John Bowers, who died at sea in 1936 after failing to win a part (whether it was a suicide or not is unclear). There are others (as we’ll see) but these are regarded as the ones who powered the 1937 version.

Related: Lady Gaga Fans Are Trolling Venom With Fake Bad Reviews

Of course, there’s one key distinction between inspiration and movie: in real life, it was two unrelated stories. There are the famous lovers who piggyback success and the past-it star who takes his own life, but in all cases these two aspects are entirely independent; the woman goes on to greater success by cutting the man out, while elsewhere another man falls from grace. Both stories epitomize Hollywood together, and taken alongside each other rather than melded have an ingrained believability. A Star Is Born trades that for something more streamlined in having the suicide be the culmination of the romance, but it’s also idealistic and wistful, losing the real moral of either.

This is reflected in what is regarded as a proto-Star Is Born, the 1932 film What Price Hollywood? Released five years before the 1937 version and produced also by David O. Selznick (and directed by George Cukor, who was approached for the first A Star Is Born and directed the first remake), this is regarded as something of a dry run at the story. Obviously from the release year it can’t share the same real-life inspirations (although, because this is the Golden Age of Hollywood, there are others pointed to), but the core concept and even smaller story beats are there, albeit with one massive difference: the leads are not romantically involved. Lowell Sherman’s Max drunkenly finds Constance Bennett’s Mary and helps make her a star, eventually killing himself after he sees realizes how far he’s fallen and is hurting his friend, while Mary’s suffers an ill-fated marriage that breaks down due to her absences filming and is reconciled at the end.

Watched today, What Price Hollywood? has a cynicism about the film industry ahead of its time despite ultimately being a movie romanticizing Hollywood – and at the core of this is the tragic story of Max and its impact on Mary’s life. The title question is apt.

How The Remakes Have Tried To “Fix” The Ending

In contrast to What Price Hollywood?, A Star Is Born 1937 carries a self-awareness and charm, but in bridging the romantic and the career side of protagonist Esther creates the problematic suicide reading. It’s not helped by dated elements, including the defining part of Esther’s ascension being the actress known as Vicki Lester taking on her husband’s name with a declaration “This is Mrs. Norman Maine“. It works given the time period, but even 16 years later needed an update.

Related: Watch the Trailer For A Star Is Born

The 1954 version is, for the most part, a beat-for-beat remake, just with dance number expansion to make it a musical, but it does make some strides to justifying the ending. The toll that caring for a drunk has on Judy Garland’s Vicki Lester is shown gradually, most upsettingly in an off-stage breakdown she immediately returns to filming from: an unavoidable presentation of the line between art and performer. But, ultimately, it ends in the same way: Norman Maine overhears Vicki’s plans to quit acting to care for her husband, so he feigns going for a swim and drowns himself; after a traumatic period and being unmasked at her funeral (the invasion of the press), Vicki returns to the public eye where she declares herself “Mrs. Norman Maine“. Every issue discussed is here.

The 1976’s A Star Is Born is overall incredibly melodramatic, nowhere less than its handling of the ending. What it should be praised for is its attempts at giving the female lead a greater sense of autonomy: throughout Streisand’s Esther makes decisions that power the narrative, not just being led along by Kristoffersen as those who came before her, but that’s lost thuddingly in the finale. After his meltdown, John Howard has imposed isolation – not rehab – and when returning home immediately sleeps with a reporter wanting an interview for Esther. The couple tries to power past this, but John figures he’s still broken and crashes his car at high speeds. Again, Esther is sad before taking his name (and singing at a tribute event).

Like we’ve already explored with A Star Is Born 2018, all versions have tried to provide their own contemporary spin on the tale to iron out its kinks, yet all wind up having to repeat the same suicide-anger-name triple-tap that doesn’t belong. A degree can be accounted to the changing times, but that ignores that the original trio of movies released over nearly 40 years, and that Cooper wasn’t able to address it either.

Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

Why Bradley Cooper Can’t Fix A Star Is Born

Bradley Cooper certainly tries to bring a modern slant to the worn tale of A Star Is Born. He invests heavily in making Jack and Ally’s opposite trajectories operate independently – Jack is suffering from tinnitus before he’s heard a note of “La Vie En Rose”, while Ally’s SNL appearance is deemed to contradict his advice – while making the love story more immediate. It’s a bigger story, more personal and considerably more consummately paced.

But, like all the others, the ending hits a snag. And some of his decisions make it worse. The method of final descent is different, with the awards show upset and rehab undone not by Maine going off the rails again as in every other take, but rather by Ally’s agent calling his supposed bluff. It’s implied from the British Rez knowing when exactly Jackson first toured across the pond that he was once a fan, now disillusioned with his hero, making him a millennial scapegoat to any affronting reading.

