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Midsommar Director Confirms Director’s Cut With Extra 30 Minutes

Ari Aster has announced that a director’s cut with 30 more minutes is on the way for Midsommar, his sophomore feature, following last year’s widely successful psychological horror-thriller, Hereditary. The film has been regarded as one of the year’s scariest films.

Written and directed by Aster himself, Midsommar stars Jack Reynor and Florence Pugh as a couple who take a trip to Sweden to visit their friend’s hometown. At first, it seems that they are there to enjoy the annual mid-summer festival, but they eventually end up caught in the practices of a pagan cult. Pugh stars as Dani, a young woman who is struggling to find acceptance in the world as she joins her boyfriend Christian (Reynor) in Sweden with the rest of his friends. Aster has stated that at its core, Midsommar is a breakup film, but it’s easy to forget that once the viewer becomes ensnared by the insanity taking place in the Swedish village. And those that desired more from the film to make sense out of its bonkers ending may have something to look forward to, as Aster has announced an extended cut is on the horizon.

Related: 10 Folk Horror Films To See If You Loved Midsommar

During a recent Reddit AMA, Aster revealed that he was in the process of putting together a director’s cut, which would include thirty extra minutes of footage. The film’s first cut was three hours and forty-five minutes, which he trimmed down to its current theatrical release. He didn’t discuss what exactly would be added to the extended version, but it’s possible it can include sequences that bring clarity to some of the questions that left many moviegoers confused. After being asked about the potential of seeing a director’s cut, Aster responded stating:

“Working on extended cut now. Won’t be 1 hr 20 mins longer, but will be at least 30 mins longer.”

An extra thirty minutes watching Pugh take audiences on a very emotional trip into madness is just what horror fans need. Indeed, Midsommar is probably going to be remembered as this year’s most deranged film, but it is also beautifully structured and awe-inspiring to watch unfold. What Aster includes in the director’s cut is up to him and it probably won’t take away from how the film has been received, but it could strengthen the rift that exists between moviegoers and critics.

Once the director’s cut arrives, it will be interesting to see the conversation it sparks, if any. It is not yet known when fans can expect the director’s cut to arrive, but it could release alongside the theatrical cut, as a physical and digital selection. Those who thought Midsommar was disturbing enough as it is may be fine with the original, but for those that want to see what could have potentially been included, Aster seems more than happy to deliver.

More: Midsommar: What The Real Life Swedish Festival Is Actually Like

Source: Ari Aster/Reddit


2019-07-11 05:07:17

Eric Trigg

Once Upon A Deadpool Includes 20 Minutes of New Footage

Once Upon a Deadpool will have 20 minutes of new content, as revealed by a brand new promo clip for the film. Everybody’s favorite Merc with a Mouth played by Ryan Reynolds will be back on the big screen just in time for the holiday season with a tamed down version of Deadpool 2, so families, and especially kids, can finally see the movie. Announced shortly after the sequel’s box office run was finished, the upcoming flick will be available in theaters for a special two-week run.

Despite people’s excitement over Once Upon a Deadpool, the new Fox project is not without controversy. Last month, it was revealed that the idea for the film was pitched by a fan to Reynolds on Twitter in 2017. The actor has since reached out to said fan, but details of their conversation remain private. Nonetheless, it seems like everything’s good between the two. With that sorted out, marketing for the new flick continues with a brand new video.

Related: Hugh Jackman Trolls Ryan Reynolds With Once Upon a Deadpool Ad

Fox (via Comic Book) has released a brand new promotional clip for Once Upon a Deadpool featuring Julian Dennison, who plays Russel Collins/Firefist in Deadpool 2. Similar to the first trailer for the special release, the video shows the Kiwi actor reading a Christmas bedtime storybook (covered with the upcoming film’s official poster) providing an explanation to why the altered version of the sequel is necessary. He also revealed that it’ll have “more than 20 minutes of new footage, new jokes.” Watch it below:

It makes sense that Reynolds and his team would add that much new footage, considering that the original cut was gory and full of expletives. Since Once Upon a Deadpool will have a more kid-friendly rating, they would need to replace or reshoot a good chunk of the film. Parts which cannot simply be reworked to suit its brand new target audience need to be replaced by fresh content that’ll suit its PG rating. As previously reported, the cast and crew shot the new material at the end of summer. So far, the trailer for the film has already given the public a tease of what to expect, which includes a parody of UP with an old couple resembling Ellie and Carl, as well as the reveal of Fred Savage following his poster debut.

Aside from Once Upon a Deadpool being a brand new way to rack up revenue for Deadpool 2, it’s also a litmus test with regard to whether or not a toned down Deadpool film can actually work. Gauging people’s perception of the film will be a good indicator as to how Disney and Marvel Studios can tackle the property once rights to its characters (alongside the X-Men and Fantastic Four rosters) return to Marvel. Unlike the main X-Men film saga, there’s a good chance that Kevin Feige will adapt Reynolds’ established lore, what remains to be seen is how it’s going to be handled moving forward.

More: Once Upon A Deadpool May Be The Last Chance For A Jackman Wolverine Cameo

Source: Fox (via Comic Book)



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2018-12-02 07:12:02

Harry Potter: 20 Crazy Details Only True Potterheads Knew About Wormtail

For a lot of reasons, Peter Pettigrew, AKA “Wormtail”, may be one of the creepiest characters in all of the Harry Potter series. First and foremost, is the rather strange decision on the part of author J.K. Rowlings, to make Pettigrew’s animagus form hang around so closely with a preteen Ronald Weasley. With that particularly large elephant out of the room, we can get into some of the more unnerving, crazy, and interesting facts about this Voldemort supporter.

Everyone knows Wormtail to be the man who betrayed Lily and James Potter’s location to Voldemort, who sought to destroy them and their newborn son after finding out that Harry may one day defeat him. Although Voldemort’s attempt on Harry’s life backfired (quite literally), this moment it did cement Wormtail as one of Tom Riddle’s most famous supporters. In addition to this, Wormtail also got away with it all by blaming Sirius Black for that horrible night.

In many ways, Wormtail was the most unlikely member of Voldemort’s inner circle. He didn’t have the dedication to Voldemort’s evil agenda that Lucius Malfoy did. Nor did he have the obsessive nature of the deranged Bellatrix Lestrange. At the end of the day, Wormtail was a coward, and that why he let betrayed his friends to become part of one of the darkest cults of all time. Despite all he has done, Wormtail was still a far more engaging character than most fans may recall.

Without further ado, here are 20 Crazy Facts About Wormtail.

20 He Was Almost Not Sorted Into Gryffindor

When Peter Pettigrew arrived at Hogwarts School of Witchcraft and Wizardry, he lined up with the rest of the First Years to await The Sorting Hat’s decision on which House he would join. While in line, he met both Sirius Black, who uttered his contempt for Slytherin House, and James Potter. Immediately, Pettigrew took a liking to these boys and longed to be Sorted with them.

When he finally was placed under The Sorting Hat, Pettigrew waited a whole five minutes to be placed in Gryffindor.

This is what was called a “Hatstall.” The Sorting Hat clearly saw that this character was suitable for more than one house. Although Slytherin would be the obvious alternative choice, Hufflepuff was one as well.

19 He Was A Member Of The Order Of The Phoenix

Due to Peter Pettigrew’s friendship with James, Remus, and Sirius, he joined The Order of the Phoenix after his time at Hogwarts School for Witchcraft and Wizardry.

The Order of the Phoenix was a secret society founded by Albus Dumbledore to combat Voldemort and his sycophantic followers during the First Wizarding War. This was the time when Voldemort returned from traveling abroad and sought to overthrow the Ministry of Magic and persecute Muggles and Muggle-born magical folk. Although Pettigrew wasn’t a fan of Voldemort’s ideology, he was part of the Order purely because his friends were. It was a community for him. He did not have the same passion for the cause as the other members did.

18 He Wasn’t A True Believer In Voldemort

Much like Peter Pettigrew wasn’t a true believer in the Order of the Phoenix, he wasn’t one of Voldemort’s dedicated followers either. He did not share the same lust for dominance over the Wizarding World, nor the same level of intolerance.

When Pettigrew became a spy for Voldemort, it was purely out of fear.

Wormtail, at the end of the day, is an opportunist. He is someone who will do just about anything to survive, and that included betraying his best friends in order to remain on the powerful dark wizard’s good side. In many instances, especially in the books, Wormtail even couldn’t bear Voldemort’s violence and occasionally attempted to suggest alternative measures to achieve his dark desire.

17 McGonagall Didn’t Like Him, even as a kid

If there’s one thing that Minerva McGonagall has never done, it’s mince words. First and foremost, this Transfiguration professor and Gryffindor Head of House is brutally honest. In the books, she was honest about how she felt about Peter Pettigrew during his time at Hogwarts.

