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Suicide Squad 2: Smallville Star Also Wants to Join James Gunn’s Sequel

Now that Warner Bros.’ Suicide Squad 2 has a surprising new writer in James Gunn, another one of his MCU stars, Michael Rosenbaum, wants to join him. Dave Bautista expressed interest in joining Suicide Squad 2 after Gunn came aboard to write and possibly direct, which isn’t too surprising since Bautista vehemently defended Gunn on social media after he was unceremoniously fired from Guardians of the Galaxy Vol. 3. Whether or not more Marvel stars will throw their hat in the ring to join him remains to be seen, but considering how beloved the filmmaker is, it wouldn’t be so surprising.

After writing and directing both Guardians of the Galaxy and Guardians of the Galaxy Vol. 2 for Marvel, Gunn was slated to return for Guardians 3, but he was fired in July, after offensive tweets from a decade ago resurfaced online. Despite a number of people quickly jumping to his defense, Disney stood by their removal of Gunn, with the director’s longtime collaborator, Michael Rooker, even quitting Twitter after the firing. Disney hasn’t announced a replacement to take over Guardians 3 yet, but it seems several of the director’s stars are ready to jump ship and be a part of Warner Bros.’ DC Extended Universe (DCEU).

Related: Here’s What Happened To WB’s Original Suicide Squad 2 Plans

Rosenbaum took to Twitter last night to express his interest in signing on for Suicide Squad 2, stating, “Sign me up too.” The actor, who played Martinex in last year’s Guardians of the Galaxy Vol. 2, was responding to a tweet by Bautista, who was the first to say he wanted to join Gunn’s movie. Bautista was also among the first to come to Gunn’s defense after his firing in July, and he even threatened to quit Guardians 3 in August, if Marvel didn’t at least use Gunn’s already-completed script for the film.

Sean Gunn, James’ brother, who plays Kraglin in the Guardians movies, confirmed in September that Marvel will use James Gunn’s Guardians 3 script, but his directorial replacement remains to be seen. There was hope, at one point, that the director and studio may be able to resolve their differences and bring Gunn back into the fold, but Disney CEO Bob Iger stood behind the firing in a statement he released in late September. There had even been talk before Gunn came aboard for Suicide Squad 2 that Warner Bros. was interested in Gunn, continuing what is becoming a bit of a tradition, with Warner Bros. snatching up talent from Marvel.

The DCEU’s biggest hit, Wonder Woman, was directed by Patty Jenkins, who was once set to direct Thor: The Dark World. Warner Bros. brought Joss Whedon over from the MCU to rewrite parts of the script and direct reshoots for Justice League, stepping in for Zack Snyder. And now, WB has poached Gunn. While the first Suicide Squad wasn’t well-received by many critics, this new project is said to be a much different take than David Ayer’s original. Whether or not Gunn can turn this franchise around remains to be seen, but it will be interesting to see if Gunn will try to bring over MCU actors like Bautista and Rosenbaum once the project moves further in development.

More: Suicide Squad Characters James Gunn Already Wanted To Work With

Source: Michael Rosenbaum





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2018-10-10 07:10:00 – Brian Gallagher

Cyborg Actor Ray Fisher Reunites With Zack Snyder In New Photo

Justice League star Ray Fisher reunited with his former director, Zack Snyder, today at the filmmaker’s old office, and they both posted a photo together on social media, but it’s unclear why Fisher decided to stop by Snyder’s office. Years ago, before WB’s unofficially titled DC Extended Universe had gotten underway, Snyder – as well as his producing team and the casting department at Warner Bros. – ultimately decided to cast the actor as the DC superhero Cyborg.

While Fisher made his real debut in 2017’s Justice League movie, he first had a cameo in Snyder’s Batman V Superman: Dawn of Justice alongside some of the rest of the world’s finest heroes, namely Jason Momoa (Aquaman) and Ezra Miller (The Flash). Even though his fellow co-stars were all thrilled to portray their superheroes, Fisher was especially excited, and he hasn’t refrained from continuing to express that enthusiasm despite everything that happened with Snyder and Justice League.

