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Pokémon GO Spring 2019 Equinox Event & Details Revealed

Pokemon Go will be hosting a spring equinox event in the coming months, details of which have now been made public. The augmented-reality mobile game became an overnight sensation upon release in the summer of 2016, but soon faced the inevitable challenge of keeping players coming back after the initial buzz of Pokemon nostalgia had worn off. To combat the decline in users, Pokemon Go has increasingly held special events and Community Days that feature specific Pokemon for a limited time and also offer added bonuses, unique moves and the potential to catch shiny or legendary creatures.

A recent example of such a festival came earlier in 2019, in recognition of Lunar New Year. This celebration increased players’ chances of catching 12 Pokemon that each related to a specific zodiac creature, including the rare Miltank. Following on from that event, Pokemon Go are offering players another stab at catching the legendary Dragon-type Pokemon Rayquaza over this current weekend in a Raid Battle.

Related: Pokemon GO Vet Makes Poke Centers A Reality

Pokemon Go’s next major event, however, will be in commemoration of the 2019 spring equinox. Fittingly, Grass-type Pokemon will take center stage in the forthcoming festival, which Niantic have now confirmed will run from March 19th to March 26th. During this period, Grass types will appear more frequently in the wild and act as Raid bosses for trainers to take on.

Additionally, Solrock and Lunatone, which each appear in only one hemisphere at a time, will switch locations. Field research obtained between these dates will also offer challenges in relation to nabbing certain Grass-type critters, and two new techniques will be added permanently to the game’s array of battle moves: Acid Spray and Leaf Tornado.

This isn’t the first time that Pokemon Go has held a Grass-based springtime extravaganza, and previous years have seen Easter-themed events bring out baby Pokemon, creatures with egg-related designs, and extra chances to hatch your own Pokemon eggs. While the benefits and bonuses seem to change year upon year, Pokemon Go‘s springtime events have rapidly become an annual occasion on the Poke-calendar, much like their Christmas and Halloween celebrations.

Grass-type Pokemon are fairly common in Pokemon Go during regular gameplay, so the prospect of extra Bellsprouts and Exeggcutes roaming the streets perhaps isn’t as exciting for players as previous special events have been (although the potential of catching shiny versions  of each partaking creature will certainly add to the appeal). Having the opportunity to capture Lunatone or Solrock – depending on the hemisphere in which you reside – does, however, offer the opportunity for some trainers to flesh out their Pokedex a little and add a unique creature to their collections.

More: Pokemon GO Guide: How To Catch Smeargle

Source: Niantic


2019-03-16 09:03:40

Craig Elvy

Fans Host Charity Event to Donate DC & Marvel Toys to Children’s Hospital

Comic book fans The Farooqi Brothers, who last year raised $5,000 to send kids from the Bronx to see Black Panther, have returned with another charity event – this time to provide superhero toys for a New York Children’s hospital.

Located in Washington Heights, Manhattan, Morgan Stanley Children’s Hospital provides pediatric care to tens of thousands of children every year, and is one of the top children’s hospitals in the country. The hospital relies partially on donation and fundraising, and with 2019’s superhero movie line-up about to kick off with Captain Marvel, what better way to celebrate than by providing kids who are stuck in the hospital with some superhero toys to entertain them?

Related: DC Fans Raise Money to Send Bronx Schoolchildren to Black Panther

ComicBook Debate announced the superhero toy event with a fundraising campaign on GoFundMe, with the goal of raising $2,000 to buy toys for children at Morgan Stanley Children’s Hospital (the toys have to be new, since the hospital cannot accept old toys for health reasons). The donations will include a mix of action figures for DC and Marvel’s most famous characters, along with 40 coloring books, various comics, and copies of DC and Marvel movies. The toys will be handed out during an event on April 23rd, and any additional money raised will also be donated to the hospital.

The charity event won’t just be about distributing toys. The Farooqi Brothers (Sheraz Farooqi, Zayyan Farooqi, Omer K. Farooqi, and Sameer H. Farooqi) will also host a workshop for the children where they can create their own superheroes and learn more about their favorite characters. If you can’t afford to make a financial contribution to the fundraiser, but have new toys that you’d like to donate to Morgan Stanley Children’s Hospital, check out a list of needed donation items on the hospital’s website.

Superhero franchises have been making their own contributions to charity recently, with Deadpool 2‘s PG-13 re-release Once Upon a Deadpool donating $1 from every ticket sold to F*** Cancer, and Marvel Studios donating $1.25 million to children’s charities to celebrate the 10th anniversary of the Marvel Cinematic Universe and the release of Avengers: Infinity War. Last year ComicBook Debate took part in the Black Panther Challenge, a series of nationwide charity events that paid for children to go and see Black Panther, which ended up raising over $400,000 from 400 different fundraisers.

More: 2019 Will Have The Most Superhero Movies Ever Released



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2019-02-28 01:02:45

The Red Line Trailer: First Look At Greg Berlanti & Ava DuVernay’s CBS Event Series

CBS has an extended first look at the new event series The Red Line, from executive producers Greg Berlanti and Ava DuVernay. The series will be something of a first for the broadcast network, as it moves away from the usual police procedurals that have dominated its schedule for years now, to deliver an eight-episode event that follows the lives of three Chicago families in the wake of a police shooting that claims the life of an unarmed black man, who is married to Noah Wyle’s Daniel Calder. 

The format and the tone of the series will be the biggest departure for CBS, as The Red Line not only appears as though it will differ dramatically from the likes of Magnum P.I. or any of the various NCIS series currently airing on the network, but it will also be delivered in two-hour blocks, effectively turning each episode into its own mini-movie that will air over four consecutive Sundays, beginning in late April of this year. 

The extended first look is similar to the sort of trailer networks would share with potential advertisers during the annual network upfront, and it’s easy to see why. The series has a sizable cast and an intricate plot that moves in and out of the lives of various people as they deal with the fallout of the police shooting. Take a look at the trailer and read the synopsis below: 

“THE RED LINE is an eight-episode event series that follows three very different Chicago families as they journey toward hope and healing after a tragedy connects them all. On the north side of Chicago, Daniel Calder is a high school history teacher mourning the death of his husband, an African American doctor who was shot by a white cop. As Daniel tries to comfort their grieving daughter, Jira Calder-Brennan, the two butt heads when she decides to search for her birth mother against his wishes. Daniel seeks comfort in his colleague – and Jira’s teacher – Liam Bhatt. On the south side, Tia Young scours news of the shooting, torn between her political ambition of running for alderman and risking it all to comfort the daughter she gave up for adoption as a teen. Tia’s husband, Ethan Young, a red line train operator and devoted father to their 6-year-old son, champions her running for office, but cautions her about connecting with Jira. On the west side, police officer Paul Evans is horrified that he shot an innocent man, conflicted about the circumstances around how it happened and worried about the public and legal fallout. His police partner, Victoria “Vic” Renna, whose loyalty may have driven her to go too far to protect him, and his brother, Jim Evans, a volatile former cop confined to a wheelchair after being shot in the line of duty, may cause more harm than good in their attempts to help him. As the stories of the Calder, Young and Evans families converge, a positive message surfaces: it’s possible to emerge from tragedy stronger than before, and it’s important to come together with others, not just to survive, but to thrive.”

That CBS is moving into event series is one of the more interesting bits stemming from the trailer. While The Red Line boasts two notable names in Berlanti and DuVernay, it’s the intent of the series, and what it signifies for network television that might be most interesting at this point. Though cable channels (premium and otherwise) and streaming services have been investing in limited or event series for years now, the format hasn’t really been the broadcast networks/ cup of tea. But as television continues to expand and viewers continue to deal with content saturation and Peak TV, the event series may soon become a way for networks to not only get more viewers’ but to produce content that feels as though it can compete with cable and streaming services. It will be interesting to see if The Red Line is the start of something new for CBS. 

Next: I Am The Night Review: Chris Pine Energizes An Otherwise Dull Noir

The Red Line premiers Sunday, April 28 @10pm on CBS.



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2019-01-30 02:01:03

20 Things Wrong With American Horror Story We All Choose To Ignore

The horror anthology hit TV show American Horror Story just might be the magnum opus of Ryan Murphy and Brad Falchuck. Scarier and more riveting than any of the duo’s other projects, the spine-tingling series features a new theme and characters every season that are all still linked to each other’s universe. From the casting announcements to the series hints, theme reveals, and each season’s unique introductory visuals, it’s riveting entertainment all around. Even so, some seasons fall further off the mark than others, with many episodes barely even registering on the “horror” radar while others left us scratching our heads wondering what the heck just happened.

