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18 Best Sequels, According To Rotten Tomatoes (And 8 Stuck With 0%)

We live in an age where sequels are all the rage. Every major studio is chasing those franchises that can keep their cash flow healthy for years to come. Sometimes, they’re exhausting. Other times, they can be our most anticipated movies. Maybe we could do without more Transformers movies, but Marvel and Mission: Impossible sequels are event movies that drive us to the theater in droves.

Sequels are tricky and unpredictable, though. On one hand, they’re often necessary for expanding stories and the good ones continue sagas we want to see progress. On the other, some are soulless cash grabs that shouldn’t exist. In the worst cases, some of them completely derail promising franchises by failing to deliver the goods. Then again, in some instances, sequels can get a series back up and running after they’ve experienced setbacks.

This list will look at those rare sequels that are considered worthy — and even superior — follow-ups. Those rare beasts that make us grateful for multiple movies in a series. Furthermore, we’ll also be discussing the most maligned sequels that brought no critical good will to their respective franchises whatsoever. It’s more fun this way. In order to fully appreciate the best of the best, we also must acknowledge the worst of the worst. Without evil, we wouldn’t be able to understand all that’s good and pure. Without terrible movies, we wouldn’t be grateful for the good ones.

With this in mind, here are 18 Best Sequels According To Rotten Tomatoes (And 8 Stuck With 0%).

26 Best: Captain America: Civil War (91%)

The decision to keep the same team of writers for all three Captain America films paid off in the end. The trilogy just went from strength to strength with each passing entry, though some would argue that The Winter Soldier is equally as good — if not better — than Civil War. Either way, they’re both prime examples of how to do sequels right.

Civil War tackles the same themes you’d expect from a movie about a do-gooder like Cap, but where the film truly soars is during its wild third act. The airport showdown is the best action showdown in the MCU, and that’s saying something.

25 Worst: The Bad News Bears Go To Japan (0%)

If you didn’t know that sequels to The Bad News Bears exist then no one would think any less of you. While the first movie is a cult classic about an underdog baseball team, the sequels have faded from the collective memory with the passing of time, lost like tears in the rain. That’s for good reason.

None of the sequels are good, but The Bad News Bears Go To Japan is especially bad.

While the idea to relocate to Japan for a big game is good on paper, the sequel is just bland, forgettable, and was made to cash in on the brand name.

24 Best: Star Wars: Episode VII – The Force Awakens (93%)

Some fans argue that The Force Awakens is essentially a retread of A New Hope in many ways. However, clearly the critics and audiences didn’t necessarily agree, given its stellar Rotten Tomatoes score and its audience score of 87%, not to mention its impressive box office haul.

As far as Star Wars movies go, it hits the spot. The new characters are great, the return of some old faces is a trip down memory lane, and the story still made significant effort to push the franchise forward. In those regards, the film definitely succeeded.

23 Best: War for the Planet of the Apes (93%)

Anyone who has a problem with classics being rebooted needs to watch the most recent Planet of the Apes trilogy.  The finale pits the apes in a brutal battle against the humans, which leads to an epic confrontation between the Caesar the Ape and humanity’s ruthless colonel (played by an utterly wicked Woody Harrelson). As far as concluding trilogies goes, War for the Planet of the Apes has everything.

By no means is this a pleasant movie, but it is rewarding. And not only does it wrap up an epic story, but the film boasts some of the great CGI wizardry out there. The action is also ridiculously impressive and compelling, which is crazy considering it’s a movie about people versus monkeys.

22 Best: Logan (93%)

James Mangold’s Logan, the gloriously violent and heartbreaking farewell to Patrick Stewart’s Professor X and Hugh Jackman’s Wolverine, is an all-timer. Taking cues from the Old Man Logan comics, the movie has just as much in common with neo-westerns as it does with superhero yarns, which makes for a gritty, character-driven elegy to characters many of us grew up with.

Logan deserves praise for going R-rated and taking some stylistic risks.

The movie is proof that audiences will still flock to see superhero movies with some edge. If you’re going to send off some icons, this is the way to do it.

21 Worst: Return to the Blue Lagoon (0%)

Considering that no one liked The Blue Lagoon (it currently holds a 9% rating on RT), why anyone would want to return to the franchise is beyond comprehension. Of course, every sequel is a perfect opportunity to right some old wrongs if handled with care. Unfortunately, this was not. The story follows two children who are marooned on a tropical island as the grow up and fall in love, etc. The characters don’t wear enough clothes either, which makes for some weird, uncomfortable viewing.

There are some unintentional laughs to be had at the poor script and performances.

Otherwise the Blue Lagoon isn’t a scenic cinematic paradise worth spending time in unless you want to punish yourself for some reason.

20 Best: The Dark Knight (94%)

Few superhero movies are ever regarded as anything more than popcorn fare. However, if there were ever a superhero movie that proved the genre could be prestige cinema, it would be The Dark Knight. Christopher Nolan’s take on Batman is an exploration of chaos and just how far people are willing to go to achieve their goal.

The Dark Knight — for better or worse when you consider how devoid of fun some DC movies have been since — also brought a gritty, realistic touch to the genre. The movie feels more like a Michael Mann crime saga than it does a story about superheroes versus their outlandishly evil counterparts.

19 Best: Finding Dory (94%)

In recent times, Pixar has been criticized for relying too heavily on sequels, but if it ain’t broke… Finding Dory was released 13 years after Finding Nemo, and it was a smash with critics and audiences alike.

Its 94% on Rotten Tomatoes is complemented by an 84% audience score.

Upon release Finding Dory was praised for being as funny and thought-provoking as the first movie, while also adding a new dimension to the story. As with any Pixar movie, Finding Dory can be appreciated by audiences of all ages. 

18 Worst: Staying Alive (0%)

No other actor on the planet has experienced a career of ups and downs like John Travolta has. When he broke out he had the world at his dancing feet. After that, his career experienced a downturn until it was resurrected briefly following Pulp Fiction until it ultimately plummeted when he started starring in movies like Battlefield Earth. Staying Alive was released in 1983 when Travolta was experiencing his first fall from grace. Following up a classic like Saturday Night Fever was never going to be easy, but it shouldn’t have been this difficult, either.

The sequel lacks the gritty realism of its predecessor, and instead tries to get by on dance sequences. What’s the point in dancing when we don’t care about who’s doing it?

17 Best: Creed (95%)

No franchise tends to remain compelling seven sequels in, but Creed is proof that the Rocky franchise is the rare exception. Granted, some Rocky movies aren’t exactly knockouts, but Creed got things back on track and showed that it’s game for a few more rounds.

By serving as both a sequel and a spin-off/soft reboot, Creed gave the franchise a breath of new life.

It passed the gloves on to Michael B. Jordan as the eponymous character.  Creed 2 is right around the corner. Let’s see if it can do what the original saga failed to do and deliver a second outing that’s as good as the inaugural entry.

16 Worst: Leprechaun 2 (0%)

The first Leprechaun movie doesn’t come close to being certified fresh rating on Rotten Tomatoes, so it should come as no surprise that the sequels didn’t receive any critical acclaim. Especially not the second movie, which no critic seemed to enjoy at all.

Here, the infamous critter resurfaces in Los Angeles to find a bride, which leads to him abducting a young woman and trying to claim her as his own. This isn’t high art by any means, nor does it try to be.

15 Harry Potter and the Deathly Hallows: Part 2 (96%)

The Harry Potter books were an emotional roller coaster that affected millions of readers worldwide. Reliving those adventures on the big screen was also a great time to be alive, and the grand finale lived up to expectations. In the final installment of the saga about the Boy Who Lived and his fight against the forces of darkness, the ultimate showdown finally happens as our hero and his pals face off against Voldemort in Hogwarts castle.

It’s a true epic in every sense of the word.

As far as wrapping up the story goes, Death Hallows: Part 2 delivered the goods and gave us cinematic closure in style.

