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Highest Grossing Franchises At The Box Office

With millions of fans around the world, it’s no surprise that the highest grossing movie franchises of all time have been around for many years. For as much as audiences and critics like to complain that Hollywood only makes sequels, prequels, remakes, and franchise films, it’s hard to ignore how these properties remain the most lucrative part of cinema.

This is nothing new but it has become particularly notable over the past two decades, especially in the age of Marvel, Star Wars, DC, and much more. While many studios have tried to kick-start new franchises, many of which never got off the ground, those who have managed to do so have reaped the benefits.

Related: The Highest Grossing Directors at the Box Office

This has proven especially profitable at a time when heavy focus is put on luring in international audiences, particularly in China where interest in various franchises has helped them to continue on even as domestic grosses dwindle. To illustrate the immense might of franchise film-making, we’re looking at the top 15 highest grossing franchises at the box office. (Note: all domestic box office numbers have been adjusted for ticket price inflation.)

15. Mission: Impossible

  • Number of movies: 6
  • Domestic total: $1,572,860,309
  • Franchise Total: $3,570,379,575
  • Per Film Average: $595,063,263
  • Highest Grossing Film: Mission: Impossible – Fallout ($791,017,452)

It’s been over 20 years since Tom Cruise took on the role of Ethan Hunt, an agent of the Impossible Missions Force and protagonist in Brian De Palma’s remake of the classic 1960s spy television series. At the time, Cruise was the biggest star on the planet and an actor who had already proven his action mettle in films like Top Gun and Days of Thunder. But Mission: Impossible took things to a whole new level, allowing Cruise to do his own stunts, which evolved in increasingly creative and death-defying ways.

Since then, various directors have taken on the franchise – including John Woo, J.J. Abrams, Brad Bird, and Christopher McQuarrie – each of them putting their own stamp on the material. But the true genius of the franchise is in how it has allowed itself to wholeheartedly embrace Tom Cruise as an action star and drama actor. As a result, Mission: Impossible has only gotten more popular and more critically celebrated. The most recent film, Fallout, is already its highest grossing entry, and it currently has a 97% rating on Rotten Tomatoes, another peak for the franchise.

14. Despicable Me

  • Number of movies: 4
  • Domestic total: $1,314,229,789
  • Franchise Total: $3,708,073,676
  • Per Film Average: $927,018,419
  • Highest Grossing Film: Minions ($1,159,398,397)

Universal and Illumination Entertainment struck an animation goldmine when their quirky parody of superheroes became an instant audience favorite. From a mid-sized budget of $69 million, the first Despicable Me film grossed over $546 million in 2010, making it the ninth highest grossing movie of that year. Three years later, the sequel would make over $970 million worldwide, grossing more money than Thor: The Dark World, Man of Steel, Monsters University, and Fast and Furious 6. Both the third film and the spinoff, Minions, soared past $1 billion at the box office. Illumination have presented the most formidable competition in animation to Disney since the heyday of Dreamworks, and that success can be traced back to this franchise.

13. DC Extended Universe

  • Number of movies: 6
  • Domestic total: $1,642,412,824
  • Franchise Total: $3,768,298,638
  • Per Film Average: $753,659,728
  • Highest Grossing Film: Batman v Superman: Dawn of Justice ($873,634,919)

For as much of a critical mauling as the DCEU has taken over the years, its fan base has remained loyal and helped to keep the franchise in the list of highest grossing titles. The DCEU is currently resetting itself going into its new releases in 2019 and beyond, but past titles like Wonder Woman have managed to keep the franchise afloat by grossing over $821 million worldwide. So, despite a blockbuster movie like Justice League under-performing at the worldwide box office, DC Films can still count Suicide Squad as a financial success, which is why WB is pursuing multiple spinoffs.

12. Transformers

  • Number of movies: 5
  • Domestic total: $1,709,542,157
  • Franchise Total: $4,385,136,428
  • Per Film Average: $730,856,071
  • Highest Grossing Film: Transformers: Dark of the Moon ($1,123,794,079)

Michael Bay’s take on the nostalgic favorites of many a person’s childhood has inspired everything from bafflement to confusion, to outright fury. Yet for every proclamation that Bay’s Transformers are the worst films ever made, there’s another box office record broken in its tracks. The franchise may never have had a Rotten Tomatoes rating above 60% (the series average is 29%) but that never stopped it from making billions of dollars worldwide. Even as the series’ popularity wanes in North America, international audiences kept its numbers strong. That didn’t hold for the fifth film, The Last Knight, which became the second lowest grossing of the five films, but Paramount Pictures will be hoping for a return to the good old days with the release of the franchise’s first spinoff, Bumblebee.

11. Pirates of the Caribbean

  • Number of movies: 5
  • Domestic total: $1,882,688,192
  • Franchise Total: $4,524,439,761
  • Per Film Average: $904,887,952
  • Highest Grossing Film: Pirates of the Caribbean: Dead Man’s Chest ($1,066,179,725)

When Disney put Pirates of the Caribbean into production, the film was a massive risk. It was a PG-13 live-action blockbuster, something the studio hadn’t done before and it was a significant departure from the Disney Renaissance they were experiencing at the time. Plus, it was based on a theme park attraction from the 1960s. Even Disney’s own executives were convinced it would flop, but instead it kick-started a new era of live-action success at the company. It arguably influenced them to make big-money acquisitions like Marvel Entertainment and Lucasfilm, and to this day, it remains Disney’s sturdiest franchise that they started on their own. While the most recent film, Pirates of the Caribbean: Dead Men Tell No Tales, under-performed compared to its predecessors, and the Johnny Depp elephant in the room has yet to be fully dealt with, there’s a reason Pirates endures and rumors of a reboot should surprise nobody.

Page 2 of 3: Highest Grossing Franchises: #10-6

10. Jurassic Park

  • Number of movies: 5
  • Domestic total: $2,655,165,094
  • Franchise Total: $4,994,016,979
  • Per Film Average: $998,803,396
  • Highest Grossing Film: Jurassic World ($1,671,713,208)

Author Michael Crichton’s 1990 book Jurassic Park was an unstoppable literary juggernaut that sold millions of copies and stayed on the best-seller lists for many months. The film rights were sold to Steven Spielberg for a hefty $1.5 million, but it would prove a wise investment, as Spielberg’s adaptation of Jurassic Park became the highest grossing film of 1993, making close to $1 billion. After two middling sequels and diminishing commercial returns, the franchise was considered dead until Colin Trevorrow helped to revive it in 2015. Jurassic World made over $1 billion, as did its sequel, Jurassic World: Fallen Kingdom. A third sequel, Jurassic World 3, is planned for 2021.

9. Batman

  • Number of movies: 10
  • Domestic total: $3,319,196,368
  • Franchise Total: $4,995,812,576
  • Per Film Average: $333,054,172
  • Highest Grossing Film: The Dark Knight Rises ($1,084,939,099)

The caped crusader of Gotham remains one of the most enduring figures in comic book lore, and his film appearances are as varied as they are profitable. Tim Burton’s 1989 film, Batman, was the second highest grossing film of its year, but the true money making saga came when Christopher Nolan birthed the Dark Knight trilogy. On top of earning Heath Ledger a posthumous Oscar win, The Dark Knight was the first Batman film to gross over $1 billion worldwide. Since then, Batman has become part of the DC Extended Universe with Batman V Superman: Dawn of Justice and Justice League, and is set to be subject in another solo film directed by Matt Reeves, currently titled The Batman.

8. The Fast and the Furious

  • Number of movies: 8
  • Domestic total: $1,791,630,791
  • Franchise Total: $5,134,895,344
  • Per Film Average: $641,861,918
  • Highest Grossing Film: Furious 7 ($1,516,045,911)

When a Vin Diesel-starring action movie about undercover cops and car hijackers premiered in 2001, few could have predicted that it would go on to spawn seven sequels and become an internationally beloved franchise. The Fast and the Furious films have continued to up the ante, increase the vehicular carnage, and make stars of its growing ensemble. Even Helen Mirren and Oscar winner Charlize Theron wanted in on the fun. The franchise remains especially popular in China, where the eighth film, The Fate of the Furious, remains the sixth highest grossing movie in the country and the highest-grossing American title, ahead of Avengers: Infinity War. The series is set to end with its tenth film but a spinoff centered on Dwayne Johnson’s character is set for release in 2019, titled Hobbs & Shaw.

7. Spider-Man

  • Number of movies: 7
  • Domestic total: $2,453,771,335
  • Franchise Total: $5,694,030,050
  • Per Film Average: $813,432,864
  • Highest Grossing Film: Spider-Man 3 ($890,871,626)

The wonderful world of Peter Parker and friends has been a big-screen favorite since Sam Raimi’s movie came out in 2002, after close to 25 years of studio delays, multiple scripts, and studio battles. The Spider-Man trilogy made just under $2.5 billion worldwide, and since the property remains the biggest Marvel title that Sony Pictures have the rights to, a reboot was inevitable. The Amazing Spider-Man duology saw less financial success, but thanks to a partnership with Marvel Studios, a new age of Peter Parker was born and the box office glory followed with Spider-Man: Homecoming. Sony Pictures has also struck gold with the success of Venom, which is currently the fifth highest grossing film of 2018 with over $824 million internationally. That number will be highly encouraging to Sony, who not only plan to make more Spider-Man movies but are moving forward with expanding their Spidey-verse to include multiple films centered on Peter’s many foes. A Morbius the Living Vampire movie is set to begin production soon and a Venom sequel seems all but inevitable.

6. X-Men

  • Number of movies: 14
  • Domestic total: $2,768,772,460
  • Franchise Total: $5,733,103,763
  • Per Film Average: $521,191,251
  • Highest Grossing Film: Deadpool ($783,112,979)

The X-Men franchise has had a curious evolution since debuting in 2000 (where it made just under $300 million worldwide): there was the original trilogy, then a prequel series that involved multiple universes and saw the young and old Professor Xs and Magnetos meet, but there were also three Wolverine movies, and now two Deadpool movies. Call them sequels or prequels, or reboots, but as a unified franchise, X-Men‘s might is enduring. The fate of this series remains unknown as 20th Century Fox’s acquisition by The Walt Disney Company approaches. Will the X-Men join the MCU or will they remain their own independent entity? Whatever the case, it guarantees box office success.