The thing is, we tend to give glaring errors, plot flops, and other things wrong with the show a pass because we love it so much. From intriguing horror to irresistible characters, from unexpected plot twists to some of the best storytelling on TV, American Horror Story keeps us coming back, not because it’s flawless but because it’s still addictive despite, and sometimes because of, its many flaws.

We might love a character and conveniently forget that he or she is a monster. We’ll keep tuning in even after an entire sequence left us feeling disgusted, embarrassed for the actress who had to play out the scene, or even angry at the creators themselves. It’s just that addictive.

We love it and we’ll keep coming back for me, even with these 20 Things Wrong With American Horror Story We All Choose To Ignore.

20 Some Seasons Aren’t Scary

With a name like American Horror Story, you might expect every episode to be a scream-fest. That’s just not the case, especially in seasons four and five. While there’s no shortage of horror-inducing characters in these seasons, they didn’t really give us nightmares like previous and subsequent seasons were able to do.

Were we jaded from all the mutants, ghosts, zombies, and other creatures in previous seasons?

Both Freak Show and Hotel fell short on promises of terror, often vying for more intense drama (a calling card of Falchuck and Murphy) instead. While we still received interesting stories, Gaga’s vampire and Twisty the Clown just weren’t all that scary.

19 There’s No Reason Given For All The Hotel Vampire Kids

In season five, Hotel, Lady Gaga’s character, The Countess Elizabeth, is a little less fabulous than we expected her to be. Perhaps she couldn’t live up to the Gaga we all know and love already. One of the things that just made zero sense about the character was her propensity to collect children and turn them into little vampires. Does Elizabeth have an old woman in the shoe complex? Is she just that bored? What is the point?

Here’s the thing about kids in horror movies: they add instant scare-factor. Take a look at most scary film kids, from Village of the Damned to The Others and you’ll see the scariest moments. The fact that the vampire kid collection wasn’t even scary was a pretty big letdown.

18 Teeth Fall From The Sky For No Reason

Season six of AHS, Roanoke, was able to recover some of the lost ground from the previous two less-scary seasons but still suffered from the lack of the one and only Jessica Lang. The season saw a return to the haunted house theme, always popular in AHS history, and wove in some new elements, like the whole “based on a true story” theme.  Between Deliverance-like hillbillies and more incredible Kathy Bates, Roanake was much better-received than Hotel, but it had some weird unexplained moments, like teeth randomly falling from the sky.

Not only do the teeth inexplicably fall while Matt is at work, but they also disappear.

The reason why is never given, prompting us to chalk this one up to “random scare tactic.”

17 Queenie Tried To Hook Up With A Minotaur

While we definitely applaud Murphy and Falchuck’s use of mythology throughout American Horror Story, it often makes no sense. Gabourey Sidibe was fantastic as Queenie, the young and lonely witch who gave as well as she got, used LaLaurie as her own personal racist slave, and really deserved main credits billing. But there was that one time she tried to hook up with a grotesque Minotaur…

While the inclusion of adult content is pretty standard in AHS, getting involved with a man who has bull’s head sewed over his own is pretty far out there. It didn’t make any sense, nor did Queenie’s own survival following the incident (or anything else including the Minotaur, really), so we just move along and say that there’s nothing to see here.

16 Zoe’s Hell Is Just Life Without Kyle

Zoe Benson, portrayed by Taissa Farmiga, starts out as a compelling character in the third season of American Horror Story, Coven. She has unique powers that pay homage to classic horror and a long journey ahead.

Tossing in a love interest is a great way to derail a personal growth story.

That’s what happened to Zoe with Kyle, her resurrected boyfriend played by Evan Peters. While we’re glad that Murphy and Falchuck used Kyle to illustrate that mothers can be abusive to their sons just as much as fathers can, “life without Kyle” as Zoe’s own personal hell is really stupid and overly angst-ridden.

15 Aliens In Asylum Makes No Sense

When it comes to American Horror Story, many fans reacted to the inclusion of aliens in season two, Asylum, in the same way that fans of Indiana Jones reacted to the Kingdom of the Crystal Skull. For many horror fans, aliens don’t enter the territory without very specific rules, and you certainly don’t add aliens into an already-existing story for a scare factor.

The aliens of AHS also just weren’t scary. Sure, they made Pepper more interesting and gave convenient explanations for a few weird happenings, but at the end of the day mixing aliens in with mutants, a mean nun, demons, and war criminals just doesn’t work. It’s a hodgepodge of plot devices tossed together like a salad with too many kinds of dressing. Sometimes simpler is just better.

14 The Musical Sequences

We get that Sister Jude is losing her mind in this tenth episode of season two, Asylum, but must we lose ours as well? The episode itself was gripping, but watching Jessica Lange sashay through “The Name Game” wasn’t nearly as eerie as it should have been. It played off as more of an homage to the creators’ Glee in a way that didn’t work.

While some critics enjoyed the mind-boggling number, many of us like to pretend it never happened.

It’s not the last time the showrunners implemented a bit of music and dance, either. Season four, Freak Show, featured several ditties, including a rendition of “Come As You Are” by Evan Peters, Sarah Paulson’s “Dream a Little Dream of Me”, and Lange singing David Bowie’s “Life on Mars”.

13 What Happens To Dr. Arden’s Experiments?

The mutants created in Dr. Arden’s horrific experiments are the stuff of nightmares, and they definitely present an interesting side story among the rest of the godawful happenings at Briarwood Manor in season two of American Horror Story, Asylum. Their issue, of course, is that they disappear off the radar without much of a peep.

Once turned into a mutant and taken to a hospital, Shelley, played by Chloë Sevigny as a homage to the many women unjustly committed to asylums throughout history, seems as if she may be able to lead the authorities toward Arden, but alas, Joseph Fiennes’ conflicted yet greedy Monsignor Timothy Howard takes her out instead. We don’t hear much about them afterward. What happened to the mutants?

12 The Messed-Up Historical Figures

Anne Frank was lobotomized by the evil Dr. Arden from Briarcliff Manor in season two, Asylum. Not only does this make zero sense, but it also really does a disservice to Anne Frank’s memory. There is a lot of artistic license taken with historical figures throughout American Horror Story, from Delphine Lalaurie to James March. Even characters used as backgrounds for new characters, like Nellie Bly’s inspiration for Lana Winters, often seems a bit much, especially when the representation is so loose.

The misrepresentation or grand re-representation of historical figures is nothing new.

Our own history books present complete falsehoods about everyone from Christopher Columbus to Paul Revere. Perhaps it’s just so glaring because we acknowledge that now, particularly during an age of “fake news” awareness.

11 The Opening Sequence And Spoilers Promise More Than We Get

One of the most exciting elements of a new season of American Horror Story is always the opening sequence and the slowly-revealed spoilers. Cast announcements and cool visuals trickle in until we finally get to see that first episode with its incredible casting graphics. The creepy opening sequence does much more than announce the cast: it revs us up like the announcer for a really scary joust about to take place.

The only problem is that it often goes downhill from there. While season 1 typically delivered, the casting graphics in seasons like Freak Show were actually scarier than the episodes themselves. That’s a real problem if we are supposed to be watching a horror program.

10 We Have No Idea What Happened To The Pig Boys

They were a successful execution of “the scary children” in a way that the little vampire entourage of the previous season just couldn’t seem to manage, so maybe that’s why Murphy and Falchuck decided to never let the “pig boys” of season six be seen again.

Aside from the fact that the boys could have made for some truly scary storytelling, the problem here isn’t just that they had no deeper involvement in the story than “check out these creepy kids” but that they don’t even have a resolution. Why the kids say, “Croatoan!” and why they drink pig milk remains unknown, and we may never know what happened to the charming little tykes.

9 No Consequences for the bad things the “good guys” do

As fans of American Horror Story, we sure do forgive a lot of murderers, don’t we? When someone bad finally goes good, all of their wicked deeds don’t seem to be as problematic. Even sweet Nan takes out Joan. Misty Day, otherwise a kind hippie, offs a couple of guys with alligators.

Were these warranted attacks? Maybe, but that doesn’t erase the fact that many characters end the lives of others and we pretty much turn a blind eye toward it like we wouldn’t if they occurred in real life. Of course, from people returning from the grave to mutant attacks near an asylum, there’s really not a lot in the show that applies to real life.

8 There’s Really No War Between The Coven And The Voodoo Witches

During season three, Coven, there’s a big build up about an oncoming war between the coven and the voodoo witches of the area. Both are led by powerful women, and who wasn’t excited to see Fiona, played by Jessica Lange, and Marie Laveau, played by Angela Bassett, go up against one another?