14 Worst: Looking Who’s Talking Now (0%)

Look Who’s Talking is a perfectly serviceable comedy that should never have received any sequels. In a bid to end to the trilogy on a high following the disappointing previous sequel, Look Who’s Talking Too, someone thought it would be a good idea to introduce talking dogs to the mix for the series’ swan song. 

Needless to say, Look Who’s Talking Now wasn’t the glorious goodbye the series was looking for, but at least the film did cast some cute dogs.

13 Best: The Good, the Bad, and the Ugly (97%)

The third installment of Sergio Leone’s influential Dollars trilogy, The Good, The Bad and the Ugly is the creme de la creme of spaghetti westerns. 

The story centers around two men who form an uneasy alliance following a scam.

This leads them on a quest as it turns out there’s money buried in the desert and they want to find it. However, they have to compete against another who won’t hesitate to put a bullet in them to claim the prize. On top of being one of the most acclaimed movies out there, the film has been hailed as a major influence on directors like Quentin Tarantino.

12 Best: The Godfather: Part II (97%)

The continuation of Francis Ford Coppola’s Best Picture-winning 1972 crime saga, The Godfather: Part II chronicles Michael Corleone’s further ascendency in organized crime while simultaneously taking us back to the past to explore his dad’s humble beginnings.

Like its predecessor, the sequel also won Best Picture and is hailed by many a critic and film buff as one of the best movies ever made. Whether it’s better than the original is up for debate, but they’re like two sides of the same coin. These movies set the bar for mob pictures, and to this day, other directors are still trying to recreate the formula.

11 Mad Max: Fury Road (97%)

Director George Miller was in his seventies when he unleashed Mad Max: Fury Road, but the energy and madness imbued in every frame of this extravaganza suggest a man half his age.

Maybe we’ll never see another Mad Max movie, but the world needs a Furiosa spin-off eventually.

Fury Road is essentially one non-stop chase that barely lets up from the get-go all the way to the climactic ending. Furthermore, it’s a movie that defied expectation by taking the focus away from the titular character and making Charlize Theron’s Furiosa the real hero of the adventure. 

10 Worst: Jaws: The Revenge (0%)

Is Jaws: the Revenge a good movie? Definitely not. Is it an entertaining movie, though? Definitely yes.

How many other movies have sharks that make a conscious decision to get revenge on the humans that wronged them? Not only that, but the shark here followed its target to the Bahamas from Massachusetts. And why would someone who wants to avoid sharks go to an island surrounded by ocean? The movie is illogical, silly, nonsense, but it does offer sheer entertainment value for bad movie buffs.

9 Best: Aliens (98%)

Alien and Aliens are quite different in some regards, but they complement each other perfectly. The first is an exercise in pure suspense and terror. The sequel, on the other hand, retains the horror elements but adds a lot more action to proceedings.

Aliens shows how to make a successful sequel: acknowledge what came before but don’t be afraid to bring some fresh ideas to the table.

James Cameron was on fire in the ’80s and he wasn’t afraid to make Ridley Scott’s baby his own.

8 Best: Mad Max 2: Road Warrior (98%)

While George Miller’s inaugural Mad Max caper is a cult classic, most film buffs would agree that a couple of the sequels are slightly superior. Taking nothing away from the first movie, Road Warrior is a vast improvement when it comes to world building and sheer action spectacle. The story follows the eponymous character as he helps a group of people steal oil from a tyrannical madman and his band of goons.

As far as cinematic thrill rides go, few movies are on par with Road Warrior. Here, Miller turned up the volume significantly by making the post-apocalyptic terrains feel more dangerous and the action sequences more gung-ho and grander in scale.

7 Best: Evil Dead 2 (98%)

Sam Raimi’s first Evil Dead movie was a huge achievement for independent filmmaking when it was released back in 1981. The movie still holds up to this day with its innovative camera work, effective scares, and excellent cast as well.

The sequel is a triumph in its own right.

While the first movie contained moments of dark comedy, the sequel amps up the zaniness to become what is essentially the splatter flick equivalent of a Laurel and Hardy flick. For 90 minutes, Bruce Campbell is tormented by laughing ornaments and his own severed hand. As silly as that sounds, Evil Dead 2 still manages to pack more punch than your average MMA fighter.

6 Worst: Police Academy 4: Citizens on Patrol (0%)

In the third installment of the Police Academy franchise, the cops are understaffed and in need of some help. Naturally, the force turns to America’s civilians to help aid in their mission. Things don’t go smoothly, for the characters in the film and the movie itself.

Rotten Tomatoes describes Police Academy 4: Citizens on Patrol as “Utterly, completely, thoroughly and astonishingly unfunny” and  a movie which sent “a once-innocuous franchise plummeting to agonizing new depths.” That sounds about right.

5 Toy Story 3 (99%)

Few franchises manage to strike three home runs in a row. Even The Godfather stuttered when it came to the third outing. Toy Story, on the other hand, never ceases to replicate the magic time and time again.

This emotional installment sees Andy get ready to leave for college and neglect his old toys.

He’s all grown up and has no use for them anymore, and what ensues is what is by far the most heartfelt movie in the series.

4 Worst: Highlander II: The Quickening (0%)

As far as pure entertaining action-fantasy goes, the first Highlander movie is a fun slice of popcorn entertainment that aficionados of cult cinema lose their head over. The sequel, meanwhile, is an incomprehensible mess.

Highlander II is too overplotted to explain, but the cusp of the story revolves around the hero from the first movie taking on a corporation after being led to believe that they don’t have the world’s best interests in mind. In this one, our hero is a defender of the ozone as well. What makes Highlander II so awful is that it completely retcons everything good about the original film and the mythology it introduced.

3 Best: The Bride of Frankenstein (100%)

We all desire to be loved by someone special– even bolt-head monsters made up of the remains of other people. But to find them a mate, one must dig up some more corpses and create a suitable partner that’s similar in genetic make-up. This is also the storyline behind James Whale’s 1935 masterpiece, Bride of Frankenstein.

There are too many Frankenstein movies to keep track of at this point, but this sequel remains the pinnacle of the original series.

The movie is a masterpiece that successfully blends campy fun with Gothic beauty and genuine chills that’s stood the test of time as a result.

2 Paddington 2 (100%)

No one expected the the first Paddington to be as good as it is. That movie is a bona fide classic in the making in its own right, but the sequel is some next-next level brilliance.

Paddington 2 sees the lovable bear go to prison and, unsurprisingly, all the mean criminals fall in love with him as well. Critics, like the fictional convicts, were also full of praise for the titular bear and his second big onscreen adventure as well. At one point, Paddington 2 was even the best reviewed movie in history.

1 Best: Toy Story 2 (100%)

Following up a movie like Toy Story was never going to be easy, but that didn’t stop Pixar from trying and succeeding. In this one, we find out that Woody is a collectible when he’s discovered and stolen by a greedy museum owner. Naturally this prompts Buzz Lightyear, Mr. Potato, and the rest of the gang into action and they set out to save their friend.

General consensus on Rotten Tomatoes states that Toy Story 2 is that rare sequel that improves upon its predecessor.

The sequel raises the stakes and ups the element of adventure while retaining the humor and heart that made audiences fall in love with the franchise in the first place.

What’s your favorite sequel? Let us know in the comments!



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2018-10-10 04:10:39 – Kieran Fisher

Sony’s Kraven Movie May Include Spider-Man, Will Adapt Last Hunt Story

Richard Wenk, writer of Sony’s Kraven the Hunter movie, has revealed he’s currently working on the script – and that the film could even feature Spider-Man. It seems Sony intends to draw upon the famous Kraven’s Last Hunt comic book arc.