Page 3 of 3: Highest Grossing Franchises: #5-1

5. Middle-Earth

  • Number of movies: 6
  • Domestic total: $2,481,740,422
  • Franchise Total: $5,884,488,087
  • Per Film Average: $840,641,155
  • Highest Grossing Film: The Lord of the Rings: The Return of the King ($1,120,237,002)

When a little-known New Zealand filmmaker whose last Hollywood effort flopped was announced as the director of the long-awaited adaptation of J.R.R. Tolkien’s The Lord of the Rings trilogy, many predicted that the series would be dead on arrival. The books were too epic, the scale too vast, the cast too large, and the story too fantastical to translate to cinema. Those fears were soon alleviated when Peter Jackson’s trilogy swept the Oscars and made New Line Cinema billions of dollars. It was inevitable from that moment on that an adaptation of The Hobbit would be produced. Regardless of what audiences think about the quality of the three Hobbit films, the box office grosses speak for themselves.

4. James Bond

  • Number of movies: 24
  • Domestic total: $5,669,971,185
  • Franchise Total: $7,040,275,645
  • Per Film Average: $270,779,833
  • Highest Grossing Film: Skyfall ($1,108,561,013)

The exploits of 007 make for easily the longest-running franchise on this list, having kicked off in 1962 with Dr. No. Over the decades, James Bond has changed actors, fought new threats, deviated from the original books by Ian Fleming, and even modernized to a degree. The new era of Bond brought on by Daniel Craig rejuvenated the franchise for the blockbuster age and gave it its greatest success with Skyfall. Now, as fans wait for Cary Fukunaga to take over directorial duties and for Craig to hang up his tuxedo for the last time in Bond 25, it seems that Bond will be around for a very long time.

3. The Wizarding World/Harry Potter

  • Number of movies: 10
  • Domestic total: $3,560,023,014
  • Franchise Total: $9,058,895,110
  • Per Film Average: $905,889,511
  • Highest Grossing Film: Harry Potter and the Deathly Hallows – Part 2 ($1,341,511,219)

J.K. Rowling’s Harry Potter saga remains one of the biggest selling literary series of all time, as well as an indomitable pop culture juggernaut. That success carried over to the films with absolute ease, thanks to savvy marketing and an endlessly devoted fan base. Of the 10 films that have been made in what is known as the Wizarding World (eight Harry Potter films and two Fantastic Beasts films), nine of them have been in the top 10 highest grossing films of their year of release. However, while a further three Fantastic Beasts films have been planned, with the most recent one, Fantastic Beasts: The Crimes of Grindelwald, under-performing at the box office, it remains to be seen if the franchise will reach 13 entries.

2. Star Wars

  • Number of movies: 11
  • Domestic total: $7,413,826,232
  • Franchise Total: $9,299,479,675
  • Per Film Average: $840,154,491
  • Highest Grossing Film: Star Wars: The Force Awakens ($2,068,223,624)

George Lucas’ Star Wars, a sci-fi homage to the retro adventure serials of the Golden Age of Hollywood, heralded a new age of blockbuster cinema that has defined the industry’s onus for over 40 years. Even when the films were critical disasters and borderline jokes within the fandom, they made massive amounts of money. Now, under the ownership of Disney, Star Wars has seen a new rebirth as both a critically celebrated saga and an internationally popular franchise, at a time when such films dominate the landscape. Given how responsible Star Wars is for much of the current state of blockbuster cinema, it’s only right that the franchise remains one of the biggest features in that landscape. And that includes divisive installments like Star Wars: The Last Jedi.

1. Marvel Cinematic Universe

  • Number of movies: 20
  • Domestic total: $7,337,561,713
  • Franchise Total: $17,455,564,691
  • Per Film Average: $876,414,385
  • Highest Grossing Film: Avengers: Infinity War ($2,046,909,636)

The might of Marvel over the past decade cannot be underestimated. In a relatively short amount of time, the studio have reinvented the franchise game, made the expanded universe model the most coveted storytelling mold in entertainment, and caused a seismic shift in how Hollywood does business – both domestically and internationally. Twenty movies in half as many years is a feat unto itself, but for each of them to now be guaranteed to make at least half a billion dollars, with Ant-Man and the Wasp considered an “under-performing” title because it only made $622 million is a whole new level of power. In a financially tempestuous time where the international box office has seen its grosses dip, the MCU may be the one true guaranteed money maker of the bunch. It’s no wonder Avengers: Infinity War immediately became the fourth highest grossing movie of all time.

More: The 15 Highest Grossing Actors at the Box Office



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2018-12-07 07:12:01

The Shining Sequel Doctor Sleep Is Aiming For An R-Rating

Doctor Sleep – the movie adaptation of Stephen King’s sequel to The Shining – is aiming for an R-rating, according to director Mike Flanagan. Just about as long as there have been Stephen King books, there have been Stephen King movies. King’s first published novel, 1974’s Carrie, was translated into a film by no less a director than Brian De Palma in 1976. Ever since, King’s work has remained a go-to source for Hollywood studios, including several franchises. However, while sequels to King-based movies are common, very rarely are they based on actual follow-ups by the author.

The reason for that is simple: King doesn’t write sequels often. For the most part, King is content to let his stories stand alone, outside of the Easter eggs and select recurring characters he enjoys throwing in for fans as a way to establish that most of his work takes place in the same universe. While some notable exceptions exist – The Dark Tower saga, the Mr. Mercedes books – King generally prefers to tell new stories, rather than revisit his old ones. Which is what made King’s decision to release a sequel to The Shining in 2013 such a delight for his longtime fans.

Related: Ewan McGregor Says Doctor Sleep Movie is Faithful to Stephen King’s Book

While most King diehards would be unlikely to argue that Doctor Sleep measures up to its classic predecessor – a novel many hold up as one of King’s all-time best – reaction to the book – which focuses on the adult life of Danny Torrance (Ewan McGregor), decades after the spirits of the Overlook Hotel corrupted his father Jack – was largely positive. Now, five years later, Warner Bros. is prepping a film adaptation of Doctor Sleep. For anyone worried that King’s sequel will be sanitized of violence, adult content, and language in order to draw in more viewers with a PG-13, director Mike Flanagan tells Collider that the film will likely be rated-R.

The news that Doctor Sleep is aiming for an R-rating is sure to please both fans of King and fans of the horror genre as a whole. While there have certainly been good horror films made with a PG-13-rating, too often studios are all too willing to compromise a story’s content in order to make it more accessible to a wider theatrical audience. For example, one need only look at the heavily compromised Dark Tower movie, although to be fair, the rating was hardly its biggest problem. Thankfully, with the runaway success of films like and Deadpool and Warner Bros’ 2017 King adaptation IT, studios are becoming less resistant to the idea that a film can be both R-rated and hugely successful financially.

It’s going to be an interesting couple of years for King fans, as 2019 will see both IT: Chapter Two and Pet Sematary hit theaters, with both films also expected to receive R ratings. A Netflix original film adaptation of King and son Joe Hill’s novella In The Tall Grass is also slated for next year, while Doctor Sleep will arrive in early 2020. In the meantime, Hulu’s Castle Rock series is set to return for season 2, while the Audience Network’s Mr. Mercedes show continues to air, and CBS All Access is in development on a limited series adaptation of The Stand. It’s good to be the King, and right now, it’s good to be one of his fans.

More: 25 Crazy Facts Behind The Making Of The Shining

Source: Collider



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2018-10-10 08:10:58 – Michael Kennedy

18 Best Sequels, According To Rotten Tomatoes (And 8 Stuck With 0%)

We live in an age where sequels are all the rage. Every major studio is chasing those franchises that can keep their cash flow healthy for years to come. Sometimes, they’re exhausting. Other times, they can be our most anticipated movies. Maybe we could do without more Transformers movies, but Marvel and Mission: Impossible sequels are event movies that drive us to the theater in droves.

Sequels are tricky and unpredictable, though. On one hand, they’re often necessary for expanding stories and the good ones continue sagas we want to see progress. On the other, some are soulless cash grabs that shouldn’t exist. In the worst cases, some of them completely derail promising franchises by failing to deliver the goods. Then again, in some instances, sequels can get a series back up and running after they’ve experienced setbacks.

This list will look at those rare sequels that are considered worthy — and even superior — follow-ups. Those rare beasts that make us grateful for multiple movies in a series. Furthermore, we’ll also be discussing the most maligned sequels that brought no critical good will to their respective franchises whatsoever. It’s more fun this way. In order to fully appreciate the best of the best, we also must acknowledge the worst of the worst. Without evil, we wouldn’t be able to understand all that’s good and pure. Without terrible movies, we wouldn’t be grateful for the good ones.

With this in mind, here are 18 Best Sequels According To Rotten Tomatoes (And 8 Stuck With 0%).

26 Best: Captain America: Civil War (91%)

The decision to keep the same team of writers for all three Captain America films paid off in the end. The trilogy just went from strength to strength with each passing entry, though some would argue that The Winter Soldier is equally as good — if not better — than Civil War. Either way, they’re both prime examples of how to do sequels right.

Civil War tackles the same themes you’d expect from a movie about a do-gooder like Cap, but where the film truly soars is during its wild third act. The airport showdown is the best action showdown in the MCU, and that’s saying something.

25 Worst: The Bad News Bears Go To Japan (0%)

If you didn’t know that sequels to The Bad News Bears exist then no one would think any less of you. While the first movie is a cult classic about an underdog baseball team, the sequels have faded from the collective memory with the passing of time, lost like tears in the rain. That’s for good reason.

None of the sequels are good, but The Bad News Bears Go To Japan is especially bad.

While the idea to relocate to Japan for a big game is good on paper, the sequel is just bland, forgettable, and was made to cash in on the brand name.

24 Best: Star Wars: Episode VII – The Force Awakens (93%)

Some fans argue that The Force Awakens is essentially a retread of A New Hope in many ways. However, clearly the critics and audiences didn’t necessarily agree, given its stellar Rotten Tomatoes score and its audience score of 87%, not to mention its impressive box office haul.

As far as Star Wars movies go, it hits the spot. The new characters are great, the return of some old faces is a trip down memory lane, and the story still made significant effort to push the franchise forward. In those regards, the film definitely succeeded.

