20 Crazy Details Behind The Making Of The Rocky Horror Picture Show

Roger Ebert once wrote that The Rocky Horror Picture Show was less a movie and more of a “social phenomenon.” This is probably the most accurate way to describe the 1975 rock musical, as it just isn’t an ordinary film. First released to a less-than-stellar reception, Rocky Horror eventually found long-lasting fame from an unlikely source: audience participation. Its original theatrical run didn’t garner much praise, but the film came into its own when theaters began showing it at midnight screenings, now infamous for the almost ritualistic ways the audience dresses, shouts, and flings objects at the screen.

Rocky Horror is a legend of cult cinema– one of the few movies that has earned that title again and again. The film follows what appears to be a whole married couple, Brad and Janet (Barry Bostwick and Susan Sarandon), as they stay the night at a spooky old mansion owned by Dr. Frank N. Furter (Tim Curry, in the performance that rocketed him to stardom). What ensues is a celebration of kitsch, camp, horror, and science fiction cinema, a musical that makes very little logical sense but is a ton of fun.

Naturally, a film like that has to have a riveting story behind the scenes. Written by Richard O’Brien and directed by Jim Sharman, The Rocky Horror Picture Show has just as many crazy details behind the camera as in front of it. Those details will be counted down here, and we’ll get straight to it, as we can see you tremble with antici…

Pation. This is 20 Crazy Details Behind The Making Of The Rocky Horror Picture Show.

20 It originally had a different title

The original stage version of the movie had a whirlwind creative process, with Richard O’Brien whipping up the show with his artist and actor friends fairly quickly. As it happens, they were originally rehearsing the show under a different title.

It was called They Came From Denton High due to the story being set somewhere near Denton, Texas.

Obviously, that didn’t last, but O’Brien and director Jim Sharman didn’t change it until the very last minute. Sharman suggested the name change just before previews of the stage show, based on the genres they were spoofing. Thus was “The Rocky Horror Show” born (only the movie had the extra “Picture” in the title, naturally).

19 Brad and Janet were replaced

The cast of Rocky Horror is mostly unchanged from the stage show to the movie. Richard O’Brien and Jim Sharman kept their creative team mostly intact, too, so when you’re watching the movie it should really feel like you’re just seeing a filmed version of the stage show. Well, except for a few roles.

Aside from the high-profile cameo from Meat Loaf and a few other replacements, the protagonists were also switched out.

The original actors for Brad and Janet wanted to reprise their roles, but studio executives at Fox felt they needed two US actors in those parts to help sell the movie. Rocky Horror fans can’t complain, as Barry Bostwick and Susan Sarandon did a great job as Brad and Janet, but we feel for those two original actors whose roles were taken from them.

18 The story behind the lips

Everyone who has seen The Rocky Horror Picture Show– not to mention plenty of people who have only seen the poster– are familiar with the lips that open the film. This iconic image is actually the product of several people working together, rather than just one actress.

The lips that appear in the film are Patricia Quinn’s (who also played Magenta), but she’s only lip-syncing the song “Science Fiction/Double Feature” even though she did in the stage show. The singer is actually creator Richard O’Brien. And the lips on that famous poster are those of somebody else entirely, former model Lorelei Shark.

17 The costume designer didn’t want to do it

Costume designer Sue Blane is credited with much of The Rocky Horror Picture Show’s lasting appeal thanks to her designs that spoofed the traditions of cinema and leaned heavily into camp. The movie wouldn’t be the same without her, but it almost had to do just that, as she wasn’t interested in the project at first.

In fact, Blane herself says that it took director Jim Sharman meeting with her personally and getting her tipsy before she saw the light. Blane didn’t like the idea of doing a silly project for very little money, but when she found out Tim Curry and a bunch of her other favorite colleagues and friends were already committed to the show, she relented. Thank goodness for that.

16 Tim Curry wasn’t new to corsets

Tim Curry has a long and storied career on the stage and screen, and his rise to prominence came largely thanks to The Rocky Horror Picture Show. Given that it was his first hit movie role, people tend to forget that Curry wasn’t a complete rookie. Case in point: Curry had actually starred in a similar stage show before originating the role of Frank N. Furter in Rocky Horror’s stage incarnation.

Curry had also worn a corset in a production of The Maids.

Costume designer Sue Blane had worked that same production. For Rocky Horror, Blane says she simply asked the theater for the same corset for Curry to wear. Naturally, Blane remarked that Curry took to the corset “like a duck to water.”

15 Susan Sarandon’s sickness

Cinema can be a fickle thing– while you’d expect film sets to be glamorous affairs, with every possible amenity available to the actors, you would occasionally be very wrong. The Rocky Horror Picture Show was no picnic to make, as the cast and crew had to endure unheated sets while filming scenes in pools.

This might not sound like a big deal, but it was for Susan Sarandon, who fell ill during production. The filmmakers had nothing but kind words for her after her gritty effort to push through with the work, as they mentioned that she was literally “shaking with fever” on set but kept on going in spite of that.

14 Rocky was supposed to talk

Sometimes you’ve just gotta improvise when you’re making a film. While the creative team behind The Rocky Horror Picture Show might have thought they had the perfect casting when they got Peter Hinwood to play the character of Rocky Horror, they changed their minds when they found out he was a model who had zero acting experience. Rocky Horror originally had dialogue in the film, but after watching Hinwood act, Sharman and O’Brien elected to remove all his speaking parts.

Another singer dubbed over the character’s singing parts, so Hinwood’s voice never actually shows up in the film.

Clearly, they were in love with his looks, but not the way he sounded.

13 You can book a room where it was filmed

The Rocky Horror Picture Show was filmed at Oakley Court in England, a castle that had been host to several horror films in its past. While it may not have been the most welcoming place for the film crew in 1975 (at the time, it had no heating and few bathrooms), it’s doing a better job of that nowadays.

Oakley Court is now a ritzy hotel, allowing guests to stay in the location that was the home to many of their favorite spooky movies from days gone by. Nowadays, of course, the hotel advertises its proximity to LEGOLAND more than it does its connection to film history, but we’d like to think there are still a few Rocky Horror fans who make the trip.

12 The David Bowie connection

This might seem unrelated to The Rocky Horror Picture Show, but it isn’t.

Pierre LaRoche was one of the creative forces behind David Bowie’s now-iconic Ziggy Stardust look, but that wasn’t the only influential job the makeup artist held.

LaRoche was also the person film producers turned to when they wanted a makeup redesign for the characters in Rocky Horror. While Sue Blane gets the lion’s share of the credit for the character designs in the film, we shouldn’t forget that it was Pierre LaRoche who actually came up with the makeup designs. Though the make-up is a touch more subtle than costumes, it’s still one of the main reasons the visuals of the film are so fun to watch.