Related: Justice League’s Ray Fisher Thinks Cyborg Would Be Costly To Make

It seems that Ray Fisher visited Zack Snyder’s office today, and they both posted the photo on social media; Fisher made his post on Twitter, saying, “Me and the Cap’n making it happen… #BORGLIFE,” while Snyder, of course, posted on Vero, saying, “Look who’s hanging out at the office today.” Take a look:

A specific reason for why Fisher visited Snyder today hasn’t been determined, but it presumably had nothing to do with the DC movie universe, despite the fact that Snyder is technically still on board as producer for some of the future movies, like Aquaman and Wonder Woman 1984. In all likelihood, it’s possible that Fisher was merely on the WB lot for something else (perhaps for something in relation to HBO’s True Detective season 3, which he stars in), or maybe he just happened to be in the general area and wanted to stop by to visit Snyder, who is currently working on developing The Fountainhead (not The Last Photograph, as previously assumed), an adaptation of Ayn Rand’s 1943 novel of the same name.

Regardless of the reason Fisher and Snyder met up today, the photo could ignite some speculation that Fisher could potentially appear in Snyder’s new project or that they were discussing WB’s Cyborg movie, which doesn’t seem to have moved forward in development since its initial announcement. It was originally slated to release in 2020, but that no longer seems to be the case. Furthermore, if it ever does happen, it’s certainly possible that Snyder would be on board as a producer, just like he’s producing the other Justice League character spinoff movies.

Next: DC’s Cyborg Movie Still Happening, May Use Scrapped Justice League Story

Source: Ray Fisher, Zack Snyder





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2018-10-10 05:10:11 – Mansoor Mithaiwala

Stan Lee Addresses Elder Abuse Allegations Against His Daughter

Stan Lee has broken his silence regarding the allegations of elder abuse against his daughter that were made earlier this year. Though questions regarding the Marvel creator’s estate have circled for years, it wasn’t until an April report that that concern became public knowledge. Following the death of his wife, Joanie, in 2017, his only remaining immediate family is his daughter, J.C., who, along with former business manager Keya Morgan, former publicist Jerry Olivarez, and former road manager Max Anderson, were named in the report for taking advantage of Lee in his old age.

Not long after, Lee denied the claims against Morgan, calling them “hateful and harmful” and “totally based on slander.” However, things shifted, and, in the months that followed, Morgan was arrested for filing a false police report. Furthermore, Lee was granted a restraining order against Morgan. In addition to the accusations of fraud, abuse, and embezzlement against Morgan, the ex-business manager is also responsible for accusing J.C. of physically assaulting her father.

Related: Stan Lee Elder Abuse Concerns: A Timeline

When asked whether he was aware of the allegations made against J.C. – including potential future stories in the works – Lee joked to The Daily Beast, “I wish that everyone would be as abusive to me as JC.” He then changed his tone, responding seriously that she is “wonderful” and, though they have “occasional spats, that there’s nothing to the allegations.

J.C.’s lawyer, Kirk Schenck, further describes their relationship, describing it as “Kennedyesque.” He props her up, describing her as “the avenger…the person who protects that man.” J.C. vehemently denies any physical violence, but does recognize that she has raised her voice at him, blaming it mostly on the situation involving who she describes as “horrible people” who want to “divide and conquer.” She also insinuates that Morgan and possibly Anderson were involved with Scientology.

For Lee, the interview seemed to confuse him at times. He states that J.C. has been friends with Kirk for “30, 40 years,” but she maintains it’s only been a few years. On the tape in which Lee defended Morgan, he pointed fingers at Schenck, saying that he was responsible for supplying her with drugs. In response to being asked about this, Lee replied that he “must have been talking about someone else.” 

In addition to the heavy issues addressed in the interview, Lee has the opportunity to comment on a preferred subject: the Marvel Cinematic Universe. Lee states that his favorite superhero adaptation is Spider-Man, and comments on the increased diversity of the changing times, calling himself “Mr. Reboot” and noting that he wants to represent everyone, jokingly including “green people” (in a nod to Hulk). And, though he will no longer be making public appearances at conventions, Lee did express how much he misses the writing side of his former job. Hopefully, as long as he is able, his current support system will allow him to continue to be creative in whatever ways he can.