23 Best: War for the Planet of the Apes (93%)

Anyone who has a problem with classics being rebooted needs to watch the most recent Planet of the Apes trilogy.  The finale pits the apes in a brutal battle against the humans, which leads to an epic confrontation between the Caesar the Ape and humanity’s ruthless colonel (played by an utterly wicked Woody Harrelson). As far as concluding trilogies goes, War for the Planet of the Apes has everything.

By no means is this a pleasant movie, but it is rewarding. And not only does it wrap up an epic story, but the film boasts some of the great CGI wizardry out there. The action is also ridiculously impressive and compelling, which is crazy considering it’s a movie about people versus monkeys.

22 Best: Logan (93%)

James Mangold’s Logan, the gloriously violent and heartbreaking farewell to Patrick Stewart’s Professor X and Hugh Jackman’s Wolverine, is an all-timer. Taking cues from the Old Man Logan comics, the movie has just as much in common with neo-westerns as it does with superhero yarns, which makes for a gritty, character-driven elegy to characters many of us grew up with.

Logan deserves praise for going R-rated and taking some stylistic risks.

The movie is proof that audiences will still flock to see superhero movies with some edge. If you’re going to send off some icons, this is the way to do it.

21 Worst: Return to the Blue Lagoon (0%)

Considering that no one liked The Blue Lagoon (it currently holds a 9% rating on RT), why anyone would want to return to the franchise is beyond comprehension. Of course, every sequel is a perfect opportunity to right some old wrongs if handled with care. Unfortunately, this was not. The story follows two children who are marooned on a tropical island as the grow up and fall in love, etc. The characters don’t wear enough clothes either, which makes for some weird, uncomfortable viewing.

There are some unintentional laughs to be had at the poor script and performances.

Otherwise the Blue Lagoon isn’t a scenic cinematic paradise worth spending time in unless you want to punish yourself for some reason.

20 Best: The Dark Knight (94%)

Few superhero movies are ever regarded as anything more than popcorn fare. However, if there were ever a superhero movie that proved the genre could be prestige cinema, it would be The Dark Knight. Christopher Nolan’s take on Batman is an exploration of chaos and just how far people are willing to go to achieve their goal.

The Dark Knight — for better or worse when you consider how devoid of fun some DC movies have been since — also brought a gritty, realistic touch to the genre. The movie feels more like a Michael Mann crime saga than it does a story about superheroes versus their outlandishly evil counterparts.

19 Best: Finding Dory (94%)

In recent times, Pixar has been criticized for relying too heavily on sequels, but if it ain’t broke… Finding Dory was released 13 years after Finding Nemo, and it was a smash with critics and audiences alike.

Its 94% on Rotten Tomatoes is complemented by an 84% audience score.

Upon release Finding Dory was praised for being as funny and thought-provoking as the first movie, while also adding a new dimension to the story. As with any Pixar movie, Finding Dory can be appreciated by audiences of all ages. 

18 Worst: Staying Alive (0%)

No other actor on the planet has experienced a career of ups and downs like John Travolta has. When he broke out he had the world at his dancing feet. After that, his career experienced a downturn until it was resurrected briefly following Pulp Fiction until it ultimately plummeted when he started starring in movies like Battlefield Earth. Staying Alive was released in 1983 when Travolta was experiencing his first fall from grace. Following up a classic like Saturday Night Fever was never going to be easy, but it shouldn’t have been this difficult, either.

The sequel lacks the gritty realism of its predecessor, and instead tries to get by on dance sequences. What’s the point in dancing when we don’t care about who’s doing it?

17 Best: Creed (95%)

No franchise tends to remain compelling seven sequels in, but Creed is proof that the Rocky franchise is the rare exception. Granted, some Rocky movies aren’t exactly knockouts, but Creed got things back on track and showed that it’s game for a few more rounds.

By serving as both a sequel and a spin-off/soft reboot, Creed gave the franchise a breath of new life.

It passed the gloves on to Michael B. Jordan as the eponymous character.  Creed 2 is right around the corner. Let’s see if it can do what the original saga failed to do and deliver a second outing that’s as good as the inaugural entry.

16 Worst: Leprechaun 2 (0%)

The first Leprechaun movie doesn’t come close to being certified fresh rating on Rotten Tomatoes, so it should come as no surprise that the sequels didn’t receive any critical acclaim. Especially not the second movie, which no critic seemed to enjoy at all.

Here, the infamous critter resurfaces in Los Angeles to find a bride, which leads to him abducting a young woman and trying to claim her as his own. This isn’t high art by any means, nor does it try to be.

15 Harry Potter and the Deathly Hallows: Part 2 (96%)

The Harry Potter books were an emotional roller coaster that affected millions of readers worldwide. Reliving those adventures on the big screen was also a great time to be alive, and the grand finale lived up to expectations. In the final installment of the saga about the Boy Who Lived and his fight against the forces of darkness, the ultimate showdown finally happens as our hero and his pals face off against Voldemort in Hogwarts castle.

It’s a true epic in every sense of the word.

As far as wrapping up the story goes, Death Hallows: Part 2 delivered the goods and gave us cinematic closure in style.

14 Worst: Looking Who’s Talking Now (0%)

Look Who’s Talking is a perfectly serviceable comedy that should never have received any sequels. In a bid to end to the trilogy on a high following the disappointing previous sequel, Look Who’s Talking Too, someone thought it would be a good idea to introduce talking dogs to the mix for the series’ swan song. 

Needless to say, Look Who’s Talking Now wasn’t the glorious goodbye the series was looking for, but at least the film did cast some cute dogs.

13 Best: The Good, the Bad, and the Ugly (97%)

The third installment of Sergio Leone’s influential Dollars trilogy, The Good, The Bad and the Ugly is the creme de la creme of spaghetti westerns. 

The story centers around two men who form an uneasy alliance following a scam.

This leads them on a quest as it turns out there’s money buried in the desert and they want to find it. However, they have to compete against another who won’t hesitate to put a bullet in them to claim the prize. On top of being one of the most acclaimed movies out there, the film has been hailed as a major influence on directors like Quentin Tarantino.

12 Best: The Godfather: Part II (97%)

The continuation of Francis Ford Coppola’s Best Picture-winning 1972 crime saga, The Godfather: Part II chronicles Michael Corleone’s further ascendency in organized crime while simultaneously taking us back to the past to explore his dad’s humble beginnings.

Like its predecessor, the sequel also won Best Picture and is hailed by many a critic and film buff as one of the best movies ever made. Whether it’s better than the original is up for debate, but they’re like two sides of the same coin. These movies set the bar for mob pictures, and to this day, other directors are still trying to recreate the formula.

11 Mad Max: Fury Road (97%)

Director George Miller was in his seventies when he unleashed Mad Max: Fury Road, but the energy and madness imbued in every frame of this extravaganza suggest a man half his age.

Maybe we’ll never see another Mad Max movie, but the world needs a Furiosa spin-off eventually.

Fury Road is essentially one non-stop chase that barely lets up from the get-go all the way to the climactic ending. Furthermore, it’s a movie that defied expectation by taking the focus away from the titular character and making Charlize Theron’s Furiosa the real hero of the adventure. 

10 Worst: Jaws: The Revenge (0%)

Is Jaws: the Revenge a good movie? Definitely not. Is it an entertaining movie, though? Definitely yes.

How many other movies have sharks that make a conscious decision to get revenge on the humans that wronged them? Not only that, but the shark here followed its target to the Bahamas from Massachusetts. And why would someone who wants to avoid sharks go to an island surrounded by ocean? The movie is illogical, silly, nonsense, but it does offer sheer entertainment value for bad movie buffs.

9 Best: Aliens (98%)

Alien and Aliens are quite different in some regards, but they complement each other perfectly. The first is an exercise in pure suspense and terror. The sequel, on the other hand, retains the horror elements but adds a lot more action to proceedings.

Aliens shows how to make a successful sequel: acknowledge what came before but don’t be afraid to bring some fresh ideas to the table.

James Cameron was on fire in the ’80s and he wasn’t afraid to make Ridley Scott’s baby his own.

8 Best: Mad Max 2: Road Warrior (98%)

While George Miller’s inaugural Mad Max caper is a cult classic, most film buffs would agree that a couple of the sequels are slightly superior. Taking nothing away from the first movie, Road Warrior is a vast improvement when it comes to world building and sheer action spectacle. The story follows the eponymous character as he helps a group of people steal oil from a tyrannical madman and his band of goons.

As far as cinematic thrill rides go, few movies are on par with Road Warrior. Here, Miller turned up the volume significantly by making the post-apocalyptic terrains feel more dangerous and the action sequences more gung-ho and grander in scale.

7 Best: Evil Dead 2 (98%)

Sam Raimi’s first Evil Dead movie was a huge achievement for independent filmmaking when it was released back in 1981. The movie still holds up to this day with its innovative camera work, effective scares, and excellent cast as well.

The sequel is a triumph in its own right.

While the first movie contained moments of dark comedy, the sequel amps up the zaniness to become what is essentially the splatter flick equivalent of a Laurel and Hardy flick. For 90 minutes, Bruce Campbell is tormented by laughing ornaments and his own severed hand. As silly as that sounds, Evil Dead 2 still manages to pack more punch than your average MMA fighter.

6 Worst: Police Academy 4: Citizens on Patrol (0%)

In the third installment of the Police Academy franchise, the cops are understaffed and in need of some help. Naturally, the force turns to America’s civilians to help aid in their mission. Things don’t go smoothly, for the characters in the film and the movie itself.

Rotten Tomatoes describes Police Academy 4: Citizens on Patrol as “Utterly, completely, thoroughly and astonishingly unfunny” and  a movie which sent “a once-innocuous franchise plummeting to agonizing new depths.” That sounds about right.

5 Toy Story 3 (99%)

Few franchises manage to strike three home runs in a row. Even The Godfather stuttered when it came to the third outing. Toy Story, on the other hand, never ceases to replicate the magic time and time again.

This emotional installment sees Andy get ready to leave for college and neglect his old toys.

He’s all grown up and has no use for them anymore, and what ensues is what is by far the most heartfelt movie in the series.

4 Worst: Highlander II: The Quickening (0%)

As far as pure entertaining action-fantasy goes, the first Highlander movie is a fun slice of popcorn entertainment that aficionados of cult cinema lose their head over. The sequel, meanwhile, is an incomprehensible mess.

