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John Wick 3 Clip Confirms Nothing Bad Happens To The Dog

John Wick: Chapter 3 – Parabellum clip essentially confirms nothing bad will happen to John’s beloved pet pitbull. Canine companions, of course, have been a staple of the action franchise since its inception back in 2014. The inciting incident of the entire trilogy was the senseless murder of the puppy Daisy, who was a gift to John from his dying wife. After mowing through countless foes and extracting revenge on Iosef Tarasov, John rescued a pitbull and looked to once again start a life of peace.

When the Baba Yaga was called back into action in Chapter 2, John (and the filmmakers) knew no dogs could be at risk. Before heading off to Rome on assignment, John made sure to leave the unnamed pitbull in the safe company of the Continental’s concierge, Charon. The two apparently enjoyed each other’s company while John was fighting for his life, which is a good thing because it looks like Charon will be dog-sitting for Mr. Wick once again.

Related: John Wick 3 CinemaCon Footage Description: Don’t Mess With Halle Berry’s Dogs

Lionsgate released an official clip from Parabellum, in which John summons a taxi so he can go to the New York Public Library. But when an ensuing traffic jam complicates matters, John tells the driver to take the dog to the Continental and says goodbye to his furry friend. Watch it in the space below:

At the end of Chapter 2, John was excommunicado and had a $14 million bounty placed on his head for breaking Continental rules. Due to the respect Winston has for John, a one-hour grace period was instituted before the assassins came hunting. That explains why time is very much of the essence and Wick can’t afford to sit in the back of a taxi for an extended period. While Continental services are off-limits to John (at least at the beginning of the film), he still has allies in that world. Charon, who voluntarily offered to keep an eye on the dog in the previous film, would likely accept the responsibility again.

This clip not only alleviates any fears that another dog may die in a John Wick film, it also illustrates what sets these movies apart from other action titles. The series has never been a mindless exercise of violence where Keanu Reeves eliminates enemies in increasingly brutal ways. There’s always been a very human, emotional undercurrent that allows audiences to get truly invested and care about what happens onscreen. Hopefully, this is just a temporary farewell and John Wick 3 ends with the two finally putting this all behind them and finding the peace they deserve. That would be an exceptionally cathartic way to cap off the trilogy.

More: Watch The John Wick: Chapter 3 – Parabellum Trailer

Source: Lionsgate


2019-04-19 07:04:37

Chris Agar

Doom: Annihilation Trailer Is Getting Nothing But Hate From Fans

The upcoming Doom: Annihilation movie finally has a trailer and the low quality of its effects and sets have caused it to receive nothing but hate from fans on social media. Doom: Annihilation is the second movie based on the popular video game franchise, with Doom being released in 2005 to overwhelmingly negative reviews. Dwayne Johnson starred in Doom and even he has admitted that the movie was a failure and that he took the lessons learned from that project with him when he made Rampage.

Doom: Annihilation is a reboot of the franchise and it will ignore the events of the previous movie, with the movie following the experiences of a team of marines who discover that a portal to Hell has been opened and they are caught in the path of the monsters that have emerged.

Related: New Doom Movie Delayed To Enhance Hell Sequence CGI

Doom: Annihilation had previously been delayed in order to improve its visuals and it seems that the movie is almost ready for release, as a 30-second long trailer has been uploaded by Bloody Disgusting, which has given the Internet its first glimpse of the movie and the reaction has been poor, to say the least.

The reaction to Doom: Annihilation from the fans has been overwhelmingly negative, with the dislike ratio of the YouTube trailer being almost 10 times that of the likes and has been growing steadily since it was released. People are mocking the movie on the Doom Reddit page and #DoomMovie on Twitter is made up of critical comments about the low quality of the effects and the cheapness of the sets in the trailer.

There have only been scraps of information revealed about how Doom: Annihilation will adapt the material from the video games. It has been revealed the BFG will appear in Doom Annihilation, while the director has confirmed the Spiderdemon will be absent. There have been set photos released of Doom: Annihilation that prove the movie will feature all of the violence fans should expect from a Doom film, and it has also been confirmed Doomguy will appear in some capacity, even though he won’t be the protagonist, as the main character is Joan Dark, played by Amy Manson. The lack of Doomguy in the trailer has been one of the most complained about aspects of the film on social media, even though he doesn’t have much of a personality outside of ripping and tearing demons apart.

The hopes for Doom: Annihilation haven’t been high, due to it being a digital-only release that won’t be hitting theaters, which suggested to many it would be of the same caliber as a Syfy original movie. The Doom franchise isn’t one that can be turned into a cheap movie unless the plan is to turn it into a generic zombie action film and only use a few of the demonic monsters from the game in short bursts in order to save cash. The Doom: Annihilation trailer showed a lot of zombies, so it seems the producers may have decided to go for the cheap route.

The trailer for Doom: Annihilation has only proven the concerns about the production of the film were legitimate and the movie looks like it’s going to be another cheap cash-in relying on the name of a beloved video game series in order to try and find an audience.