Of course, McGonagall taught him Transfiguration as well as watched over him as the H.O.H. She claimed that Pettigrew “hero-worshipped” both James Potter and Sirius Black. In fact, she even described him as a “lump of a boy” who constantly followed Sirius around like his lap-dog. She even claimed that Peter was “stupid” as well as “foolish.” However, Minerva clearly grew to have some respect for him once he joined the Order. She even spoke sadly about him before she learned that he was the one responsible for the betrayal and not Sirius.

16 He Lived As A Rat For 12 Years

As most fans know, Peter Pettigrew was one of the Mauraders, the small group of friends that consisted of James Potter, Sirius Black, and Remus Lupin. Peter even decided to become an animagus in order to make Remus feel more comfortable with the fact that he was tragically turned into a werewolf. The fact that Pettigrew could turn into a rat at will was something that came in handy after he was forced to fake his own demise in order to properly frame Sirius Black.

Due to his fear of being caught, Pettigrew lived as a rat for a solid 12 years.

He was eventually discovered by Sirius and Remus in Harry Potter and the Prisoner of Azkaban.

15 He Chose The Weasleys As Owners To Avoid The Death Eaters

After Pettigrew faked his demise, he chose to live as a rat in order to both keep up his lie as well as to avoid the Death Eaters. At this stage, many of Voldemort’s followers were unknown to the authorities and lived amongst the common-folk. Due to the fact that Voldemort’s apparent demise happened due to Pettigrew’s information, the Death Eaters believed that Pettigrew was a traitor and therefore sought to destroy him.

Wormtail knew that he stood a better chance at staying alive if he picked a “good” family to stay with. Eventually, he came to be Percy Weasley’s possession and was handed down to Ron. Presumably, Wormtail (as “Scabbers”) stayed with the Weasleys because he knew that the family would treat him right as well as shield him from Voldemort’s secret followers.

14 He Almost Ruined Ron And Hermione’s Relationship

Although Wormtail didn’t mean to, he almost completely ruined Hermione and Ron’s friendship in Harry Potter and the Prisoner of Azkaban. Throughout the book and the film (to a lesser extent), Ron was constantly trying to save Scabbers (AKA Wormtail) from Hermione’s carnivorous new cat, Crookshanks. When Wormtail heard that Sirius Black had escaped from Azkaban and was poking around the Hogwarts grounds, he decided to flee, faking his demise a second time.

In the book, he bit himself in order to leave blood that suggested that Crookshanks had finally taken him out.

It completely convinced Ron, and the pair’s relationship nearly ended until the truth was revealed. This is just another instance of Peter Pettigrew doing anything necessary to remain alive.

13 Rats helped him find Voldemort

A lot of fans of Harry Potter who haven’t paid close enough detail to the books wonder how Wormtail and Voldemort were reunited before the events of The Goblet of Fire. Well, the truth is Wormtail learned from fellow rats that a dark force was living in a forest in Albania. This force ended up being Voldemort himself, who was living off the animals in the forest. However, Voldemort was just clinging to life in his shriveled-up form.

Wormtail lured a prominent ministry witch, who was on vacation in Albania, into the forest and then proceeded to force information out of her that helped persuade Voldemort to take him back into his good graces.

12 He Fed Voldemort Nagini’s Milk to Save Him

Aside from finding Lord Voldemort in a forest in Albania and giving him some vital information about the upcoming Triwizard Tournament from the ministry official he lured into the forest, Wormtail also stayed in Voldemort’s good graces due to the fact that he kept him alive. At this point, Voldemort was simply a shriveled up humanoid creature who barely had any power at all.

With Wormtail’s help, he managed to stay strong enough to last until the end of The Goblet of Fire when he was “reborn.”

Wormtail was able to do this because he milked the venom out of Nagini, Voldemort’s giant snake who will appear in human form in Fantastic Beasts 2: The Crimes of Grindelwald. This venom provided Voldemort with the rudimentary body we see in Goblet of Fire.

11 He Helped Capture Mad-Eye

When Wormtail traveled to Albania to seek Voldemort, he ran into a ministry official who he forced into telling him legitimate information about the goings on at Hogwarts. This included the upcoming Triwizard Tournament that they would get Harry Potter to take part in, as well as the fact that Alastor “Mad-Eye” Moody would be the next Defence Against the Dark Arts teacher.

Another piece of information this ministry official gave was that there was a Voldemort supporter hiding out in England. This ended up being Barty Crouch Jr., who, with the help of Wormtail, tracked down Mad-Eye Moody and captured him. Crouch then famously continued to take locks of Mad-Eye’s hair in order to brew a Polyjuice Potion that turned him into Mad-Eye.

10 Snape Got His Revenge On Pettigrew

As we found out through various flashbacks during Harry’s time learning legilimency from Severus Snape, Severus was teased and pushed around by Harry’s father, Lupin, Sirius, and Peter Pettigrew as a child. Pettigrew probably wouldn’t have been the one to instigate this, but he was happy to play along with what the “cool kids” were doing. That, after all, was sort of his M.O. However, in their later years, Snape got his revenge on Wormtail after Voldemort ordered Wormtail to live with Snape at Spinner’s End in order to help him with various things.

Wormtail ended up being Snape’s punching bag and personal servant.

In fact, Snape treated him quite poorly, which, without a doubt had more to do with Wormtail betraying Lily Potter than anything else.

9 Voldemort Loathed Him

Lord Voldemort may not have had the ability to love anything except for himself, and even that is arguable, but he certainly had some appreciation and respect for certain members of his cult. At one time, he had immense respect for Lucius Malfoy, but that went away after Lucius continued to fail him. Bellatrix and Snape seem to be in his good graces constantly as they appeared to be his most ardent supporters. Snape, specifically, was the one he thought was infiltrating Dumbledore and the Order.

Wormtail is a different story entirely. Voldemort never liked Wormtail at all. He put up with him because Wormtail helped to keep him alive. But even before Voldemort’s first downfall, the villain knew that Wormtail was only around out of fear, not out of duty or respect.

8 He Wasn’t Skilled At Magic

Throughout the course of the Harry Potter series, two very different powerful magical folk made comments on Wormtail’s lack of power. The first was Wormtail’s old Transfiguration teacher, Minerva McGonagall, who claimed that he was far less talented than his friends when it came to magic. Then there’s Voldemort, who always regarded his servant as particularly weak. The truth is, they were mostly right about him.

He was a hopeless dueler, only besting opponents when catching them off-guard.

However, there are a couple of instances where he’s shown more potential than even he believed. One of these moments was when he caused an explosion that ended the lives of twelve Muggles and allowed him to get away from Sirius Black.

7 He Was Surprisingly Intelligent And An Opportunist

You can say a lot about Peter Pettigrew, including his cowardly demeanor, but one thing you can’t say is that he was dumb. On the contrary, Wormtail was actually pretty intelligent. This cunning helped him frame Sirius for the crime that he committed, as well as search out Voldemort.

Wormtail’s intelligence also allowed him to be quite the opportunist. This trait perhaps sums him up the most, as from the start of things he knew how to get in with the “right” crowd. When the tides changed and there was a better group to be associated with, that’s exactly where Wormtail would end up. A fool wouldn’t be able to navigate situations like this, let alone stay on Voldemort’s good side.

6 The Other Death Eaters Didn’t Like Him

Being an opportunist didn’t quite go over well when it came to Voldemort’s closest servants. First of all, many of them, including Bellatrix Lestrange, were there because they either believed in Voldemort’s cause or Voldemort himself.

Many of these Death Eaters saw Wormtail as a clinger; someone who was merely there to survive and never truly fought for what they believed in.

Another major source of the dislike the Death Eaters had for Wormtail had to do with Voldemort’s first downfall. This event happened on Wormtail’s information. When Voldemort was seemingly annihilated after attacking Harry Potter, many Death Eaters saw Wormtail as a traitor who purposefully led Voldemort to his grave.

5 His Hand Was Cursed

Although the filmmakers behind the Harry Potter movies didn’t explore Wormtail’s silver hand, it was certainly talked about in detail in J.K. Rowling’s novels. Wormtail first got this magical silver hand after he severed it from his body while resurrecting Voldemort in The Goblet of Fire. However, it came with a catch.

The catch with Wormtail’s replacement hand was that it was cursed. Sure, the hand had magical properties, including being impervious to certain jinxes, but it also led to his downfall. Though Wormtail didn’t receive a proper final scene in the films, his demise in the books occurred when he was planning to do good on his “life debt” to Harry. Wormtail’s magical hand turned on him, wrapped around his neck, and took his life.