While there was plenty of tension and a zombie attack, it pretty much stopped there, especially after the witch hunters came to town.

AHS often builds up to something we’re expecting and completely abandon it for another plot instead. While we get that they want to keep us on our toes, broken promises do leave us unsatisfied and underwhelmed.

7 Zoe And Madison Gave Their Souls To Azaezel And It Never Came Up Again

When the bus full of frat boys who assaulted Madison wrecks, taking out all of the monsters on board on Madison’s whim, it’s satisfying. Even seeing Kyle taken out doesn’t bother some of us, given that we’ve already seen Evan Peters return from the grave before and wouldn’t be surprised if he returned. He may have stopped his “brothers” but he certainly tried to help them not get caught, making him complicit in the attack.

When Zoe and Madison decide to put “boy parts” together to resurrect Kyle as the perfect Frankenstein boyfriend, they sell their souls to Azaezel in order to do so, and yet it never comes up again. Given that both girls bite the dust during the show, shouldn’t that at least be an issue?

6 Roanoke’s Reality Show Inception

It was one of the most pointless plot points to ever be inserted into a season of American Horror Story. During season six, Roanoke, we’re treated to a reality show type of setting where re-enactors help us understand what happened to the Millers in “My Roanoke Nightmare”, an obvious play on so many other popular reality-based ghost hunting and experience shows. That’s an intriguing concept that works well for much of the season, but then we’re hit with reality-ception.

Getting all of the actors and people involved in actual events together for the blood moon event is one thing, but what about the disclaimer that nobody even survived the ordeal? If that’s true (which makes sense, since this is Roanoke), how did we get the footage in the first place?

5 There’s No Point To Scathach

Scathach, the mythical warrior from the Isle of Skye in Irish folklore, is an incredible character. It’s too bad we didn’t really get to know her in season six, Roanoke.

Lady Gaga’s Scathnach has a plethora of powers, is said to be the first Supreme and yet has no real point in the series.

The witch does a few nefarious things here and there, from purchasing souls to rendering people evil and insane, but in the grand scheme of things she has no real point except to serve as one of those random elements of horror woven in to just be spooky. Given the history of the traditional character, it would be amazing to see Murphy and Falchuck to use this as a tie-in for a more myth-heavy season.

4 People Are Constantly Offed Only To Be Brought Back

Character losses in the American Horror Story realm are pretty much like those in any comic book series: you don’t ever count them as permanent. Even when an entire series ends and you believe a character to be truly gone, they may return in another season! It’s definitely not a new tactic to have characters return from the grave; it’s a strategy used in everything from Dallas to Supernatural.

It makes us feel a little more jaded and a little less invested when tragedy does strike.

Oh, Fiona is sick? Oh, Ethel’s not going to make it? It’s too often meaningless. We want to feel affected, and we can’t help but worry a bit because we do love these characters, but deep down we’re always still wondering when they’ll return.

3 Twisty’s “Resolution” Is Basically A Deus Ex Machina

Season four’s big villain, Twisty the Clown, turned out to be much more Bozo than Pennywise. Sure, he was scary-looking, and he had the tragic backstory to boot, but Twisty’s crimes felt more garden variety scary movie than the monstrous panache we’d expect from AHS.

Twisty, played by John Carroll Lynch, even had a disappointing resolution as a character. Not only was he never really sorted out by a main character or a victim bent on revenge, but he was literally yanked out of the show to join Edward Mordrake’s nightmarish troupe, collecting the clown’s soul after hearing his tale of woe.

2 Misty Day Was Unjustly Lost

One of the characters fans most resonated with in season three, Coven, was Misty Day, played by the talented Lily Rabe. Misty’s character screamed Supreme, from her unique abilities to her lack of really caring about the position.

Misty was all about fairness, being kind to animals, and protecting the vulnerable, making her a fantastic character to root for.

Unfortunately she was also a red herring. Falchuck and Murphy offed her in such a terrible way in a Hell made up of her own personal vivisection nightmare, which made zero sense given her ability to bring things back to life so easily. Misty didn’t deserve her ending, but neither did Nan and many other characters.

1 Tate Is A School Shooter

Tate Langdon is one of the most romanticized characters in the history of AHS. The season 1 character is a doting friend, devoted boyfriend who would do anything for Violet, and speaks volumes of teen angst to many a smitten heart. It doesn’t hurt that Evan Peters, who plays Tate, is easy on the eyes as well. Is that why it’s so hard to remember that Langdon is such a deplorable character?

Tate is a school shooter. He took the lives of several classmates and should represent what we most despise and do not condone in this nation right now. He also assaulted Violet’s mother, Vivian, causing her to become pregnant with his Antichrist baby. How can anyone still crush on this guy knowing what harm he’s done?

What other problems with American Horror Story do fans overlook? Let us know in the comments!



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2018-10-10 08:10:37 – Sara Schmidt

The Flash Premiere Had The Arrowverse’s First Batwoman Easter Egg

The fifth season premiere of The Flash surprised fans by making the first official reference to the existence of Batwoman, months ahead of her first scheduled appearance during the annual Arrowverse crossover event this winter. The episode also dropped a number of references to the classic comic book mini-series Crisis On Infinite Earths, which has been hinted as an eventual occurrence in the future of the Arrowverse.

Batwoman’s arrival in the Arrowverse was first announced shortly before San Diego Comic Con 2018, when the news broke that The CW was considering developing a television series based around Kate Kane, a cousin of Bruce Wayne who unintentionally followed in his footsteps when she became a vigilante. It was later confirmed that not only was The CW developing the series, but they intended to introduce Kate Kane as part of Elseworlds – the next annual Arrowverse crossover event. Ruby Rose, of Orange Is The New Black fame, was ultimately cast in the role of Kate Kane.

Related: First Look At Ruby Rose In Costume As Batwoman In Arrowverse Crossover

The nod to Batwoman came near the end of the third segment of “Nora.” The action of the episode centered around Nora West-Allen, the future daughter of Barry Allen and Iris West-Allen, accidentally traveling back in time to before she was born and meeting her parents shortly after they got married. Barry quickly realized something was up when Nora seemed more concerned about spending time with him than doing the same with Iris and asked Nora, point blank, if that had anything to do his disappearance during a crisis in 2024, which he had read about in a future newspaper. Nora responded by showing Barry a newspaper from her time – the year 2049 – and confirming that he never returned home and that she grew up without a father.

Published 25 years to the day after the original article from the future, which was first seen in the first episode of The Flash, the 2049 article discusses the same crisis, but with a bit more detail. The 2024 article mentioned The Flash disappearing while fighting alongside Green Arrow, The Atom, and Hawkgirl. The 2049 article lists a larger number of heroes being involved in the battle, including Batwoman. The article says:

“But in the years following the crisis, accounts only grew more contradictory. Some eyewitnesses remember dozens of other heroes present, including Green Arrow, Batwoman, and Elongated Man. Others remember heroes thought lost in time, like The Atom, or from other worlds, like Supergirl. Some even contend they saw Reverse-Flash leading an army of ‘shadow demons’.”

It is interesting to note that Batwoman is mentioned in the same sentence as Green Arrow and Elongated Man – two heroes who frequently fight alongside The Flash on Earth-One. Until now, it had not been confirmed what Earth in the Arrowverse Kate Kane would be based on, though most assumed she would be from Earth 38 – the same Earth as Supergirl – as that would make it easier for the two to team-up in the future, in the same way that Batman and Superman frequently join forces in the comics. The wording of the article would suggest, however, that Kate Kane will be from Earth-One.

The mention of Reverse-Flash leading an army of shadow demons is another point of interest, given that shadow demons were the main mooks of The Anti-Monitor – the villain of the Crisis On Infinite Earths mini-series, where The Flash seemingly died saving the multiverse. The article also makes mention of The Psycho Pirate – another super-villain who had a major role in the events of The Crisis. It has long been suspected that the Arrowverse would eventually reenact Crisis On Infinite Earths in live-action and this latest bit of news about Batwoman from The Flash premiere seems to make that probability all the more certain.

More: The Flash Fixes Plot Hole By Secretly Changing Arrowverse History



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2018-10-10 07:10:43 – Matt Morrison

Harry Potter: 20 Crazy Details Only True Potterheads Knew About Wormtail

For a lot of reasons, Peter Pettigrew, AKA “Wormtail”, may be one of the creepiest characters in all of the Harry Potter series. First and foremost, is the rather strange decision on the part of author J.K. Rowlings, to make Pettigrew’s animagus form hang around so closely with a preteen Ronald Weasley. With that particularly large elephant out of the room, we can get into some of the more unnerving, crazy, and interesting facts about this Voldemort supporter.