More: Fan Art Recasts Marvel Legend Stan Lee as the MCU’s Odin

Source: The Daily Beast



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2018-10-08 05:10:10 – Becca Bleznak

20 Crazy Details Behind The Making Of E.T. The Extra-Terrestrial

It’s been almost forty years since E.T. the Extra-Terrestrial was first released, but this 1982 Steven Spielberg-directed gem is still going strong to this day with audiences of all ages. This wonderful film about a boy and his friend alien melted the hearts of all those who first watched it back in the early 1980s, and it still remains a most treasured family film. Its legacy is seen in every aspect of our pop culture, and it is regularly cited as people’s favorite film of all time. Only a director as visionary as Spielberg could take such a simple concept and transform it into a lasting cinematic treasure.

E.T. also helped transform the lives of those who participated in its making, sending a young Drew Barrymore into stratospheric fame and solidifying Henry Thomas as one of the most famous child actors of all time. There’s no doubt that E.T. will continue to leave its mark on future generations, and we can only hope that its perfection is respected without Hollywood grasping for a remake or an ill-advised, modern-day sequel.

If you’re a fan of this classic film or if you’re a Steven Spielberg aficionado wanting to know his tricks of the trade, you’ll be fascinated by the secrets that went on behind the scenes during the movie’s making. From the movie’s conception based on Spielberg’s life to the inspiration behind E.T.’s famous face, we have all the facts you’ll want to know about this iconic film.

With that in mind, here are 20 Crazy Details Behind the Making of E.T. The Extra-Terrestrial.

20 Henry Thomas Brought Up His Tragic Past For His Audition

Landing the role of Elliott in E.T. unquestionably changed child actor Henry Thomas’ life. Having only previously done a couple of small movie parts in 1981, Thomas all of a sudden became the most famous kid in the world thanks to his on-screen adventures with his alien co-star.  

According to the Mirror, Thomas was only nine years old when he landed this role of a lifetime. In order to secure himself the part, during the audition the young actor drew upon the traumatic experience of seeing his pet dog attacked by his neighbor’s dog, which brought on real tears. Spielberg and the casting directors were immediately impressed. Being able to call upon real emotion showed the director that he could definitely act, and solidified Thomas as a genuine child talent.

19 Drew Barrymore’s Vivid Imagination Got Her Her Role

Drew Barrymore has been on the Hollywood scene for a long time, but her first big start on screen was in E.T. playing the part of Gertie. According to an interview on Ellen, Barrymore revealed that she wasn’t originally even going to audition for E.T. During her interview, Barrymore explained how she was actually trying to get a part in Poltergeist, but the director wasn’t there that day. Instead, Poltergeist’s producer, Steven Spielberg was there in his place.

She told Ellen: “I was six, and I lied my face off. I told him I was in a rock ‘n’ roll band, that I was a drummer, that I was a cook.”

After her audition, Spielberg said she wasn’t quite right for Poltergeist, but that he’d love to have her come in and audition for another project he was working on. Sure enough, he called her up soon after and gave her the part of Gertie in E.T.

18 It had a very boring title at first

When a movie becomes a huge hit, especially one that continues to garner success decades and generations after its first release, it’s hard to imagine it separately from its title. Indeed, the title of a movie becomes its first point of cultural consciousness, and there are those that last the test of time, and those that don’t.

Mention E.T. The Extra-Terrestrial to anyone and they’ll know exactly what you’re talking about. It’s not only a memorable film title, it’s also become so deeply ingrained in our collective pop culture that we all know what it is even if we haven’t seen it. Well, E.T. might have faded away in the land of forgotten films, had they gone with the original title, A Boy’s Life, as noted by The New Yorker. While there’s nothing inherently wrong with A Boy’s Life, it’s not half as memorable as E.T. The Extra-Terrestrial.