Venom was something of a gamble for Sony Pictures; could their Spider-Man spinoffs possibly work? Although the critics haven’t been kind, the film’s box office performance has been even better than anticipated. It shattered October’s box office record, grossing $80 million domestically and a staggering $205 million worldwide in its opening weekend. So it’s hardly a surprise that Sony is now pushing full steam ahead with further spinoffs.

Related: All The Spider-Villain Movies Coming After Venom

The Discussing Film podcast posted an interview with Wenk, who’s dropped what may well be something of a bombshell for Marvel fans. Wenk has revealed that he’s playing around with the concept of Kraven’s Last Hunt – and that he’s currently envisioning a story in which Kraven “comes face-to-face with Spider-Man.

It’s an interesting world, a great character… it’s in the Spider-Man universe. I’m going to adhere very closely to the lore of Kraven the Hunter, and he’s going to come face-to-face with Spider-Man. I think that where we’re all circling is that this is Kraven’s Last Hunt, and whether this is the precursor to that movie, whether it will include it, we’re talking about those things. And even the idea that maybe Kraven could be like Kill Bill, basically a two-part movie. It’s all in the mix.

This is a pretty remarkable statement, as it suggests Spider-Man could yet be considered part of Sony’s Spider-villains universe. It’s important to stress that Wenk is pretty early on in the writing process; he’s at the stage where, as he puts it, “you just kind of throw everything at the wall” to see what sticks. And yet, not only does Wenk explain that he’s been enjoying a collaborative relationship with other Sony (and Marvel?) figures, but he also sounds very confident indeed when describing the plan to have Kraven face off against Spider-Man. Even his references to Kraven’s Last Hunt should be seen in that light; that arc focused on the relationship between Kraven and Spider-Man, and on Kraven’s desperate desire to prove himself the wall-crawler’s equal before he passed away. It’s very hard indeed to imagine a version of Kraven’s Last Hunt without Spider-Man in it.

Assuming Wenk is right, there are two possible ways this could play out. Venom was deliberately designed to be easily retconned into the MCU, and its director Ruben Fleischer has openly said he believes a crossover between Hardy’s Venom and Tom Holland’s Spider-Man is “inevitable.” Given that’s the case, Marvel and Sony could have agreed to incorporate the Sony films into the wider MCU, with Tom Holland serving as a bridge between the franchises. The other possibility is that Sony is looking to cast their own version of Spider-Man, so viewers would get two distinctive big screen Spider-Mans at the same time. That approach would surely cause some problems between Marvel and Sony, though. Only one thing is certain; right now, the writer of Kraven the Hunter believes that his film will feature Spider-Man. It’ll be fascinating to see if he’s right.

More: Venom Ignoring Spider-Man is MORE Faithful To Comics

Source: Discussing Film



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2018-10-09 04:10:30 – Thomas Bacon

Eddie Brock’s Notebook Reveals Carnage Backstory for Venom 2

Cletus Kasady’s backstory for Venom 2 is revealed thanks to Eddie Brock’s notebook from Venom. Sony’s decision to try and launch a cinematic universe of their own appears to have paid off. The Tom Hardy-led Venom just set the October opening weekend record, making a sequel almost inevitable. Through the use of its post-credits scene, Venom already established seeds for the sequel to grow as Woody Harrelson made a cameo as Cletus Kasaday, the psychotic killer who becomes Carnage in the comics.

It was originally just before production began on Venom that reports surfaced that Carnage would make an appearance. It was later reported that Harrelson had joined the film with speculation pointing to this being his true role. This began to see some fans expect to see Carnage fully realized at some point in the movie, despite him having no presence in the marketing. That is because director Ruben Fleischer is saving Carnage for the sequel.

Related: All the Spider-Villain Movies Coming After Venom

The post-credits scene for Venom only teased Kasady’s eventual escape from prison and his transformation into Carnage. As it turns out, Eddie’s interview with Cletus lasted far beyond what audiences saw. ComicBook shared an image of Eddie’s notebook that was on display at New York Comic Con, which details Kasady’s backstory that will be used for Venom 2. Between a massacre in New York and killing his grandmother, the Disciplinarian Administrator at St. Estes Home for Boys, and a random girl who wouldn’t go on a date with him, the notebook clearly establishes Kasady’s bloodlust.

Click Here To See The Notebook Photo

These details are instantly terrifying for fans and just goes to show how insane Kasady is, even before he becomes bonded with the Carnage symbiote. These multiple murders are villainous enough, but his twisted psyche is further highlighted by additional details. Eddie believes he has Oedipus Complex (the feeling of desire for the parent of the opposite sex) and is possibly the reason why he dug up his mother’s grave. Before that, Cletus tortured and killed his mother’s dog with a drill.

Kasady is a worthy villain for Venom and Eddie to hunt down based on his prior record and what he would surely do upon being freed. But, it would be the pairing of Kasady’s personality and the power of Carnage that makes him a supervillain-level threat. Since this notebook page and these details aren’t explicitly states in Venom, a sequel will likely retell parts of this backstory and maybe even show it through flashbacks. It could be difficult to do just that with a PG-13 rating, but Venom 2 isn’t expected to be R-rated either. However it happens, Carnage will be the villain of Venom 2 and at least we now know some of his backstory that Fleischer and company worked out for him.

More: Every Update You Need to Know For Venom 2

Source: ComicBook



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2018-10-08 09:10:59 – Cooper Hood

Venom 2 Will Not Be Rated-R Either, According to Avi Arad

Warning: This post contains SPOILERS for Venom

Sony is already thinking about Venom 2 and they won’t make the jump to an R-rating. After bringing Spider-Man into the Marvel Cinematic Universe, Sony once again wanted to get a shared universe of their own. Tom Hardy was cast to lead Venom as Eddie Brock, and the early box office results – a record setting $80 million opening in October – indicate that this will hardly be the last Spidey-related property the studio makes. Next up is going to be Jared Leto’s Morbius, but attention is turning towards what seems to be an inevitable sequel.

Based on the post-credits scene for Venom, it’s quite clear where they want to take the character next. Eddie visits the prison cell of Cletus Kasady (Woody Harrelson), who ends the movie saying, “When I get out, and I will, there will be carnage.” An appearance by Carnage was heavily rumored for Venom and, with the violent symbiote set to be the villain of a sequel, many fans wanted to see Venom and Carnage let loose with an R-rating, but that isn’t happening.

Related: How Venom Sets Up A (Much Better) Sequel

Collider spoke to Venom producer Avi Arad about the chances for Venom 2 to move up the MPAA’s rating scale. After all, the first Venom was reportedly envisioned as an R-rated movie, but was PG-13 when everything was all said and done. Despite Carnage joining the mix, Arad doesn’t believe he can only be done right with an R-rating.

“When you hear Carnage, the only thing you can think of is R. But, if you know his story, if you really know the comic, there’s no R here. He’s a tortured soul. It’s not about what he does, because we never have to show the knife going from here to there, and the blood is pouring. What you have to show is, what is the motivation? Was he born like that, or [is he] someone we should feel for, because if you succeeding in making a villain someone you can feel for, jackpot.”

As disappointed as some fans may be that Venom 2 won’t jump to an R-rating, one can hardly blame Sony for sticking with a PG-13 vision. The first movie just broke box office records with a PG-13 rating even with largely negative reviews from critics. If a sequel is better executed and has more positive reactions, there’s no reason to believe Venom 2 won’t perform even better if Carnage is included. Sony found success with PG-13, so why would they switch to R and potentially shrink their audience?

Of course, this may still not sit well with many. But, Arad believes they’ll be able to craft the right story around Carnage that won’t mandate extreme violence or anything else that would warrant an R-rating. This will, obviously, put a ton of pressure on the writers of Venom 2 to do this, so that way they can make a complicated foe in Carnage, and then leave it up to director Ruben Fleischer (who will likely return for the sequel) to deliver on the action. Hopefully, Arad is proven to be true and Venom 2 does the story and characters justice in a PG-13 environment.