4 He was insecure about his body

Every single person on the planet has their own set of insecurities. This is true of all of the characters within J.K. Rowling’s masterful series. For Wormtail, it was his stature. Not only was his short height an issue for him, but his weight and shape particularly bothered him. He no doubt compared himself to the more traditionally handsome James Potter and Sirius Black while growing up.

Due to actor Timothy Spall’s height, Wormtail was portrayed a taller than he was in the books.

However, when he first appeared in Prisoner of Azkaban, he was around the same height as a 13 and 14-year-old Harry and Hermione. Both Harry and Hermione would grow to be taller, while Pettigrew remained the same height.

3 He Was Made More Rat-Like For The Films

J.K. Rowlings described Peter Pettigrew has had some of the qualities of a rat, especially after living as one for a solid twelve years. These traits included watery eyes, grubby skin, a pointed nose, and even a squeaky voice that followed him after he revealed himself in The Prisoner of Azkaban.

Azkaban director Alfonso Cuaron wanted to make sure audiences absolutely knew that Pettigrew would have maintained some of his rat-like qualities after his twelve-year stint. These added details included extra nostril hair, knuckle hair, two big teeth, and a consistency between Scabbers’ fur and Wormtail’s locks. Hiding his neck with the right coat also made Wormtail’s rat-like look more believable. These details also came in handy for Wormtail’s visual transition back into his animagus form as he escaped.

2 He Took Voldemort’s Wand

Wormtail didn’t keep his distance the day after Voldemort’s downfall in Godric’s Hollow. He made sure he was nearby as he hoped his information would be useful. Voldemort, of course, wanted to take out a young Harry Potter due to the prophecy that stated that the boy could lead to his demise. Unfortunately for Voldemort, his attempt on Harry’s life backfired and he was practically disintegrated.

Wormtail deduced this once he came across the rubble of the house. He then found Voldemort’s iconic phoenix-feathered wand and took it for safe keeping.

He later gave it back to Voldemort once he was strong enough to use it once more.

There’s no telling where exactly Wormtail stored the wand while living as a rat for twelve years.

1 His Demise Was Connected To The Marauders

Wormtail’s connection to the Marauders, Lupin (Mooney), Sirius (Padfoot), and James (Prongs) was fully realized the day that he met his end. This is because Wormtail’s demise (at least in the book) was very similar to those of his three classmates.

All four of them, in one way or another, passed away while trying to protect or save Harry.

James met his end at the hands of Lord Voldemort that day in Godric’s Hollow. Sirius was protecting Harry when he was struck by Bellatrix’s curse. Lupin fought in the Battle of Hogwarts, giving Harry a moment to escape from Dolohov, who was later revealed to have taken Lupin out. Finally, Wormtail’s cursed hand turned on him the moment he was about to let Harry go, honoring his life-debt.

What do you think is the craziest fact about Wormtail in Harry Potter? Let us know in the comments below!



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2018-10-10 06:10:32 – Dylan Parker

18 Best Sequels, According To Rotten Tomatoes (And 8 Stuck With 0%)

We live in an age where sequels are all the rage. Every major studio is chasing those franchises that can keep their cash flow healthy for years to come. Sometimes, they’re exhausting. Other times, they can be our most anticipated movies. Maybe we could do without more Transformers movies, but Marvel and Mission: Impossible sequels are event movies that drive us to the theater in droves.

Sequels are tricky and unpredictable, though. On one hand, they’re often necessary for expanding stories and the good ones continue sagas we want to see progress. On the other, some are soulless cash grabs that shouldn’t exist. In the worst cases, some of them completely derail promising franchises by failing to deliver the goods. Then again, in some instances, sequels can get a series back up and running after they’ve experienced setbacks.

This list will look at those rare sequels that are considered worthy — and even superior — follow-ups. Those rare beasts that make us grateful for multiple movies in a series. Furthermore, we’ll also be discussing the most maligned sequels that brought no critical good will to their respective franchises whatsoever. It’s more fun this way. In order to fully appreciate the best of the best, we also must acknowledge the worst of the worst. Without evil, we wouldn’t be able to understand all that’s good and pure. Without terrible movies, we wouldn’t be grateful for the good ones.

With this in mind, here are 18 Best Sequels According To Rotten Tomatoes (And 8 Stuck With 0%).

26 Best: Captain America: Civil War (91%)

The decision to keep the same team of writers for all three Captain America films paid off in the end. The trilogy just went from strength to strength with each passing entry, though some would argue that The Winter Soldier is equally as good — if not better — than Civil War. Either way, they’re both prime examples of how to do sequels right.

Civil War tackles the same themes you’d expect from a movie about a do-gooder like Cap, but where the film truly soars is during its wild third act. The airport showdown is the best action showdown in the MCU, and that’s saying something.

25 Worst: The Bad News Bears Go To Japan (0%)

If you didn’t know that sequels to The Bad News Bears exist then no one would think any less of you. While the first movie is a cult classic about an underdog baseball team, the sequels have faded from the collective memory with the passing of time, lost like tears in the rain. That’s for good reason.

None of the sequels are good, but The Bad News Bears Go To Japan is especially bad.

While the idea to relocate to Japan for a big game is good on paper, the sequel is just bland, forgettable, and was made to cash in on the brand name.

24 Best: Star Wars: Episode VII – The Force Awakens (93%)

Some fans argue that The Force Awakens is essentially a retread of A New Hope in many ways. However, clearly the critics and audiences didn’t necessarily agree, given its stellar Rotten Tomatoes score and its audience score of 87%, not to mention its impressive box office haul.

As far as Star Wars movies go, it hits the spot. The new characters are great, the return of some old faces is a trip down memory lane, and the story still made significant effort to push the franchise forward. In those regards, the film definitely succeeded.

23 Best: War for the Planet of the Apes (93%)

Anyone who has a problem with classics being rebooted needs to watch the most recent Planet of the Apes trilogy.  The finale pits the apes in a brutal battle against the humans, which leads to an epic confrontation between the Caesar the Ape and humanity’s ruthless colonel (played by an utterly wicked Woody Harrelson). As far as concluding trilogies goes, War for the Planet of the Apes has everything.

By no means is this a pleasant movie, but it is rewarding. And not only does it wrap up an epic story, but the film boasts some of the great CGI wizardry out there. The action is also ridiculously impressive and compelling, which is crazy considering it’s a movie about people versus monkeys.

22 Best: Logan (93%)

James Mangold’s Logan, the gloriously violent and heartbreaking farewell to Patrick Stewart’s Professor X and Hugh Jackman’s Wolverine, is an all-timer. Taking cues from the Old Man Logan comics, the movie has just as much in common with neo-westerns as it does with superhero yarns, which makes for a gritty, character-driven elegy to characters many of us grew up with.

Logan deserves praise for going R-rated and taking some stylistic risks.

The movie is proof that audiences will still flock to see superhero movies with some edge. If you’re going to send off some icons, this is the way to do it.

21 Worst: Return to the Blue Lagoon (0%)

Considering that no one liked The Blue Lagoon (it currently holds a 9% rating on RT), why anyone would want to return to the franchise is beyond comprehension. Of course, every sequel is a perfect opportunity to right some old wrongs if handled with care. Unfortunately, this was not. The story follows two children who are marooned on a tropical island as the grow up and fall in love, etc. The characters don’t wear enough clothes either, which makes for some weird, uncomfortable viewing.

There are some unintentional laughs to be had at the poor script and performances.

Otherwise the Blue Lagoon isn’t a scenic cinematic paradise worth spending time in unless you want to punish yourself for some reason.

20 Best: The Dark Knight (94%)

Few superhero movies are ever regarded as anything more than popcorn fare. However, if there were ever a superhero movie that proved the genre could be prestige cinema, it would be The Dark Knight. Christopher Nolan’s take on Batman is an exploration of chaos and just how far people are willing to go to achieve their goal.

The Dark Knight — for better or worse when you consider how devoid of fun some DC movies have been since — also brought a gritty, realistic touch to the genre. The movie feels more like a Michael Mann crime saga than it does a story about superheroes versus their outlandishly evil counterparts.

19 Best: Finding Dory (94%)

In recent times, Pixar has been criticized for relying too heavily on sequels, but if it ain’t broke… Finding Dory was released 13 years after Finding Nemo, and it was a smash with critics and audiences alike.

Its 94% on Rotten Tomatoes is complemented by an 84% audience score.

Upon release Finding Dory was praised for being as funny and thought-provoking as the first movie, while also adding a new dimension to the story. As with any Pixar movie, Finding Dory can be appreciated by audiences of all ages. 

18 Worst: Staying Alive (0%)

No other actor on the planet has experienced a career of ups and downs like John Travolta has. When he broke out he had the world at his dancing feet. After that, his career experienced a downturn until it was resurrected briefly following Pulp Fiction until it ultimately plummeted when he started starring in movies like Battlefield Earth. Staying Alive was released in 1983 when Travolta was experiencing his first fall from grace. Following up a classic like Saturday Night Fever was never going to be easy, but it shouldn’t have been this difficult, either.