Everyone knows Wormtail to be the man who betrayed Lily and James Potter’s location to Voldemort, who sought to destroy them and their newborn son after finding out that Harry may one day defeat him. Although Voldemort’s attempt on Harry’s life backfired (quite literally), this moment it did cement Wormtail as one of Tom Riddle’s most famous supporters. In addition to this, Wormtail also got away with it all by blaming Sirius Black for that horrible night.

In many ways, Wormtail was the most unlikely member of Voldemort’s inner circle. He didn’t have the dedication to Voldemort’s evil agenda that Lucius Malfoy did. Nor did he have the obsessive nature of the deranged Bellatrix Lestrange. At the end of the day, Wormtail was a coward, and that why he let betrayed his friends to become part of one of the darkest cults of all time. Despite all he has done, Wormtail was still a far more engaging character than most fans may recall.

Without further ado, here are 20 Crazy Facts About Wormtail.

20 He Was Almost Not Sorted Into Gryffindor

When Peter Pettigrew arrived at Hogwarts School of Witchcraft and Wizardry, he lined up with the rest of the First Years to await The Sorting Hat’s decision on which House he would join. While in line, he met both Sirius Black, who uttered his contempt for Slytherin House, and James Potter. Immediately, Pettigrew took a liking to these boys and longed to be Sorted with them.

When he finally was placed under The Sorting Hat, Pettigrew waited a whole five minutes to be placed in Gryffindor.

This is what was called a “Hatstall.” The Sorting Hat clearly saw that this character was suitable for more than one house. Although Slytherin would be the obvious alternative choice, Hufflepuff was one as well.

19 He Was A Member Of The Order Of The Phoenix

Due to Peter Pettigrew’s friendship with James, Remus, and Sirius, he joined The Order of the Phoenix after his time at Hogwarts School for Witchcraft and Wizardry.

The Order of the Phoenix was a secret society founded by Albus Dumbledore to combat Voldemort and his sycophantic followers during the First Wizarding War. This was the time when Voldemort returned from traveling abroad and sought to overthrow the Ministry of Magic and persecute Muggles and Muggle-born magical folk. Although Pettigrew wasn’t a fan of Voldemort’s ideology, he was part of the Order purely because his friends were. It was a community for him. He did not have the same passion for the cause as the other members did.

18 He Wasn’t A True Believer In Voldemort

Much like Peter Pettigrew wasn’t a true believer in the Order of the Phoenix, he wasn’t one of Voldemort’s dedicated followers either. He did not share the same lust for dominance over the Wizarding World, nor the same level of intolerance.

When Pettigrew became a spy for Voldemort, it was purely out of fear.

Wormtail, at the end of the day, is an opportunist. He is someone who will do just about anything to survive, and that included betraying his best friends in order to remain on the powerful dark wizard’s good side. In many instances, especially in the books, Wormtail even couldn’t bear Voldemort’s violence and occasionally attempted to suggest alternative measures to achieve his dark desire.

17 McGonagall Didn’t Like Him, even as a kid

If there’s one thing that Minerva McGonagall has never done, it’s mince words. First and foremost, this Transfiguration professor and Gryffindor Head of House is brutally honest. In the books, she was honest about how she felt about Peter Pettigrew during his time at Hogwarts.

Of course, McGonagall taught him Transfiguration as well as watched over him as the H.O.H. She claimed that Pettigrew “hero-worshipped” both James Potter and Sirius Black. In fact, she even described him as a “lump of a boy” who constantly followed Sirius around like his lap-dog. She even claimed that Peter was “stupid” as well as “foolish.” However, Minerva clearly grew to have some respect for him once he joined the Order. She even spoke sadly about him before she learned that he was the one responsible for the betrayal and not Sirius.

16 He Lived As A Rat For 12 Years

As most fans know, Peter Pettigrew was one of the Mauraders, the small group of friends that consisted of James Potter, Sirius Black, and Remus Lupin. Peter even decided to become an animagus in order to make Remus feel more comfortable with the fact that he was tragically turned into a werewolf. The fact that Pettigrew could turn into a rat at will was something that came in handy after he was forced to fake his own demise in order to properly frame Sirius Black.

Due to his fear of being caught, Pettigrew lived as a rat for a solid 12 years.

He was eventually discovered by Sirius and Remus in Harry Potter and the Prisoner of Azkaban.

15 He Chose The Weasleys As Owners To Avoid The Death Eaters

After Pettigrew faked his demise, he chose to live as a rat in order to both keep up his lie as well as to avoid the Death Eaters. At this stage, many of Voldemort’s followers were unknown to the authorities and lived amongst the common-folk. Due to the fact that Voldemort’s apparent demise happened due to Pettigrew’s information, the Death Eaters believed that Pettigrew was a traitor and therefore sought to destroy him.

Wormtail knew that he stood a better chance at staying alive if he picked a “good” family to stay with. Eventually, he came to be Percy Weasley’s possession and was handed down to Ron. Presumably, Wormtail (as “Scabbers”) stayed with the Weasleys because he knew that the family would treat him right as well as shield him from Voldemort’s secret followers.

14 He Almost Ruined Ron And Hermione’s Relationship

Although Wormtail didn’t mean to, he almost completely ruined Hermione and Ron’s friendship in Harry Potter and the Prisoner of Azkaban. Throughout the book and the film (to a lesser extent), Ron was constantly trying to save Scabbers (AKA Wormtail) from Hermione’s carnivorous new cat, Crookshanks. When Wormtail heard that Sirius Black had escaped from Azkaban and was poking around the Hogwarts grounds, he decided to flee, faking his demise a second time.

In the book, he bit himself in order to leave blood that suggested that Crookshanks had finally taken him out.

It completely convinced Ron, and the pair’s relationship nearly ended until the truth was revealed. This is just another instance of Peter Pettigrew doing anything necessary to remain alive.

13 Rats helped him find Voldemort

A lot of fans of Harry Potter who haven’t paid close enough detail to the books wonder how Wormtail and Voldemort were reunited before the events of The Goblet of Fire. Well, the truth is Wormtail learned from fellow rats that a dark force was living in a forest in Albania. This force ended up being Voldemort himself, who was living off the animals in the forest. However, Voldemort was just clinging to life in his shriveled-up form.

Wormtail lured a prominent ministry witch, who was on vacation in Albania, into the forest and then proceeded to force information out of her that helped persuade Voldemort to take him back into his good graces.

12 He Fed Voldemort Nagini’s Milk to Save Him

Aside from finding Lord Voldemort in a forest in Albania and giving him some vital information about the upcoming Triwizard Tournament from the ministry official he lured into the forest, Wormtail also stayed in Voldemort’s good graces due to the fact that he kept him alive. At this point, Voldemort was simply a shriveled up humanoid creature who barely had any power at all.

With Wormtail’s help, he managed to stay strong enough to last until the end of The Goblet of Fire when he was “reborn.”

Wormtail was able to do this because he milked the venom out of Nagini, Voldemort’s giant snake who will appear in human form in Fantastic Beasts 2: The Crimes of Grindelwald. This venom provided Voldemort with the rudimentary body we see in Goblet of Fire.

11 He Helped Capture Mad-Eye

When Wormtail traveled to Albania to seek Voldemort, he ran into a ministry official who he forced into telling him legitimate information about the goings on at Hogwarts. This included the upcoming Triwizard Tournament that they would get Harry Potter to take part in, as well as the fact that Alastor “Mad-Eye” Moody would be the next Defence Against the Dark Arts teacher.

Another piece of information this ministry official gave was that there was a Voldemort supporter hiding out in England. This ended up being Barty Crouch Jr., who, with the help of Wormtail, tracked down Mad-Eye Moody and captured him. Crouch then famously continued to take locks of Mad-Eye’s hair in order to brew a Polyjuice Potion that turned him into Mad-Eye.

10 Snape Got His Revenge On Pettigrew

As we found out through various flashbacks during Harry’s time learning legilimency from Severus Snape, Severus was teased and pushed around by Harry’s father, Lupin, Sirius, and Peter Pettigrew as a child. Pettigrew probably wouldn’t have been the one to instigate this, but he was happy to play along with what the “cool kids” were doing. That, after all, was sort of his M.O. However, in their later years, Snape got his revenge on Wormtail after Voldemort ordered Wormtail to live with Snape at Spinner’s End in order to help him with various things.

Wormtail ended up being Snape’s punching bag and personal servant.