Highlander II is too overplotted to explain, but the cusp of the story revolves around the hero from the first movie taking on a corporation after being led to believe that they don’t have the world’s best interests in mind. In this one, our hero is a defender of the ozone as well. What makes Highlander II so awful is that it completely retcons everything good about the original film and the mythology it introduced.

3 Best: The Bride of Frankenstein (100%)

We all desire to be loved by someone special– even bolt-head monsters made up of the remains of other people. But to find them a mate, one must dig up some more corpses and create a suitable partner that’s similar in genetic make-up. This is also the storyline behind James Whale’s 1935 masterpiece, Bride of Frankenstein.

There are too many Frankenstein movies to keep track of at this point, but this sequel remains the pinnacle of the original series.

The movie is a masterpiece that successfully blends campy fun with Gothic beauty and genuine chills that’s stood the test of time as a result.

2 Paddington 2 (100%)

No one expected the the first Paddington to be as good as it is. That movie is a bona fide classic in the making in its own right, but the sequel is some next-next level brilliance.

Paddington 2 sees the lovable bear go to prison and, unsurprisingly, all the mean criminals fall in love with him as well. Critics, like the fictional convicts, were also full of praise for the titular bear and his second big onscreen adventure as well. At one point, Paddington 2 was even the best reviewed movie in history.

1 Best: Toy Story 2 (100%)

Following up a movie like Toy Story was never going to be easy, but that didn’t stop Pixar from trying and succeeding. In this one, we find out that Woody is a collectible when he’s discovered and stolen by a greedy museum owner. Naturally this prompts Buzz Lightyear, Mr. Potato, and the rest of the gang into action and they set out to save their friend.

General consensus on Rotten Tomatoes states that Toy Story 2 is that rare sequel that improves upon its predecessor.

The sequel raises the stakes and ups the element of adventure while retaining the humor and heart that made audiences fall in love with the franchise in the first place.

What’s your favorite sequel? Let us know in the comments!



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2018-10-10 04:10:39 – Kieran Fisher

The Disney-Fox Deal Will Close January 2019

The Walt Disney Company and 21st Century Fox’s major merger is coming together faster than anticipated and will now officially be completed on January 1, 2019. Fox has plenty of success over the years through a variety of media outlets, but determined they could not properly compete in the movie and TV space. They looked to sell these branches of the company and quickly found Disney to be their preferred buyer. Comcast attempted to pull the deal out from under Disney’s reaches, but simply made them pay them pay $71 billion for Fox’s assets instead of the initial $54 billion bid.

There has been plenty of resistance to the deal because of the monopoly Disney continues to grow and the job losses that will come from it. From Disney’s perspective, they view the Fox acquisition as a great way to enhance their library of content prior to launching their own streaming service late next year. Throughout the process, it was anticipated that summer 2019 would be when the deal would close, but it’ll actually be much sooner.

Related: What Will Happen to Fox’s R-Rated Franchises Under Disney?

Variety shared the news that 21st Century Fox president Peter Rice told Fox employees the merger will be “ready to close” on January 1, 2019. This effectively means that 2018 will be the final year for this current look of Fox and moves up the timeline for the merger as a result.

Disney and Fox shareholders officially approved the terms of the merger back in July, less than a month after the Department of Justice approved the deal on their own. The studios have since been seeking approval in various countries around the world, while also figuring out the new hierarchy of Disney in a post-merger landscape. For Rice’s part, he’s joining Disney as a top TV executive. Disney recently made several of these types of moves official, while other executives have already found jobs elsewhere for when the merger closes.

The accelerated timetable of the deal comes after reports that a late 2018 finalization could be possible. They will miss this mark by a day it appears, as both studios now hope to become one at the turn of the calendar year. This is all barring some unforeseen mishap with the deal, but considering how well the deal has gone so far, it is difficult to imagine anything coming up now that would hinder them from completing the deal on Jan 1. After all, Rice told this to all of Fox’s current employees in a town-hall setting at their Los Angeles studio, so they must be confident that this date will stick. How quickly changes, such as cancellation of some projects or Marvel Studios’ plans for the X-Men, are made from then on remain to be seen. But, we do at least now know when the merger will be completed.

MORE: Marvel Has Time To Put X-Men Into Avengers 4 (But Probably Won’t)

Source: Variety



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2018-10-10 01:10:31 – Cooper Hood

Assassin’s Creed: 20 Things Only Experts Know How To Do In Odyssey

Assassin’s Creed Odyssey – the latest installment in Ubisoft’s wildly popular video game franchise – has finally landed on shelves. Set in Ancient Greece, Odyssey gives players the opportunity to assume the role of a mercenary from either Athens or Sparta, and to take part in a mythology-infused recreation of the Peloponnesian War.

The game features an even greater emphasis on the RPG elements first introduced in its predecessor, Assassin’s Creed Origins, and boasts multiple endings that are triggered by the player’s actions. Odyssey also sees the return of the controversial Hitbox combat engine which debuted in Origins – albeit in a significantly enhanced form. Thanks to these and other challenging core mechanics – not to mention the daunting size of the game’s virtual environment – Odyssey should prove suitably tough for more casual gamers. But for seasoned veterans of the Assassin’s Creed franchise? Not so much.

Indeed, gamers who have followed the series since the very first entry way back in 2007 aren’t likely to struggle. On the contrary, we expect them to flourish, putting to good use the skills and knowledge they’ve gleaned from the past 11 games in the series – not to mention the six spin-off entries – to finish the main quest in record time.  This will leave them free to start focusing on tracking down Odyssey’s hidden Easter eggs, secret areas, and other bonus content clueless rookies don’t have a chance of tracking down unaided.

Here’s a list of 20 Things Only Experts Know How To Do In Assassin’s Creed Odyssey.

20 Find The Legend Of Zelda Easter Egg

Of all the many classic video game franchises, few are as unanimously beloved by both gamers and developers alike as The Legend of Zelda series. The team at Ubisoft clearly rank amongst this iconic Nintendo series’ admirers – as the easter egg they tucked away in Odyssey proves.

In a tip of the hat to the most recent Zelda instalment, Breath of the Wild, a Korok – a small humanoid figure made out of clay, flower petals and twigs – can be found on the Pandora’s Cove coastline. Although this hidden tribute is now the most well-known Easter egg in the game, experts had no trouble tracking it down on their own within mere days of Odyssey’s release!

19 Achieve The Secret Ending

Assassin’s Creed Odyssey marks a dramatic change in direction for the franchise – from purely action/adventure outings to something closer to an action/RPG hybrid. This is reflected in how important the player’s actions are to the game’s overall narrative, and in particular, how that narrative reaches its climax.

Indeed, what the player decides to do – or just as importantly, say – will determine how events unfold next, and ultimately determine which of the game’s multiple endings they achieve.

Most players should be able to reach at least one ending.

If you complete every side quest and make all of the right decisions to unlock the secret, ultra ending, ensuring the best possible finale for your mercenary.

18 Visit Atlantis

As soon as Assassin’s Creed Odyssey’s Ancient Greece setting was announced, fans immediately began speculating over whether the fabled lost city of Atlantis would be part of its virtual environment. The good news is that Ubisoft hasn’t missed a trick, and Atlantis does indeed count among the many sunken locations scattered across the game’s humongous map. The bad news? It’s highly likely that only experts will be capable of uncovering the most eagerly anticipated (not to mention coolest) secret area in Odyssey.

The steps involved are extremely taxing, requiring players to traverse treacherous terrain, solve fiendish riddles posed by the Sphinx and dispatch a bevy of mythological horrors like Medusa, the Cyclops and the Minotaur!

17 Recruit Legendary NPCs Early

Over the course of Assassin’s Creed Odyssey, players can enlist NPCs to serve as crew members aboard their ship, the Adrestia. Recruiting a high calibre crew is a great way to upgrade the Adrestia – so the trick is to bring legendary NPCs into the fold. Casual gamers will wait until they unlock these characters by completing quests, however experts are aware of a hidden mechanic that speeds up the whole process.

There’s a less publicized gameplay mechanic which enables you to recruit legendary NPCs by defeating them in combat using non-lethal takedowns.

Better yet, once your ship’s roster is made up entirely of legendary NPCs, you unlock the “Argonauts” trophy, too!

16 Regain The Cyclops Eye

One of the most frustrating moments in Assassin’s Creed Odyssey arrives early on, when you’re forced to give up the Cyclops’ Eye during Sequence 1. It’s not exactly the most classy of disposals, either: to put it bluntly, you squeeze it up the rear end of a poor, unsuspecting goat. If you’re scratching your head over this last revelation, then just trust us: it makes sense at the time!

Rookies will write off the Eye as a lost cause, but experts up to speed on the game’s secrets won’t give up so quickly. By engaging in an exhaustive goat-hunting expedition in Kephallonia, they’ll recover this valuable artifact, earning the dubious “Stink Eye” achievement, as well.

15 Change Their Ship’s Figurehead

Long-time fans of the series will recall that in Assassin’s Creed IV: Black Flag, you could easily customize your ship’s decorative figurehead as part of the normal upgrade process. Unfortunately, this isn’t something that carries over to Odyssey – and only expert players are likely to work out the secret method of doing this.

For starters, you need to defeat a boss – not exactly a walk in the park itself, by the way – and then behead them.

Once this has been take care of, if you scroll through the inventory of ship upgrade options, you’ll see your new souvenir listed. Select it, and voila! The Adrestia will have itself a brand new (and rather creepy) figurehead!

14 Track Down All Of The Cultist Clues

The underlying mythology of the Assassin’s Creed franchise incorporates several shadowy organisations – and Odyssey is no exception. The latest entry in the series introduces the nefarious Cult of Kosmos, and players aiming to get the most out of game’s story need to track down and eliminate key members of the group. In order to do so, they’ll have to swap their mercenary’s helmet for their detective’s cap, as the cultists’ whereabouts are only revealed by clues sprinkled through Odyssey’s sprawling Ancient Greece setting.

Some of these hints can be uncovered with little effort, whereas others will prove elusive to all but the most seasoned of gamers!

On the plus side, all of this running around pays off, as only players who chase down every single cultist will get to experience the game’s whole story.

13 Unlock Evie Frye

Assassin’s Creed Syndicate – the ninth video game in the main series – is headlined by twins Jacob and Evie Frye. Of the two siblings, Evie is arguably the more memorable – which is probably why she’s an unlockable character in Odyssey. Now, before you get too excited, bear in mind that Evie is a legendary NPC, so you won’t get to play as her directly.