Related: 2018 Fall Movie Preview: The 30 Films to See

This generational push and pull could have been what sent A Star Is Born to greatness. Sam Elliott’s speech about there only being twelve notes played over and over, with the majesty coming from how the artist uses them is a beautiful sentiment that sees Cooper self-justifying another remake and appears like a zen view on the entertainment business that birthed it. Except it isn’t, because this idea is also trying to explain the ending, claiming that the music industry is cyclical and that stars are born and then new stars are born later; Jack’s death is enabling that. What the film seems to miss is that for one state to ever enter another, a star must always die. Ally will fall too. The raw textual argument is that the failures are as eternal as the successes, raising the question of worth, yet the film provides no further exploration and presents it as somehow immediately uplifting.

And that’s the hump that A Star Is Born 2018, like its predecessors, can’t get over. The story thinks it’s a biting, self-aware take on itself, but it’s too close to the subject to see that it’s really just propagating a harsh cycle. This isn’t helped by the film being weighted by so much – the casting of Lady Gaga, his writer-director-producer-actor whammy, even Sam Elliott as the Sam Elliott-type – although those concerns are also the key explanation for what’s really going on.

A Star Is Born Only Exists Because Of Ego

Throughout this article, there’s been one question dangling unspoken. Why are there four versions of A Star Is Born anyway? It’s a story that is flawed and dated, on a topic which has been tackled in more films than any other. Yes, each movie got serious Oscar nominations and wins, but that alone isn’t enough to justify going back. The true answer is enlightening.

1954’s A Star Is Born was conceived as a bid to restart Judy Garland’s career after it stalled over the 1940s. 1976’s A Star Is Born was Barbra Streisand’s attempt (along with then-husband Jon Peters) to boost her standing in Hollywood. And 2018’s A Star Is Born is Bradley Cooper’s grand attempt to win the Oscar that he believes he deserves (his entire post-Hangover career is a carefully played game of chess with a Golden Baldie the King). There are studio concerns too (before Cooper, Warner Bros had been attempting to get a remake off the ground since the early 2010s, although as a Beyonce vehicle has the same career expansion goals), but those are the primary purposes of each version. A Star Is Born is a vanity project on repeat.

Related: A Star Is Born Is An Oscar Favorite – But Could An Infamous Producer Hurt Its Chances?

Now, vanity projects needn’t be bad, and indeed a lot of good comes from each of these attempts. Indeed, each was ultimately successful in both their primary and commercial goals: Garland’s career was rejuvenated; Streisand won her second Oscar; and Cooper’s currently the front-runner in multiple categories for next year’s Academy Awards.

But this aspect appears to be why each version of A Star Is Born struggles to understand the real meaning of its ending. Each powering force believes this movie will be what takes them being a Norman/Jack Maine to a new Esther/Ally while missing that it’s built into the story to be impossible. They believe so much in the two contradictory Hollywood legends wholesale, so don’t see that the story is almost warning against such a thing.

A Star Is Born Is No Longer Needed

In recent years, we’ve seen Hollywood’s reliable rotation of movies about itself take a genuinely incisive slant. 2015’s Best Picture Winner Birdman was an ostentatious exploration of ego that too ended with the protagonist committing suicide, but there it was with the wry critique that fame and adoration are fleeting and that such a bold act was the only way for the self-involved hero to reach the heights he dreamed of. Then there’s 2017’s almost-Best Picture Winner La La Land, which was a celebration of Hollywood-gone-by looking at love in a city of stars, eventually concluding that success required the sacrifice of the central relationship.

Together, these take on all the ideas that A Star Is Born is playing with and apply them in a more thoughtful way. The messages are more widely applicable and their endnotes have considerably less of the hypocrisy. Birdman and La La Land may find joy in the arts, but they also uncover the trials of creativity and fame, keeping the brutal truths in earshot while presenting from a position of success.

A Star Is Born 2018 is a good movie, an undeniable achievement for both Bradley Cooper and Lady Gaga. But there is a flaw at the heart of the tale that just doesn’t ring true. Unless it’s made with a completely revisionist, ego-less eye, in twenty years we do not need another one.

More: Every Version Of A Star Is Born Ranked, From Garland To Gaga



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2018-10-06 01:10:52 – Alex Leadbeater

Bradley Cooper Won’t Direct Guardians of the Galaxy 3

Bradley Cooper has revealed that he has no interest in directing Guardians of the Galaxy Vol. 3. Cooper currently plays Rocket Raccoon in the Marvel Cinematic Universe, and his film A Star Is Born will be the beginning of his directing career.