The sequel lacks the gritty realism of its predecessor, and instead tries to get by on dance sequences. What’s the point in dancing when we don’t care about who’s doing it?

17 Best: Creed (95%)

No franchise tends to remain compelling seven sequels in, but Creed is proof that the Rocky franchise is the rare exception. Granted, some Rocky movies aren’t exactly knockouts, but Creed got things back on track and showed that it’s game for a few more rounds.

By serving as both a sequel and a spin-off/soft reboot, Creed gave the franchise a breath of new life.

It passed the gloves on to Michael B. Jordan as the eponymous character.  Creed 2 is right around the corner. Let’s see if it can do what the original saga failed to do and deliver a second outing that’s as good as the inaugural entry.

16 Worst: Leprechaun 2 (0%)

The first Leprechaun movie doesn’t come close to being certified fresh rating on Rotten Tomatoes, so it should come as no surprise that the sequels didn’t receive any critical acclaim. Especially not the second movie, which no critic seemed to enjoy at all.

Here, the infamous critter resurfaces in Los Angeles to find a bride, which leads to him abducting a young woman and trying to claim her as his own. This isn’t high art by any means, nor does it try to be.

15 Harry Potter and the Deathly Hallows: Part 2 (96%)

The Harry Potter books were an emotional roller coaster that affected millions of readers worldwide. Reliving those adventures on the big screen was also a great time to be alive, and the grand finale lived up to expectations. In the final installment of the saga about the Boy Who Lived and his fight against the forces of darkness, the ultimate showdown finally happens as our hero and his pals face off against Voldemort in Hogwarts castle.

It’s a true epic in every sense of the word.

As far as wrapping up the story goes, Death Hallows: Part 2 delivered the goods and gave us cinematic closure in style.

14 Worst: Looking Who’s Talking Now (0%)

Look Who’s Talking is a perfectly serviceable comedy that should never have received any sequels. In a bid to end to the trilogy on a high following the disappointing previous sequel, Look Who’s Talking Too, someone thought it would be a good idea to introduce talking dogs to the mix for the series’ swan song. 

Needless to say, Look Who’s Talking Now wasn’t the glorious goodbye the series was looking for, but at least the film did cast some cute dogs.

13 Best: The Good, the Bad, and the Ugly (97%)

The third installment of Sergio Leone’s influential Dollars trilogy, The Good, The Bad and the Ugly is the creme de la creme of spaghetti westerns. 

The story centers around two men who form an uneasy alliance following a scam.

This leads them on a quest as it turns out there’s money buried in the desert and they want to find it. However, they have to compete against another who won’t hesitate to put a bullet in them to claim the prize. On top of being one of the most acclaimed movies out there, the film has been hailed as a major influence on directors like Quentin Tarantino.

12 Best: The Godfather: Part II (97%)

The continuation of Francis Ford Coppola’s Best Picture-winning 1972 crime saga, The Godfather: Part II chronicles Michael Corleone’s further ascendency in organized crime while simultaneously taking us back to the past to explore his dad’s humble beginnings.

Like its predecessor, the sequel also won Best Picture and is hailed by many a critic and film buff as one of the best movies ever made. Whether it’s better than the original is up for debate, but they’re like two sides of the same coin. These movies set the bar for mob pictures, and to this day, other directors are still trying to recreate the formula.

11 Mad Max: Fury Road (97%)

Director George Miller was in his seventies when he unleashed Mad Max: Fury Road, but the energy and madness imbued in every frame of this extravaganza suggest a man half his age.

Maybe we’ll never see another Mad Max movie, but the world needs a Furiosa spin-off eventually.

Fury Road is essentially one non-stop chase that barely lets up from the get-go all the way to the climactic ending. Furthermore, it’s a movie that defied expectation by taking the focus away from the titular character and making Charlize Theron’s Furiosa the real hero of the adventure. 

10 Worst: Jaws: The Revenge (0%)

Is Jaws: the Revenge a good movie? Definitely not. Is it an entertaining movie, though? Definitely yes.

How many other movies have sharks that make a conscious decision to get revenge on the humans that wronged them? Not only that, but the shark here followed its target to the Bahamas from Massachusetts. And why would someone who wants to avoid sharks go to an island surrounded by ocean? The movie is illogical, silly, nonsense, but it does offer sheer entertainment value for bad movie buffs.

9 Best: Aliens (98%)

Alien and Aliens are quite different in some regards, but they complement each other perfectly. The first is an exercise in pure suspense and terror. The sequel, on the other hand, retains the horror elements but adds a lot more action to proceedings.

Aliens shows how to make a successful sequel: acknowledge what came before but don’t be afraid to bring some fresh ideas to the table.

James Cameron was on fire in the ’80s and he wasn’t afraid to make Ridley Scott’s baby his own.

8 Best: Mad Max 2: Road Warrior (98%)

While George Miller’s inaugural Mad Max caper is a cult classic, most film buffs would agree that a couple of the sequels are slightly superior. Taking nothing away from the first movie, Road Warrior is a vast improvement when it comes to world building and sheer action spectacle. The story follows the eponymous character as he helps a group of people steal oil from a tyrannical madman and his band of goons.

As far as cinematic thrill rides go, few movies are on par with Road Warrior. Here, Miller turned up the volume significantly by making the post-apocalyptic terrains feel more dangerous and the action sequences more gung-ho and grander in scale.

7 Best: Evil Dead 2 (98%)

Sam Raimi’s first Evil Dead movie was a huge achievement for independent filmmaking when it was released back in 1981. The movie still holds up to this day with its innovative camera work, effective scares, and excellent cast as well.

The sequel is a triumph in its own right.

While the first movie contained moments of dark comedy, the sequel amps up the zaniness to become what is essentially the splatter flick equivalent of a Laurel and Hardy flick. For 90 minutes, Bruce Campbell is tormented by laughing ornaments and his own severed hand. As silly as that sounds, Evil Dead 2 still manages to pack more punch than your average MMA fighter.

6 Worst: Police Academy 4: Citizens on Patrol (0%)

In the third installment of the Police Academy franchise, the cops are understaffed and in need of some help. Naturally, the force turns to America’s civilians to help aid in their mission. Things don’t go smoothly, for the characters in the film and the movie itself.

Rotten Tomatoes describes Police Academy 4: Citizens on Patrol as “Utterly, completely, thoroughly and astonishingly unfunny” and  a movie which sent “a once-innocuous franchise plummeting to agonizing new depths.” That sounds about right.

5 Toy Story 3 (99%)

Few franchises manage to strike three home runs in a row. Even The Godfather stuttered when it came to the third outing. Toy Story, on the other hand, never ceases to replicate the magic time and time again.

This emotional installment sees Andy get ready to leave for college and neglect his old toys.

He’s all grown up and has no use for them anymore, and what ensues is what is by far the most heartfelt movie in the series.

4 Worst: Highlander II: The Quickening (0%)

As far as pure entertaining action-fantasy goes, the first Highlander movie is a fun slice of popcorn entertainment that aficionados of cult cinema lose their head over. The sequel, meanwhile, is an incomprehensible mess.

Highlander II is too overplotted to explain, but the cusp of the story revolves around the hero from the first movie taking on a corporation after being led to believe that they don’t have the world’s best interests in mind. In this one, our hero is a defender of the ozone as well. What makes Highlander II so awful is that it completely retcons everything good about the original film and the mythology it introduced.

3 Best: The Bride of Frankenstein (100%)

We all desire to be loved by someone special– even bolt-head monsters made up of the remains of other people. But to find them a mate, one must dig up some more corpses and create a suitable partner that’s similar in genetic make-up. This is also the storyline behind James Whale’s 1935 masterpiece, Bride of Frankenstein.

There are too many Frankenstein movies to keep track of at this point, but this sequel remains the pinnacle of the original series.

The movie is a masterpiece that successfully blends campy fun with Gothic beauty and genuine chills that’s stood the test of time as a result.

2 Paddington 2 (100%)

No one expected the the first Paddington to be as good as it is. That movie is a bona fide classic in the making in its own right, but the sequel is some next-next level brilliance.

Paddington 2 sees the lovable bear go to prison and, unsurprisingly, all the mean criminals fall in love with him as well. Critics, like the fictional convicts, were also full of praise for the titular bear and his second big onscreen adventure as well. At one point, Paddington 2 was even the best reviewed movie in history.

1 Best: Toy Story 2 (100%)

Following up a movie like Toy Story was never going to be easy, but that didn’t stop Pixar from trying and succeeding. In this one, we find out that Woody is a collectible when he’s discovered and stolen by a greedy museum owner. Naturally this prompts Buzz Lightyear, Mr. Potato, and the rest of the gang into action and they set out to save their friend.