17 Harrison Ford Shot a Cameo

While Spielberg was working on getting things ready to begin filming E.T., he was still in the process of filming Raiders of the Lost Ark, which, of course, starred Harrison Ford as Indiana Jones. Ford dating Melissa Mathison, who was the scriptwriter for E.T., at the time.

Because of his friendship with Spielberg and his relationship with Mathison, Ford agreed to make a cameo appearance in the film.

According to Entertainment Weekly, Ford’s bit part was supposed to be a kind of a joke as he was going to play against his usual type, here as an uptight school principal who would scold Elliott after the frog-releasing scene. In the final edit, the decision was made to cut the Ford scene as it didn’t fit in with the rest of the movie and it was thought Ford’s presence would be too distracting from the story line.

16 M&M’s Were Supposed To Be E.T.’s favorite candy

Reese’s Pieces surged in popularity after the release of E.T.. The candy was featured in the scene where Elliott tries lays a trail of candy to lure E.T. back to his house. Many people back then, and now for that matter, might have thought it strange that Elliott used Reese’s Pieces.

Well, according to Business Insider, the reason for the choice of sweet was down to the fact that M&Ms had refused the production permission to use its brand in the film. Culinary Lore also states that Mars Inc., which owned M&Ms, refused the filmmakers the right to use the candy because it didn’t want to be associated with aliens. This was clearly a bad call, as after the release of E.T., sales of Reese’s rose exponentially, topping the numbers sold of M&Ms for the first time ever.

15 E.T.’s Face Was Modeled On Some Famous People

E.T. is one of the most recognizable movie characters in history and one of the cutest, albeit weirdest, examples of an on-screen alien. No character had, or has since, looked like like this singular creature, and its aesthetic is all thanks to Spielberg and his incredible designer Carlo Rambaldi.

Rambaldi created the aliens for Close Encounters of the Third Kind, and his talents were once again put to use in E.T.

In a special featurette called The Making of E.T. The Extra-Terrestrial, Spielberg reveals: “I remember saying to Carlo, here’s some pictures of Albert Einstein, Ernest Hemingway and Carl Sandburg. I love their eyes, can we make E.T.’s eyes as frivolous and also wizened and as sad as those three icons.” Based on these famous celebrities, we have the E.T. we all know and recognize.

14 E.T. Was Played by Three Different Actors

With today’s technology, it would be a fairly easy task creating a CGI alien to act as the main part in a blockbuster film. However, when E.T. was being made in 1982, things were not so simple According to The Vintage News, creating a believable, friendly alien back then took three mechanical puppets as well as three actors, one of whom was a young 12-year-old boy who had been born without legs.

There wasn’t always someone wearing the suit in every scene, as often E.T. was being controlled by a team of mechanical operators. However, when the alien was required to walk or move about, a small person was often behind the movements. Watching E.T. today, the alien might seem like quite a basic piece of engineering, but back then, Spielberg and his team were making technological strides.

13 Drew Barrymore Thought E.T. Was Real

Drew Barrymore was only six years old when she played the part of Gertie in E.T., and even though she was already developing into a bright, young, talented actress, she was still very much at an age where imagination and make-believe can cloud reality. Barrymore’s acting is fantastic in the film, especially for someone so young, but her great reactions to things on screen could be down to the fact that she believed E.T. was a real alien.

 The cast and crew encouraged her to believe E.T. was really alive, and she seems to have taken the bait completely.

In a behind-the-scenes featurette for the movie, Elliott actor Henry Thomas reveals: “Drew, she’s imaginative. She introduced E.T. to her mom and said ‘He’s just a little shy now. He doesn’t want to talk to you right now but he’s just a little shy.’”

12 E.T.’s Voice Comes From Raccoons, Otters, Horses, and Burps

E.T. is one of the most imitated movie characters, with people of all ages having tried at one time or another to impersonate the alien’s singular speech patterns. If you listen closely, you’ll hear that there are a lot of different elements and sounds to the alien’s voice. This wasn’t achieved by employing one spectacularly gifted voice recording artist. Instead, as we learn from the BBC, it was a talented sound designer, Ben Burtt, who collected noises from an entire array of sources and put them together to create E.T.’s voice.