Still, it’s incredibly cool to recruit her as a crew member on your ship, provided you’re an Ubisoft Club member with enough XP to afford her. See, unlocking Evie requires players to part with 7,500 XP in exchange for the “Master Assassin” badge, which only long-time fans of the franchise will have amassed!

12 Access Battle Royale Mode

Battle royale games like Fortnite and Player Unknown’s Battlegrounds are currently the hottest thing on the block. Making the most of modern online multiplayer capabilities, games in this genre pit a pack of players against each other in thrilling, last-man-standing contests.

Obviously, this stands in stark contrast to the single-player, open world experience offered by Assassin’s Creed Odyssey – until experts stumble across the “Call to Arms” sidequest. Found by scouring the island of Melos, this mission – which requires skilled players to wipe out 99 consecutive enemies – represents a thinly-veiled attempt by Ubisoft to acknowledge (or should that be “cash in on”?) the popularity of the battle royale genre!

11 Find The Black Panther Easter Egg

Black Panther is currently the second highest grossing film of 2018, and with that success comes a considerable fanbase, too. At least some of the developers at Ubisoft fall within that category, if the Black Panther Easter egg included in Assassin’s Creed Odyssey is anything to go by. As experts will have no doubt already discovered, the game contains a fairly faithful recreation of Black Panther’s two most notable scenes: the duels that occur at the base of a waterfall.

This is staged at the Gortyn Waterfall, where players can first spectate on the melee using Eagle Vision.

That’s not all, though: it’s also possible to clamber up the cliff where the fight is going down, and actually confront the pair of brawlers yourself!

10 Discover Sam Fisher’s Goggles

So far we’ve focused solely on Assassin’s Creed Odyssey’s Ancient Greece setting – which disregards the fact that certain sections of the game are set in a present day safe house. Anyone unfamiliar with the franchise’s convoluted (some would say downright insane) science fiction elements, just trust us when we say that this does make sense.

Regardless of whether or not you buy into this more far-fetched aspect of the Assassin’s Creed mythology, there are multiple Easter eggs to dig up during these segments. Not all of these relate to the franchise either – just ask the experts who’ve unearthed the iconic, three-lensed night vision goggles worn by Sam Fisher, the protagonist of Ubisoft’s Splinter Cell games!

9 Stumble Across The Sword In The Stone

The team at Ubisoft has done a remarkable job of recreating an utterly convincing (albeit wildly fantastical) rendition of Ancient Greece in Odyssey. This awesome attention to detail is reflected in almost every aspect of the virtual environment, particularly the character and weapon design. We say “almost”, because at least one item experts will undoubtedly come across whilst roaming the game map definitely does not fit the time period depicted: the Sword in the Stone from Arthurian legend. Fortunately, this gag is an intentional mistake on the developer’s part.

Unfortunately, you can’t remove this legendary blade from its Lakonia resting place.

That’s a real shame: historical accuracy be damned – there’s always a place for Excalibur in our armory!

8 Locate The Rabbid Figure

Another easter egg squirrelled away in Assassin’s Creed Odyssey’s modern era safe house setting, the Rabbid figure is hard to spot if players blitz through these sequences. However, experts tend to favor a more methodical approach – even when confronted by the franchise’s moments of less than engaging gameplay.

These long-time campaigners will cast their eyes over every inch of the safe house, which means snooping around each room, no matter how empty it appears to be. This will eventually lead them to the shelves of a particularly untidy room. Here, they’ll spy the Rabbid toy – a cute shout-out to Ubisoft’s all-ages Rayman franchise, accompanied by a line of dialogue (“Bwaah?”) associated with these bunny-like characters.

7 Acquire The Epic Unicorn Skin

It doesn’t matter what mythology we’re talking about: unicorns are invariably treated as an incredibly rare species. Certainly, this carries over to the world of Assassin’s Creed Odyssey, where players can indeed transform their horse into one of these awe-inspiring creatures – provided they can get their hands on a unicorn pelt.

They sport an eye-watering 6,400 Drachmae price tag!

Rookies who are feeling flush will plump for either the Black Unicorn or undeniably amazing (though sadly, non-flying) Pegasus skins, purchased with real-world cash from the Ubisoft Store. On the other hand, genuine experts prefer to earn their keep, and will trawl merchant stalls for the appropriately named, randomly-spawing Epic Unicorn skin, which leaves rainbow hoof prints.

6 Home Town Pride

The developers of Assassin’s Creed Odyssey hail from Ubisoft’s Montreal headquarters, based in Quebec. Like the citizens of any city or town, these guys and gals are proud of the place they call home – so much so that they managed to sneak a Quebec-related easter egg into the game!

It’s something that will almost certainly go unnoticed by less observant gamers, but experienced players – the type of people who scan the entire game environment for secret material – will discover a travel magazine whilst rifling through the safe house. The destination this mag is promoting? Why, Quebec, of course! True, it’s not exactly the most exciting bonus content in Odyssey, but it’s a nice touch all the same.

5 Put The Arena Spikes To Good Use

A key trait which separates veteran Assassin’s Creed players from newcomers is the willingness of the former to experiment with their surroundings. Take the spikes that dotted around the Arena in Odyssey.

Rookies will probably dismiss these as mere set dressing and completely ignore them once the fighting breaks out.

Don’t expect experts to make the same mistake, though. Already clued up on just how interactive the game worlds in the franchise can be, these gamers will immediately identify the potential for the spikes to deal damage to their opponents. The next thing you know, the edges of the Arena will begin to resemble a shish kebab vendor who trades in skewered would-be gladiatorial champions!

4 Reminisce About The Frye Twins

It turns out Assassin’s Creed Syndicate isn’t the only instalment in the franchise to take place in London – Odyssey does, too. True, the vast majority of the game is set in Ancient Greece, but its modern era sections unfold in London, something that won’t come as a shock to more attentive players.

After all, just by gazing out of the safe house windows, you can take in a decent view of London’s famous skyline, with what tourists would recognize as Big Beg especially prominent. What’s more, if you allow yourself a moment to properly contemplate the sight before your eyes, you’ll even trigger a line of dialogue that references Jacob and Evie Frye, the lead characters in Syndicate!

3 Discover All Of The Underwater Locations

As you might expect from a virtual environment that recreates the entire Aegean Sea, Atlantis isn’t the only submerged area on the Assassin’s Creed Odyssey map.

The ocean floor of Ubisoft’s vision of Ancient Greece is littered with dozens of hidden locations brimming with valuable treasure.

Anyone prepared to embrace their inner Jacques Cousteau will be in for a real treat. That said, given the sheer amount of exploration required to pinpoint all of these sunken locations – fun fact: at 130km², Odyssey’s map is 62% bigger than the already massive world of Origins – we’d wager only experts will visit all of them.

2 Get All Of The Other Endings As Well

Sure, everybody wants to get the best possible Assassin’s Creed Odyssey ending – you know: the super secret, totally awesome one we mentioned earlier. Even so, part of being an expert is also having a completist streak, which is why we think they’ll figure out how to achieve Odyssey’s eight other possible endings, as well.

This might not sound like much, but it’s actually quite a feat, for two main reasons. First of all, this game is absurdly long – the main quest alone clocks in at 40 hours of gameplay – so repeating it again and again is no picnic. Secondly, they’ll need to ensure they get every single word and deed right, in order to arrive at their desired conclusion!

1 Climb Up The Naked Statue

Full disclosure: this entry is unashamedly juvenile in nature, given it revolves around players scaling up a male statue and dangling from part of its anatomy (three guesses which part). Regardless, we’re positive that even the most mature expert will decide to do just that, when they pass by this landmark early on in Odyssey – honestly, it’s just too hard to resist.

You’ll be rewarded for your childish antics if you do.

Performing this act initiates a wry line of dialogue from the player’s mercenary, which just goes to show that Ubisoft definitely predicted this becoming a thing. Although to be honest, they hardly needed the talents of one of Ancient Greece’s oracles to foresee it!

Did we miss out any other things that only experts know how to do in Assassin’s Creed Odyssey? Let us know in the comments!



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2018-10-09 06:10:21 – Leon Miller

Sony’s Kraven Movie May Include Spider-Man, Will Adapt Last Hunt Story

Richard Wenk, writer of Sony’s Kraven the Hunter movie, has revealed he’s currently working on the script – and that the film could even feature Spider-Man. It seems Sony intends to draw upon the famous Kraven’s Last Hunt comic book arc.

Venom was something of a gamble for Sony Pictures; could their Spider-Man spinoffs possibly work? Although the critics haven’t been kind, the film’s box office performance has been even better than anticipated. It shattered October’s box office record, grossing $80 million domestically and a staggering $205 million worldwide in its opening weekend. So it’s hardly a surprise that Sony is now pushing full steam ahead with further spinoffs.

Related: All The Spider-Villain Movies Coming After Venom

The Discussing Film podcast posted an interview with Wenk, who’s dropped what may well be something of a bombshell for Marvel fans. Wenk has revealed that he’s playing around with the concept of Kraven’s Last Hunt – and that he’s currently envisioning a story in which Kraven “comes face-to-face with Spider-Man.

It’s an interesting world, a great character… it’s in the Spider-Man universe. I’m going to adhere very closely to the lore of Kraven the Hunter, and he’s going to come face-to-face with Spider-Man. I think that where we’re all circling is that this is Kraven’s Last Hunt, and whether this is the precursor to that movie, whether it will include it, we’re talking about those things. And even the idea that maybe Kraven could be like Kill Bill, basically a two-part movie. It’s all in the mix.

This is a pretty remarkable statement, as it suggests Spider-Man could yet be considered part of Sony’s Spider-villains universe. It’s important to stress that Wenk is pretty early on in the writing process; he’s at the stage where, as he puts it, “you just kind of throw everything at the wall” to see what sticks. And yet, not only does Wenk explain that he’s been enjoying a collaborative relationship with other Sony (and Marvel?) figures, but he also sounds very confident indeed when describing the plan to have Kraven face off against Spider-Man. Even his references to Kraven’s Last Hunt should be seen in that light; that arc focused on the relationship between Kraven and Spider-Man, and on Kraven’s desperate desire to prove himself the wall-crawler’s equal before he passed away. It’s very hard indeed to imagine a version of Kraven’s Last Hunt without Spider-Man in it.