More: New Doom Movie Gets Official Title, Synopsis, Releases Fall 2019

Doom: Annihilation is due to be released in fall 2019.

Source: Bloody Disgusting/YouTube


2019-03-11 01:03:37

Scott Baird

Goosebumps 2: Haunted Halloween Interview – R.L. Stine

Halloween is just around the corner, and to celebrate the spookiest holiday of the year there’s a new Goosebumps movie arriving in theaters – Goosebumps 2: Haunted Halloween. The movie features a new cast of kids – played by Jeremy Ray Taylor (IT), Caleel Harris (Castle Rock), and Madison Iseman (Jumanji: Welcome to the Jungle) – who discover a lost Goosebumps book in a hidden room and unwittingly unleash a new season of terror, as Slappy the Dummy brings Halloween costumes to life and wreaks havoc on the city.

Jack Black reprises his role as Goosebumps author R.L. Stine in Haunted Halloween , so to celebrate the movie’s release, Screen Rant spoke to the real R.L. Stine to find out about the new monsters on parade, and ask whether Black’s curmudgeonly portrayal of the author is accurate.

Related: Watch the Trailer For Goosebumps 2: Haunted Halloween

I have to ask, because the movie’s about a secret Goosebumps book hidden in a box – is there actually a secret Goosebumps book somewhere out there?

R.L. Stine: No. I wish [laughs]. I wish there were some extra ones somewhere that I could pull out. No, no secret book… But it’s kind of creepy, these two boys go into this house and knock over something and find this book and it’s locked, and they unlock it. And that starts all the action. All the horrible action.

Are there any Goosebumps monsters in this movie that we didn’t see in the last one?

Stine: Well, there are gummy bears [laughs]. They didn’t have gummy bears. After the first one I said, “How will we ever do a sequel? You used every single monster in the first movie!” There was nothing left. But yes, there are some. There’s an ogre, for one thing. We didn’t have an ogre in the first one. And my very favorite scene is the one with the gummy bears. Cute little gummy bears and then they turn into monsters.

But they’re so cute, what harm could they possibly do?

Stine: Well, they grow teeth for one thing. And then they all stick together and become a huge blob and attack people. It’s a wonderful scene [laughs]. Very proud of that!

It seems like there aren’t a lot of scary movies aimed at kids, since so many horror movies involve blood and gore. Is there a special trick to terrifying kids?

Stine: No, it’s the same as for grown-ups, I think. I think it’s surprise, it’s travelling into the unknown where you don’t really know what’s next and you can’t see what’s coming up, and it’s a lot of twists and turns. I think it’s the same as doing horror for adults.

There’s a whole new cast of kids in this movie. Can you tell us a bit about them?

Stine: Well, there’s a delightful boy who’s building a replicas of Tesla’s lab, because Tesla’s real lab is actually in their town. And he’s fiddling with the electricity and he keeps blowing out all the electricity in the house, but he’s determined to do it. And his doing this leads to an amazing scene near the end at Tesla’s real lab. It’s a real Frankenstein type lab. I went to Atlanta, where we filmed the film… and they showed me these sets. These guys are geniuses! They built this amazing Frankenstein’s lab… I couldn’t believe what these guys could build. It was incredible.

So Slappy the Dummy is the ringleader in this movie again. What is it about Slappy that people love so much?

Stine: I don’t really get it [laughs]. I don’t know why a dummy coming to life is so scary. But people are really frightened of him, and he’s so popular now that every other Goosebumps book has to be a Slappy book. I think I’ve written about fourteen of them [laughs]. It doesn’t get any easier to think of plots about a dummy coming to life.

Maybe it’s also because he likes to insult people. People like comedy roasts, so maybe that’s why they like Slappy.

Stine: Well that’s why I like to write him – he’s really an insult comedian. That’s why I love writing him, because he’s so rude!

Do you think kids are easier to scare than adults, or harder?

Stine: Probably easier. Probably don’t have to work as hard to scare them. But you know, my audience – seven to twelve year-olds – I get them the last time in their lives they’ll ever be enthusiastic. And then when they turn twelve, they have to be cool… and they’re gone. But before then they love writing to an author, they love reading, they love hearing from you, they love going to things… it’s just the best audience.

Was Jack Black’s portrayal of you in the first movie accurate?

Stine: I love Jack. Not accurate at all! Nothing accurate. But he’s a great guy, I thought he was wonderful. He flew to New York in a blizzard to meet me, to try to figure out how he was going to play the character. And we had lunch and he was like, looking at me, right? [Laughs] And then he said, “Bob… what about the script is true about you?” And I said, “Nothing, not one thing, none of it’s true!” And he said, “I’m going to be a sinister version of you.” And that’s what he decided to do.. And then when it started filming he started talking like Orson Welles, right? He does, in that first film, and I said, “Jack, I’m from Ohio, I don’t sound like that!” But I thought it was really fun. What a weird thing, to be a character in a movie.

Seeing as, unlike Jack’s version of you, you don’t hate kids – is there a favorite interaction with a young fan that you’ve had?