In fact, Snape treated him quite poorly, which, without a doubt had more to do with Wormtail betraying Lily Potter than anything else.

9 Voldemort Loathed Him

Lord Voldemort may not have had the ability to love anything except for himself, and even that is arguable, but he certainly had some appreciation and respect for certain members of his cult. At one time, he had immense respect for Lucius Malfoy, but that went away after Lucius continued to fail him. Bellatrix and Snape seem to be in his good graces constantly as they appeared to be his most ardent supporters. Snape, specifically, was the one he thought was infiltrating Dumbledore and the Order.

Wormtail is a different story entirely. Voldemort never liked Wormtail at all. He put up with him because Wormtail helped to keep him alive. But even before Voldemort’s first downfall, the villain knew that Wormtail was only around out of fear, not out of duty or respect.

8 He Wasn’t Skilled At Magic

Throughout the course of the Harry Potter series, two very different powerful magical folk made comments on Wormtail’s lack of power. The first was Wormtail’s old Transfiguration teacher, Minerva McGonagall, who claimed that he was far less talented than his friends when it came to magic. Then there’s Voldemort, who always regarded his servant as particularly weak. The truth is, they were mostly right about him.

He was a hopeless dueler, only besting opponents when catching them off-guard.

However, there are a couple of instances where he’s shown more potential than even he believed. One of these moments was when he caused an explosion that ended the lives of twelve Muggles and allowed him to get away from Sirius Black.

7 He Was Surprisingly Intelligent And An Opportunist

You can say a lot about Peter Pettigrew, including his cowardly demeanor, but one thing you can’t say is that he was dumb. On the contrary, Wormtail was actually pretty intelligent. This cunning helped him frame Sirius for the crime that he committed, as well as search out Voldemort.

Wormtail’s intelligence also allowed him to be quite the opportunist. This trait perhaps sums him up the most, as from the start of things he knew how to get in with the “right” crowd. When the tides changed and there was a better group to be associated with, that’s exactly where Wormtail would end up. A fool wouldn’t be able to navigate situations like this, let alone stay on Voldemort’s good side.

6 The Other Death Eaters Didn’t Like Him

Being an opportunist didn’t quite go over well when it came to Voldemort’s closest servants. First of all, many of them, including Bellatrix Lestrange, were there because they either believed in Voldemort’s cause or Voldemort himself.

Many of these Death Eaters saw Wormtail as a clinger; someone who was merely there to survive and never truly fought for what they believed in.

Another major source of the dislike the Death Eaters had for Wormtail had to do with Voldemort’s first downfall. This event happened on Wormtail’s information. When Voldemort was seemingly annihilated after attacking Harry Potter, many Death Eaters saw Wormtail as a traitor who purposefully led Voldemort to his grave.

5 His Hand Was Cursed

Although the filmmakers behind the Harry Potter movies didn’t explore Wormtail’s silver hand, it was certainly talked about in detail in J.K. Rowling’s novels. Wormtail first got this magical silver hand after he severed it from his body while resurrecting Voldemort in The Goblet of Fire. However, it came with a catch.

The catch with Wormtail’s replacement hand was that it was cursed. Sure, the hand had magical properties, including being impervious to certain jinxes, but it also led to his downfall. Though Wormtail didn’t receive a proper final scene in the films, his demise in the books occurred when he was planning to do good on his “life debt” to Harry. Wormtail’s magical hand turned on him, wrapped around his neck, and took his life.

4 He was insecure about his body

Every single person on the planet has their own set of insecurities. This is true of all of the characters within J.K. Rowling’s masterful series. For Wormtail, it was his stature. Not only was his short height an issue for him, but his weight and shape particularly bothered him. He no doubt compared himself to the more traditionally handsome James Potter and Sirius Black while growing up.

Due to actor Timothy Spall’s height, Wormtail was portrayed a taller than he was in the books.

However, when he first appeared in Prisoner of Azkaban, he was around the same height as a 13 and 14-year-old Harry and Hermione. Both Harry and Hermione would grow to be taller, while Pettigrew remained the same height.

3 He Was Made More Rat-Like For The Films

J.K. Rowlings described Peter Pettigrew has had some of the qualities of a rat, especially after living as one for a solid twelve years. These traits included watery eyes, grubby skin, a pointed nose, and even a squeaky voice that followed him after he revealed himself in The Prisoner of Azkaban.

Azkaban director Alfonso Cuaron wanted to make sure audiences absolutely knew that Pettigrew would have maintained some of his rat-like qualities after his twelve-year stint. These added details included extra nostril hair, knuckle hair, two big teeth, and a consistency between Scabbers’ fur and Wormtail’s locks. Hiding his neck with the right coat also made Wormtail’s rat-like look more believable. These details also came in handy for Wormtail’s visual transition back into his animagus form as he escaped.

2 He Took Voldemort’s Wand

Wormtail didn’t keep his distance the day after Voldemort’s downfall in Godric’s Hollow. He made sure he was nearby as he hoped his information would be useful. Voldemort, of course, wanted to take out a young Harry Potter due to the prophecy that stated that the boy could lead to his demise. Unfortunately for Voldemort, his attempt on Harry’s life backfired and he was practically disintegrated.

Wormtail deduced this once he came across the rubble of the house. He then found Voldemort’s iconic phoenix-feathered wand and took it for safe keeping.

He later gave it back to Voldemort once he was strong enough to use it once more.

There’s no telling where exactly Wormtail stored the wand while living as a rat for twelve years.

1 His Demise Was Connected To The Marauders

Wormtail’s connection to the Marauders, Lupin (Mooney), Sirius (Padfoot), and James (Prongs) was fully realized the day that he met his end. This is because Wormtail’s demise (at least in the book) was very similar to those of his three classmates.

All four of them, in one way or another, passed away while trying to protect or save Harry.

James met his end at the hands of Lord Voldemort that day in Godric’s Hollow. Sirius was protecting Harry when he was struck by Bellatrix’s curse. Lupin fought in the Battle of Hogwarts, giving Harry a moment to escape from Dolohov, who was later revealed to have taken Lupin out. Finally, Wormtail’s cursed hand turned on him the moment he was about to let Harry go, honoring his life-debt.

What do you think is the craziest fact about Wormtail in Harry Potter? Let us know in the comments below!



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2018-10-10 06:10:32 – Dylan Parker

18 Best Sequels, According To Rotten Tomatoes (And 8 Stuck With 0%)

We live in an age where sequels are all the rage. Every major studio is chasing those franchises that can keep their cash flow healthy for years to come. Sometimes, they’re exhausting. Other times, they can be our most anticipated movies. Maybe we could do without more Transformers movies, but Marvel and Mission: Impossible sequels are event movies that drive us to the theater in droves.

Sequels are tricky and unpredictable, though. On one hand, they’re often necessary for expanding stories and the good ones continue sagas we want to see progress. On the other, some are soulless cash grabs that shouldn’t exist. In the worst cases, some of them completely derail promising franchises by failing to deliver the goods. Then again, in some instances, sequels can get a series back up and running after they’ve experienced setbacks.

This list will look at those rare sequels that are considered worthy — and even superior — follow-ups. Those rare beasts that make us grateful for multiple movies in a series. Furthermore, we’ll also be discussing the most maligned sequels that brought no critical good will to their respective franchises whatsoever. It’s more fun this way. In order to fully appreciate the best of the best, we also must acknowledge the worst of the worst. Without evil, we wouldn’t be able to understand all that’s good and pure. Without terrible movies, we wouldn’t be grateful for the good ones.

With this in mind, here are 18 Best Sequels According To Rotten Tomatoes (And 8 Stuck With 0%).

26 Best: Captain America: Civil War (91%)

The decision to keep the same team of writers for all three Captain America films paid off in the end. The trilogy just went from strength to strength with each passing entry, though some would argue that The Winter Soldier is equally as good — if not better — than Civil War. Either way, they’re both prime examples of how to do sequels right.

Civil War tackles the same themes you’d expect from a movie about a do-gooder like Cap, but where the film truly soars is during its wild third act. The airport showdown is the best action showdown in the MCU, and that’s saying something.

25 Worst: The Bad News Bears Go To Japan (0%)

If you didn’t know that sequels to The Bad News Bears exist then no one would think any less of you. While the first movie is a cult classic about an underdog baseball team, the sequels have faded from the collective memory with the passing of time, lost like tears in the rain. That’s for good reason.

None of the sequels are good, but The Bad News Bears Go To Japan is especially bad.

While the idea to relocate to Japan for a big game is good on paper, the sequel is just bland, forgettable, and was made to cash in on the brand name.