11 Meat Loaf didn’t actually drive the motorcycle

Singer and occasional actor Meat Loaf has a memorable turn in Rocky Horror as Eddie, the delivery boy and partial brain donor to Rocky, who is tragically stabbed by Frank N. Furter. Eddie gets a fun entrance, bursting out of a freezer on a motorcycle, but the problem is that Meat Loaf didn’t actually ride that motorcycle. Aside from a few less dangerous wide shots, Meat Loaf left the actual driving to a stunt man as he says he didn’t feel comfortable doing anything risky on it.

For the close-up shots that needed to look like Eddie was on the motorcycle, the crew rigged up a wheelchair for Meat Loaf to ride.

That way, safety didn’t need to be sacrificed. Or that was the theory, anyway, as the wheelchair didn’t turn out to be that safe anyway.

10 The on-set injuries

Though it wasn’t Jim Sharman’s debut feature, The Rocky Horror Picture Show was not a film staffed by the most experienced team. This is perhaps reflected best by the apparently high number of on-set injuries that occurred– even ignoring the on-set illnesses, including Sarandon’s.

In the same interview, Meat Loaf describes an incident that happened while he was sitting in his wheelchair, where it fell off a ramp on the set, shattered a camera, caused a few cuts on Meat Loaf’s face and arm, and snapped a stand-in’s leg in two. While some efforts were made for safety, injuries ran rampant even with the wheelchair.

9 The skeleton inside the clock was real

One of the single most famous props in all of Rocky Horror is the skeleton clock; a coffin that has a clock face set on the front. The reveal that there is a skeleton inside the coffin is a fun moment in the movie, but the filmmakers dropped another bombshell in later years: the skeleton inside was real.

The skeleton clock actually lived on past the film.

In 2002, Sotheby’s auction house in London sold the clock for an exorbitant sum, 35,000 pounds. Adjusting for inflation, that would be approximately $63,000 today. Even true Rocky Horror fans might balk at that price, if the real human remains inside weren’t a turn-off.

8 Steve Martin auditioned for Brad

Whatever you think of Barry Bostwick’s performance as Brad in The Rocky Horror Picture Show, have you ever considered how different it might have been if another actor had taken on the role? Well, according to rumors and stories even repeated by the likes of Newsday, the role almost went to Steve Martin.

Given that Martin went on to star in a fairly similar movie musical, Little Shop of Horrors, this shouldn’t be too big a surprise.

Martin apparently auditioned for the role of Brad, but lost out to Bostwick. Maybe he played the antagonist in Little Shop of Horrors as a way to soothe the hurt of rejection.

7 It got terrible reviews when it first came out

Nowadays, The Rocky Horror Picture Show is viewed as one of the greatest classics of midnight cult cinema, as its popularity has only grown amongst its fans since its release. But to become a cult hit, you usually have to be a theatrical flop, and Rocky Horror was exactly that, both critically and commercially.

Some critics straight-up hated the film when it was first released, and others simply ignored it. Partially because of the counter-culture the film represented and the lack of a conventional plot structure, some seemed offended it even existed. Even today, many critics view the film more as an audience experience than a genuinely good movie.

6 Frank N. Furter’s villainous inspiration

The unquestionable star of The Rocky Horror Picture Show is Dr. Frank N. Furter, the role Tim Curry originated on the London stage and reprised in the film. Even critics who didn’t like the film enjoyed Curry’s assured and magnetic performance. That makes sense, given all the larger-than-life figures Curry took inspiration from to create the character.

Writer Richard O’Brien describes Frank as a combination of Vlad the Impaler and Cruella De Vil, which makes a lot of sense, but Curry didn’t stop there. On top of those villainous ancestors, he added a posh accent, said to be modeled on both Elizabeth II and Curry’s own mother. That’s one doozy of a mixture for the role, and obviously it worked to perfection.

5 It was a stage show first

When Richard O’Brien first set out to tell his story, it was a work of theater, as that was his primary area of expertise. Thus, The Rocky Horror Picture Show started out as The Rocky Horror Show– the “Picture” part was added for the film. O’Brien wrote the play in his spare time, then gathered some of his friends in London to help him make it.

The play premiered at the Royal Court Theatre in London in 1973, and it was an immediate hit, moving to larger venues soon after. The show ran for weeks and weeks and eventually attracted the notice of producers, even Hollywood. This is the origin story for Rocky Horror— we wouldn’t have the film is the London stage show hadn’t been so popular.

4 The writer is Riff Raff

Given its reputation as one of the true classics of cult cinema, viewers today may not know that the original writer– playwright of the stage show, co-screenwriter of the movie, and Riff Raff in both, Richard O’Brien had never professionally written anything before the script for The Rocky Horror Show and its film adaptation The Rocky Horror Picture Show. That’s right, Rocky Horror is a debut work, by a person who never even wanted to be a writer.

O’Brien was living in London as an actor, struggling to make ends meet, and mostly wrote it just to keep himself occupied.

Luckily for him, the project resonated with his artistic friends, and they helped him turn it into the phenomenon it became.

3 O’Brien never thought it would be a big deal

Even when The Rocky Horror Show was making waves on the London theater circuit, it never registered with Richard O’Brien that he might have created a real hit. In an interview, O’Brien recalls when producer Michael White told him he thought this would be something big. “I said, ‘Oh, that’s nice,’ and walked away. It just didn’t register.”

For a while, it seemed like O’Brien was right to think it wouldn’t be a big deal. The film didn’t do well commercially when it came out, despite the popularity of the play, and it looked like that would be the end of the Rocky Horror story. But midnight viewers began to flock to the showings known for audience participation, and the film’s long-lasting appeal proved to be its greatest strength.

2 The writer thinks it was successful because it’s childish

The Rocky Horror Picture Show was originally written by a young actor with no writing experience, who just wanted something fun to occupy his time. Richard O’Brien, the writer in question, thinks that this process lent the show a quality of childlike naïveté, which contributed to its eventual popularity. In an interview, O’Brien said the show’s innocence is “very endearing and not threatening.” Continuing, he mentioned that every character in the show may appear to be intelligent or “sophisticated, but they’re really not.”

This quality allows young viewers to identify with the energy of the film, making it appeal to adolescent viewers.

O’Brien think this might be the key behind the social phenomenon that is Rocky Horror.

1 Originally, it started in black and white

The writing and directing team of Richard O’Brien and Jim Sharman had a lot of grand ideas for the film adaption of Rocky Horror, but not all of them were allowed to come to pass. Chief among these was the plan to film the opening section of the movie in black and white.

The film would have burst into color when Frank N. Furter made his entrance.