MORE: All the Spider-Villain Movies Coming After Venom

Source: Collider



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2018-10-08 08:10:47 – Cooper Hood

All The Spider-Villain Movies Coming After Venom

Venom is the first Sony-Marvel film in a planned Spider-Man villain universe – and there’s a lot more on the way. If all goes well for Sony then Venom, in theaters this weekend, will set the ball rolling for a darker version of the Marvel Cinematic Universe

Once The Walt Disney Company’s acquisition of 20th Century Fox is complete, the world of Peter Parker and friends will be the only major segment of the Marvel canon not exclusively under their control. And, although Spider-Man is already part of the MCU, Sony has high hopes for creating their own franchise that can both stand on its own two feet (albeit with the possibility of tying it into the MCU down the line). Spider-Man remains one of the most iconic characters in comic book lore, and his most infamous foes are equally as popular with audiences thanks to the cartoon series and Sam Raimi trilogy.

Related: Is Venom In The MCU? Marvel/Spider-Man Movie Rights & Shared Universes Explained

Their current plans, which are reportedly being referred to internally as Sony’s Universe of Marvel Characters, or SUMC for short, involve expanding the world of the Spidey villains into their own saga. Venom, the human-symbiote who has become one of the series’ most beloved anti-heroes, is only the starting point in these plans. Sony has a whole host of other Spider-villain movies planned. Here are the titles that are either in pre-production or are currently part of the studio’s Spider-verse strategy.

  • This Page: Sony’s Confirmed Spider-Man Villain Films
  • Page 2: Spider-Man Villain Films Sony Has In Early Development

Morbius, the Living Vampire Is The Next Spider-Man Villain Movie

In an unexpected step, Sony has confirmed that the first film to follow Venom would be one centered on Morbius, the Living Vampire, and that the lead role would be played by Jared Leto. The character was created in the 1970s when the Comics Code Authority, the industry’s censorship board, lifted its ban on depictions of vampires and the supernatural. His true identity is that of Michael Morbius, a biochemist whose experiment to cure his rare blood disorder goes awry and gifts him with vampiric abilities.

The Morbius film will be directed by Life‘s Daniel Espinosa, based on a script by Matt Sazama and Burk Sharpless (writers of Gods of Egypt). on screenwriting duties. Morbius is also one of the favorite comic book characters of Avi Arad, who told Screen Rant at a Venom press junket:

We are excited about Morbius. Morbius was always one of my favorite characters. I love the story about the healer that becomes a killer, and how do you deal with it.

Audiences may get Morbius sooner than expected; Sony was last said to be eyeing a November start to production, making a 2019 release possible.

Read More: Morbius the Living Vampire: Who Is He, and What Are His Powers?

Venom 2 Is Likely Going To Happen

WARNING: Spoilers for Venom in this entry.

While we still have to wait for news of Venom’s success before sequel talk begins at Sony for real, it’s clear from the film itself that the studio is eager to establish follow-up films. In one of the two end-credit scenes, Eddie goes to San Quentin prison to interview a prisoner and comes face to face with serial killer Cletus Kasady, a.k.a. Carnage. The part is played by Woody Harrelson, who had previously worked with director Ruben Fleischer on Zombieland.

Like Eddie and Venom, Kasady becomes a host for the Carnage symbiote and proves to be far more powerful and deadly than Venom; in the comics, Carnage leads to Venom teaming up with Spider-Man to take on his uncontrollable rage. Introducing Carnage to their Spider-Man universe would be a strong way for Sony to bring Peter Parker together with Eddie Brock, or otherwise make him more of a hero in his own right.

Silver Sable & Black Cat Are Getting Individual Movies

Originally, Sony had announced plans for a Silver Sable and Black Cat team-up movie, to be titled Silver and Black and released in February 2019. Gina Prince-Bythewood, director of Love and Basketball as well as the pilot for Cloak and Dagger, was attached to helm the project. Now, the two characters will be given their own films and Prince-Bythewood is no longer directing, although she will still receive a producer credit.

Silver Sable (real name Silver Sablinova) is a mercenary and leader of the Wild Pack, a title she inherited from her father, who ran a Nazi-hunting team. Given the character’s roots as a Nazi hunter, it would be difficult for Sony to overlook this crucial part of her backstory. However, it could also open up many storytelling possibilities. Sony are hoping to bring on another female director for the project, but other than that, little else is known about production.

Felicia Hardy, the infamous cat burglar with the ability to produce bad luck in her enemies, is one of Spider-Man’s most popular adversaries as well as a collaborator and on-again, off-again romantic interest. Felicia was previously played by Felicity Jones in The Amazing Spider-Man 2, where she served as Harry Osborn’s assistant, but none of her extra-curricular activities fit into the stuffed movie. Black Cat will reportedly be a re-worked version of the Silver & Black script and Prince-Bythewood will remain a producer.

Page 2: Spider-Man Villain Films Sony Has In Early Development

Spike Lee Was Reportedly In Talks For Nightwatch

While no other films have gone as far in development, Sony has several other Spider-Man villain films in the works. Earlier this year, it was reported that Spike Lee had been in talks to direct a Nightwatch film, with a potential script from Luke Cage showrunner Cheo Hodari Coker, although both Sony and Lee declined to comment.

Doctor Kevin Trench watched a costumed man die while battling terrorists armed with invisibility devices. When he unmasked the dead men, he was shocked to realize that it was an older version of himself. Afraid for what this meant for his future, he stole the costume and fled to a deserted island in the hopes that, if he just never wore the suit, he could avoid his own death. In more recent comics, including She-Hulk, Trench is portrayed as a wealthy philanthropist who secretly spent most of his career as a supervillain and retconned everyone’s memories of his nefarious past.

Kraven The Hunter Has A Script From The Equalizer’s Writer

One character who’s long been eyed for a solo movie is Kraven the Hunter. A Spider-Man villain who’s been rumored for inclusion in movies for years – including the MCU side – it now looks like he could be getting a solo movie at Sony. In August, it was reported that a Kraven script was being written by The Equalizer‘s Richard Wenk, although there’s been no talk of the project since then.

Kraven is one of Spider-Man’s well-known villains, remembered best for the Kraven’s Last Hunt arc which saw him travel to New York in a bid to hunt down and kill Spider-Man, then taking over as a more brutalized version. An involving story, it’s one that would definitely lend itself well to a big screen adaptation.

Read More: Who Kraven Can Hunt In His Movie Instead Of Spider-Man

Jackpot & Silk Have Movies In Development

A couple of other movies have been reported recently. First there’s Jackpot, a more recent addition to the Spider-verse, created by Dan Slott and Phil Jimenez, who only got her own mini-series in 2010. The character also has two aliases: Sara Ehret, a scientist who accidentally gives herself superhuman strength; and Alana Jacobson, who uses performance-enhancing drugs like Mutant Growth Hormone to mimic Jackpot’s powers. A Jackpot movie could open new ground for Sony and the superhero genre: Sara is a 40-something woman with a daughter while Alana is a lesbian, which could bring some much-needed diversity to the field.

There’s also Korean-American superhero Cindy Moon, a.k.a. Silk. Cindy first appeared in The Amazing Spider-Man #1 in April 2014. Her own powers, similar to Spider-Man’s, manifested when the same radioactive spider bit her after biting Peter Parker. Unlike Peter, Silk has the ability to create organic webbing, something she has trouble controlling. She is later approached by businessman Ezekiel Sims, who offers to guide her in her newfound abilities. Cindy briefly appears in Spider-Man: Homecoming as a classmate of Peters and is portrayed by Tiffany Espensen, although the in-development Silk movie is more likely to recast.