Assuming Wenk is right, there are two possible ways this could play out. Venom was deliberately designed to be easily retconned into the MCU, and its director Ruben Fleischer has openly said he believes a crossover between Hardy’s Venom and Tom Holland’s Spider-Man is “inevitable.” Given that’s the case, Marvel and Sony could have agreed to incorporate the Sony films into the wider MCU, with Tom Holland serving as a bridge between the franchises. The other possibility is that Sony is looking to cast their own version of Spider-Man, so viewers would get two distinctive big screen Spider-Mans at the same time. That approach would surely cause some problems between Marvel and Sony, though. Only one thing is certain; right now, the writer of Kraven the Hunter believes that his film will feature Spider-Man. It’ll be fascinating to see if he’s right.

More: Venom Ignoring Spider-Man is MORE Faithful To Comics

Source: Discussing Film



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2018-10-09 04:10:30 – Thomas Bacon

James Gunn Is A Better Fit For Suicide Squad Than Guardians of the Galaxy

Controversial writer and director James Gunn is perfectly suited for Suicide Squad 2; in fact, it’s a far better fit for him than Guardians of the Galaxy ever was. Gunn certainly has form transforming a band of misfits into a superhero family/team, and Suicide Squad 2 should give him the ideal opportunity to demonstrate his skills yet again, although the story goes a little deeper than that.

Gunn’s career with Disney came to a shocking end back in July, when some of his old social media posts went viral. Gunn had fancied himself as something of a provocateur prior to working for Disney, and these posts included off-key jokes on everything from rape to pedophilia. Disney responded by swiftly firing him from Guardians of the Galaxy Vol. 3. Within a month, there were reports that Gunn had been approached by Disney’s rival Warner Bros. potentially with the option of producing a DC superhero movie.

Related: Why Rehiring James Gunn Was Harder For Disney Than Fans Realize

DC Films has expressed interest in Gunn before. Back in 2016, he admitted that he’d “had opportunities to make DC films,” but had turned them down; he reeled off a list of heroes he’d quite enjoy tackling, ranging from Swamp Thing to Jonah Hex, from the Metal Men to Shazam. Now, though, there have been reports that Gunn is on board to write, and possibly even direct, Suicide Squad 2.

  • This Page: Why James Gunn Is Perfect For Suicide Squad 2
  • Next Page: Why This Is A Better Fit Than Guardians of the Galaxy

Why James Gunn Is Perfect For Suicide Squad 2

It’s not hard to see what Warner Bros. want James Gunn on board. He’s a writer and director with a proven history of turning even the most unlikely franchises into box office hits. Back when Marvel Studios announced the first Guardians of the Galaxy film, everybody assumed this would be their first misstep; the Guardians had a low profile even among comic book fans, and their members including a walking tree and a talking raccoon. A series of tremendously effective trailers immediately changed that, and the movie grossed $773 million worldwide. Not bad for a bunch of “a**-holes.

Ironically, David Ayer’s Suicide Squad suffered as a result of Guardians of the Galaxy‘s success. Warner Bros. attempted to make their dark movie fit Gunn’s tone, with the trailers showing a strong Guardians of the Galaxy vibe. Viewers responded well to the trailers, and as a result there are reports Warner Bros. lost faith in Ayer’s approach, attempting to make the franchise as Guardians-like as possible. The result was a strange hybrid of a finished production, critically panned, which nevertheless managed to gross $747 million worldwide off the back of its strong marketing campaign. A sequel was always on the cards, but nobody was quite sure who could make it work. So why not bring in the man who made Guardians of the Galaxy work in the first place?

Suicide Squad 2 Matches James Gunn’s Earlier Movies

It’s important not to assume Suicide Squad 2 would just be a rehash of Guardians of the Galaxy, though. In truth, the comic book franchise is tonally similar to some of Gunn’s earlier works, most notably Super. This was a black comedy-drama centered around the character of Frank Darbo, a cook who took up the identity of the “Crimson Bolt” in order to rescue his wife from a drug dealer. Although critics weren’t impressed by the movie, it built a strong fanbase and put Gunn on Disney’s radar. Super rejoices in its confusing characters, who are filled to the brim with flaws and conflicting character traits – and gore ready to be spilled. Frank, for example, was a religious pacifist who made the world a better place through merciless violence. It was only after he began hearing warped messages “from God” that he began to understand the real world at all.

Related: Disney’s Decision On James Gunn Will Define The MCU

This is just the kind of crazy, conflicted approach that would work so well for Suicide Squad 2. After all, this is a team who are defined by their contradiction. They’re a group of super-villains who are forced to save the world; they deeply resent the fact they’re being forced to work together, and yet somehow consider one another a family. The best Suicide Squad stories are a blend of light and dark, tinged with anger and joy, betrayal and redemption.

And the characters in Suicide Squad are so very three-dimensional. Take Harley Quinn; although it didn’t quite make it through to David Ayer’s film, at heart she’s an abuse victim who’s struggling to find herself, and the relationship between Harley and the Joker is most definitely not intended to be some sort of “relationship goal“. Killer Croc is a brutal murderer who eats his foes, and yet develops such a fondness for his team-mates that he becomes dangerously protective of them. Boomerang wants to live a life of crime, and yet vaguely enjoys the idea he’s achieving something when he saves the world. These “villains” are three-dimensional in a way few superheroes are, with aspects of their own natures in direct conflict, pulling them this way and that. They’re every bit as mercurial and inconsistent as real people. And they’re just the kind of characters James Gunn has a form for developing, back in his pre-Guardians of the Galaxy days.

Page 2 of 2: Why This Is A Better Fit Than Guardians of the Galaxy

James Gunn Made Great Guardians of the Galaxy Movies – But He Changed Them To Do So

The truth is that, although James Gunn made tremendous Guardians of the Galaxy movies, he did so by taking major liberties with the comic canon. Gunn took the most basic concept underlying the franchise, and then made his own version of it. Gunn’s genius was that he saw the potential, he realized why it wouldn’t connect with audiences, and then he made it work. Even the tone and style of the Guardians movies was nothing like the original comics, which had typically gone for cosmic melodrama rather than ’80s nostalgia.

Characters, too, were completely rewritten in order to become the versions Gunn needed. Take Peter Quill as the classic example. Steve Englehart created the character back in 1976, and he described the original Star-Lord as “an unpleasant, introverted jerk.” Englehart planned to develop him into the most cosmic hero ever, but left Marvel before he’d even begun that character arc. As a result, the comic book version remained in that pattern, although he gradually transformed into a leader. James Gunn looked at the comic character, and decided to completely rework him. Star-Lord remained something of a jerk, but he was much more charismatic and extroverted; a revised origin explained that he was a child who’d run away from home after his mother’s death, and had never really grown up as a result. It made Quill a deeply empathetic character, viewed with affection in spite of his many flaws.

Related: Avengers Fans Are Being Too Hard On Star-Lord

Comic book readers traditionally complain when movies diverge from the comic book canon they grew up reading. In the case of Guardians of the Galaxy, though, James Gunn made his changes work so well that precious few objected. Marvel Comics, inspired by the surprise box office success of a previously-third-tier superhero franchise, quickly redesigned their own characters to align with Gunn’s versions. In the case of Peter Quill, they even retconned some of his previous appearances to say they’d taken place in another reality. Gunn won’t need to go the same lengths to make Suicide Squad 2 his own. As we’ve already pointed out, the characters are tailor-made for Gunn’s kind of character-work, and the themes and concepts that run through the comics fit perfectly with the kind of ideas he likes to work with.

Meanwhile, Gunn’s looser approach to canon and continuity will flourish in the DCEU. Although most viewers hadn’t picked up on it, Gunn’s maverick attitude towards continuity was never perfectly suited to the tighter, more intensely-scrutinized MCU; occasionally there were signs Gunn felt the pressure of it, and indeed rebelled against it. Guardians of the Galaxy Vol. 2 rendered a tie-in comic non-canon, for example, and Gunn admitted he contemplated breaking his own personal canon for the third film. “Marvel Canon – MCU – is crazy,” Gunn admitted. “I have a really good storytelling reason for breaking the canon, and I stayed up last night figuring out if I’m gonna do it or not. I still don’t know.” Given the complexity of the MCU and the degree to which fans take note of every detail, sooner or later that would have caused problems. Warner Bros., however, won’t particularly care; their view of continuity is very much that it should serve the director. That will give Gunn all the flexibility he needs to tell the best stories he can.

The latest reports confirm that James Gunn is on board as the writer of Suicide Squad 2, and he should breathe new life into the project. It remains to be seen whether or not Gunn will go on to become director as well; if he does, then he’d definitely be an effective choice, and the film would surely be guaranteed a success.

More: All 26 Upcoming & In-Development DC Films



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2018-10-09 03:10:13 – Thomas Bacon

Super Mario Party Review: The Best Mario Party in Years

Super Mario Party isn’t just a return to the classic gameplay, bringing back the board game format and forgoing the controversial car. It’s the best entry in the Mario Party franchise in years though admittedly, Nintendo hasn’t set the bar very high. The last time there was a halfway decent Mario Party was back in 2007 with Mario Party 8 and to find a truly great addition you need to go even further back in time. Super Mario Party makes up for some of that, finally.

The newest first party title for Nintendo Switch isn’t without flaws. In their effort to bring back Mario Party to relevance Nintendo went overboard. Super Mario Party spreads itself very thin, adding too many extraneous modes. And sadly, Nintendo also hasn’t managed to capitalize on the obvious when it comes to online multiplayer and Mario Party. Overall though Super Mario Party is a celebration worth throwing especially with three friends along for the (now metaphorical) ride.

Related: Best Multiplayer Games To Play At A Party

Super Mario Party should be viewed as an apology for the absolute rubbish that was Mario Party 9 and 10. The failed experiment that was all four Mario Party players being stuffed into the same car with no autonomy is over. The classic Mario Party mode has the four partiers move about a colorful board game map, snagging stars and playing mini games at the end of each turn. It’s glorious. The board game’s return and the pleasing ways it can be used to screw over opponents with random chance would be enough of a victory. Super Mario Party goes further with the board game mechanic and adds exciting new layers of strategy.