Everyone who has seen the movie remembers that scene– now imagine if it had this added bit of pizzaz, with the first frame of color coming on a shot of Tim Curry’s lips. Susan Sarandon lamented that they weren’t allowed to make this vision a reality, as studio executives rejected the idea due to budgetary concerns.

Do you have any The Rocky Horror Picture Show trivia to share? Let us know in the comments!

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2018-10-08 05:10:06 – Eric McAdams

Todd McFarlane’s Halloween NYCC Poster Features Michael Myers’ Iconic Mask

Comic book legend Todd McFarlane has created his very own Halloween poster, which features Michael Myers’ iconic mask. McFarlane has worked as a writer and illustrator on many comic books, but is mostly known for his work on the Spawn comics, and for co-creating the Spider-Man character Venom.

Much like Venom and Spawn, Michael Myers has been a popular character for many years. Michael was first depicted in John Carpenter’s famous horror film Halloween in 1978. Many other directors have made films featuring the iconic serial killer over the last 40 years. There has been a total of ten Halloween movies since the character was created in the ’70s, including Halloween III: Season of the Witch, which had nothing to do with Myers. The most recent entry into the Halloween franchise was in 2009, when Rob Zombie made a sequel to his divisive 2007 Halloween remake. 40 years after Michael terrorized Haddonfield, Illinois, the character is returning to the big screen thanks to director David Gordon Green. A Halloween poster was previously revealed at San Diego Comic-Con, and now McFarlane has revealed his revamped poster at New York Comic Con.

Related: Halloween Reboot Prevented Baby Driver Using Michael Myers Mask

McFarlane’s exclusive New York Comic Con poster was revealed by Halloween’s official Twitter account. Following the trend from other Halloween posters, McFarlane’s poster is quite simple, and just features Michael Myers’ iconic white mask. As well-known as the character is, not a whole lot else is needed in a poster promoting the film, yet McFarlane gives his poster incredible detail when it comes to making the mask look old and worn. He also gives Myers completely black voids where his eyes should be, referencing Dr. Loomis’ famous speech about his former patient in Carpenter’s original.

While there have been multiple Halloween installments over the years, the upcoming film will actually be a direct sequel to only Carpenter’s original.  The last seven sequels and Zombie’s two films are now considered non-canon; however, the new Halloween will still reference those past entries. Even though most of the previous Halloween sequels have been anything but great, the upcoming film has a lot of potential, since it’s not only retconning the past movies, but original star Jamie Lee Curtis is reprising her role of Laurie Strode as well. It’s also important to a lot of horror fans that Carpenter himself is heavily involved in the new film, even once again composing the score.

Even though the comics legend is in no way involved with the sequel, it’s interesting to see McFarlane’s take on the Halloween property. McFarlane previously released a toy line called “Movie Maniacs” which featured Michael Myers, but this is one of the first times fans have seen Michael come to life via McFarlane’s artwork. Hopefully it won’t be the last.

More: Watch Todd McFarlane Edit Tom Hardy’s Venom Suit to Look Comic Accurate

Source: Halloween/Twitter

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2018-10-06 06:10:04 – Christopher Fiduccia

Hellboy NYCC Trailer Description: The Last & Only Hope

One of the most exciting events at New York Comic-Con this year was the Hellboy panel, in which star David Harbour (Stranger Things), his co-stars Daniel Dae Kim (Lost) and Sasha Lane (American Honey), and Hellboy creator Mike Mignola presented fans with the first trailer for the upcoming movie reboot. Directed by Neil Marshall (Dog Soldiers), the movie pits Hellboy against Nimue, the Blood Queen (Milla Jovovich), an ancient sorceress who is hell-bent on revenge and the destruction of mankind.

Hellboy faces the challenge of winning over audiences after two well-liked Hellboy moves from director Guillermo del Toro, which starred Ron Perlman in the title role, but fans seem to be open to this new take and excited to see what Harbour can bring to the role. During the panel, the actor described Marshall’s Hellboy as “a monster movie right out of Frankenstein, updated for 2018.” It will have more of a monster movie tone that emphasizes the horror elements, in contrast to the fantasy tone of del Toro’s movies. We’ve pieced together descriptions of the trailer from several sources to give those who weren’t able to attend an idea of what to expect when Hellboy arrives in theaters next year.

Related: Hellboy NYCC Poster Reveals Professor Broom, Blood Queen, & More

The trailer opened with a scene in which Hellboy arriving at a crime scene, with cops surrounding a building. When Hellboy exits his vehicle a panicking SWAT officer shoots at him and Hellboy, annoyed, yells “I’m on your side!” The officer apologizes, replying, “My bad.” From there, the footage launched into a collection of brief clips set to Billy Idol’s “Mony Mony.”

  • A series of clips introduce the Bureau for Paranormal Research and Defense (BPRD), which Ian McShane’s Professor Bruttenholm describes as, “The line in the sand, we fight against the forces of darkness.”
  • The BPRD arrive at their secret headquarters in England, whose front is a quaint little shop. Hellboy is skeptical, and Kim’s Ben Daimio asks him if he expected it to be labelled “Secret Headquarters.” When they go in, the old lady behind the counter asks Hellboy for ID and he asks, “Are you serious?”
  • Hellboy is asked if his Hand of Doom can do anything special. He replies, “It smashes things real good,” and then offers a demonstration.
  • Ben Daimio isn’t too happy when he first meets Hellboy, saying, “I thought we were fighting monsters, not working with them.” Hellboy retorts, “Who you calling monster, pal? You look in the mirror recently, Scarface?” In another clip, Hellboy calls Ben an “asshole.” It seems like there’ll be a fair bit of friction between these two.
  • Hellboy wonders aloud if he’s nothing more than a weapon, and Professor Bruttenholm tells him that he wants him to be the best version of himself that he can be.
  • Professor Bruttenholm gives Hellboy his gun, the Good Samaritan. Hellboy cocks the gun and comments, “Some parents get their kids LEGOS.”
  • Hellboy and Alice (Lane) are seen fighting side-by-side in a setting that resembles a factory, with Bruttenhol saying in voiceover, “You are our last and only hope.”
  • Hellboy interrupts a ritual being held by the Blood Queen, sardonically asking her, “Did I interrupt?” She replies, “No, you’re right on time.”
  • There’s plenty of action, including one particularly bloody clip of someone getting shot in the head and gore splattering towards the camera, emphasizing that this will be an R-rated affair.
  • The trailer ends with an impressive shot of Hellboy in his full demonic glory, rising from a pit with his flaming sword and crown. The crowd went crazy when they saw this.