General consensus on Rotten Tomatoes states that Toy Story 2 is that rare sequel that improves upon its predecessor.

The sequel raises the stakes and ups the element of adventure while retaining the humor and heart that made audiences fall in love with the franchise in the first place.

What’s your favorite sequel? Let us know in the comments!



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2018-10-10 04:10:39 – Kieran Fisher

Goosebumps 2: Haunted Halloween Review – A Pretty Slappy Sequel

Goosebumps 2 lacks the charm and inventiveness of its predecessor, but still has a reasonable amount of spoopy entertainment value to offer.

R.L. Stine’s beloved 1990s children’s horror book series makes its way back to the big screen in Goosebumps 2: Haunted Halloween, a sequel to the live-action film adaptation of Stine’s novels that came out in 2015. While Jack Black starred as a fictional version of Stine in that movie, Sony didn’t even confirm the actor’s return for the followup until a few weeks before its release. Similarly, neither the director, writer, nor supporting cast of the (generally well-received) first Goosebumps film worked on the second installment. While Haunted Halloween certainly suffers for it, the sequel isn’t an entirely hollow continuation of the franchise either. Goosebumps 2 lacks the charm and inventiveness of its predecessor, but still has a reasonable amount of spoopy entertainment value to offer.

Goosebumps 2 picks up in the small town of Wardenclyffe, New York, as its residents prepare for the fast-approaching Halloween Night festivities. Meanwhile, in the Quinn household, high school senior Sarah (Madison Iseman) is trying to finish her college application and her younger brother Sonny (Jeremy Ray Taylor) is struggling with his science class project – a miniature replica of an experimental wireless transmission station in Wardenclyffe that was built and designed by Nikola Tesla, but never finished (aka. the Tesla Tower). The Quinns are joined by Sonny’s best friend Sam Carter (Caleel Harris), who is staying over at their house while his parents are away for the Halloween holiday.

After some prodding from Sam, Sonny agrees to take a break from his project and clear out an abandoned local house, as part of the duo’s ongoing efforts to launch a (successful) junk cleanup business. While there, however, the pair stumble upon an incomplete manuscript for a Goosebumps novel, unaware that the building was once owned by R.L. Stine himself. Not knowing any better, Sam and Sonny unlock the book and inadvertently unleash the Goosebumps villain Slappy the Dummy back into the real world. While the living ventriloquist dummy seems (sorta) friendly at first, it’s not long before he reveals his true evil plan, with only Sam, Sonny and Sarah to stand in his way.

If the original Goosebumps movie was a throwback to the popular family-friendly spooky adventures of the 1990s (think Hocus Pocus), then Haunted Halloween is closer to being the 2018 equivalent of a direct-to cable scary movie for kids from the ’90s – that is, noticeably cheaper and more generic, yet otherwise harmless and playful in its own right. The Goosebumps 2 script by Rob Lieber (Peter Rabbit) likewise carries over the first movie’s imaginative premise and conceit (e.g. Stine’s Goosebumps novel manuscripts are really enchanted objects which contain and prevent his “demons” from entering the real world) and includes references to its story, yet never really tries to build on its concepts, much less its themes and lore. Instead, Haunted Halloween offers helpful, if unchallenging, life lessons for kids and a serviceable narrative that doesn’t exactly push the envelope for the larger Goosebumps brand.

At the same time, Goosebumps 2 is perhaps more successful than its predecessor when it comes to being genuinely menacing and scary for the juice box crowd, yet still light-hearted enough to avoid traumatizing them (hence, “spoopy”). Much of the credit for that goes to director Ari Sandel (The DUFF), who does a commendable job of combining suspenseful and creepy storytelling with comedic moments here, much like Stine did so well in his original Goosebumps novels. Haunted Halloween, as indicated earlier, feels like a lower-budgeted affair than the first Goosebumps, yet Sandel and his creative team – including, DP Barry Peterson (Game Night) and production designer Rusty Smith (Get Out) – still manage to deliver a movie that’s a proper cut above a comparable TV film, in terms of overall craftsmanship. That also goes for the CGI and creature effects in the sequel’s first half (more on the second half later).

The actual setting of Haunted Halloween is mostly populated by stock types, be they the film’s young heroes or the local bullies that Sonny and Sam have to deal with (not to mention, Sarah’s dishonest would-be boyfriend). While their characters are fairly two-dimensional in the Goosebumps sequel, Harris, Iseman and Ray nevertheless have the same affable screen presence that’s allowed them to stand out in films and TV shows past and, thus, make their protagonists all the easier to root for. That also goes for the adult supporting players here, as Wendi McLendon-Covey (The Goldbergs) and Ken Jeong (Community) mostly channel their famous small screen personas as Sarah and Sonny’s adorkable mother Kathy and their eccentric neighbor Mr. Chu, respectively. As for Black as R.L. Stine: his own role in Goosebumps 2 is pretty superfluous, which is disappointing considering the energy that he brought to the proceedings as the first Goosebumps‘ co-protagonist (not to mention, his vocal performance as Slappy, which Black didn’t reprise in the sequel).

All in all, Haunted Halloween is a passable if derivative sequel – but not because the Goosebumps books themselves are incapable of sustaining multiple films. Rather, the problem is that the sequel recycles too much from the first movie and struggles to make creative use of the fresh elements (like the real-world Tesla Tower) that it brings into the mix here. It’s too bad, seeing as Goosebumps 2 had a wealth of different monsters and horror genres in Stine’s source novels to draw from, yet elected to continue simplifying the author’s mythology by making Slappy the big bad (again) and skimping on giving the other creatures much in the way of personality. As a result, the second half of the movie plays out as a watered down version of what happened in the original Goosebumps, albeit with lower production values and emotional impact.

Still, Goosebumps 2 should go over best with its young target demographic and provide them with enough silly scares and fun adventure to keep them engaged for its brisk runtime. Moreover, much like your average comic book movie these days, Haunted Halloween delivers its fair share of Goosebumps easter eggs and nods to the real Stine’s source material (right down to a Stan Lee-esque cameo from Stine himself), to further serve the property’s youngest fans. As for those who prefer their family-friendly fantasies with Jack Black starring front and center – The House with a Clock in Its Walls is still playing in theaters and ought to fulfill your own needs for some spoopy entertainment this Halloween season.

TRAILER

Goosebumps 2: Haunted Halloween begins playing in U.S. theaters on Thursday evening, October 11. It is 90 minutes long and is rated PG for scary creature action and images, some thematic elements, rude humor and language.

Let us know what you thought of the film in the comments section!



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2018-10-10 01:10:58 – Sandy Schaefer

22 July Review: Paul Greengrass Delivers Another Intense Docudrama

Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

In-between his efforts on the Bourne movies, journalist-turned filmmaker Paul Greengrass has spent much of his career making docudrama-thrillers about real-world events, ranging from the September 11 terrorist attacks on the U.S. (United 93) to the hijacking of the Maersk Alabama in 2009 (Captain Phillips). While there’s an inherent risk of exploiting a real-world tragedy that comes with any such project, Greengrass has long been celebrated for his ability to dramatize terrible events on the big screen in a manner that’s intense, yet sensitive and ultimately insightful in its presentation. Thankfully, that remains the case with his Netflix Original 22 July, even if it doesn’t necessarily represent the writer/director at his finest. Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

22 July picks up on July 21, 2011 in Oslo, Norway, as Anders Behring Breivik (Anders Danielsen Lie) – a self-declared right wing extremist – prepares to carry out a terrorist attack on the city the next day. He begins his assault by setting off a bomb in a van near the main office of the then-current Norwegian Prime Minister Jens Stoltenberg (Ola G. Furuseth), killing eight people in the process. Breivik then proceeds to continue his attack by gunning down 69 members of a summer camp organized by the AUF – the youth division of the Norwegian Labour Party – on the island of Utøya, before he is ultimately apprehended by the police and taken into custody.

Among the members of the summer camp is one Viljar Hanssen (Jonas Strand Gravli), who manages to survive Breivik’s attack despite being shot multiple times and left permanently maimed. As Viljar struggles to recover both physically and psychologically from what happened to him (along with everyone else who survived the Utøya shootings and their loved ones), Breivik works with his chosen lawyer Geir Lippestad (Jon Øigarden) to mount a defense and use his trial as a platform to publicly announce his political agenda (which calls for the immediate deportation of all Muslims and heavier restrictions on immigration to Norway, among other things). When it becomes clear to Viljar what Breivik intends to do, he grows increasingly determined to continue his rehabilitation and testify against him in court for not only himself, but also every other person whose lives were affected by what took place on July 22.