24 Best: Star Wars: Episode VII – The Force Awakens (93%)

Some fans argue that The Force Awakens is essentially a retread of A New Hope in many ways. However, clearly the critics and audiences didn’t necessarily agree, given its stellar Rotten Tomatoes score and its audience score of 87%, not to mention its impressive box office haul.

As far as Star Wars movies go, it hits the spot. The new characters are great, the return of some old faces is a trip down memory lane, and the story still made significant effort to push the franchise forward. In those regards, the film definitely succeeded.

23 Best: War for the Planet of the Apes (93%)

Anyone who has a problem with classics being rebooted needs to watch the most recent Planet of the Apes trilogy.  The finale pits the apes in a brutal battle against the humans, which leads to an epic confrontation between the Caesar the Ape and humanity’s ruthless colonel (played by an utterly wicked Woody Harrelson). As far as concluding trilogies goes, War for the Planet of the Apes has everything.

By no means is this a pleasant movie, but it is rewarding. And not only does it wrap up an epic story, but the film boasts some of the great CGI wizardry out there. The action is also ridiculously impressive and compelling, which is crazy considering it’s a movie about people versus monkeys.

22 Best: Logan (93%)

James Mangold’s Logan, the gloriously violent and heartbreaking farewell to Patrick Stewart’s Professor X and Hugh Jackman’s Wolverine, is an all-timer. Taking cues from the Old Man Logan comics, the movie has just as much in common with neo-westerns as it does with superhero yarns, which makes for a gritty, character-driven elegy to characters many of us grew up with.

Logan deserves praise for going R-rated and taking some stylistic risks.

The movie is proof that audiences will still flock to see superhero movies with some edge. If you’re going to send off some icons, this is the way to do it.

21 Worst: Return to the Blue Lagoon (0%)

Considering that no one liked The Blue Lagoon (it currently holds a 9% rating on RT), why anyone would want to return to the franchise is beyond comprehension. Of course, every sequel is a perfect opportunity to right some old wrongs if handled with care. Unfortunately, this was not. The story follows two children who are marooned on a tropical island as the grow up and fall in love, etc. The characters don’t wear enough clothes either, which makes for some weird, uncomfortable viewing.

There are some unintentional laughs to be had at the poor script and performances.

Otherwise the Blue Lagoon isn’t a scenic cinematic paradise worth spending time in unless you want to punish yourself for some reason.

20 Best: The Dark Knight (94%)

Few superhero movies are ever regarded as anything more than popcorn fare. However, if there were ever a superhero movie that proved the genre could be prestige cinema, it would be The Dark Knight. Christopher Nolan’s take on Batman is an exploration of chaos and just how far people are willing to go to achieve their goal.

The Dark Knight — for better or worse when you consider how devoid of fun some DC movies have been since — also brought a gritty, realistic touch to the genre. The movie feels more like a Michael Mann crime saga than it does a story about superheroes versus their outlandishly evil counterparts.

19 Best: Finding Dory (94%)

In recent times, Pixar has been criticized for relying too heavily on sequels, but if it ain’t broke… Finding Dory was released 13 years after Finding Nemo, and it was a smash with critics and audiences alike.

Its 94% on Rotten Tomatoes is complemented by an 84% audience score.

Upon release Finding Dory was praised for being as funny and thought-provoking as the first movie, while also adding a new dimension to the story. As with any Pixar movie, Finding Dory can be appreciated by audiences of all ages. 

18 Worst: Staying Alive (0%)

No other actor on the planet has experienced a career of ups and downs like John Travolta has. When he broke out he had the world at his dancing feet. After that, his career experienced a downturn until it was resurrected briefly following Pulp Fiction until it ultimately plummeted when he started starring in movies like Battlefield Earth. Staying Alive was released in 1983 when Travolta was experiencing his first fall from grace. Following up a classic like Saturday Night Fever was never going to be easy, but it shouldn’t have been this difficult, either.

The sequel lacks the gritty realism of its predecessor, and instead tries to get by on dance sequences. What’s the point in dancing when we don’t care about who’s doing it?

17 Best: Creed (95%)

No franchise tends to remain compelling seven sequels in, but Creed is proof that the Rocky franchise is the rare exception. Granted, some Rocky movies aren’t exactly knockouts, but Creed got things back on track and showed that it’s game for a few more rounds.

By serving as both a sequel and a spin-off/soft reboot, Creed gave the franchise a breath of new life.

It passed the gloves on to Michael B. Jordan as the eponymous character.  Creed 2 is right around the corner. Let’s see if it can do what the original saga failed to do and deliver a second outing that’s as good as the inaugural entry.

16 Worst: Leprechaun 2 (0%)

The first Leprechaun movie doesn’t come close to being certified fresh rating on Rotten Tomatoes, so it should come as no surprise that the sequels didn’t receive any critical acclaim. Especially not the second movie, which no critic seemed to enjoy at all.

Here, the infamous critter resurfaces in Los Angeles to find a bride, which leads to him abducting a young woman and trying to claim her as his own. This isn’t high art by any means, nor does it try to be.

15 Harry Potter and the Deathly Hallows: Part 2 (96%)

The Harry Potter books were an emotional roller coaster that affected millions of readers worldwide. Reliving those adventures on the big screen was also a great time to be alive, and the grand finale lived up to expectations. In the final installment of the saga about the Boy Who Lived and his fight against the forces of darkness, the ultimate showdown finally happens as our hero and his pals face off against Voldemort in Hogwarts castle.

It’s a true epic in every sense of the word.

As far as wrapping up the story goes, Death Hallows: Part 2 delivered the goods and gave us cinematic closure in style.

14 Worst: Looking Who’s Talking Now (0%)

Look Who’s Talking is a perfectly serviceable comedy that should never have received any sequels. In a bid to end to the trilogy on a high following the disappointing previous sequel, Look Who’s Talking Too, someone thought it would be a good idea to introduce talking dogs to the mix for the series’ swan song. 

Needless to say, Look Who’s Talking Now wasn’t the glorious goodbye the series was looking for, but at least the film did cast some cute dogs.

13 Best: The Good, the Bad, and the Ugly (97%)

The third installment of Sergio Leone’s influential Dollars trilogy, The Good, The Bad and the Ugly is the creme de la creme of spaghetti westerns. 

The story centers around two men who form an uneasy alliance following a scam.

This leads them on a quest as it turns out there’s money buried in the desert and they want to find it. However, they have to compete against another who won’t hesitate to put a bullet in them to claim the prize. On top of being one of the most acclaimed movies out there, the film has been hailed as a major influence on directors like Quentin Tarantino.

12 Best: The Godfather: Part II (97%)

The continuation of Francis Ford Coppola’s Best Picture-winning 1972 crime saga, The Godfather: Part II chronicles Michael Corleone’s further ascendency in organized crime while simultaneously taking us back to the past to explore his dad’s humble beginnings.

Like its predecessor, the sequel also won Best Picture and is hailed by many a critic and film buff as one of the best movies ever made. Whether it’s better than the original is up for debate, but they’re like two sides of the same coin. These movies set the bar for mob pictures, and to this day, other directors are still trying to recreate the formula.

11 Mad Max: Fury Road (97%)

Director George Miller was in his seventies when he unleashed Mad Max: Fury Road, but the energy and madness imbued in every frame of this extravaganza suggest a man half his age.

Maybe we’ll never see another Mad Max movie, but the world needs a Furiosa spin-off eventually.

Fury Road is essentially one non-stop chase that barely lets up from the get-go all the way to the climactic ending. Furthermore, it’s a movie that defied expectation by taking the focus away from the titular character and making Charlize Theron’s Furiosa the real hero of the adventure. 

10 Worst: Jaws: The Revenge (0%)

Is Jaws: the Revenge a good movie? Definitely not. Is it an entertaining movie, though? Definitely yes.

How many other movies have sharks that make a conscious decision to get revenge on the humans that wronged them? Not only that, but the shark here followed its target to the Bahamas from Massachusetts. And why would someone who wants to avoid sharks go to an island surrounded by ocean? The movie is illogical, silly, nonsense, but it does offer sheer entertainment value for bad movie buffs.

9 Best: Aliens (98%)

Alien and Aliens are quite different in some regards, but they complement each other perfectly. The first is an exercise in pure suspense and terror. The sequel, on the other hand, retains the horror elements but adds a lot more action to proceedings.

Aliens shows how to make a successful sequel: acknowledge what came before but don’t be afraid to bring some fresh ideas to the table.

James Cameron was on fire in the ’80s and he wasn’t afraid to make Ridley Scott’s baby his own.