You can expect to see an emphasis on practical effects over CGI in the movie, with Harbour even throwing a little shade at Thanos when comparing his character with the big purple villain of Avengers: Infinity War. Harbour quickly amended that by saying that he thinks Infinity War is “a great movie,” but went on to say, “I do lament that [Hollywood] uses a lot of CGI right now, and I love the practical stuff.”

Unfortunately the trailer was not released online, so it may be a while before everyone else gets a look at Harbour’s version of the character in action. However, the positive response from fans in attendance definitely has us excited for this one, so hopefully Lionsgate won’t keep us waiting for a trailer much longer.

More: Hellboy 2019: Every Update You Need To Know

Source:, IGN, Deadline, Gizmodo

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2018-10-06 05:10:55 – Hannah Shaw-Williams

Is Venom Too Scary For Kids?

Venom may be rated PG-13, but given that it’s a movie about an alien parasite that forcibly takes over someone’s body and then starts threatening to bite heads and limbs off, parents may be wondering if the movie is too scary for younger children.

Though Sony claims that Venom was always intended to have a PG-13 rating, director Ruben Fleischer was uncertain in August whether or not the movie would ultimately earn an R-rating, and stated that he was agreeable to putting together an unrated director’s cut. Add to this Fleischer’s earlier comments on taking inspiration from the works of body-horror masters John Carpenter and David Cronenberg, and Venom certainly sounds like the kind of movie that could give you nightmares – even without the 40 minutes of deleted scenes.

Related: Venom Review: Tom Hardy’s Superhero Movie is a Weirdly Fun Monster

Ultimately, the MPAA rated Venom PG-13 for “intense sequences of sci-fi violence and action, and for language.” The BBFC rated Venom 15 for “strong threat, horror, violence.” Here is a run down of what all that means.

How Violent Is Venom?

Venom‘s violent content makes up the majority of the reason for its rating. The movie contains a lot of intense action sequences, including falls from great heights and a chase through the streets of San Francisco with explosions. There are numerous fights, with guns and tasers being employed. However, many of the on-screen deaths (particularly those caused by the main villain Riot and the two instances of Venom biting someone’s head off) happen very quickly and bloodlessly, and in the case of the bitten-off heads it’s unclear what even happened until characters talk about it afterwards. Overall, the violence is fairly standard for a superhero movie.

The Body Horror Elements

The body horror elements of Venom are far more likely to unsettle younger audiences than its action sequences. Though often played for laughs as Eddie Brock argues with the voice in his head, the idea of having your body taken over against your wishes may be uncomfortable for some viewers. There are various sequences of the slimy symbiotes latching on to their victims and crawling across their struggling bodies, forcing their way in. There’s a further element of revulsion given some of the things Brock does while under the symbiote’s influence, which include biting into a live lobster, eating a chicken out of the garbage, and later throwing up into a clearly unclean toilet. If you have emetophobia, you may want to step out of the theater for a few minutes when Eddie starts raiding his freezer.

Language And Sexual Content

Venom contains several uses of the phrase “Oh s**t” as Eddie Brock is unwillingly dragged from one dangerous situation to the next by the symbiote. There is also one use of the F-word in the lead-up to the final battle. The movie is completely free of nudity and there is no real suggestion of sexual activity apart from one scene where Eddie and his fiancee, Anne Weying, are depicted in bed together, fully-clothed, and a passionate kiss between Eddie and Venom/Anne later in the movie, in which the symbiote transfers from her to him.

More: Venom: The 10 Biggest Spoilers

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2018-10-05 03:10:15 – Matt Morrison

10 Casting Decisions That Hurt American Horror Story (And 11 That Saved It)

With its eighth season upon us, American Horror Story: Apocalypse, FX’s flagship horror series has become more ambitious and more tightly executed than ever, transcending what has come before in order to craft a story which may very well be hard to top. Showrunner Ryan Murphy has pulled out all the stops this time. Not only is the main story the literal end of the world, but this time the show overtly draws from past storylines and characters. The Apocalypse – what a time to be alive!

As television goes, American Horror Story has aged like a fine wine that horror fans are very happy to sip slowly and savor. But it’s important to remember, it wasn’t always this way. Prior seasons made many missteps, which is completely understandable seeing how experimental the storytelling has always been. Among the misses were some key casting decisions.

There were instances where the wrong person was in the wrong role at the wrong time, but just as often, casting decisions not only hit the mark, but hit it out of the park. Murphy has truly used American Horror Story as a lab for actors as much as for ideas. Equal only to the great success of his best casting decisions in the series, the series creator has unabashedly made the those casting choices which maybe he should have second-thought. We’re keeping tabs on both. Enter if you dare!

Here’s 10 Casting Decisions That Hurt American Horror Story Twists (And 11 That Saved It).

21 Hurt: Cuba Gooding Jr. as Matt Miller

It’s hard to deny that, out of all of the ups and downs of American Horror Story, the sixth season, Roanoke, is easily the most uneven and least satisfying of the offerings.

Into the mix was thrown the otherwise reliable actor Cuba Gooding Jr., who won an Oscar for his film work and was nominated for his performance in Ryan Murphy’s true crime outing The People v. O.J. Simpson: American Crime Story. In this case, however, his energy never really peaked, and his role was unfortunately unconvincing.

20 Saved: Evan Peters as Kit Walker

This one is too easy. Only a bonafide hater of the show would deny that not only has Evan Peters consistently brought some of the best energy on American Horror Story. His performance has actually solidified his career, leading to such Hollywood spectacle stints as playing the super speedster Quicksilver in X-Men: Days of Future Past. His work in the very first season was far more passive than his subsequent work on the show.

It wasn’t until the second season, Asylum, that his gritty turn as madhouse inmate Kit Walker truly made the his mark.

He hasn’t slowed down since, expressing a versatility of characters in seemingly effortless fashion.

19 Hurt: Michael Chiklis as Dell Toledo

Fans of the outstanding actor Michael Chiklis often wonder why he can’t always land better roles. After all, he clinched the lead as Vic Mackey in the brutal police drama The Shield, givingone of the most controversial and memorable performances in TV history in his wake. Since then, his biggest job was unquestionably as The Thing in the first two Fox Fantastic Four movies. As superhero fans undoubtedly know by now, those films simply were not that great, regardless of Chiklis’ efforts.

When the intense thespian arrived in American Horror Story: Freak Show, there was hope for a new vitality within his contribution. Instead, he was sadly underused as Dell Toledo. This was an unfortunate choice which slowed the series down.

18 Saved: Zachary Quinto as Dr. Oliver Thredson

Zachary Quinto was a total out-of-left-field addition to the original American Horror Story season. His performance as Chad Warwick was inspired, but brief. Regardless, the second season, Asylum, was a far better entry than the debut series, and Quinto took his more active role of the criminally insane Dr. Oliver Thredson to town.