Adapted from the book One of Us: The Story of a Massacre in Norway — and Its Aftermath by Åsne Seierstad, Greengrass’ script for 22 July has a very clear-cut three act structure – with the first act focused on the July 22 attack, the second part set during its immediate aftermath, and the final third centered on Breivik’s trial. The film is strongest during its first and third acts in particular, as those chapters (respectively) play to Greengrass’ strengths as a suspense-thriller storyteller and provide the emotional payoff to Viljar and, thus, Norway’s overarching journey of recovery and survival. It’s the second act where things start to drag and get a little muddled, especially as 22 July splits its focus between not only Viljar’s story thread, but also Lippestad and Breivik’s trial preparation, and the investigation into Stoltenberg’s administration and its failure to prevent a terrorist attack. While there’s nothing in the second act that feels inessential, 22 July struggles to divide its attention evenly between its three plotlines and the film’s pacing suffers for it.

On the whole, however, 22 July does a nice job covering a fair amount of narrative ground, even when taking its pretty substantial runtime into consideration. It helps that Greengrass (as he’s known now for doing, as a director) never fully lifts his foot off the gas pedal and keeps the film’s proceedings feeling on-edge throughout, even during its more purely dramatic portions. The filmmaker, working this time around with DP Pål Ulvik Rokseth (The Snowman) and Oscar-winning Argo editor William Goldenberg, uses essentially the same vérité cinematography and restless editing style that he has on his previous movies, in order to fully immerse viewers in the film’s setting and action. At the same time, Greengrass slows things down a bit here and, in turn, delivers a movie that’s more visually cohesive than some of his weaker efforts in the past (see the last Bourne sequel, in particular). This serves 22 July well, allowing it to effectively work as both a grounded drama and thriller.

Given the sheer amount of information that 22 July strives to cover, though, there’s not a lot of room for the film’s actors to really shine – not in the way that Barkhad Abdi and Tom Hanks did in Captain Phillips, for example. Even so, the 22 July cast is uniformly strong across the board, with Gravli especially doing an excellent job of portraying Viljar’s struggles with his physical injuries, PTSD, and the sheer amount of emotional baggage that he’s saddled with after barely managing to escape the attack on Utøya with his own life. Actors like Thorbjørn Harr and Isak Bakli Aglen are similarly moving in their smaller roles as members of Viljar’s family, as is Seda Witt as Lara Rashid, a young woman who starts to make a romantic connection with Viljar before both of their lives are shattered by Breivik’s attack. As for Breivik himself: Lie is quite compelling in the role and portrays the terrorist as a fully-developed person – one whose rationalization of his behavior makes him chilling and pathetic in equal measure.

As with his previous films, Greengrass uses 22 July as a means for delivering larger sociopolitical commentary about the state of things in the world, specifically where it concerns the rise of xenophobic and nationalist ideologies in various countries (the U.S. included). While his scripted dialogue can start to become a bit on the nose as its strives to get these points across (especially in the third act), Greengrass largely succeeds in allowing the story here to shine a light on these issues organically, without getting up on his figurative soapbox to drive the point home. If there’s a downside to the filmmaker’s approach, though, it’s that July 22 winds up handling its subject matter in a way that’s more engaging intellectually than emotionally and, thus, lacks the emotional resonance of Greengrass’ best work to date.

All things considered, however, Greengrass does a very good job of bringing the true story behind 22 July to cinematic life. The final result is a film that makes for an enlightening and otherwise respectful documentation of a horrifying real-world event, rather than one that comes off as exploitative or manipulative. 22 July is showing in select theaters now – in order to qualify for next year’s major film awards shows – and it certainly benefits from being seen on the big screen, but can still be appreciated just as much as a Netflix Original on your home TV. While it’s obviously not a light-hearted viewing experience, 22 July is very much worth checking out if you’ve enjoyed Greengrass’ previous non-Bourne efforts and/or would like to know more about Norway’s own infamous modern terrorist attack.

TRAILER

22 July is now available for streaming on Netflix and is playing in select U.S. theaters. It is 143 minutes long and is rated R for disturbing violence, graphic images, and language.

Let us know what you thought of the film in the comments section!



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2018-10-10 01:10:22 – Sandy Schaefer

New York Comic-Con: 26 Biggest Announcements (And 4 Weirdest Possibilities)

It might not be as big as San Diego Comic-Con, but New York’s pop culture celebration is just as eventful. This year’s New York Comic-Con was littered with scoops. Whether it’s juicy rumors or brand new trailers, there was plenty to see and talk about. Of course, the convention weekend can get a bit overwhelming — the onslaught of news, panels, and footage seems endless. Thankfully, we’ve collected all of this biggest topics for those of you who are lost amidst all of the comic book news.

For this list, we’re going to cover the most important stories of this year’s New York Comic-Con, including some big ones that just happened to drop during the week rather than at the convention itself. The list will even feature a few big rumors that have come out of the con for some good measure — or for those of you who just like some gossip. Even those who attended the convention might have missed some of the major stories, so use this as your post-NYCC guide to recap the weekend as things begin to wind down.

We know it’s difficult to keep track of all this news, especially after the convention weekend. This list should make things a bit easier. Even if you didn’t attend, the bombardment of news is probably still filling your news feed. So after you’re finished watching trailers all day and unpacking your NYCC hauls, settle in and we’ll break everything down for you.

Here are the 26 Biggest Announcements From NYCC (And 4 Weirdest Possibilities).

30 Aquaman’s New/Old Armor

The new Aquaman trailer was the highlight of the weekend for many. It revealed a surprising amount of footage — some would say too much. The extended look — roughly five minutes long — featured a plenty of unseen footage.

Audiences were treated to a sequence involving Arthur and Mera in desert ruins, another look at Atlantis, and even an extended action sequence between the two leads as they are chased by Black Manta. Perhaps the biggest spoiler in the trailer was the reveal of Aquaman’s iconic orange and green outfit.

29 Hellboy First Look

While no footage from the Hellboy panel has been released to the public, convention-goers were treated to a poster reveal and an exclusive first look at the upcoming film.

The panel footage wooed many fans in attendance and featured a tone that balanced the movie’s violence and gore with humor. It saw Hellboy receive his iconic handgun and show off the Hand of Doom, and it highlighted his especially shaky relationship with his ally Ben Daimio.

The trailer’s money shot had Hellboy in all-out demon mode, rising out of a pit sporting a flaming sword and crown.

Hopefully it won’t be long before this footage is released to the public.

28 Bullseye in Daredevil Season 3

Daredevil’s new trailers suggest a return to the grounded crime-noir tones of the first season with some big new developments. The first trailer reveals that not only is Kingpin out of prison, but he appears to design a smear campaign to turn New York against Daredevil.

One of the ways this may be happening is through a Daredevil impostor, who is none other than the hero’s most famous villain, Bullseye. Bullseye is the subject of the second new trailer, exploring his life as a government agent-turned-assassin under the employ of Kingpin.

27 Titans Is Grittier Than The DCEU

Titans has already received flak for the marketing’s seriously dark tone. Now, after the first two episodes were screened for viewers at NYCC, it is getting the same criticism.

Not only does Titans sport the DCEU’s same dark tone, but apparently the show is even more violent than the films.

The footage featuring Robin displayed some extremely violent and lethal combat, complete with the same amount of gore and disrespect for human life one might find in — well, anything but a comic book show. With that said, the show did receive a warm reception from the audience, so maybe Titans has potential after all.

26 Possibility — Will Rick Grimes Survive?

The Walking Dead is losing its lead character this season, with the confirmed departure of Rick Grimes actor Andrew Lincoln. His impending exit has been talked about for months now, but fans still don’t know how his character will be written out of the show. In a new rumor, it seems that Rick Grimes might meet a brutal end.

In an interview with Entertainment Tonight, Andrew Lincoln joked that he might not “make it through the credits sequence” teasing Rick’s potential demise. Fans don’t want to say goodbye to Rick, but it will be even harder to do so if he is torn apart by walkers. Can’t somebody get a happy ending on this show?

25 Spock On Star Trek: Discovery

Star Trek fans weren’t left out of the fun this year, with a new trailer for season two of Star Trek: Discovery. The trailer promises a ride that might be just as intense as the first season, with plenty of action, character beats, and visuals so gorgeous that one would think the show had the budget of a feature-length film.

Amidst the sizzle of the trailer is a big reveal — the inclusion of a young, bearded Spock.

The character is supposedly connected to the “Red Angel” visions that Burnham is experiencing, though details on his appearance in the season are still under wraps.

24 First 35 minutes of new Spider-Man movie

Spider-Man: Into the Spider-Verse is still a few months out but panel attendees were treated to the first 35 minutes — and apparently what they saw was incredible. Reactions to the NYCC footage is overwhelmingly positive, citing the stylish animation and and lighthearted tone as some of the film’s standout elements. These early reactions come off the back of a new trailer for the film, which shows off several more of the alternate universe versions of Spider-Man.