As Burtt tells the BBC: “I created the voice for E.T. out of many different things, about 18 different people and animals and sound effects. There are raccoons in there, there are sea otters, there are some horses, there’s a burp from my old cinema professor from USC.” They also used the voice of a chain-smoking housewife.

11 Spielberg Dressed As A Woman On Set

Being around such a young cast, Spielberg had to ensure that there was enough fun and playfulness on set. In The Making of E.T. The Extra-Terrestrial from 1996, we learn that the director definitely didn’t take himself too seriously while on set. Apparently, around Halloween, Spielberg came to set dressed up as a lady school teacher.

As Henry Thomas remembers: “Halloween was great. He directed the whole day like that, as an old lady.”

Spielberg adds: “I didn’t have children back then in the early 1980s, and you know suddenly I was becoming a father every single day, I felt like a father and it felt good.” Spielberg certainly knew how to keep spirits high on his set, and his kind, playful personality has left wonderful lasting memories on his cast and crew.

10 A Mime Was Hired To Move E.T.’s Arms

In The Making of E.T. The Extra-Terrestrial, we learn that it took a lot of work to create the alien we all know and love. Aside from having a whole team of mechanics working to ensure the creature looked real, Spielberg also hired a mime to help out E.T.’s gestures.

The director reveals: “When I saw the mechanical arms, they were really great but they were very jerky when they worked. The fingers would move, but almost too thoughtfully. And I felt E.T.’s got to have almost balletic arms, almost like the hands of a mime. So I just put it out there, can we hire a mime and we’ll put the E.T. hand makeup on a mime’s hand so the artist can really be artistic about picking things up and touching themselves and reaching out. So this is where this wonderful mime artist came to work with us.”

9 The Original Ending Was Very Different

When a movie is as beloved as E.T. is, it’s hard to imagine it being any different. Grown men and women still weep when thinking about the emotionally-charged final scene, but we could have ended up an alternative ending had Spielberg gone with his original idea.

According to actor Michael MacNaughton’s interview in Express, “The last scene was going to be all of us playing Dungeons & Dragons again, except this time, Elliott’s the dungeon master. Because he was the one that found ET, he sort of got in with the group. […] And then they would pan up to the roof and you’d see the communicator and it’s still working — in other words, Elliott is still in touch with E.T. But after they did the score and they saw what they had with the spaceship taking off and everything… How can you follow that? I mean, it was a wise choice.”

8 There Was A Dark Sequel Planned

Because E.T. did so unexpectedly well at the box-office, it’s a wonder why there was never a sequel released. Had the movie been made today, it’s almost certain that Hollywood would have tried to make it a franchise. Well, according to Syfy, there was actually a story treatment for an E.T. sequel, but it was so terrible that it never got made.

Apparently, its dark tone was done on purpose.

Spielberg was reportedly completely against the idea of a sequel to his 1982 film, saying: “Sequels can be very dangerous because they compromise your truth as an artist. I think a sequel to E.T. would do nothing but rob the original of its [purity].” Who knows, maybe someday someone will dust off the draft and attempt to make it, but Spielberg will certainly be the first to veto the project.

7 They shot the movie in chronological order for the kids

It’s a well known fact that most large-scale film projects aren’t filmed in chronological order. Due to shooting schedules, location requirements, and budget factors, it’s usually not possible to film in script-order. Well, E.T. is one of the very few exceptions to this usual Hollywood practice, as Steven Spielberg insisted that the scenes be shot chronologically.

According to TIME, Spielberg made this unorthodox decision in order to help his younger cast. The director explained: “I insisted on shooting the film in complete continuity so the kids knew, emotionally, where they had been the day before, and they pretty much didn’t have any idea of where they were going the next day. So, like real life, every day was a surprise – Drew, Henry Thomas and Robert really believed that this was happening to their lives.”