8 Best: Mad Max 2: Road Warrior (98%)

While George Miller’s inaugural Mad Max caper is a cult classic, most film buffs would agree that a couple of the sequels are slightly superior. Taking nothing away from the first movie, Road Warrior is a vast improvement when it comes to world building and sheer action spectacle. The story follows the eponymous character as he helps a group of people steal oil from a tyrannical madman and his band of goons.

As far as cinematic thrill rides go, few movies are on par with Road Warrior. Here, Miller turned up the volume significantly by making the post-apocalyptic terrains feel more dangerous and the action sequences more gung-ho and grander in scale.

7 Best: Evil Dead 2 (98%)

Sam Raimi’s first Evil Dead movie was a huge achievement for independent filmmaking when it was released back in 1981. The movie still holds up to this day with its innovative camera work, effective scares, and excellent cast as well.

The sequel is a triumph in its own right.

While the first movie contained moments of dark comedy, the sequel amps up the zaniness to become what is essentially the splatter flick equivalent of a Laurel and Hardy flick. For 90 minutes, Bruce Campbell is tormented by laughing ornaments and his own severed hand. As silly as that sounds, Evil Dead 2 still manages to pack more punch than your average MMA fighter.

6 Worst: Police Academy 4: Citizens on Patrol (0%)

In the third installment of the Police Academy franchise, the cops are understaffed and in need of some help. Naturally, the force turns to America’s civilians to help aid in their mission. Things don’t go smoothly, for the characters in the film and the movie itself.

Rotten Tomatoes describes Police Academy 4: Citizens on Patrol as “Utterly, completely, thoroughly and astonishingly unfunny” and  a movie which sent “a once-innocuous franchise plummeting to agonizing new depths.” That sounds about right.

5 Toy Story 3 (99%)

Few franchises manage to strike three home runs in a row. Even The Godfather stuttered when it came to the third outing. Toy Story, on the other hand, never ceases to replicate the magic time and time again.

This emotional installment sees Andy get ready to leave for college and neglect his old toys.

He’s all grown up and has no use for them anymore, and what ensues is what is by far the most heartfelt movie in the series.

4 Worst: Highlander II: The Quickening (0%)

As far as pure entertaining action-fantasy goes, the first Highlander movie is a fun slice of popcorn entertainment that aficionados of cult cinema lose their head over. The sequel, meanwhile, is an incomprehensible mess.

Highlander II is too overplotted to explain, but the cusp of the story revolves around the hero from the first movie taking on a corporation after being led to believe that they don’t have the world’s best interests in mind. In this one, our hero is a defender of the ozone as well. What makes Highlander II so awful is that it completely retcons everything good about the original film and the mythology it introduced.

3 Best: The Bride of Frankenstein (100%)

We all desire to be loved by someone special– even bolt-head monsters made up of the remains of other people. But to find them a mate, one must dig up some more corpses and create a suitable partner that’s similar in genetic make-up. This is also the storyline behind James Whale’s 1935 masterpiece, Bride of Frankenstein.

There are too many Frankenstein movies to keep track of at this point, but this sequel remains the pinnacle of the original series.

The movie is a masterpiece that successfully blends campy fun with Gothic beauty and genuine chills that’s stood the test of time as a result.

2 Paddington 2 (100%)

No one expected the the first Paddington to be as good as it is. That movie is a bona fide classic in the making in its own right, but the sequel is some next-next level brilliance.

Paddington 2 sees the lovable bear go to prison and, unsurprisingly, all the mean criminals fall in love with him as well. Critics, like the fictional convicts, were also full of praise for the titular bear and his second big onscreen adventure as well. At one point, Paddington 2 was even the best reviewed movie in history.

1 Best: Toy Story 2 (100%)

Following up a movie like Toy Story was never going to be easy, but that didn’t stop Pixar from trying and succeeding. In this one, we find out that Woody is a collectible when he’s discovered and stolen by a greedy museum owner. Naturally this prompts Buzz Lightyear, Mr. Potato, and the rest of the gang into action and they set out to save their friend.

General consensus on Rotten Tomatoes states that Toy Story 2 is that rare sequel that improves upon its predecessor.

The sequel raises the stakes and ups the element of adventure while retaining the humor and heart that made audiences fall in love with the franchise in the first place.

What’s your favorite sequel? Let us know in the comments!



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2018-10-10 04:10:39 – Kieran Fisher

Spider-Man: Far From Home First Teaser Poster Spotted At Licensing Expo

Sony’s Spider-Man: Far From Home gets a teaser poster as the promotional image is spotted at the Brand Licensing Europe 2018 event in London. Thanks to a deal between Sony Pictures and Marvel Studios, Peter Parker (Tom Holland) joined the Marvel Cinematic Universe in Captain America: Civil War. Since then, Holland’s wall-crawling superhero has headlined his own movie in Spider-Man: Homecoming and teamed up with Earth’s Mightiest Heroes in Avengers: Infinity War. Next, Spidey will return for Avengers 4, then the beloved Marvel hero will kick off Phase 4 of the MCU with Spider-Man: Far From Home.

Despite Peter Parker becoming the victim of Thanos’ snap as part of Infinity War’s cliffhanger ending, we know the web-head will return somehow – whether that means Avengers 4 will use time travel, though, remains to be seen. Holland and stars of Homecoming returned to work this summer as Spider-Man: Far From Home has been filming across Europe. Set photos from the Spider-Man sequel have offered looks at MCU characters joining the Sony movie, including Samuel L. Jackson’s Nick Fury and Cobie Smulders’ Maria Hill. Now, a promo poster for Spider-Man: Far From Home has also surfaced.

Related: Every Villain Rumored For Spider-Man: Far From Home

Instagram user Dirtees posted a group of photos from the floor of the Brand Licensing Europe 2018 expo in London, United Kingdom this week. The fourth photo in the post (which can be located by clicking through the series of photos below) features a hanging promotion image for Spider-Man: Far From Home. It appears to be an image of Spider-Man from Homecoming that was repurposed with the Spider-Man: Far From Home movie logo. Take a look at the image below.

Of course, Sony can use images of Spider-Man from Homecoming for the Far From Home posters because Peter Parker is expected to be wearing the same superhero suit. Previously, Holland confirmed Spider-Man will wear the Homecoming suit in the sequel, despite upgrading to the Iron-Spider suit for Infinity War. However, based on Far From Home set photos, Spider-Man will also don a stealth suit that’s all black. Fans have theorized this suit is inspired by Spider-Man Noir, but how exactly Spidey gets the black suit for Far From Home remains to be seen. All we know for now is that Peter Parker will trade in his red and blue costume for something more covert (or, perhaps it’s a separate mode built into the old suit by Tony Stark).

Unfortunately, this Spider-Man: Far From Home promotional poster doesn’t reveal anything new from the movie – neither in terms of the web-head’s suit nor otherwise. That said, with Far From Home set to hit theaters in July 2019, we aren’t too far off from Sony kicking off marketing for the Spider-Man sequel. While there are two MCU movies due in theaters before Far From HomeCaptain Marvel and Avengers 4 – their close release dates mean the marketing pushes for each film will inevitably overlap. Plus, given how secretive Marvel Studios has been with Avengers 4, it’s entirely possible we’ll see some official artwork for Spider-Man: Far From Home even before the Phase 3 capper releases a trailer. For now, fans will have to wait and see – and make due with Holland’s occasional social media reveals and the Spider-Man: Far From Home set photos.

Next: 2019 Will Have The Most Superhero Movies Ever Released

Source: Dirtees/Instagram





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2018-10-10 02:10:45 – Molly Freeman

22 July Review: Paul Greengrass Delivers Another Intense Docudrama

Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

In-between his efforts on the Bourne movies, journalist-turned filmmaker Paul Greengrass has spent much of his career making docudrama-thrillers about real-world events, ranging from the September 11 terrorist attacks on the U.S. (United 93) to the hijacking of the Maersk Alabama in 2009 (Captain Phillips). While there’s an inherent risk of exploiting a real-world tragedy that comes with any such project, Greengrass has long been celebrated for his ability to dramatize terrible events on the big screen in a manner that’s intense, yet sensitive and ultimately insightful in its presentation. Thankfully, that remains the case with his Netflix Original 22 July, even if it doesn’t necessarily represent the writer/director at his finest. Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

22 July picks up on July 21, 2011 in Oslo, Norway, as Anders Behring Breivik (Anders Danielsen Lie) – a self-declared right wing extremist – prepares to carry out a terrorist attack on the city the next day. He begins his assault by setting off a bomb in a van near the main office of the then-current Norwegian Prime Minister Jens Stoltenberg (Ola G. Furuseth), killing eight people in the process. Breivik then proceeds to continue his attack by gunning down 69 members of a summer camp organized by the AUF – the youth division of the Norwegian Labour Party – on the island of Utøya, before he is ultimately apprehended by the police and taken into custody.