Without spoiling the show, his turn as one of the single most evil characters in the history of AHS was completely unforgettable.

Quinto delivered horror just as expertly as he delivered menace as Sylar in Heroes or logic in his iconic role as Spock in Star Trek!

17 Hurt: Stevie Nicks as Stevie Nicks

Much has been made of Stevie Nicks appearance on American Horror Story: Coven, playing none other than herself. After all, the classic rock and roll icon has a reputation for being a real-life witch herself. Since she so rarely steps off the music stage and into the actor’s role, there was great anticipation from fans of both Fleetwood Mac and AHS. What fans got, however, was a disjointed that did little to add to the show’s mythology or the Coven story itself.

Don’t get us wrong – we love Stevie! It’s just that maybe acting isn’t her strength, or perhaps Murphy didn’t make the best of it. In any case, it was less than a memorable appearance, and if anything, distracted from the stronger aspects of that season. Hopefully her appearance in Apocalypse can redeem things.

16 Saved: Frances Conroy as Shachath

In a diamond mine as full of acting gems as American Horror Story, it’s tough to to pull out the choice jewels. All of Frances Conroy’s roles throughout the series have been incredibly versatile, running from ghostly housemaid to high-powered witch.

Her most solemn role, one of the ones which truly propelled AMS into the sublime, was her turn as a sort of angel of mercy, known as Shachath.

As an expression of passing, she arrives as a benevolent entity, helping humans facing their last moments to gently cross over to the world beyond. It is a somber character, to be delicately played, and Conroy’s performance was pitch-perfect.

15 Hurt: Chloë Sevigny as Dr. Alex Lowe

It’s hard to be as critical of an talented actress as talented a Chloë Sevigny. During her long and storied career, she went from a stunning debut in Kids to earning a Golden Globe in Big Love. Indeed, her previous role in American Horror Story: Asylum as Shelley was nothing short of insanely awesome among a wealth of powerful performances.

Unfortunately, her role as Dr. Alex Lowe in the AHS Hotel season was, like much of that story, uninspired. To be fair, this was the series’ first outing without Jessica Lange, probably the single most important force in the previous five seasons. It was tough all around and it took AHS a couple of years to come back into its full power.

14 Saved: Cody Fern as Michael Langdon

Possibly the toughest act to follow in terms of characters appearing on American Horror Story would be Michael Langdon. Debuting as an infant in AHS first outing, he closes that season as the personified arrival of the End Times – pretty much the prophesied dark angel destined to lead the world into flames.

When it was time to cast AHS: Apocalypse, the adult version of the Son of the Beast had to be perfect.

Cody Fern could not fit the bill better. His balance between creepy and alluring is brilliant. His placid façade expertly expresses the concealed rage and evil just beneath his surface. He’s terrifying, attractive, clever, and effective. This performance may well define the future of the series.

13 Hurt: Naomi Campbell as Claudia Bankson

Here’s another bit of superstar casting which simply does not live up to its potential. Turning supermodel Naomi Campbell into the editor of Vogue magazine makes so much sense on paper, but it just doesn’t work on screen. Claudia Bankson arrives early on in the messy Hotel season and, like many characters, is dispatched of quickly, almost fading into the background as a very forgettable ghost.

The many ways this fashion iconic could have made a splash in her performance as a fashion magnate seemed limitless, yet ended up as being rather limited in her two episodes of screen time.

12 Saved: Lena Dunham as Valerie Solanas

Many fans were justified in wondering just what was Girls star Lena Dunham doing in American Horror Story: Cult. After all, she wasn’t ever known for providing scares as much as self-aware guffaws.

Ryan Murphy expertly cast her as Valerie Solanas, the real-life mentally disturbed Andy Warhol uber-fan who attempted to eliminate the famous pop artist.

It was really a coup of casting.

Dunham had it in her to frenetically play a violent lunatic. There’s only so much space between laughing like crazy and laughably crazy, after all. All the angst and madness of the character landed squarely on the screen, mentally scarring many a viewer.

11 Hurt: Neil Patrick Harris and David Burtka

We don’t want to take away from the pairing of Zachary Quinto and Teddy Sears as the spirits of the departed gay couple on American Horror Story season one. Both were pretty good at it, but here’s a tale of what could have been: real-life couple Neil Patrick Harris and David Burtka were the first in line for the role.

Harris’ geek credit needs little introduction. Between his classic Starship Troopers role and his hilarious Harold and Kumar romps, genre fans can only drool dreaming what he and his hubby would have brought to AHS. Full disclosure: it was Harris who turned down the role, so we can’t blame Ryan Murphy for this one!

10 Saved: Kathy Bates as Delphine LaLaurie

After the conclusion of American Horror Story’s second powerhouse season, Asylum, it was fair for fans to wonder what the next level up would be for the series. The answer came in the brilliant bit of casting Kathy Bates as Delphine LaLaurie in Coven.

Chillingly portraying the real-life notoriously villains 19th century madame, Bates gleefully returned to her horror roots.

She had previously won an Academy Award for her iconic role in Misery. By literally getting her hands very dirty, Bates fearlessly jumped into the AHS mythos, making it even cooler and scarier than ever. She won an Emmy for her efforts.

9 Hurt: André Holland as Matt Miller

Here’s another actor we really don’t want to stomp on, but once again, it may be the season to blame for the performance. In American Horror Story: Roanoke, the story-within-a-story angle grew thin quickly, and all the jarring plot twists in the world couldn’t save it.

Holland plays the “real life” version of the character Matt Miller, relaying his version of macabre events. Unfortunately, the drab and convoluted season could not be buoyed by the very best of acting, much less Holland’s uninspired turn. To be fair, there wasn’t very much to care about in this particularly unanimated tale, so the Moonlight actor just simply may have not had enough to work with.

8 Saved: Angela Bassett as Marie Laveau

Let’s talk about adding a touch of class to a show which already had a plethora of talent.

Angela Bassett isn’t just an outstanding actress– she exudes a type of charisma captivates people long before her natural beauty.

Rather than get lost in the embarrassment of acting wealth that American Horror Story: Coven had going for it – Jessica Lange, Kathy Bates, and Bassett – the role of voodoo priestess Marie Laveau fit right in. It was this trifecta that proved that AHS had the chops to manage loads of A-listers filling the screen at once. Bassett is sorely missed. Yes, we loved you in Black Panther and Mission: Impossible – Fallout, please come back to AHS!

7 Hurt: Wes Bentley as Det. John Lowe

Here’s another unfortunate reminder of just how uneven and lifeless American Horror Story: Hotel truly was. Wes Bentley, whom fans loved in films like The Hunger Games and Interstellar, was thrown into a role which was simply tough to care about.