6 Robert MacNaughton’s Dungeons & Dragons love got him his part

Robert MacNaughton played Elliott’s older brother Michael in the movie, and he revealed to Express that a childhood pastime of his helped land him the role. Apparently, E.T.’s screenwriter Melissa Mathison was a huge fan of Dungeons & Dragons and she was always playing it with her then husband Harrison Ford at their house.

This explains the game at the start of the film, where we see Elliott trying to join in playing D&D with Michael and his friends.

MacNaughton revealed that he too was an avid Dungeons & Dragons player, and when asked by Spielberg what his hobbies were, he told the director about his love of the game. Spielberg seemed pleased that MacNaughton’s hobbies fit with his character Michael’s pastimes, and the role became his shortly after.

5 The Film Was Shot From A Child’s Point-of-View

One of the things that you may not have noticed while watching E.T. is the fact that is is filmed from a child’s point of view. According to Filmsite, the movie was deliberately shot from a lower-angle in order to encourage younger audience members to identify more easily with the child characters on screen. It also helps adults put themselves back into the shoes of a child, encouraging them to remember how scary and threatening the taller, bigger world of adults can really be for a kid.

In fact, the only adult we ever see in full is the mother, Mary, who was played by Dee Wallace.

Otherwise, most of the other grown-ups in the movie are seen from the waist down, the way a child would see the world in front of them.

4 Real Doctors And Nurses Were Hired As Actors

E.T. is a very emotional movie. From the burgeoning friendship between Elliott and E.T. to the ending when we face the teary goodbyes between these unlikely friends, the movie is rife with sentiment. One of the most poignant, dramatic scenes is when E.T. and Elliott are lying side-by-side in the makeshift medical facility at their house, both fading away while doctors and nurses try to revive them.

According to People, the medical staff we see looking after these two friends were actually real-life medics. Spielberg contacted the UCLA Center for the Health Services in order to get information on cardiopulmonary resuscitation, and he was referred to a specialist. Wanting the scene to look as real as possible, Spielberg got real-life medical staff to play out the scene in order to simulate the chaos that really happens in emergencies.

3 E.T. was inspired by real children

E.T. is one of the most lovable incarnations of an alien to grace our screens.

Part of this androgynous creature’s charm is the fact that there’s so much goofiness and childlike innocence to it.

Well, this sweet naivete, as well as E.T.’s powers, were actually inspired by the screenwriter’s interactions with children. As Melissa Mathison tells us in The Making of E.T. The Extra-Terrestrial: “Many of the scenes from the movie come from my own experience being with children. For instance, what children would like [E.T.’s] powers to be. A lot of the children would mention the obvious of telepathy or telekinetic powers but I was struck by the fact that several of them mentioned that they would like this magic creature to be able to heal. And I thought it was such an incredibly poignant idea to come from a child.”

2 Spielberg Didn’t think E.T. Would Make A Lot of Money

According to Business Insider, E.T. The Extra-Terrestrial is the fourth highest-grossing movie of all time– not too shabby for a low-budget film about a boy and his alien pal. While the movie became a immense success and has been hailed as the most successful film to come out of the 1980s, Steven Spielberg didn’t think it was going to be a hit with audiences.

Speaking in The Making of E.T. The Extra-Terrestrial, the director said: “I think E.T.’s not going to make a lot of money, I think I’m making a movie that is only going to appeal to kids. I said I’m probably making a big mistake, I’m going to make an old-fashioned Walt Disney movie about an alien and a kid and that’s all it’s going to be.”

1 The Movie Was Inspired by Spielberg’s Lonely Childhood

It’s always interesting to find out how some of our favorite movies came about, but no one would ever expect that Spielberg’s tale of a boy and an alien would stem from his own childhood experiences. In an interview with director James Cameron for People, Spielberg admitted that E.T. was “never meant to be a movie about an extra-terrestrial,” but instead about something very personal.

“It was supposed to be a movie about my mom and dad getting a divorce,” he explains.

“So I started a story, not a script per say, but I started writing a story about what it was like when your parents divide the family up and they move to different states.” Eventually, the idea for a boy and an alien friend developed from this, and the rest is E.T. history.