There are several little changes to board game play. Stars cost just 10 coins now, not the customary 20. Bowser and other villains are now playable characters and maps are much smaller than before. The biggest change concerns dice rolls. They’re still completely random but Super Mario Party has added some dice rolls by giving every playable character their own dice block. The choice of playable character now means more than simple Mario franchise favoritism. There is a regular dice block and going along with the smaller maps it only has 6 sides as opposed to the previous 10 but with the character dice blocks, this mechanic can get wacky and interesting.

For example, Shy Guy’s die has 5 sides of 4 and 1 side of 0. This means that if a player wants to move just 4 spaces on the board to get to a star or avoid a trap, they’re best off using Shy Guy’s dice but there is a chance that they might not move at all. Similarly, Bowser has a 10 on his dice but also two sides where he can lose coins if he’s unlucky enough to hit them. These new special dice might sound strange but in practice they add in a surprising amount of depth.

The special dice don’t just end at the playable characters either. In a holdover from Mario Party: Star Rush for the 3DS it’s now possible to recruit allies. These allies will loan out their special dice and in certain mini games even help out as a part of a team. Allies are always computer controlled but they can turn a player’s game around. Allies seem like they could over-complicate play but they add just enough to the game without becoming too distracting or that big of an advantage. Even though ridiculous RNG is part of the charm of Mario Party it does sting when a computer ally wins a tense minigame but that’s a relatively minor quibble. Nintendo has nailed the board game dynamic with their first Mario Party on the Switch even though it’s disappointing that there’s only four boards at launch with no more coming (as of right now).

Minigames are another area where Super Mario Party succeeds … for the most part anyway. There are 80 minigames in all and they switch between standard and motion controls. It’s impossible though to play Super Mario Party with anything but a single joy-con which prevents prevents Super Mario Party from being played in the Switch’s handheld mode. Some of Super Mario Party‘s best games use the joy-con’s stellar motion control and HD rumble features so it becomes an understandable sacrifice, and of course, tabletop mode is still available. There are still a couple of stinkers in the minigame department but Super Mario Party might just have the most consistent overall collection of the series.

Everything else in Super Mario Party is a a mixed bag. In an effort to live up to the Super part of the title, Nintendo has added a bunch of new modes to the game and would have been better off leaving them alone. They aren’t all terrible though. For instance, ‘River Survival’ has four players working together to paddle down a raft on mountain rapids and playing in cooperative minigames is pretty interesting. So is Partner Party which is the standard Mario Party mode but in teams of two. The other modes are lot less successful.

The worst of the bunch is ‘Sound Stage.’ This is a collection of rhythm-based motion control minigames where the player who triumphs at the most minigames wins. The minigames themselves are surprisingly solid with a good mix of rhythm and motion, but there’s no reason for them to exist in their own separate section. It’s a waste of space.

Sound Stage isn’t the only time that Super Mario Party allows you to just play minigames either. There’s also Minigame Mode which is a hit or miss. The one and only highlight of Minigame Mode is Square Off. Here, laying minigames is still the main focus but the real winner is chosen by how much territory a player steals on a square board (one minigame usually equates to one territory). Everything else in Minigame Mode takes out all the strategy of Mario Party for just boring minigame brawls. This is particularly true in Mariothon where whoever wins the most of a collection of five minigames is crowned the champion.

Mariothon being a bust stings because this is the one and only mode Super Mario Party has chosen to make available for online multiplayer. Super Mario Party is the first Mario Party to include online play but there’s no way of playing a board game in the mode. One could argue the commitment (a 10 turn board game can take up to an hour) would be a problem in online matchmaking, but there being no option is disappointing, especially the only available mode is Mariothon where the Minigames have little stakes. Online play even shrinks down the available games in Mariothon to just 10 random ones not the full 80. It’s terrible.

There are other features in Super Mario Party like a lackluster single player campaign called Challenge Road, but playing the standard board game mode with computer opponents is a much more satisfying single player experience. There’s also Toad’s Rec Room which can use two switches to play special minigames. It’s an interesting tech demo but not much more than that. The bulk of Super Mario Party‘s successes and failures can be found in the other modes. Overall, those positives do outweigh the negatives.

Super Mario Party isn’t perfect. It doesn’t even supplant Mario Party 2 or Mario Party 4 as the best Mario Party game ever. It does, however, get very close. Super Mario Party would’ve been stronger if it did away with some of the extra game modes and focused on quality more than quantity. Toad’s Rec Room or Sound Stage could’ve easily been swapped out for three to four new board game maps. As it stands, Super Mario Party is a solid rebirth for what has become the redheaded stepchild of Nintendo franchises. Hopefully there will be many more and impressive sequels to come building off what it does right and ignoring what it does wrong.

More: Nintendo Switch 2 is Already Going to Release in 2019

Super Mario Party is available now for $59.99 on Nintendo Switch.



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2018-10-08 05:10:06 – Derek Stauffer

20 Twilight Fan Castings Better Than What We Got In The Movies

Casting perfectly for a single film is important; casting perfectly for a film that will spawn a five-film saga is vital. Not every casting decision for a film franchise is going to be perfect. Even renowned franchises such as the MCU, Harry Potter, and Lord of the Rings have actors in roles that didn’t quite suit them or where there was an even more perfect casting decision staring them in the face.

Finding the perfect cast for a film is much harder than most people give these casting director’s credit for. All they have to go off of is the script, the director’s vision, and possibly (luckily for many big blockbusters) the source material. It’s even harder when adapting a book series whose fans have been picturing the characters in their heads for years.

Finding the perfect cast after a film’s complete is much more fun, even if it has no real impact. Though films are often recast when remade (A Star is Born) or when sequels are released and the original cast doesn’t return (The Girl in the Spider’s Web) it’s fun to still find that perfect cast when there’s no remake/sequel in sight. The Twilight Saga’s cast has been ridiculed and spoofed more than most franchises; some criticism warranted, some not. Fans took to the internet, as they’re known to do, with their ideal picks for who they think the cast of The Twilight Saga should have been.

Without further ado, here are 20 Twilight Fan Castings Better Than What We Got.

20 Rosie Huntington-Whitley As Rosalie Hale

Rosie Huntington-Whitley is more known for her runway walks and magazine covers than for her filmography, but she has three acting entries under her IMDb page; a 2009 short, Transformers: Dark of the Moon, and Mad Max: Fury Road.  Her resume  may be short, but it surely consists of some prominent movies. Her modeling career on the other hand, is one of the most prestigious and fruitful in the world.

While Nikki Reed may have been fine in retrospect for the character’s lack of screen-time in comparison to the other Cullen members, a woman with the following of Huntington-Whitley could added a higher profile cast member for the film.

19 Tom Sturridge As Edward Cullen

Robert Pattinson may be one of the few casting decisions the original filmmakers made that most fans are pretty okay with. A certain fan had a different actor they thought could have played the part a little bit better; Tom Sturridge.

Casting him with a certain actress who we’ll touch on a bit later, the On the Road and Far from The Madding Crowd actor has a lot in common with Pattinson himself.

Both men were born in London, both were in the 2004 drama Vanity Fair, and birth dates are less than six months apart.

Sturridge’s career never quite took off the way it should have, something that a leading role in a billion-dollar franchise surely could have helped.

18 David Harbour As Charlie Swan

Since his role as Eleven’s guardian in Stranger Things, Harbour has been branded as one of the best character actors to play a loving and concerned father. Billy Burke is one of the few who many fans actually thought fit the role well, but Harbour would have been such a fun and comedic addition. Many may think that Harbour would be too old to play Bella’s dad; those fans would be hard-pressed to learn that Burke is actually nine years Harbour’s senior.

Harbour has for many years been a supporting actor in films like Suicide Squad, A Walk Among the Tombstones, and End of Watch; another supporting role such as Charlie Swan would have been just perfect for the actor.

17 Angelina Jolie As Victoria

Victoria had already been replaced once, so why not do it again? Rachelle Lefevre played the red-haired vampire who was part of the coven that homes James and Laurent in the first two films, but then was blindsided when recast and portrayed by future Jurassic World star Bryce Dallas Howard for Eclipse.

The books characterize Victoria as a beautiful and strong woman, adjectives that describe Angelina Jolie quite perfectly.

As of late, Jolie has focused her time more behind the camera then in front of it, but having her play the part would have been quite exciting, especially standing next to a vampiric Ben Stiller.

16 Ben Stiller As James

James, while not the most important figure in the saga, was the main antagonist of the first film. When his coven stumbles upon the Cullen’s and Bella playing a pretty athletic game of baseball, he decides that the human will be his next meal, causing Edwards and his family to go to vast lengths to protect her.

While Cam Gigandet may have had the physique for James, Ben Stiller’s rendition of the vampire would have given the character new depth.

Stiller’s dramatic work is pretty scarce, but having acted in film like The Secret Life of Walter Mitty and Brad’s Status prove he’d be able to handle it. Stiller’s one of the biggest movie stars in the world, so getting him would have been no easy task, but could have brought something unique to the film.

15 Millie Bobbie Brown As Jane

Some might say that Millie Bobbie Brown is far too young to play the millennia old vampire, but the character was turned at the age of 12. Brown would have been far too young during the original films– she was five during Jane’s first appearance in New Moon– but she would be perfect now.

The young actress has obtained fame from her portrayal as Eleven in Netflix’s Stranger Things, though look for her soon in the Godzilla sequel, Godzilla: King of Monsters and its crossover event Godzilla vs. Kong. Jane’s supposed to be a mysterious character with an old soul, something that Brown portrays brilliantly throughout the first two seasons of Stranger Things.

14 Shiloh Fernandez As Edward Cullen

Shiloh Fernandez may not be the most well-known actor out there, but then again, neither was Rob Pattinson when he was cast as Edward more than a decade ago. As featured on one of the greatest website names of all time, otherguysasedwardcullen-blog.tumblr.com, Shiloh would have made a great Edward, after some make-up work done to make him look a little less alive.

The Utah-born actor is roughly the right age, and as seen in the picture above, looks quite convincing as a vampire when his eyes are brightened and yellowed, with his skin a bit paler, like most of the Cullen’s.

13 Liv Tyler As Esme Cullen

Though she’s been rather absent from the big screen since playing Ed Norton’s love interest in the MCU’s The Incredible Hulk, she’s still etched in cinephiles minds for her roles in The Lord of the Rings trilogy, The Strangers, and (less so) Armageddon.