Of course, this was only the first 35 minutes. Much of the movie is still under wraps and it has a long road ahead of it, being only one of many tentpole releases hitting theaters this December.

23 Deadly Class is coming in 2019

SYFY’s adaptation of the critically acclaimed Deadly Class comic series made a big showing this year. Between the close collaboration with series writer Rick Remender, the promise of intense action, and the Russo brothers at the helm (Captain America: The Winter Soldier, Avengers Infinity War), this long-awaited series has the potential to be a household name.

Not only does the show seem like a contender for the “next big thing” in comic book television, but it finally has a release date.

This was revealed to be January 16 in a new trailer that focuses on the coming-of-age aspect of the anarchic action series.

22 Star Wars’ The Mandalorian

The first image of Jon Favreau’s live-action Star Wars series was released on Thursday, getting fans hyped for the first real TV show in a galaxy far far away. The photo was released alongside new details about the show, namely its title: The Mandalorian.

Set between Return of the Jedi and The Force AwakensThe Mandalorian centers on a warrior from Mandalore travelling across the galaxy. The title character wears the iconic armor that the planet is known for — a costume shared by fan-favorite character Boba Fett. Plenty remains unknown about the series, though it is set to premiere on Disney’s upcoming streaming service.

21 Possibility — Kingpin and Spider-Man Crossover

Marvel fans will rejoice if this rumor comes true — during all of the Daredevil buzz over the convention weekend, Vincent D’Onofrio made a very reassuring tweet.

When a fan tweeted that the world will never see the him as Kingpin in an MCU film, D’Onofrio responded with “Who says?”

Marvel’s Netflix shows have been especially vague in their references to the Marvel Cinematic Universe, but having Kingpin show up in a Tom Holland Spider-Man film would be the perfect connection. The chances are slim, but at least there’s hope.

20 Bane On Gotham

Gotham‘s fifth and final season was revealed in a trailer this weekend, promising quite the grand finale. The trailer hints that Gotham will be adapting the classic No Man’s Land comic book story this season, and also teased another big bad.

Actor Shane West has been cast as Bane, one of Batman’s greatest adversaries and one of the only major rogues that the show hasn’t yet adapted. Bane’s appearance so early in Bruce Wayne’s life has been met with mixed reactions among fans, but at least that suggests a bombastic end to the pre-Batman series.

19 The X-Men Go To Space

New York Comic-Con got an extended look at X-Men: Dark Phoenix, despite being subject to what seems like endless delays. The exclusive footage, which still has not been revealed to the public, gave fans a look at the fully-formed X-Men team and their upcoming cosmic adventure.

Highlights of the footage included an argument between Mystique and Professor X, Jean Grey absorbing a solar flare, and the team going on a rescue mission in space.

While most of the movie likely takes place on Earth, it’s nice to know that the movies aren’t above digging into the spacebound shenanigans that the comics do.

18 Penny from The Big Bang Theory is Harley Quinn

Among the many DC Universe announcements this weekend was the trailer for the Harley Quinn animated series, which has taken many fans by surprise. The show looks like a quirky adult comedy with Harley breaking the fourth wall and using foul language.

The show is already being compared to the likes of Deadpool, with positive reactions coming out of NYCC. It also features a great cast, with Kaley Cuoco, Alan Tudyk, Ron Funches, JB Smoove, and Wanda Sykes among the voice talent. It is set to release late in 2019 on the DC Universe streaming service.

17 Umbrella Academy’s Big Debut

Netflix’s adaptation of Gerard Way’s superhero darling The Umbrella Academy came to play during NYCC, with a handful of new images and even a trailer exclusive to the folks at Comic-Con. An Umbrella Academy movie has been in the works for many years, but after the switch to television and some time in development freefall, it finally seems right around the corner.

The series — which consists of a dysfunctional family of superheroes — seems to be maintaining its gothic comic book aesthetic.

The show looks like surreal than its counterpart on the pages, but it already has people excited. Umbrella Academy hits Netflix on February 15, 2019.

16 Doctor Who First Reactions

Those who attended the Doctor Who panel were in for quite the event. The attendees got to see the premiere of the new season as well as have an in-depth talk with the season’s Doctor, Jodie Whittaker. The audience’s response to the episode was ecstatic to say the least, and that sentiment seems to be shared by viewers around the world.

Not only was the show a critical hit, but its viewer ratings were record-breaking. The premiere episode “The Woman Who Fell to Earth” peaked at 9 million viewers, which the highest the show has ever had! Sounds like the new season of Doctor Who is off to a fantastic start.

15 Odin’s true form in American Gods season 2

Last year’s adaptation of Neil Gaiman’s American Gods was a massive hit and the trailer for the new season looks just as enticing.  Shadow Moon and Mr. Wednesday are back on their surreal fantasy roadtrip, accompanied by even more colorful characters and bizarre, unsettling visuals.

The footage teases a war between Mr. Wednesday and Mr. World, with an especially striking shot of Wednesday in his true form: Odin. 

American Gods is a trippy, gorgeous series that many may have missed last year, and with such a great-looking sequel on the way, now might be the time to go back and binge. The second seasons drops in 2019.

14 Possibility — Sabrina/Riverdale Crossover

A full trailer for Chilling Adventures of Sabrina hit the web early last week, revealing a spooky-yet-fun adaptation of the comics, as well as a revival of the late ’90s sitcom. Sadly, Archie fans will be disappointed to hear that Sabrina is not currently attached to the hit CW series, Riverdale.

While the Sabrina was originally set to appear on the CW as Riverdale’s companion show (much like CW’s Arrowverse), the move to Netflix seems to have stifled the idea. Still, Sabrina showrunner Roberto Aguirre-Sacasa is holding out hope for a potential crossovers so that the original plan can come to fruition.

13 George R. R. Martin’s new show

Those of you eagerly awaiting Game of Thrones… well, we don’t have any good news for you. But, if you want more content from the mind of George R.R. Martin, an adaptation of his book Nightflyers has received a new trailer and a first-episode premiere at New York Comic-Con.

The sci-fi thriller follows a crew they struggle to survive on their space mission.

Not everything is as it seems on the vessel, as the show promises some solid horror scares as well as a character-driven story. The show doesn’t officially premiere until December 2nd, but at least sci-fi horror fans have something to look forward to.

12 She-Ra And The Princesses’ LGBT rep

Dreamworks Animation has been launching hit after hit lately — between shows like Trollhunters and Voltron: Legendary Defender, their work has earned them much success on Netflix. The newest series from the studio, She-Ra and the Princesses of Power, dropped a poster and teaser trailer at New York Comic-Con that looks like promising fun for young viewers.

The reboot of the ’80s television show sports new cartoony visuals, witty humor, and a diverse cast of characters — even including a same gender couple. While the show’s initial reveal was met with some backlash, the trailer seems infectiously pleasant and fun.

11 Matt Bomer stars in DC’s Doom Patrol

While Titans got plenty of attention at NYCC, the next DC Universe original series got a brief first look. Doom Patrol is set to release next spring, but panel attendees were show some exclusive photos of Brendan Fraser’s character, Robotman. Fraser appeared at the panel and talked through the first look.

Seeing as Doom Patrol is currently filming, it shouldn’t be long before official footage hits the web.

The Robotman design look remarkably accurate to the comics, which has gotten many fans even more excited for the obscure property’s TV adaptation. Supplementing this news was the casting of Matt Bomer as Negative Man — another big name

10 The Spawn Trilogy

Fans hoping for a Spawn trailer at NYCC were out of luck this weekend, but series creator Todd McFarlane spoke at length about his plans for the newly rebooted movie. McFarlane explained that he envisions an ambitious trilogy of Spawn movies, with each one visually and tonally distinct from the last.

The first film might be described as a kind of existential horror-superhero film, with characters wondering if what they see is even real. While the project is still a ways off, the Jamie Foxx-led vehicle is going to emphasize the dark tones of the book with a hard R-rating, as well as cater to the now-older readers of the comic series.

9 DC Universe Streaming Plans

DC Comics and Warner Bros wanted to spotlight their DC Universe streaming service at this year’s NYCC, several small news breaks on he various related properties. Not only did they show footage of Titans, Doom Patrol, and Harley Quinn, but they also revealed the service’s content release schedule over the coming year.

While no specific dates were given, the timeline depicts various release windows for the service’s different original series.

While Young Justice: Outsiders seems to have been split into two parts, Doom Patrol will drop next spring followed by Swamp Thing in the summer, with both Stargirl and Harley Quinn dropping next fall.