Next: Sony’s Marvel Universe May Already Have A Spider-Man Replacement



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2018-10-08 03:10:27 – Kayleigh Donaldson

30 Actors Who Regretted Superhero Roles

Landing a part in the latest major superhero movie release represents the pinnacle of many an acting career. Michael Keaton, Hugh Jackman, Chris Evans and, to some extent, Robert Downey Jr might not be the household names they are today were it not for their comic book exploits.

However, while headlining the latest cinematic effort involving a caped crusader of some kind represents a dream come true for many, it’s proven to be something of a nightmare for a rare few. Bad scripts, difficult directors and a toxic work environment are just some of the many myriad reasons cited by the actors and actresses in this list – yet that’s really only the tip of the iceberg. Studio politics, stalled contract negotiations or issues around costume, make-up and iffy computer effects have also played a role in making these superhero movies not-so-super for the stars involved.

More often than not, the resulting movie has been forgettable at best and downright terrible at worst – but there are exceptions to the rule. Sometimes, an actor ended up enduring a miserable time on an otherwise enjoyable project. Other times, far sinister things were going on, unbeknownst to many involved in the finished movie.

Plenty of flops feature on this countdown but some major moneymakers can be found too, with comic book movie properties tied to Marvel, 2000AD, DC and Titan Comics all present and not very correct. Yes, landing a part in the latest superhero movie blockbuster has represented the pinnacle of many an acting career down the years but for this lot, it represented the pits.

Here are 30 Actors Who Regretted Superhero Roles.

30 Hugo Weaving – Red Skull

Hugo Weaving originally signed a multi-picture deal to play the Red Skull across various future Captain America movies. However, when the character returned in Avengers: Infinity War the character had been recast with The Walking Dead’s Ross Marquand taking Weaving’s place. It wasn’t a huge shock.

A few years prior, The Matrix actor told Collider playing the Red Skull was “not something I would want to do again.”

“It’s not the sort of film I seek out and really am excited by,” he said. “I increasingly like to go back to what I used to always do, which is to get involved with projects that I really have a personal affiliation with.”

29 Ryan Reynolds – Green Lantern

Ryan Reynolds has made no secret of the fact things didn’t exactly go to plan with 2011’s Green Lantern. He even went as far as to include a gag, poking fun at the project, in Deadpool 2. Though it’s something he is able to laugh about now, it’s clear the actor regrets signing on that particular dotted line.

“When we shot Green Lantern, nobody auditioning for the role of Green Lantern was given the opportunity to read the script because the script didn’t exist,” Reynolds told The Hollywood Reporter. The experience did at least teach him some valuable lessons about making superhero movies which was good news for Deadpool fans.

28 Jessica Alba – Invisible Woman

Jessica Alba’s experience playing Sue Storm in Fantastic Four: Rise of the Silver Surfer was so bad it left her considering a career change. “I wanted to stop acting. I hated it. I really hated it,” Alba told Elle [via SyFy].

“I remember when I was dying in ‘Silver Surfer’. The director [Tim Story] was like, ‘It looks too real. It looks too painful. Can you be prettier when you cry? Cry pretty, Jessica.’ He was like, ‘Don’t do that thing with your face. Just make it flat. We can CGI the tears in.'” She continued: “It all got me thinking: Am I not good enough?”

27 Ben Affleck – Daredevil

Ben Affleck doesn’t just regret starring in the 2003 movie adaptation of Daredevil, he hates it. Affleck let his feelings be known to TimeTalks [via NME] during a discussion about why he signed on for Batman vs Superman: Dawn of Justice. Affleck said: “Part of it was I wanted for once to get one of these movies and do it right – to do a good version. I hate Daredevil so much.”

“The Netflix show does really cool stuff,” he added.

“I feel like that was there for us to do with that character, and we never kind of got it right. I wanted to do one of those movies and sort of get it right,” Affleck stated.

26 Terrence Howard – War Machine

Terrence Howard has always blamed Robert Downey Jr for the fact he never got to reprise the role of James Rhodes in the Iron Man sequels. “It turns out that the person that I helped become Iron Man, when it was time to re-up for the second one, took the money that was supposed to go to me and pushed me out,” Howard told Watch What Happens Live [via Vulture].

Howard claims the studio offered to pay him “one-eighth of what we contractually had” and when he tried to call Downey Jr to talk about it “he didn’t call me back for three months.”

25 Idris Elba – Heimdall

Idris Elba’s experience working on Thor: The Dark World was so bad the actor described parts of it as “torture” to The Telegraph. In the interview, Elba recalled how he was forced to complete reshoots in London for the Thor sequel just days after return from filming the prestige biopic Mandela, in South Africa.

“In between takes I was stuck there [hanging from a harness], fake hair stuck on to my head with glue, this fucking helmet, while they reset, he said. “And I’m thinking: ‘24 hours ago, I was Mandela.’ … Then there I was, in this stupid harness, with this wig and this sword and these contact lenses. It ripped my heart out.”

24 Ryan Reynolds – Wolverine: X-Men Origins

Ryan Reynolds’ appearance as Deadpool in Wolverine: X-Men Origins was plagued with problems, starting with the character’s appearance. “He wound up being this abomination of Deadpool that was like Barakapool, with his mouth sewn shut and weird blades that came out of his hands and these strange tattoos and stuff like that,” he told GQ.

Though Reynolds objected, the studio pressed on.

“The conversation at the time was ‘If you want to play Deadpool, this is your chance to introduce him. And if you don’t want to introduce him in this fashion, we’ll have someone else play him.'”When the film leaked online and fans reacted angrily, Reynolds response was simple: “told you so”.

23 Ed Norton – Hulk

Ed Norton clashed with producers behind the scenes on The Incredible Hulk, having only agreed to play Bruce Banner on the proviso he could have a say on the script and direction of the film. Replaced by Mark Ruffalo in the MCU, Norton couldn’t resist having a dig at the film during an appearance on Comedy Central’s Roast of Bruce Willis.

“I tried to be like you,” he told Willis [via Indiewire]. “I did a big action movie called The Incredible Hulk. You know what went wrong? I wanted a better script…I thought we should make one Marvel movie as good as the worst Christopher Nolan movie, but what the hell was I thinking.”

22 George Clooney – Batman

Joel Schumacher’s Batman & Robin may have fallen flat with critics and fans alike but it proved to be a serious career wake-up call for its star, George Clooney. “Up until that moment, I was an actor only concerned with finding work,” he told The Hollywood Reporter. “After the failure of that film creatively, I understood that I needed to take control of the films I made, not just the role.”

Clooney successfully banished memories of his time as Batman with next three films: Out of Sight, Three Kings and O Brother, Where Art Thou?

21 Tommy Lee Jones – Two-Face

Tommy Lee Jones hated working on Batman Forever or, rather, he hated working with co-star Jim Carrey. “I was the star and that was the problem,” Carrey explained on Norm MacDonald Live [via THR].

The situation came to a head when Carrey ended up in the same restaurant as Jones during filming.

“I went over and I said, ‘Hey Tommy, how are you doing?’ and the blood just drained from his face,” Carrey said. “He went to hug me and he said, ‘I hate you. I really don’t like you.’ And I said, ‘What’s the problem?’ and pulled up a chair, which probably wasn’t smart. And he said, ‘I cannot sanction your buffoonery.'”

20 Topher Grace – Venom

Topher Grace never felt entirely comfortable in the role of Eddie Brock/Venom having bagged the role in Sam Raimi’s Spider-Man 3. “I was a huge fan of the character of Venom when I was a kid when Todd McFarlane brought him into the comic,” he told Michael Rosenbaum on the Inside of You podcast [via Cinemablend]. “And I was surprised and a little bit like ‘Huh?’ when they wanted me to play it.”

Not only does Grace accept he was miscast, but he also agrees Tom Hardy is perfect for the role. “When I look at it now… [at Tom Hardy’s Venom movie] I go ‘That’s the guy.'”