Detective John Lowe has a compelling story – a cop on the trail of a serial criminal whose son is abducted during the investigations. And yet, it’s really hard to care too much about him. Is it his convoluted character arc? Is it the ambiguous moral position he evolves into? It really doesn’t matter, as this is an unengaging performance from an actor we’ve seen much better from. It was a real step back from his turn as Edward Mordrake in Freaks.

6 Saved: Jamie Brewer as Nan

One of the really cool things about Ryan Murphy is the bold chances he takes in his casting decisions. Sometimes his choices are a home run, and sometimes they strike out, but casting Jamie Brewer, an actress with Down syndrome, was a brilliant call.

The stage actress made her TV debut in season one, but in Coven she filled the role of a powerful witch, which she played beautifully.

This wasn’t only an inspired and successful casting decision, but the type of sharp and courageous action which truly distinguishes American Horror Story amidst genre television and “peak TV” alike.

5 Saved: Finn Wittrock as Dandy Mott

Before Finn Wittrock danced into our hearts in La La Land, he creeped us the hell out as Dandy in American Horror Story: Freak Show. The deeply disturbed spoiled rich kid character fluctuated between the golden trappings of high society and some absolutely nasty acts of evil.

Wittrock’s acting was almost Joker-worthy once he got the Twisty the Clown outfit going!

Also, Dandy’s final fate is one of the more unforgettable exits in the series – and for a show that explores just about every terrible nightmare you can have, that’s saying something. It’s an almost comic role that could have easily been unconvincing and laughable, but Wittrock walked that fine line and delivered a truly brain-scarring performance!

4 Hurt: Matt Bomer as Andy

If there’s one particularly difficult role in American Horror Story: Freak Show, the role of Andy, the man-of-the-evening whom Michael Chiklis’ character Dell falls for, comes to mind. After all, there is a fine line between a seedy bar stereotype and a well fleshed-out human being.

While Andy was meant to explore Dell’s orientation, he comes across as a hackneyed version of a young gent working in a house of ill repute. In the end, he becomes nothing more than fodder for the Twisty the Clown’s horrific penchants, even if it was really Dandy Mott’s doing. It’s a shame, but Matt Bomer has plenty of other accolades, even if this role wasn’t the best for AHS.

3 Saved: Lily Rabe as Aileen Wuornos

Lily Rabe is another American Horror Story company player to be reckoned with. Having appeared in ever season except for Cult, she truly conjured up a defining performance in Coven.

It was her turn as the infamous real-life lethal lady Aileen Wuornos that made the biggest impact.

Hotel was one of the least compelling seasons in the series, and yet Rabe’s performance as the notorious Wuornos was nothing short of stellar. Those fans who could be forgiven for zoning out in many of the episodes can be equally shamed for not snapping to attention when this spirited outing hit the screen. Thanks for making our dull stay at Hotel a little more amenable!

2 Hurt: Dylan McDermott as Dr. Ben Harmon

In the early days of American Horror Story, there seemed to be no limit to what could happen on the show. Playing one of the leads as Dr. Ben Harmon was the very stiff Dylan McDermott. While he was perfect in his years on The Practice, his matter-of-fact demeanor didn’t fit in well with a series which would soon be more well-known for histrionics than for understated performances.

He proved to be a better fit as Bloodyface and Lana’s son Johnny Morgan in Asylum, though he will be reprising Harmon to some degree in Apocalypse. Hopefully he can take his Asylum training and put it to good use.

1 Saved: Jessica Lange as Constance Langdon

As mentioned earlier, there is likely no single actor whose casting on American Horror Story could be more assuredly called an unsurpassed success story. Jessica Lange is an iconic actress with multiple Emmys, Golden Globes, and Academy Awards– some of which she won for her roles in American Horror Story. Her very first turn as Constance Langdon was the single uncontested performance of that first season.

Lange instantly became the face of American Horror Story. 

Her subsequent roles as the cruel nurse in Asylum, the ambitious witch in Coven, and the ringleader in Freak Show were the standouts of their respective season. Fans are celebrating her return in Apocalypse.

Who’s your favorite actor in American Horror Story? Let us know in the comments!

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2018-09-28 08:09:15 – Miguel Cima

Watch The Stranger Things Kids Go Through Universal’s Horror Nights Maze

The kids from Stranger Things tried out the show’s new maze at Halloween Horror Nights recently, and now there’s video proof of it. Every year, Universal Studios Hollywood and Universal Orlando Resort host their Halloween-themed event on select nights from September through November, giving attendees the best frights they can drum up. Of course, the annual event has improved over the years, bringing in new staples, such as The Walking Dead, to bolster foot traffic as well as increase scares.

This year, in addition to bringing back Universal Pictures franchises like The Purge, both parks, as well as Universal Studios Singapore, elected to construct a Stranger Things-themed maze, based on the immensely popular Netflix show of the same name from Matt and Ross Duffer. Screen Rant got a chance to check out the maze first-hand – both during a behind the scenes tour prior to construction completing as well as on opening night (in Hollywood and Orlando) – and it was incredibly impressive. But we weren’t the only ones who caught the maze that night.

Related: Universal Bringing Stranger Things Inspired Food To Halloween Horror Nights

Every year, for the opening night of Halloween Horror Nights, Universal Studios invites celebrities from all corners of the entertainment industry to check out what they have to offer, and this year that meant bringing the actual stars of Stranger Things to see what the Stranger Things maze looked like – and if it was scary enough to frighten them. Check it out:

Similar to the maze that was originally built for The Walking Dead (which is now a permanent attraction at Universal Studios Hollywood), the maze for Stranger Things is entirely based on one season – in this case, season 1. The reason for that is so maze-goers can keep track of the story, which starts off with Will going missing and ends with Eleven sending the Demogorgon back to the Upside Down. Of course, there’s a lot to experience along the way, and the park’s use of a soundstage for this maze has undoubtedly contributed to its quality. Simply increasing the maze’s verticality opens it up – literally, in some instances – compared to mazes outside in black tents.

From our visit during opening night, it was clear that the Stranger Things maze was the highlight of this year’s event, but it wasn’t the only thing worth checking out. While the Terror Tram and all the other traditional mazes are highlights in their own regards, Universal Studios knocked it out of the park with their Universal Monsters maze, bringing back iconic characters such as Dracula and Frankenstein’s Monster in a modern (and somewhat frightening) way.

More: Halloween Horror Nights 28 Preview: Stranger Things and So Much More

Halloween Horror Nights at Universal Studios Hollywood runs on select nights from September 14 to November 3. Tickets are on sale now on the official Horror Nights website.