The Guardians of the Galaxy made their comic book debut back in January 1969 in Marvel Super-Heroes #18. The team has varied over the years seeing many characters come and go, but the 2014 film, Guardians of the Galaxy, was based on the team that was introduced in 2008. This team consisted of Star-Lord, Rocket Raccoon, Quasar, Adam Warlock, Drax the Destroyer, Gamora, and Groot. All of these characters have, of course, been in the first two Guardians of the Galaxy movies, except for Quasar and Adam Warlock (not including Warlock’s mid-credits tease). A third film was in development, but things became complicated after James Gunn was fired this past summer. Since Gunn’s firing, Disney has been searching for a director to replace him and has since put the third film on indefinite hold.

Related: 10 Guardians Of The Galaxy Vol. 3 Rumors We Hope Are True (And 10 We Hope Aren’t)

When an interviewer at JOE asked Cooper if Disney had offered him a seat in the director’s chair or if he would even be interested, Cooper replied, “In directing it? I could never direct anything that I didn’t write. No, I could never direct anything that I didn’t write.” Sean Gunn recently confirmed that Disney would be using his brother’s script for the movie, which means that Cooper not directing the film is almost a certainty.

Cooper isn’t the first director to shoot down the opportunity to direct the third installment of the Guardians of the Galaxy series. Paul Feig also announced that he has no desire to direct. Even though Feig and Cooper have made public announcements about not directing the film, other filmmakers are rumored to be involved with the project. Thor: Ragnarok director Taika Waititi is currently rumored to be the frontrunner to take over Gunn’s spot, but nothing official has been announced just yet.

Even though Cooper’s first crack at directing is already starting Oscar talk for A Star Is Born, he was never really a candidate for directing Guardians of the Galaxy Vol. 3Given that he has only directed one film, Disney probably wouldn’t want to extend an offer to Cooper given his lack of experience when it comes to directing, and then there’s the fact that he (and many directors, for that matter) would want creative control over the story. Cooper might one day direct a Marvel or Disney movie, but for now, he will just have to play the loneliest Guardian in the entire galaxy thanks to Thanos.

More: Cool Fan Posters Imagine If the MCU Began in the 1970s or 1940s

Source: JOE



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2018-09-27 03:09:17 – Christopher Fiduccia

Bradley Cooper on his new movie ‘A Star is Born’



Renowned Hollywood actor Bradley Cooper directed and produced his first film, ‘A Star is Born,’ contributing to its writing and soundtrack as well as starring in the lead roleClick To Continue



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Joker Cast & Crew Confirmed, Includes Bradley Cooper as Producer

Warner Bros. Pictures officially confirms the cast and crew for Todd Phillips’ upcoming Joker origin movie, starring Joaquin Phoenix in the title role as the eventual Clown Prince of Crime. Following several years of developing the unofficially titled DC Extended Universe, WB decided to get back to what they do best: produce standalone, potentially critically-acclaimed comic book movies. It’s something that they have been doing for decades now, but also something that they have recently forgone in favor of establishing a shared movie universe.

One of the first projects that will fall under a separate banner under DC Films – which will contain and produce movies that stand apart from the overarching DC movie universe surrounding the Justice League – is next year’s Joker movie. Surprisingly, the film was given the green light and pushed into production rather quickly compared to the vast majority of other DC projects that have been gestating behind the scenes for years. And now that the film is currently filming, the studio has confirmed exactly who will be part of its cast and crew.

Related: Here’s What Joaquin Phoenix’s Joker Could Look Like With Full Makeup

In a press release today, Warner Bros. confirmed the Joker movie’s main cast, which includes Joaquin Phoenix as Arthur Fleck (the Joker’s real name in the movie), as well as Robert De Niro. The film will also star Zazie Beetz, Bill Camp, Frances Conroy, Brett Cullen, Glenn Fleshler, Douglas Hodge, Marc Maron, Josh Pais, and Shea Whigham. Furthermore, Phillips will be producing the film with Bradley Cooper via their Joint Effort production company, alongside Emma Tillinger Koskoff.

While WB didn’t confirm the characters each person will be playing, it was reported earlier today that Cullen will portray Batman’s father, Thomas Wayne, who was previously going to be played by Alec Baldwin. Plus, the roles for the rest of the supporting cast has been rumored for quite some time, with Maron reportedly playing a producer for a talk show that is hosted by De Niro’s character. Beetz, on the other hand, is supposedly playing a single mother named Sophie Dumond, who may act as a potential love interest for Phoenix’s Fleck, presumably before he transforms into the Batman supervillain that everyone has come to know.

This news comes on the heels of the director revealing the first photo of Phoenix in character as Arthur Fleck (not necessarily the Clown Prince of Crime), with a handful of Joker set photos revealing key details about where in the DC world the film will take place as well as the story’s connection to iconic Batman comic book arcs. At this point, though, fans shouldn’t expect to see anything official from the movie for quite some time, seeing as production has only just gotten underway.

More: Joker Set Photos Reveal A Killing Joke Connection

Source: Warner Bros



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2018-09-17 02:09:29 – Mansoor Mithaiwala