19 Mickey Rourke – Ivan Vanko

Micky Rourke trashed the bigwigs over at Marvel Studios for what they did to his character Ivan Vanko, in Iron Man 2. Rourke told Syfy that he had worked hard with writer Justin Theroux and director Jon Favreau to flesh out his Russian villain and turn him into a three-dimensional character. Someone behind-the-scenes had other ideas though.

“I wanted to bring some other layers and colors, not just make this Russian a complete murderous revenging bad guy,” he said. “Unfortunately, the [people] at Marvel just wanted a one-dimensional bad guy, so most of the performance ended up the floor.”

18 Alicia Silverstone – Batgirl

Alicia Silverstone was on the receiving end of some serious body shaming while working on Batman & Robin. According to The Hollywood Reporter, Silverstone, who was a huge star following the success of Clueless, was under intense scrutiny over her weight with one critic reportedly observing she “looked more Babe than babe.”

When rumor got out on set that she was having issues with her costume fittings, a storyboard artist ever put together a joke cartoon of Batgirl, mocking Silverstone’s issues.

The fake poster for Clueless 2: The Casting of Batgirl might have gone down well with the guys in the film’s art department but studio bosses were far from impressed.

17 Nicolas Cage – Ghost Rider

Nicolas Cage has previously spoken of his disappointment at his two Ghost Rider movies, which he felt played it too safe. Speaking to JoBlo [via Bloody Disgusting], Cage explained that he and writer David S. Goyer had always envisioned the films as being gritty and, most importantly, R-rated.

“Ghost Rider was a movie that always should’ve been an R-rated movie,” Cage said. “David Goyer had a brilliant script which I wanted to do with David, and for whatever reason, they just didn’t let us make the movie.” Though he believes there is the potential for someone else to take on the role and go down that dark path, Cage is done with the character.

16 Jim Carrey – Colonel Stars And Stripes

Jim Carrey stunned social media ahead of the release of Kick-Ass 2 by denouncing the film and its “level of violence” in the wake of the Sandy Hook massacre. Carrey, who is an outspoken advocate for increased gun control, took to Twitter following the incident to explain that he could no longer support the film.

“I did Kick-Ass 2 a month b4 Sandy Hook and now in all good conscience I cannot support that level of violence,” he wrote [via The Guardian]. “My apologies to others involve[d] with the film. I am not ashamed of it but recent events have caused a change in my heart.”

15 Michael Jai White – Spawn

He may have been among the first African American actors to portray a major comic book superhero but Michael Jai White has little love for his sole outing as Spawn. In fact, White is a much bigger fan of his small but powerful role as the gangster Gambol in Christopher Nolan’s The Dark Knight.

He even went as far as to conduct an interview with The Hollywood Reporter revisiting his performance alongside Heath Ledger.

During the interview, White couldn’t resist having a dig at Spawn: “There is no footage of me ever saying that I liked Spawn. I have never said that I thought that was a good movie.” Ouch.

14 Jared Leto – The Joker

Jared Leto was left far from happy with the version of Suicide Squad that made it to the cinemas. Asked by IGN whether any scenes involving the Joker were cut from the film, Leto let rip.

“There were so many scenes that got cut from the movie, I couldn’t even start. I think that the Joker… we did a lot of experimentation on the set, we explored a lot. There’s so much that we shot that’s not in the film,” he said. “If I die anytime soon, it’s probably likely that it’ll surface somewhere. That’s the good news about the death of an actor is all that stuff seems to come out.”

13 Halle Berry – Catwoman

Halle Berry’s regret at signing up for Catwoman was clear to see when she decided to make an appearance at the annual Razzie Awards back in 2005. A celebration of the year’s worst films and performances, Berry ‘won’ the Worst Actress gong for her efforts in Catwoman and, in a surprising turn of events, was on hand to deliver a memorable acceptance speech.

“I want to thank Warner Bros. for casting me in this piece-of-sh**, god-awful movie,” she said [via MTV], going on to mock the rest of her cast. “I’d like to thank the rest of the cast. To give a really bad performance like mine, you need to have really bad actors.”

12 Alan Cumming – Nightcrawler

Back when Alan Cumming was still in the frame to reprise his role as Nightcrawler in X-Men: The Last Stand, the Scottish actor shocked journalists with his response to the news Bryan Singer would not be returning for the third installment.

“I’m not disappointed, I can’t deny it,” Cumming said [via Movieweb]. “I think he’s really talented. I’m very proud of the film. I think it’s a great film. I didn’t enjoy working with him on the film.”

Evidently, Singer and Cumming didn’t see eye to eye on X-Men 2 though the source of their fractious relationship has never been divulged.

11 Ellen Page – Kitty Pryde

Ellen Page took to Facebook in 2017 to accuse director Brett Ratner of harassment during their time together on 2006’s X-Men: The Last Stand. According to Page, Ratner mocked her sexuality during promotional work for the film. Page was only 18 at the time.

“‘You should f*** her to make her realize she’s gay.’ He said this about me during a cast and crew ‘meet and greet’ before we began filming, X Men: The Last Stand,” Page wrote. “He looked at a woman standing next to me, ten years my senior, pointed to me and said: ‘You should f*** her to make her realize she’s gay.’”

10 Michael Fassbender – Magneto

Back in 2016, during the Toronto Film Festival’s pre-opening-night fundraising event, honoree Michael Fassbender surprised those in attendance by laying into his performance as Magneto in X-Men: Days of Future Past. According to Vulture, during a segment in which clips from several of Fassbender’s films were shown, Fassbender started “cringing and rubbing his face with embarrassment”.

“I don’t actually like that performance there, to be honest,” Fassbender said after the highlights reel finished. “I just think it’s me shouting. It’s just like [making a face and flailing his arms around] some dude shouting.”

9 Jamie Bell – Thing

Rumoured unrest on the set of Josh Trank’s Fantastic Four movie, coupled with the movie’s bad reviews left a bad taste in the mouth of its star, Jamie Bell. “There were several things on that movie I was clearly not privy to because I’m just an actor and I just do my stuff on set,” Bell told the Los Angeles Times.

“Everything starts with the best of intentions. A production begins with the idea to make something that’s unique and original and with integrity,” he said.

“I don’t know what happened between the launch of the voyage and the arrival. I think we were all bitterly disappointed with that film,” stated Bell.

8 Josh Brolin – Jonah Hex

Production delays, directorial changes, script rewrites, reshoots, and some pretty heavy-handed editing helped make Jonah Hex one of the most disappointing comic book movies of all time. It’s something the film’s star, Josh Brolin, is only too aware of. In fact, he revealed in an interview with the Nerdist that he hates it just as much as everyone else.

“Oh, ‘Jonah Hex,’ hated it. Hated it,” he said [via Collider]. “The experience of making it — that would have been a better movie based on what we did. As opposed to what ended up happening to it, which is going back and reshooting 66 pages in 12 days.”

7 Jennifer Garner – Elektra

While Ben Affleck bounced back from his Daredevil movie, Jennifer Garner never quite got going again after her spin-off effort, Elektra, bombed. Though Garner has never spoken openly about the film, her ex-boyfriend and close friend Michael Vartan revealed to Us Weekly [via SFGate] that the Alias actress was very unhappy with how the film turned out.

“I heard [Elektra] was awful. [Jennifer] called me and told me it was awful,” Vartan said. “She had to do it because of Daredevil. It was in her contract.” Garner has never denied Vartan’s claims.

6 Edward Furlong – The Crow

The Crow: Wicked Prayer is an absolute stinker of a comic book movie and currently boasts a 0% rating on Rotten Tomatoes.

It’s star, Edward Furlong, struggled to show much in the way of enthusiasm for the role during an interview with Movieweb.

Asked about how he prepared for the film’s starring role, Furlong said: “It’s sort of like a really slow process that Lance Mungia, the director, and I went through. Initially, I was just attracted to the script because it was The Crow and I got to put on some leather pants and kick people’s ass.” Given how it turned out, he must be regretting signing up for such flimsy reasons.