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2018-09-25 02:09:09 – Mansoor Mithaiwala

James Wan Producing Movie Adaptation of Milk Horror Short Film

James Wan will be producing a feature length movie adaptation of the horror short film Milk. The short horror film by filmmaker Santiago Menghini has grabbed some serious attention at this year’s film festival circuit, and it has become one of the standout short films of the year.

Milk follows the chilling story of a young teen boy with a controlling mother who soon begins questioning the nature of his reality. The short film has succeeded in winning a number of awards at different film festivals over the course of this year, including the prestigious Midnight Shorts Jury Award at SXSW.

Related: After The Nun, What’s Next For The Conjuring Movies? 

News of James Wan’s involvement in a feature length adaptation of the horror short came via Collider. As word of Milk’s success traveled around, New Line snapped up the rights to the short film and handed over the project to Wan. Santiago Menghini has been chosen to stay on and direct the feature length adaptation of his short, while Ben Collins and Luke Piotrowski will write the script. Michael Clear and Roy Lee will join Wan as producers on the project.

Wan is a busy filmmaker as of late, balancing both directing and producing duties though a number of movie projects. Though he is perhaps best known for his construction of an expansive horror universe starting with his 2013 film The Conjuring and his upcoming DCEU debut with Aquaman, he is also heading a number of other exciting projects that many of his fans might not know about. Over the summer it was announced that he will produce an reboot of the horror/comedy Arachnophobia, while he is also producing a feature film adaptation of Stephen King’s famous novel The Tommyknockers. He is also attached as a producer on the planned reboot of the popular sci-fi Resident Evil.

Some of the most unique works in contemporary horror filmmaking have come from prominent filmmakers, like Wan, producing feature length adaptations of promising short films that caught Hollywood’s attention at film festivals. Fans of the horror genre will remember Guillermo del Toro’s decision to produce a feature length adaptation of Andrés Mushietti’s short Mama, which went on to become one of the most talked-about films of 2013. Of course, Wan has already had some success with this formula of expanding a horror short into a full length picture: his debut film Saw was in fact based off of a short film of the same name. Plus, Wan produced the movie adaptation of David F. Sandberg’s Lights Out, which was based on Sandberg’s short film. Considering Wan’s mastery of the horror genre as reflected in his previous work and Milk’s success on the film festival circuit, this feature length adaptation definitely has the recipe for success.

More: Conjuring Theory: The Nun’s Irene Is A Young Lorraine Warren

Source: Collider

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2018-09-19 05:09:40 – Caitlin Leale

Into the Dark Teaser: Hulu & Blumhouse Scare Up A New Horror Anthology

Hulu and Blumhouse Television have teamed to deliver Into the Dark a “year-round event series” that aims to offer a darkly themed episodic installment every month in a clever new spin on the anthology series. Rather than operate in the fashion of, say, season-long anthologies like American Horror Story or True Detective, or episodic ones like Amazon’s upcoming The Romanoffs from Matt Weiner, Into the Dark is like a horror episode-of-the-month club for Hulu subscribers, who will have a new installment on the streaming service at the start of every new month. 

The series is set to premiere in October with the fittingly titled ‘The Body,’ starring Tom Bateman (Murder on the Orient Express, Snatched) as “a sophisticated hitman with a cynical view on modern society finds his work made more difficult when he has to transport a body on Halloween night, but everyone is enamored by what they think is his killer costume.” The episode also stars Rebecca Rittenhouse (The Handmaid’s Tale), David Hull (Crazy Ex-Girlfriend), and Ash vs. Evil Dead’s Ray Santiago. 

More: American Vandal Season 2 Review: A Darkly Absurd Follow-Up

It’s a unique idea for a new series, and one that will undoubtedly aim to capitalize on the success of Blumhouse’s recent hits, like Get Out, Happy Death Day, and next month’s Halloween sequel. Check out a synopsis for the series as well as a teaser below: 

“In partnership with Blumhouse Television, Into The Dark is a horror event series from prolific, award-winning producer, Jason Blum’s independent TV studio. The series includes 12 super-sized episodes, with a new installment released each month inspired by a holiday and will feature Blumhouse’s signature genre/thriller spin on the story.”

The new series presents a unique opportunity for Blumhouse to continue to bring its effective, low-budget, high-concept formula to television, albeit through more original means. 12 installments spread out over as many months is something of a risk, too. If ‘The Body’ falls flat, the series runs the risk of nobody tuning in to see Dermot Mulroney in ‘Flesh & Blood’ in November. But, given that Blumhouse has a pretty good track record thus far, it’s a good bet those looking for a genre fix will find something to like about Into the Dark. 

Next: Forever Review: Amazon Delivers A Satisfying and Unassumingly Weird Comedy

Into the Dark will begin streaming ‘The Body’ on Friday, October 5 on Hulu.

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2018-09-19 04:09:05 – Kevin Yeoman

Halloween Horror Nights 28 Preview: Stranger Things and So Much More

It’s time for the largest Halloween event in the world to begin again, and we’re of course referring to Halloween Horror Nights taking place in Universal Parks at Orlando, Hollywood, Singapore, and Japan – an annual tradition that’s been going on 28 years now.

For #HHN28 there are 10 all-new houses and five new scare zones. And by that we mean, truly all new. Every year all of these houses are taken down and that’s it. A new set is developed for the next year.

Related: An Inside Look at Universal’s Stranger Things Maze at Halloween Horror Nights

This makes it worthwhile to come check out Halloween Horror Nights every year, for fear of missing out. It becomes almost a badge of honor experiencing each year’s offerings, especially for horror movie fans, but it was only that year.

The Stranger Things house is the highlight of the event this year and we previewed both the house in Universal Studios Hollywood and this week, at Universal Orlando Resort Florida – where we also got a behind-the-scenes walkthrough of the Stranger Things maze with Patrick Braillard, Creative Development Show Director and Writer at Universal Orlando. Braillard is responsible for five of the ten houses, with another creative director handling the other five. Another creative director is also in charge of the scare zones so Halloween Horror Nights is a massive production that’s in development all year long. Discussions for Stranger Things for example, began last year, with a fleshed out pitch in January, followed by construction beginning in April.

Stranger Things is The Big Highlight of Halloween Horror Nights 28

For the Stranger Things maze, the creative team didn’t want the kids to be the scares. Many mazes and haunted houses would use that as a gimmick but it was one of the first things Patrick and his team pitched to Netflix an agreed upon. They want the audience to go on this journey and empathize with them. The Demogorgon is the villain, and while there’s only one, you’ll see this Demogorgon popping out everywhere. The creature is 8-foot tall and is realized through multiple puppets and tall actors, some animated to have its face open.

The Florida team sculpted the Demogorgon’s mask internally, 3D printing teeth so every puppet and costume is identical. For the Hollywood studios, they got assets from Spectral Motion (who worked on the show) but their worked ended up being identical.