Do you have any other trivia to share about E.T. the Extra-Terrestrial? Let us know in the comments!



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2018-10-06 04:10:51 – Steph Brandhuber

Halloween 2018 Sequel is Reportedly in Development at Blumhouse

Prior to the film’s release, speculation abounds that Blumhouse is already gearing up for a sequel to 2018’s Halloween movie. The movie, due out this month, completely resets the timeline. As fans of the series know, the original was quickly followed up by a sequel – and then things began to get complicated. So this time around, they’re mostly ignoring the other sequels and starting from where things left off in the original (with subtle references to the now non-canon flicks).

First announced in 2016, the “reinvention” was directed by David Gordon Green and co-written by Green and Danny McBride, who worked together on comedic films such as Pineapple Express and Your Highness. Green and McBride, along with producer Jason Blum, have spoken at length about the movie, discussing the choice to change up the continuity as well as the way they decided upon the title. The return of original star Jamie Lee Curtis to the project, coupled with the positive reactions out of TIFF, have sparked discussions of an immediate follow-up. Now, rumors are flying that the sequel is a go.

Related: Blumhouse Will Make A Sequel To Halloween 2018 If It Performs Well

Bloody Disgusting reports that things are already underway for another Halloween 3 (since this year’s installment is a sequel to the first movie). The outlet cites unnamed sources who believe that Green and McBride will not be on board this time around, despite previously hinting that they wanted to keep things going. What’s more, the outlet speculates that, if Blumhouse kicks things into gear, this sequel could hit theaters just a year after its predecessor – just in time for the 2019 Halloween season.

As the outlet notes, this wouldn’t be unusual for Blumhouse. The production company put out its first major hit, Paranormal Activity, in 2009, and a sequel, prequel, or spinoff was released nearly every year after that (save for 2013) from 2010–2015. If Halloween is successful (as the box office predictions indicate it will be), it would make sense to keep the ball rolling and churn out another hit as soon as possible.

Of course, that all depends on what happens in the still-to-be-released 2018 film. Laurie Strode is back, and she’s tougher than ever before. Having spent 40 years waiting for the day that Michael Myers returned, it seems unlikely that she’ll be taken down. John Carpenter, who wrote and directed the original, has given the 2018 movie his seal of approval and even composed the score. At this point, there doesn’t seem to be anything in the way of another Blumhouse hit, as long as they can get a solid writing and directing time solved.

More: Halloween Director Explains The Reason Behind 2018 Movie’s Title

Source: Bloody Disgusting



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2018-10-05 03:10:53 – Becca Bleznak

Murder on the Orient Express Followup Death On The Nile Casts Armie Hammer

Armie Hammer joins the cast of Death on the Nile. Agatha Christie’s famous detective Hercule Poirot was reborn last year at the hands of acclaimed actor and director Kenneth Branagh. He rebooted the character through Murder on the Orient Express, which he both starred in as Poirot and directed. On the backs of an A-list cast that included Daisy Ridley, Johnny Depp, Michelle Pfeiffer, and many more, the mystery film found great success at the box office despite mixed reviews. Still, with a $350 million worldwide gross (on a reported budget of $55M), Fox quickly moved forward with the sequel that the final few minutes of the movie set up.

Branagh is of course returning to direct and star, with Orient Express‘ writer Michael Green also returning to pen the script. The movie has been progressing nicely and just recently announced Wonder Woman star Gal Gadot had landed the female lead role. She is just one of many new faces who will eventually join the ensemble film, and now the new male lead has been found, too.

Related: Death on the Nile Gets 2019 Release Date

Deadline reports Armie Hammer is set to play the male lead in Death on the Nile. There is no confirmation as to which character from Christie’s novel Hammer will be playing. This marks his latest career move after a stellar performance in Call Me By Your Name and a small role in Sorry to Bother You. Hammer will be seen during awards season this year opposite Felicity Jones in On the Basis of Sex, but he’ll now get the opportunity to star in a potential financial hit.