5 Chloë Grace Moretz – Hit-Girl

Chloe Moretz made her name as Hit Girl in Mark Millar’s original Kick-Ass but, despite the first film holding a special place in her heart, she’s always been less enthusiastic about the sequel.

During an appearance on a panel at the Provincetown Film Festival in 2018, Moretz made those feelings crystal clear. “I love the franchise, I think the first movie was really, really special. I wish the second one had been handled in a little bit of a different way,” she said [via Cinemablend]. “Because I think we were all kind of looking forward to something a little different than what happened with it all.”

4 Kate Mara – The Invisible Woman

Kate Mara played Sue Storm in Josh Trank’s Fantastic Four movie and, in an interview with The Times[via Yahoo] revealed the negative aura surrounding the film made her “a little gun-shy” about seeing the finished film.

“You don’t always have to learn some incredible life lesson when making a s*** movie. Sometimes it’s just what happens,” she said. “[Fantastic Four] was a tricky shoot but you know when you know when you’re shooting it that a film isn’t going to be what you want it to be? That was not the case at all.”

3 Jamie Kennedy – The Mask

Son of the Mask saw Jamie Kennedy replace Jim Carrey as the franchise’s star, with almost unwatchable results.

Though the movie is widely regarded as one of the worst ever made, Kennedy’s biggest regret may boil down to the make-up he had to wear on the film.

“I wore it 6 days in a row, and after that it gets rough,” he told Movieweb. “I had ears in this one, and Jim Carrey didn’t in the first one, so they would like press against my real ears and cut the circulation, so I would have to like rub my ears a bit after having on the makeup to get the blood flowing again.”

2 Sylvester Stallone – Judge Dredd

Despite starring in such turkeys as Over The Top, Stop Or My Mom Will Shoot and Oscar, Sylvester Stallone’s biggest regret was reserved for another movie. “The biggest mistake I ever made was with the sloppy handling of Judge Dredd” he once declared [via Den of Geek]. “The philosophy of the film was not set in stone – by that I mean, ‘Is this going to be a serious drama or with comic overtones’, like other science fiction films that were successful? So a lotta pieces just didn’t fit smoothly.”

“The design work on it was fantastic, and the sets were incredibly real, even standing two feet away, but there was just no communication,” he stated.

1 Lori Petty – Tank Girl

Lori Petty had a very particular gripe with the way things turned out for her Tank Girl movie: it was given an R rating. “There is nothing about that movie that is R. Nothing. Except there’s a woman talking s***. That’s why they rated it R. If they were going to rate it R I should have been butt-naked all the time, running around,” she told AV Club.

Tommy Boy came out that weekend, too, which is a hysterical movie, but it was rated PG-13. Do you know how many people bought Tommy Boy tickets and went to see Tank Girl? A billion.”

Are there any other superhero actors who regretted their roles? Sound off in the comments!



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2018-10-08 03:10:25 – Jack Beresford

Venom’s OTHER End-Credits Scene Explained

Venom not only has a mid-credits scene that overtly sets up a sequel with Cletus Kasady a.k.a. Carnage as the villain – it also has a post-credits scene that offers a sneak peek at upcoming animated adventure Spider-Man: Into the Spider-Verse.

Unlike the careful cohesion of the Marvel Cinematic Universe, Sony Pictures’ stable of Marvel properties are a little more complicated. Venom may or may not be in the same live-action universe as a slate of upcoming Spider-Man-adjacent movies like Silver Sable, Black Cat and the Jared Leto-starring Morbius, the Living Vampire. Spider-Man: Into the Spider-Verse, however, is explicitly set in a different universe (though possibly within the same multiverse).

Related: How Venom Sets Up A (Much Better) Sequel

Let’s break down the hilarity and action of the Into the Spider-Verse scene that follows Venom‘s end-credits, what it tells us about the world of young Miles Morales, and the insight it offers into Sony’s approach to marketing superhero movies.

  • This Page: Into the Spider-Verse and Miles Morales’ Universe
  • Page 2: What Happens In The Post-Credits Scene

Spider-Verse Is NOT Connected To Venom

Barring a surprise cameo by Tom Hardy, bursting into Spider-Man: Into the Spider-Verse like Eddie Valiant arriving in Toontown, it’s safe to say that Venom and Into the Spider-Verse do not share any continuity. Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman, and produced by The LEGO Movie directors Phil Lord and Chris Miller, Into the Spider-Verse embraces the Marvel Comics concept of a superhero multiverse by bringing many different versions of Spider-Man into the same universe.

Based on the most recent trailer, it looks like this crossing-over of universes is triggered by the Kingpin’s use of a super-collider. The protagonist of the movie is Miles Morales, a Brooklyn teen who was introduced in the Ultimate Marvel comics back in 2011, and takes up the mantle of Spider-Man in his universe after Peter Parker dies. Into the Spider-Verse is about Miles discovering that there’s an entire multiverse full of weird and diverse Spider-People out there, and working together with them to stop Kingpin from destroying Brooklyn.

We’re expecting to see a lot of cameos and references to the many versions of Spider-Man in the movie, but the trailers so far have introduced a group of six main Spider-People: Miles himself; a version of Peter Parker from a different universe; Spider-Gwen (a version of Gwen Stacy from a universe where she was bitten by the radioactive spider instead of Peter); Spider-Man Noir (a black-clad Peter Parker from a noir-themed 1930s universe); Peni Parker (an anime schoolgirl who operates a spider mech suit); and Spider-Ham, a spider who was bitten by a radioactive pig.

Related: Every VENOM Easter Egg & Marvel Secret You Missed

Peter Parker Is Dead (In Miles Morales’ Universe)

As mentioned before, Miles Morales hails from the Ultimate Universe and was introduced after a story arc called The Death of Spider-Man, in which (you guessed it) Spider-Man dies. Specifically, Peter Parker dies in battle with the Green Goblin, saving Aunt May in the process and, in his mind, redeeming himself for failing to save Uncle Ben. Not long afterwards, Miles Morales is bitten by a radioactive spider stolen from Oscorp, and develops all of Spider-Man’s powers – plus a couple of extras: camouflage, and the ability to fire a blast of energy from his hands, called a venom strike.

Venom‘s post-credits scene confirms that Spider-Man: Into the Spider-Verse will be adhering closely to the Ultimate comics, as it shows Miles kneeling by Peter Parker’s grave – making it clear that the Peter Parker in his universe is dead. In the comics, Miles takes up the mantle of Spider-Man (despite having some qualms that it might be in “bad taste”) to honor the late Peter Parker. It seems as though the Miles of Into the Spider-Verse has done the same, but worries that he’s not a good enough Spider-Man to live up to Peter’s legacy.

The post-credits scene then takes a turn for the weird. As Miles is mourning Peter Parker, who should sneak up behind him in the graveyard but… another Peter Parker!

Page 2: What Happens In The Post-Credits Scene

What The Spider-Verse Post-Credits Tease Shows

The first meeting between Miles and Peter does not go well. Miles accidentally knocks Peter out and ends out attached to him by a string of webbing. Before he can untangle himself, the cops show up in the graveyard and – mistakenly thinking that Miles is carrying a dead body – start coming after him. Panicking, Miles flees the graveyard with the unconscious Peter in tow, but the extra weight slows him down. Peter’s body manages to get webbed to a passing train, and the train drags his body along with Miles – still stuck to Peter – dragged along behind.

What ensues is a downright hilarious chase through the streets of New York with the cops trying to keep up as Miles and Peter are pulled helplessly along by the train. Miles attempts to keep Peter from coming to harm, but he bounces off cars and other objects, getting increasingly beat-up. At one point he crashes into a snowman and gets the snowman head stuck on his own head, creating quite a bizarre spectacle for the citizens of New York as he passes by. Peter regains consciousness just as the train finally slows to a stop, and the scene ends there.