Netflix offered up assets, music, set decoration and collaborated on the entire thing. There are so many details, most of which can’t even be seen or noticed in the dark, making it worthwhile to tour through it repeatedly. All of the items in the living room and bed room example, are real items from 1984 and before. To do that they scoured movie stories and thrift shops. Live actors help bring the Stranger Things experience to life and they cast likeness editions which – as we saw- worked extraordinarily well. There are two full casts (A and B) that swap out every 45 minutes and only one part of the house where the actual character you see changes, giving yet another reason to go through it more than once.

“This maze, this haunted house is probably the greatest example of IP adherence that we’ve ever done in our history because we wanted everything to be word perfect. It’s like a love letter to the show, a really scary love letter.” – Patrick Braillard

We won’t spoil all the scenes, but it’s safe to say that all the major moments and iconic scenery from season 1 of Stranger Things is realized in this house. The maze is virtually the same between the Orlando and Hollywood locations, the major only difference is the physical space.

There are lots of surprises, lots of character moments, and an epic payoff to end it – brought to life with amazingly cast talent that really do look like the characters. It’s a must-see for anyone who’s seen Stranger Things and could very well be the beginning of a staple of Halloween Horror Nights for years to come. Universal is already chatting with Netflix for the next two years so we wouldn’t be surprised to see each season of Strange Things show up at HHN in the future.

All The Haunted Houses of Halloween Horror Nights 28

A mix of original creations and licensed IP, Universal Parks have always originally created half of the Halloween Horror Nights offerings as you’ll see below and in this year’s Scare Zones. There’s so much more than just Stranger Things.

  1. Stranger Things – The Demogorgon is after you all throughout season 1 of Netflix’s Stranger Things.
  2. Halloween 4: The Return of Michael Myers – Michael Myers has escaped the sanitarium, and he’s out for blood.
  3. Poltergeist – Restless spirits have overrun the infamous house atop a cemetery, and they’re drawn to your light.
  4. Trick ‘r Treat – Five twisted stories where Sam, the vengeful trick-or-treater, waits to treat rule-breakers to his favorite Halloween surprises.
  5. The Horrors of Blumhouse – A unique mix of Happy Death Day and The First Purge movies.
  6. Carnival Graveyard: Rust in Pieces – A dilapidated salvage yard where rides, games and carnival parts are tainted with rust and blood and the performers are out to get you.
  7. Dead Exposure: Patient Zero – The planet has been infected and humans have been turned into zombies.
  8. Once Upon A Scare – The Wicked Witch of the West turns good evil, and the evil even more evil.
  9. Seeds of Extinction – Humanity has been wiped out by a meteor and replaced by monstrous vegetation.
  10. Slaughter Sinema –  Instead of catching a movie at the drive-in, the ’80s B movies catch you.

The Scare Zones of Halloween Horror Nights 28

  1. Revenge of Chucky
  2. Killer Klowns From Outer Space
  3. The Harvest
  4. Twisted Tradition
  5. Vamp 85: New Year’s Eve

In addition to the park being decked out on Halloween decor and lighting, there’s also a big live show. The Academy of Villains return with a new live performance, this one titled Academy of Villains: Cyberpunk and themed as a futuristic battle between humanity and tech played out with neon lights and synth sounds.

Stay tuned for more info soon as we partake in the premiere of Univeral Orlando’s Halloween Horror Nights this evening and chat with Mike Aiello, Sr. Director of Entertainment Creative Development, to learn more.

Universal is already planning the next two years for potential Stranger Things attractions and Jason Blum is very interested in a house based on the new Halloween.

Next: Car Explodes Through Wall To Open Fast & Furious Supercharged Attraction

The 28th Halloween Horror Nights begins tonight, September 14, 2018 and runs on select nights until November 3, 2018.

More details: Universal Orlando Resort

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2018-09-14 06:09:46 – Rob Keyes

Zachary Quinto To Star In AMC’s Supernatural Horror Series NOS4A2

Star Trek and American Horror Story star Zachary Quinto has been cast as a “seductive immortal” in AMC’s supernatural horror series NOS4A2; Australian TV actress Ashleigh Cummings will also join the cast of the series, which is based on Joe Hill’s best-selling novel.

NOS4A2 centers on a vampire-like figure named Charlie Manx who feeds on the souls of children. When Manx is done feeding, he leaves the children’s remains in an imaginary place inside his mind called Christmasland where it’s always Christmas and it’s against the law to be unhappy. A young woman named Vic McQueen discovers she has the supernatural ability to track the “seductive immortal” Manx, and now she must try to defeat the evil entity and rescue his victims, without losing her mind herself.

Related: Joe Hill’s NOS4A2 TV Series Green-Lit At AMC

AMC announced that it has cast the two main characters for its 10-episode series adaptation of NOS4A2. Emmy-nominated actor Zachary Quinto will play Charlie Manx, while Ashleigh Cummings takes on the role of Vic McQueen. In addition, the network reveals that Emmy-nominated director Kari Skogland (The Handmaid’s Tale) will direct the series’ first two episodes. Production on the series began this week in Rhode Island.

Quinto has already made his mark playing a villain on a genre TV series, portraying the watchmaker-turned-killer Sylar on NBC’s Heroes. Of course, Quinto is also known for playing the good guy Spock in 2009’s Star Trek reboot as well as its two sequels. Quinto scored an Emmy nomination in 2013 for Best Supporting Actor in a Miniseries or Movie for his role in American Horror Story. Earlier this year, Quinto starred alongside Jodie Foster and Sterling K. Brown in the sci-fi movie Hotel Artemis. He can next be seen starring alongside Andre Holland and Zazie Beetz in Steven Soderbergh’s High Flying Bird, which was recently picked up by Netflix.

Quinto’s NOS4A2 co-star Cummings is a relative unknown in America, but she does have a lengthy resume on Australian television, with roles on Home and Away, Puberty Blues, Gallipoli and Miss Fisher’s Murder Mysteries. Next year, she will star alongside Nicole Kidman, Sarah Paulson and Ansel Elgort in the drama The Goldfinch.

With Quinto and Cummings hopping aboard, AMC has assembled an intriguing pair of leads for NOS4A2. Horror of course is one of the network’s specialties thanks to The Walking Dead and its spinoff Fear the Walking Dead, as well as the acclaimed new series The Terror, which is set for a second season. The supernatural also plays a part in AMC’s Preacher, though that series tends more toward the outrageous and comedic. It will be interesting to see if NOS4A2 proves to be another successful horror series for AMC when it premieres in 2019.

More: The Shared Universe Franchise Potential of Joe Hill and Stephen King

Source: AMC

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2018-09-13 01:09:42 – Dan Zinski