8 Pet Sematary First Look

Horror fans might not have had much to talk about at Comic-Con, but during the convention some promo images dropped for the reboot of a Stephen King classic. The first images of the Pet Sematary remake were released, featuring Jason Clarke, John Lithgow, and Amy Seimetz.

The best image of the bunch comes in the form of the Creed family cat, Church, looking meaner and mangier than ever.

While an evil cat may not be the scariest thing you’ll find in Pet Sematary, it’s a nice preview of the Stephen King spookiness to come, especially after the success of 2017’s It. Pet Sematary is set for release on April 5, 2019.

7 Runaways Season 2 Footage

A new trailer for the second season of Runaways shows that the series has moved way past high school drama, and further into superhero action territory. The trailer features the Runaways’ comic book hideout, huge action set-pieces, and plenty of superpowers to go around.

Highlights of the trailer include a kiss between Nico and Karolina, a battle on an airport runway, and a glimpse at Gert’s pet dinosaur Old Lace. The first season of the show was a quiet hit among the newer Marvel properties, but this season promises a much deeper dive into the superhero genre that fans of the series are have been waiting for.

6 How to Train Your Dragon: The Hidden World

One reveal snuck in towards the end of Comic-Con — a very short trailer for How To Train Your Dragon: The Hidden World. Although very brief, the trailer is made up of all-new footage.

The trailer consists of baby Hiccup in his father’s arms as he is told about the legendary world of dragons.

During his father’s narration, the titular Hidden World is given a brief tease as hundreds of dragons flutter across a cavernous landscape. It ends with a shot of Hiccup and Toothless overlooking a town covered in dragons. It’s not as extensive as the film’s last trailer, but it might hold fans over until the film’s release on February 22, 2019.

5 Good Omens Trailer

It’s a great year for Neil Gaiman lovers as they got not one, but two different Gaiman projects revealed at NYCC. First was the second season of American Gods, and now Amazon’s adaptation of Good Omens. 

The trailer for the new series pits Michael Sheen and David Tennant against each other as an angel and a demon who must join forces in order to prevent the apocalypse. The dark subject matter is contrasted by the show’s whimsical tone and David Tennant’s devilish charisma. It sets up what looks to be a very fun buddy comedy about he end of the world.

4 First 25 Minutes Of Peter Jackson’s Mortal Engines

Fans of director Peter Jackson were treated to the first 25 minutes of his next project, Mortal Engines, at this year’s New York Comic-Con. Mortal Engines is another expansive world, like the Tolkien material that Jackson has worked with before, but with a post-apocalyptic twist.

The most talked about elements of the footage were the massive scale of the world and the jaw-dropping visuals.

The Mortal Engines footage introduces viewers to Hester, a girl who lives in a world that was ravaged by the “60 Minute War” that destroyed civilization. Now the world consists of giant cities on wheels that fight each other. Audiences won’t see it for themselves until December 14.

3 The Boys Teaser Trailer

Amazon’s adaptation of Garth Ennis’s hyper-violent superhero comic The Boys has finally been revealed with a brief teaser trailer . The teaser features a public service announcement from Vought International, a company that facilitates the operation of the Seven, this world’s league of superheroes. At the end of the PSA, the titular Boys can be seen sitting on a couch, rudely gesturing to their televisions.

The Boys is already setting itself apart from the traditonal superhero fare, and with good reason — the series is about a team of people who keep out-of-control superheroes in check– by blackmailing them, stealing from them, and beating them up. It’s extremely adult-oriented and it already looks like fun.

2 Voltron Ends in December

The release date and synopsis for the eighth and final season of Voltron was revealed at New York Comic-Con, finally bringing the critically acclaimed Netflix series to a close.

The last season will feature the final battle between the Paladins and Witch Haggar.

A few promo images were released as well — one featuring the villain Honerva and another depicting the Voltron Paladins in a control room with Shiro commanding the gang in a background role. While no footage was shown at NYCC, the release date was confirmed to be December 14. The show’s final season will premiere on Netflix.

1 Possibility — Avengers 4 Titled “Avengers: Annihilation”

This rumor went viral during the weekend of NYCC — “Avengers: Annihilation” may or may not be the name of the still untitled Avengers 4. Speculation over the film’s name has driven fans mad in recent months, with “Annihilation” being yet another choice amidstthe rumored titles titles like “Avengers: Forever”, “Avengers: Endgame”, and “The Last Avenger”.

Annihilation comes from the name comic storyline of the same name, though it bears few similarities to the Infinity Gauntlet story that the films are adapting. Seriously, Marvel, just call it “Avengers: Assemble” and get it over with already. Don’t keep us waiting!

What announcements from New York Comic-Con excite you the most? Make sure to leave a comment before you go to share your thoughts!



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2018-10-08 07:10:26 – Jonathan Figueroa

Mortal Engines Footage Description: First 25 Minutes Debuts At NYCC

Following The Lord of the Rings and The Hobbit trilogies, Peter Jackson returns as a producer on Mortal Engines, and at the movie’s New York Comic Con panel, the first 25 minutes of footage debuted; we offer a brief breakdown of what’s included.

Adapted from Philip Reeve’s novel of the same name, Mortal Engines takes place in a futuristic world where cities are moving beasts that roam the world searching for fuel to keep moving. Meanwhile, smaller also mobile towns have become the prey of larger city-states like London. The film follows Hester Shaw (Hera Hilmar), a fugitive with a deadly grudge against London’s Thaddeus Valentine (Hugo Weaving). Hester runs across historian Tom Natsworthy (Robert Sheehan) as she attempts to defeat Valentine and protect smaller cities and towns from the insatiable hunger that is London.

Related: Mortal Engines Trailer #2 Debuts At NYCC

Ahead of the film’s release in December, Jackson, Mortal Engines director Christian Rivers and members of the cast appeared on a panel at NYCC. Prior to a Q&A with the cast and filmmakers during the Mortal Engines NYCC panel, Andy Serkis presented the first 25 minutes of the movie. Much of the opening footage focused on building out the world of Mortal Engines. The film kicks off with an opening monologue setting the stage for the post-apocalyptic world (what Jackson refers to as a “post-post-apocalyptic” world) following the 60-Minute War that destroyed society as we know it.

After the voiceover, viewers get to meet Hester, who’s on a cliff and spots the approaching predator city of London. Once she sees the oncoming, mobile city, Hester runs back to a grouping of smaller, mobile towns that break apart and start running from London. Hester is stuck on one town that can’t seem to get its engines started and winds up being the “prey” pursued by London. The town flees across the open land, which Jackson referred to as “the great hunting ground” (essentially, where Europe used to be). The chase sequence continues for much of the opening, as the smaller town is chased by London and attempts to lose the larger city-state amid some foothills. While the sequence is filled with tension, the town is eventually caught by London and “ingested.”

On board London, Tom meets Katherine Valentine (Leila George) at the London Museum, where he shows her some of the artifacts he’s collected to help with her research into the 60-Minute War. Tom shows Katherine a video of a pre-war city being destroyed using some kind of quantum technology. Then, Tom reveals he’s been collecting similarly dangerous technology, some of which has been stolen. Once London ingests the smaller town, Tom is tasked with going down to sort through it for valuable artifacts, and he’s accompanied by Katherine. There, they meet Thaddeus, but Hester is lurking in the crowd of people moving from the town into London. When she has a moment, she attempts to assassinate Thaddeus, but she’s stopped by Tom and has to flee.

The final sequence of the footage screened includes a foot chase through the ingested mining town as Hester runs from Tom and Thaddeus (though the latter is following more slowly due to the injury Hester inflicted). Hester flees from Tom through the town as it’s being destroyed by massive saws and metal jaws. Eventually, she reaches a platform that overlooks a tunnel out of London and she jumps. Tom catches her and Hester tells him to ask Thaddeus about her mother, revealing that Thaddeus murdered her mother. Then she forces Tom to drop her and when Tom does mention to Thaddeus what Hester said, Thaddeus pushes Tom down the tunnel and out of London.

Altogether, the footage shown at NYCC for Mortal Engines introduced an expansive world akin to that of The Lord of the Rings and The Hobbit with sweeping, beautiful visuals. It remains to be seen if Mortal Engines turns out to be a massive blockbuster success on par with the trilogies for which Jackson is most well known. But, with Jackson on board as a producer and Rivers at the helm, it’s clear Mortal Engines will provide some stunning sequences for moviegoers – which they’ll get to see when the film hits theaters in December.

Next: The Biggest Changes Mortal Engines Makes to the Book



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2018-10-05 12:10:02 – Molly Freeman

FALLOUT 76 – 10 Minutes Gameplay Walkthrough (2018) E3 2018 Game HD



FALLOUT 76 – 10 Minutes Gameplay Walkthrough (2018) E3 2018 Game HD
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2018-06-11 03:43:11