Among the members of the summer camp is one Viljar Hanssen (Jonas Strand Gravli), who manages to survive Breivik’s attack despite being shot multiple times and left permanently maimed. As Viljar struggles to recover both physically and psychologically from what happened to him (along with everyone else who survived the Utøya shootings and their loved ones), Breivik works with his chosen lawyer Geir Lippestad (Jon Øigarden) to mount a defense and use his trial as a platform to publicly announce his political agenda (which calls for the immediate deportation of all Muslims and heavier restrictions on immigration to Norway, among other things). When it becomes clear to Viljar what Breivik intends to do, he grows increasingly determined to continue his rehabilitation and testify against him in court for not only himself, but also every other person whose lives were affected by what took place on July 22.

Adapted from the book One of Us: The Story of a Massacre in Norway — and Its Aftermath by Åsne Seierstad, Greengrass’ script for 22 July has a very clear-cut three act structure – with the first act focused on the July 22 attack, the second part set during its immediate aftermath, and the final third centered on Breivik’s trial. The film is strongest during its first and third acts in particular, as those chapters (respectively) play to Greengrass’ strengths as a suspense-thriller storyteller and provide the emotional payoff to Viljar and, thus, Norway’s overarching journey of recovery and survival. It’s the second act where things start to drag and get a little muddled, especially as 22 July splits its focus between not only Viljar’s story thread, but also Lippestad and Breivik’s trial preparation, and the investigation into Stoltenberg’s administration and its failure to prevent a terrorist attack. While there’s nothing in the second act that feels inessential, 22 July struggles to divide its attention evenly between its three plotlines and the film’s pacing suffers for it.

On the whole, however, 22 July does a nice job covering a fair amount of narrative ground, even when taking its pretty substantial runtime into consideration. It helps that Greengrass (as he’s known now for doing, as a director) never fully lifts his foot off the gas pedal and keeps the film’s proceedings feeling on-edge throughout, even during its more purely dramatic portions. The filmmaker, working this time around with DP Pål Ulvik Rokseth (The Snowman) and Oscar-winning Argo editor William Goldenberg, uses essentially the same vérité cinematography and restless editing style that he has on his previous movies, in order to fully immerse viewers in the film’s setting and action. At the same time, Greengrass slows things down a bit here and, in turn, delivers a movie that’s more visually cohesive than some of his weaker efforts in the past (see the last Bourne sequel, in particular). This serves 22 July well, allowing it to effectively work as both a grounded drama and thriller.

Given the sheer amount of information that 22 July strives to cover, though, there’s not a lot of room for the film’s actors to really shine – not in the way that Barkhad Abdi and Tom Hanks did in Captain Phillips, for example. Even so, the 22 July cast is uniformly strong across the board, with Gravli especially doing an excellent job of portraying Viljar’s struggles with his physical injuries, PTSD, and the sheer amount of emotional baggage that he’s saddled with after barely managing to escape the attack on Utøya with his own life. Actors like Thorbjørn Harr and Isak Bakli Aglen are similarly moving in their smaller roles as members of Viljar’s family, as is Seda Witt as Lara Rashid, a young woman who starts to make a romantic connection with Viljar before both of their lives are shattered by Breivik’s attack. As for Breivik himself: Lie is quite compelling in the role and portrays the terrorist as a fully-developed person – one whose rationalization of his behavior makes him chilling and pathetic in equal measure.

As with his previous films, Greengrass uses 22 July as a means for delivering larger sociopolitical commentary about the state of things in the world, specifically where it concerns the rise of xenophobic and nationalist ideologies in various countries (the U.S. included). While his scripted dialogue can start to become a bit on the nose as its strives to get these points across (especially in the third act), Greengrass largely succeeds in allowing the story here to shine a light on these issues organically, without getting up on his figurative soapbox to drive the point home. If there’s a downside to the filmmaker’s approach, though, it’s that July 22 winds up handling its subject matter in a way that’s more engaging intellectually than emotionally and, thus, lacks the emotional resonance of Greengrass’ best work to date.

All things considered, however, Greengrass does a very good job of bringing the true story behind 22 July to cinematic life. The final result is a film that makes for an enlightening and otherwise respectful documentation of a horrifying real-world event, rather than one that comes off as exploitative or manipulative. 22 July is showing in select theaters now – in order to qualify for next year’s major film awards shows – and it certainly benefits from being seen on the big screen, but can still be appreciated just as much as a Netflix Original on your home TV. While it’s obviously not a light-hearted viewing experience, 22 July is very much worth checking out if you’ve enjoyed Greengrass’ previous non-Bourne efforts and/or would like to know more about Norway’s own infamous modern terrorist attack.

TRAILER

22 July is now available for streaming on Netflix and is playing in select U.S. theaters. It is 143 minutes long and is rated R for disturbing violence, graphic images, and language.

Let us know what you thought of the film in the comments section!



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2018-10-10 01:10:22 – Sandy Schaefer

The Flash Confirms [SPOILER] Still Happens In Barry’s Future

Warning! SPOILERS for The Flash season 5 premiere ahead!

The Flash season 5 premiere just revealed the full impact of the Crisis of 2024 – the future event from which comes the newspaper headline, “Flash Missing, Vanishes in Crisis” – and it’s not good.

As far back as season 1, we’ve known thanks to the future edition of The Central City Citizen stored in Gideon’s archive that come April 25th, 2024, The Flash would disappear. Some details have changed with the various timeline shake-ups, but that fact remains the same – during a battle with the Reverse-Flash, Barry disappears. We also know that when they disappear they actually travel back to March 18th, 2000, where the Reverse-Flash attempts to kill a young Barry but instead kills his mother. The Reverse-Flash then tries returning to his own time but can’t because he’s been disconnected from the Speed Force, and what follows leads to season 1 of the show.

Related: The Flash Fixes Plot Hole By Secretly Changing Arrowverse History

As for The Flash, it’s been assumed that after saving his past self, but not his mother, Barry returns to 2024 to face whatever new timeline awaits him. But as we learn in tonight’s season 5 premiere, that isn’t at all what happens. Nora, Barry’s daughter from the future, shares with 2018’s Barry a newspaper headline dated April 25th, 2049 which reads: “25 Years Later – Flash Still Missing.” So The Flash did not return home after chasing the Reverse-Flash to 2000, and by the time Nora travels to the past to spy on her parents, he has yet to return.

Nora’s behavior makes a lot of sense now that we know her father has been missing since she was a toddler. All throughout the premiere, she’s spouting off factoids she learned by studying every single one of his adventures, and when it comes time for their first attempt at sending her back to the future, she hugs Barry like she’s never going to see him again. Nora has clearly grown up not knowing her father so she’s spent a lot of time trying to learn everything she can about him. It’s why she travels back in time – to see her dad in action as The Flash. Of course, with traveling back in time comes the risk of changing the future – something Nora may have already done.

But the more distressing news is what happens to The Flash of the future? Why after following the Reverse-Flash to the year 2000 did he not return for at least another 25 years? The Flash season 5 is absolutely going to explore this, possibly even flashing-forward to that future date and showing what really went on – which, according to Iris’ original article, should see The Flash teaming up with Green Arrow, The Atom, and Hawkgirl to fight the Reverse-Flash as well as the ominous red skies and the immense destruction of Central City.

What The Flash season 5 may also do is explore how it is the future Flash comes back. We know that he must return because in 2056, a future Barry sends a message to Rip Hunter in 2016 warning him of Savitar. So he isn’t gone forever, just a lot longer than we initially thought. Nora’s newspaper has Barry gone for 25 years, and that isn’t exact but it’s very close to how long Barry is gone in the comics after Crisis on Infinite Earths – possibly DC Comics’ most famous storyline and in where The Flash sacrifices himself to save the world. He returns 23 years later in Final Crisis, revealing he had been stuck in the Speed Force. The CW’s The Flash has already done the whole ‘stuck in the Speed Force’ thing, so hopefully it won’t repeat itself, but it does appear as if they are preparing for The Flash of the future to finally make his return after being gone for a quarter-century.

Next: The Flash Season 5: New Cast & Character Guide

The Flash season 5 continues next Tuesday with ‘Blocked’ at 8pm/7c on The CW.



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2018-10-09 07:10:13 – Sarah Moran