Tyler looks like she was born to play a vampire, and it’s a shame she’s never been given the opportunity.

Esme is a pretty small role in relation to the other Cullens, but  Tyler could have maybe brightened up the role a bit, or at the very least, given the family a more familiar feel for viewers.

12 Hugh Jackman As Garrett

The second best cast role in the saga– we’ll talk about the first in just a bit– is none other than a small character named Garrett played by the brilliant Lee Pace. Garrett is vampire who joins the Denali coven at the end of Breaking Dawn when he and Kate begin to form a relationship.

The only way that Lee Pace could be outdone is if one of the most beloved actors of our time replaced him: Hugh Jackman.

Jackman spent a movie hunting vampires back in 2004 with the critically berated Van Helsing, so maybe joining them would be more his suit. Classy as all could be, the Jackman above (provided by Nocuus) would have been perfect for Garrett, a man who was changed in mid 18th century New England.

11 Anton Yelchin As Mike Newton

This one, awfully unfortunately, will never be able to come to fruition because of a tragic accident which resulted in Anton Yelchin losing his life at the age of 27. Mike was played by Michael Welch, but Yelchin would have been the perfect age, and perfect casting for the role. Welch actually auditioned for the role of Edward, but ended up being cast as Mike after Pattinson was brought aboard.

The nice guy from high school is more or less exactly who Yelchin was born to play, and imagining him trying to hold Bella’s hand at the movies is textbook teenage romance that feels just right with Yelchin. Yelchin, like Jackman, isn’t a stranger to vampire films, having starred in the remake of Fright Night. Yelchin’s untimely passing came right at the height of his fame, and a Twilight film would have added right to it.

10 Lily Collins As Alice Cullen

Lily Collins actually auditioned for Twilight, but for the role of Bella; “I think everything happens for a reason and everyone who gets the roles they get were meant to.”

Collins has the flowing movement that Greene brought to the performance, but could have come off a bit more authentic in her compassion.

Greene was not been the worst actress in the franchise, but Collins would have potentially been a step up from the unexperienced performer. Greene’s career never took off quite like Collin’s did, which makes the films down the line seem a bit more dated when new viewers can’t recognize the fourth-billed lead; something that casting Collins could have changed.

9 Hugo Weaving as Aro

Michael Sheen wasn’t just the best casting of any of the actors in the franchise with his turn as Aro, but he gave the best performance from anyone, and even liked the source materia, Sheen may have been flawless, but another actor could have the potential to have done better; that man is Hugo Weaving. Though Aro is much younger than both Sheen and Weaving in the novels, both actors are very similar in age.

Like Liv Tyler, Weaving is famous for his part in The Lord of the Rings trilogy as well as the Wichowskis’ Matrix trilogy. Hugo’s vampire transformation above is a very reminiscent of his Elvish lineage in LOTR, but also extremely similar to Aro’s Volturi attire in the Twilight Saga.

8 Alexander Skarsgård As Emmett Cullen

Either it’s a coincidence that so many of the fan casting decisions were previously in vampire films/TV shows, or there is just an abundance of vampire films/TV shows. Alexander Skarsgård played Eric Northman on HBO’s cult vampire drama True Blood. Though he initially played the show’s antagonist, he was the favorite amongst fans and had far and away the most successful career after the show.

Standing at 6′ 4”,the Stockholm born actor has a much more towering physique than Kellan Lutz, who played Emmett in the films.

As he already plays brooding and mysterious extremely well, letting Skarsgård show a comedic soft side would have given the actor the chance to stretch his wings.

7 Rachel McAdams As Rosalie Hale

Rising to fame four years before the first films release with her starring role in The Notebook and near-perfect teenage antagonist in Mean Girls, McAdams has had an incredible career in the 15 years since; including an Oscar nomination for Spotlight. The inclusion of a renowned thespian like McAdams would have been a welcome addition for the filmmakers as well as the fans.

McAdams may be, and have been back in 2008, a little old to play a vampire who was turned at the age of 18. However she played a high schooler at the age of 26 for Mean Girls, so just a few years more later wouldn’t have been much more of a stretch.

6 Henry Cavill As Carlisle Cullen

Henry Cavill may not have been the household name back then that he is now due to his DCEU fame, but Twilight could have been that jumpstart he needed.

Though Cavill may have had a hand in pretty huge blockbusters with Man of Steel, Batman V. Superman: Dawn of Justice, and Mission Impossible: Fallout, he had been in only one mainstream film pre 2010; Stardust.

Had they stayed faithful to the books, Cavill would have been a perfect casting.

With Carlisle being the make-shift patriarch of the Cullen coven, the filmmakers wanted to go with someone a bit older than the character in the books.

5 Amber Midthunder as Leah Clearwater

Leah is the only female shapeshifter in Quileute history, and played by Native actress Julia Jones. Jones is an incredible actress, but newcomer Amber Midthunder has thrusted onto the scene after appearing in Hell or High Water and FX’s Legion.

Leah is 21 in the books, thus Midthunder is the perfect age to play the young woman, if the film were to come out today.

Acting in both Sunshine Cleaning and Swing Vote in 2008, the actress was already in high profile films the same year of the first film’s release. Midthunder’s a fan favourite on Legion, so expect the young lady to take off in the future; who knows, maybe even in a remake of Twilight.

4 Steven Strait As Jacob Black

Taylor Lautner became an overnight sensation with the success of the Twilight films, but no one could deny that the actor’s performance lacked authenticity. Steven Strait may not be any more of a household name than Lautner was, but the actor had already starred in his own film, something Lautner hadn’t done when first cast.

Strait starred in the Roland Emmerich vehicle 10,000 BC, which didn’t get rave reviews but gave the actor the experience of being first billed. Strait may be a bit older than Lautner, but that maturity and experience surely would have helped the character command a scene.

3 K.J. Apa as Edward Cullen

Riverdale may be a new show, but the Netflix series is a refreshing and original way to adapt a beloved medium. K.J. Apa shines as Archie, the title character of the original comics and his personality and way he carries himself on the show would be downright perfect for the sensitive and loving vampire.

Apa is still a relative newcomer to the scene, but with Riverdale under his belt and a role in the new drama The Hate U give he’s turning himself into a familiar face. Pattinson was a fine Edward and his career has surely taken off since ending his tenure as a vampire, but he may have been a bit happier had someone else taken the role.

2 Emily Browning As Bella Swan

Emily Browning was infamously author Stephanie Meyer’s first choice to play the role of Bella, though it obviously didn’t come to fruition. The young actress who appeared in A Series of Unfortunate Events, Sucker Punch, and Sleeping Beauty has had a very successful career by anyone’s standard, though has never been in a film quite as popular as Twilight.

The actress had this to say during a 2011 Indiewire interview: “The author at one point stated that I would be her ideal Bella, but I chose not to audition because I was at a point in my career where I wasn’t sure I wanted to work, I definitely didn’t want to sign onto a trilogy so I didn’t audition.”

Of course her wishes were respected, but one could only wonder what a Twilight saga with Browning at the helm could have looked like.

1 Millie Bobby Brown As Renesmee Cullen

That’s right, Millie Bobby Brown’s on here twice. She’s just that good!

This bit of casting could have potentially happened, with Brown being just six when Breaking Dawn: Part 2 was released.

Mackenzie Foy has matured into a great actress, but her performance in the film was a little flat. Renesmee in the book seemed to be smarter than her age; more advanced than she should be. This is something Brown would excel at, having done it for two seasons in Stranger Things.

Let’s be honest, anything would have been better than the CGI Renesmee at the beginning of her the last film.

Which actor do you wish could have had a major role in The Twilight Saga? Let us know in the comments!



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2018-10-05 08:10:45 – Mark A. Silba

Robert Kirkman is Trying to Kill Off Walking Dead’s Judith

Robert Kirkman is actively trying to kill off Judith from AMC’s The Walking Dead TV show, but the writers and producers won’t accept his story ideas. Over the years, several people on the series – some mainstays, but mostly small, supporting characters – have perished either at the hand of the walkers or other survivors. Last year, the biggest name to bite the dust was Chandler Riggs’ Carl Grimes, who was bitten while trying to help out a fellow survivor.

And now, in The Walking Dead season 9, Carl’s father, Rick Grimes (Andrew Lincoln), will be exiting the show, which has sent shock waves through the fan base. Lincoln has been contemplating leaving Alexandria behind for quite some time now, but he was persuaded to remain on as lead until they dealt with the Saviors. Now that Negan has been defeated and the story is moving in a different direction, Lincoln felt it was time to retire from the series and spend some more time with his real-life family in England. It’s unclear if Rick will die in season 9, but even if he doesn’t, the only living Grimes family member that will still be on the show is Judith.

Related: Walking Dead’s Future Without Carl & Rick, According to Creator

Speaking during his personal panel at New York Comic Con 2018, Robert Kirkman: In Conversation, the comic book creator revealed that he’s been actively trying to kill off Judith on The Walking Dead series, saying, “I tried to kill that damn baby that’s not even a baby anymore – I have pitched the death of Judith so many times it’s not even funny.” Unfortunately, Kirkman didn’t elaborate on why he’s been so adamant about (baby) Judith dying.

What’s interesting is that Judith had already been killed off early on in The Walking Dead comics, so it’s understandable that Kirkman would want to see that reflected on the TV show – but both versions of the famed story have obviously drifted apart over the years. Even now, showrunner Angela Kang recently told Screen Rant that the show follows the general outline set forth by the comics, but they aren’t going out of their way to precisely match the storyline. There will be some notable differences, and it seems like Judith is simply one of them… for now.

Sometimes movie franchises and TV shows can get lost in their own stories, and The Walking Dead‘s timeline is as confounding as they come. It’s something that Riggs himself was even confused about. So, the fact that Judith has grown up so much in such a short amount of time (in-universe, that is) can technically break continuity. While that may not be an important reason for Kirkman to want Judith dead, it may play a part. But, with The Walking Dead returning this weekend, it’s certainly possible that Judith may meet her end at some point this season.

More: 25 Crazy Details Behind The Making Of The Walking Dead

The Walking Dead season 9 premieres on October 7 on AMC.

Source: Robert Kirkman (via ComicBook)



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2018-10-05 08:10:24 – Mansoor Mithaiwala