Related: Spider-Verse Theory: Peter Parker Is Tobey Maguire’s Spider-Man

Overall it’s a pretty revealing clip – setting up the first meeting between Miles and Peter, and effectively communicating the premise of the movie to audience members who may not have been aware of Into the Spider-Verse‘s existence. Some fans may be dissatisfied with it – perhaps hoping for a glimpse at one of Sony’s other upcoming movies, or even a clip that teases Spider-Man: Far From Home. However, it’s smart for Sony to promote their next comic book movie wherever possible, and the Into the Spider-Verse clip is arguably a lot better than Venom‘s mid-credits scene.

Venom’s Mid-Credits Scene Sets Up Venom 2

Before wrapping up, it’s worth touching on Venom‘s mid-credits scene as well. This is a much more standard use of the mid-credits scene gimmick, overtly setting up Venom 2 (which seems like an inevitability, based on the first movie’s strong box office performance). It was all but confirmed that Woody Harrelson would be playing Cletus Kasady, the host of Venom’s symbiote offspring Carnage, but the mid-credits scene offers a first look at Harrelson in the role… and wearing a comically bad red wig.

Eddie Brock scores a hot interview with Cletus, a serial killer with many gruesome murders under his belt, and is taken to San Quentin Prison. There, Cletus is being held in a maximum security cell (a similar set-up to Harley Quinn’s cage in Suicide Squad), and is strapped into a straitjacket for good measure. He’s busy scrawling messages on the wall in his own blood when Eddie arrives, and the two of them confront each other coolly. A smirking Cletus asks if Eddie wants to hear about “the Carnage,” and the scene ends there.

It doesn’t look like Cletus Kasady has yet bonded with Carnage in this scene, but if Eddie’s visiting him in prison that Venom could well give birth to Carnage during the visit (symbiote reproduction is asexual and pretty casual) – thereby unwittingly handing Cletus the key to his escape.

More: Every Spider-Man Villain Confirmed For Into The Spider-Verse (So Far)



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2018-10-07 02:10:15 – Hannah Shaw-Williams

Todd McFarlane’s Halloween NYCC Poster Features Michael Myers’ Iconic Mask

Comic book legend Todd McFarlane has created his very own Halloween poster, which features Michael Myers’ iconic mask. McFarlane has worked as a writer and illustrator on many comic books, but is mostly known for his work on the Spawn comics, and for co-creating the Spider-Man character Venom.

Much like Venom and Spawn, Michael Myers has been a popular character for many years. Michael was first depicted in John Carpenter’s famous horror film Halloween in 1978. Many other directors have made films featuring the iconic serial killer over the last 40 years. There has been a total of ten Halloween movies since the character was created in the ’70s, including Halloween III: Season of the Witch, which had nothing to do with Myers. The most recent entry into the Halloween franchise was in 2009, when Rob Zombie made a sequel to his divisive 2007 Halloween remake. 40 years after Michael terrorized Haddonfield, Illinois, the character is returning to the big screen thanks to director David Gordon Green. A Halloween poster was previously revealed at San Diego Comic-Con, and now McFarlane has revealed his revamped poster at New York Comic Con.

Related: Halloween Reboot Prevented Baby Driver Using Michael Myers Mask

McFarlane’s exclusive New York Comic Con poster was revealed by Halloween’s official Twitter account. Following the trend from other Halloween posters, McFarlane’s poster is quite simple, and just features Michael Myers’ iconic white mask. As well-known as the character is, not a whole lot else is needed in a poster promoting the film, yet McFarlane gives his poster incredible detail when it comes to making the mask look old and worn. He also gives Myers completely black voids where his eyes should be, referencing Dr. Loomis’ famous speech about his former patient in Carpenter’s original.

While there have been multiple Halloween installments over the years, the upcoming film will actually be a direct sequel to only Carpenter’s original.  The last seven sequels and Zombie’s two films are now considered non-canon; however, the new Halloween will still reference those past entries. Even though most of the previous Halloween sequels have been anything but great, the upcoming film has a lot of potential, since it’s not only retconning the past movies, but original star Jamie Lee Curtis is reprising her role of Laurie Strode as well. It’s also important to a lot of horror fans that Carpenter himself is heavily involved in the new film, even once again composing the score.

Even though the comics legend is in no way involved with the sequel, it’s interesting to see McFarlane’s take on the Halloween property. McFarlane previously released a toy line called “Movie Maniacs” which featured Michael Myers, but this is one of the first times fans have seen Michael come to life via McFarlane’s artwork. Hopefully it won’t be the last.

More: Watch Todd McFarlane Edit Tom Hardy’s Venom Suit to Look Comic Accurate

Source: Halloween/Twitter





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2018-10-06 06:10:04 – Christopher Fiduccia

Seven movies hit the big screen this week



Venom

Featuring Tom Hardy, Jenny Slate, Riz Ahmed, Michelle Williams, Woody Harrelson, Michelle Lee, Marcella Bragio and Sope Aluko, “Venom” was directed by Ruben Flesicher.

Based on the story “Venom:…Click To Continue



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Is Venom Too Scary For Kids?

Venom may be rated PG-13, but given that it’s a movie about an alien parasite that forcibly takes over someone’s body and then starts threatening to bite heads and limbs off, parents may be wondering if the movie is too scary for younger children.

Though Sony claims that Venom was always intended to have a PG-13 rating, director Ruben Fleischer was uncertain in August whether or not the movie would ultimately earn an R-rating, and stated that he was agreeable to putting together an unrated director’s cut. Add to this Fleischer’s earlier comments on taking inspiration from the works of body-horror masters John Carpenter and David Cronenberg, and Venom certainly sounds like the kind of movie that could give you nightmares – even without the 40 minutes of deleted scenes.

Related: Venom Review: Tom Hardy’s Superhero Movie is a Weirdly Fun Monster

Ultimately, the MPAA rated Venom PG-13 for “intense sequences of sci-fi violence and action, and for language.” The BBFC rated Venom 15 for “strong threat, horror, violence.” Here is a run down of what all that means.

How Violent Is Venom?

Venom‘s violent content makes up the majority of the reason for its rating. The movie contains a lot of intense action sequences, including falls from great heights and a chase through the streets of San Francisco with explosions. There are numerous fights, with guns and tasers being employed. However, many of the on-screen deaths (particularly those caused by the main villain Riot and the two instances of Venom biting someone’s head off) happen very quickly and bloodlessly, and in the case of the bitten-off heads it’s unclear what even happened until characters talk about it afterwards. Overall, the violence is fairly standard for a superhero movie.

The Body Horror Elements

The body horror elements of Venom are far more likely to unsettle younger audiences than its action sequences. Though often played for laughs as Eddie Brock argues with the voice in his head, the idea of having your body taken over against your wishes may be uncomfortable for some viewers. There are various sequences of the slimy symbiotes latching on to their victims and crawling across their struggling bodies, forcing their way in. There’s a further element of revulsion given some of the things Brock does while under the symbiote’s influence, which include biting into a live lobster, eating a chicken out of the garbage, and later throwing up into a clearly unclean toilet. If you have emetophobia, you may want to step out of the theater for a few minutes when Eddie starts raiding his freezer.

Language And Sexual Content

Venom contains several uses of the phrase “Oh s**t” as Eddie Brock is unwillingly dragged from one dangerous situation to the next by the symbiote. There is also one use of the F-word in the lead-up to the final battle. The movie is completely free of nudity and there is no real suggestion of sexual activity apart from one scene where Eddie and his fiancee, Anne Weying, are depicted in bed together, fully-clothed, and a passionate kiss between Eddie and Venom/Anne later in the movie, in which the symbiote transfers from her to him.

More: Venom: The 10 Biggest Spoilers



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2018-10-05 03:10:15 – Matt Morrison