Although Hammer’s role is not yet confirmed, the plot of Death on the Nile and information on Gadot’s role are clues to solving the mystery. Gadot is reportedly playing Linnet Doyle, a recently married woman. In Christie’s novel, Linnet marries Simon Doyle, the fiancé of her best friend Jacqueline de Bellefort. Since Gadot and Hammer are the first two to join and are described as leading roles, it appears Death on the Nile has found its Simon Boyle – but that will still need to be confirmed.

Now that Hammer is onboard Death on the Nile, the project will continue to move forward with a spring 2019 start date in mind. Christie’s book featured an additional 14 characters that mysteriously start to die one by one as the killer’s identity attempts to be uncovered. It is unclear if Green and Branagh plan to utilize this large of a cast for their adaptation, but they did have nine main cast members last time, and sequels do tend to go bigger. However many more characters they include, Hammer and Gadot are just the first of many that will join Death on the Nile, and it’s already in good position securing these two major stars.

MORE: Kenneth Branagh Wants an Agatha Christie Movie Universe

Source: Deadline



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2018-10-03 01:10:58 – Cooper Hood

Murder on the Orient Express Sequel To Start Filming Next Spring

Kenneth Branagh’s Murder on the Orient Express sequel Death on the Nile will begin filming in the UK next spring. Branagh’s take on the classic Agatha Christie murder-mystery wasn’t as warmly received as Sidney Lumet’s Oscar-winning 1974 adaptation, but critics did praise the movie for its lavishing production values and visual style. Audiences went on to power Orient Express to a $353 million gross at the global box office against a $55 million production budget, making it a no-brainer when Fox gave the go-ahead to a followup just a couple weeks after the film had opened in theaters.

Branagh, as he did on Orient Express, will direct Death on the Nile from an adapted script by Michael Green, in addition to starring as the world-famous Belgian detective Hercule Poirot. The original novel by Christie was published in 1937 and has been adapted for the big and small screen a few times over now, including the star-studded 1974 film version and, most recently, as an episode for the ITV series Agatha Christie’s Poirot. 2017’s Orient Express actually concluded with a scene that saw Branagh’s Poirot set off to investigate a crime in Egypt that may or may not be related to the eponymous “Death” in the sequel.

Related: John Malkovich to Play Hercule Poirot in Amazon’s ABC Murders

GWW reports that Branagh’s Death on the Nile is expected to film in the UK in Longcross Studios, England, like Orient Express before it. Branagh is currently in post-production on Disney’s Artemis Fowl, but is expected to begin shooting Death on the Nile by early to spring 2019, in order to make its scheduled December 2019 theatrical release date. It’s not clear yet if Branagh intends to film Death on the Nile with 65 mm cameras as he did Orient Express, but the sequel will reunite him with most of the same behind the scenes crew from that movie (including, his recurring cinematographer Haris Zambarloukos).

As far as casting goes, however, Branagh should be the only Orient Express actor who returns for Death on the Nile. Christie’s original novel takes place after Orient Express and even references certain events from that story (namely, a red kimono that serves as a key plot point), but otherwise functions as a standalone narrative about Poirot. Branagh’s film adaptation is expected to follow suit and reveal what happens when Poirot tries to continue his vacation by taking a holiday trip on a steamer traveling down the Nile… only for one of the guests to turn up dead, thus forcing Poirot to put his sleuthing skills to work once again.

Still, it will be interesting to see if Branagh’s Death on the Nile deviates from Christie’s source material and includes more direct connections to the characters and story from Orient Express. Branagh’s film adaptation of the latter ended with Poirot realizing that not all crimes are as morally black and white as he would like them to be, so it’s possible the sequel will build on his character arc in that respect. Death on the Nile could even wind up including or referencing other famous events and characters from Christie’s books, thus setting the stage for the Christie movie universe that Branagh has suggested is a real possibility. It’s just too bad Josh Gad won’t be baiting Daisy Ridley for Star Wars spoilers, this time around.

MORE: Murder on the Orient Express Ending Explained

Source: GWW



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2018-09-14 06:09:06 – Sandy Schaefer