Stine: I’ve had way too many. I’m just so lucky. Because I go out, I really talk to kids, I go to schools, and I really do like kids. And you know, I have a son and I have a grandson, who’s four and hilarious. And he’s taking after my son, he won’t read my books. That’s my son’s claim to fame, he never read one. Isn’t that horrible?

Does he tell you that all the time?

Stine: He bragged about it, how he never read one!

You should write him into a book so that he has to read it.

Stine: I did! I made him the star of a Fear Street book, it was a vampire book, and he was the star and he didn’t read that one either. In the very last paragraph of the book he gets bit in the neck. [Laughs] I got my revenge!

More: Read Screen Rant’s Review of Goosebumps 2: Haunted Halloween

Goosebumps 2: Haunted Halloween arrives in theaters this weekend.



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2018-10-11 04:10:45 – Hannah Shaw-Williams

Harry Potter: 20 Strange Details About Draco Malfoy’s Anatomy

Draco Malfoy is one of the most memorable secondary characters in the Harry Potter movies and books. It may be due to his irredeemable and despicable behaviour,as everyone loves a good villain. It could also be the appeal of actor Tom Felton in the movies, and all the subsequent fan fiction they have produced.

However, not a lot is revealed about him in the books, and less even less is shown on screen, leaving him a mystery. We do know that his family has an unhealthy obsession with their pure blood heritage and an unflinching loyalty to Voldemort. One thing that we also know is that during his sixth year, Draco became even more villainous. He was given the task of assassinating Dumbledore and allowing the Death Eaters access to his present school, Hogwarts.

Some aspects that remained more hidden, though, including the origins of his name, which has links to the Hogwarts motto. His talents in transfiguration, charms, potions, and Occlumency are also never fully explored or known by the average person.

More surprisingly than all of this is the fact that despite being mortal enemies, Draco and Harry only duel twice – and one of them was in the presence of teachers, so it barely counts. Including these examples and every other duel that Draco is involved in, we have discovered that he never wins a single fight. This might be J. K. Rowling highlighting his cowardice and lack of morals that weaken his character ultimately. However, it might also have to do with his particular skillset.

With that said, here are the 20 Strange Details About Draco Malfoy’s Anatomy In Harry Potter.

20 He is a gifted Occlumens

While Harry Potter is undoubtedly a gifted wizard, one of the things he was never able to master was Occlumency. This is the act of closing your mind to anyone who attempts to read it.

Draco managed to surpass his rival by mastering the art of this notoriously tricky skill.

While it may seem peculiar that Draco can keep other wizards out his head while Harry cannot, this is in keeping with his character. J. K. Rowling confirmed that Draco managed to become a gifted Occlumens due to his ability to suppress his emotions. The fact that Draco can excel in this area is only due to his repressed emotional issues that may stem from his dysfunctional family.

19 His name says a lot about his personality

J. K. Rowling puts a lot of thought into her character’s names and the names of locations – and the seemingly bland name of “Draco Malfoy” is no exception upon closer examination if we take a look at its origin on Pottermore.

The name Draco can either be linked to the Latin for “dragon” or the constellation. The word “Draco” is even in Hogwart’s motto: “Draco Dormiens Nunquam Titillandus, “which translates as “never tickle a sleeping dragon.” Draco’s last name, Malfoy, could have its roots in French, with “mal foi” translating as “unfaithful.” Rowling could have perhaps been a bit more subtle when thinking of names for her villains, however, as “unfaithful dragon” doesn’t leave a lot of space for redemption.

18 He temporarily had control of the Elder Wand

During his sixth year, Draco was given the task of destroying Dumbledore and giving the Death Eaters access into Hogwarts. While he succeeded with the latter, Draco was unable to take the life of the Hogwarts headmaster.However, when confronting Dumbledore, he disarmed the professor, which was a significant action even if Draco did not realize it at the time.

 By disarming Dumbledore, Draco unknowingly had control of the most powerful wand in existence – the Elder Wand.

This was only temporary, though, as Harry later confronts Draco in his house in the Deathly Hallows and disarms him. This meant that control of the Elder Wand was passed down to Harry, who still technically can wield it today. For one brief moment, however, Draco could have been the most powerful wizard in the world.

17 He learnt the Unforgivable Curses

Draco’s sixth year at Hogwarts was a pivotal and important year for the sole Malfoy child. As well as being given the task of overthrowing his school, he was taught the Unforgiveable Curses by Bellatrix Lestrange.

Lestrange, being Draco’s aunt, most likely taught him these forbidden spells to prepare him for his role. We know for certain that Draco can perform Crucio (the torturing spell) and Imperio (the controlling spell). However, it is unclear whether Draco ever learnt the ultimate Unforgiveable Curse: Avada Kedavra, which would destroy the receiver. Though Draco seemed like an antagonist during his first year at Hogwarts, few fans expected him to become such a villain later in the story. However, it could be argued that this was due to the pressures of his family.

16 He is supposedly one of the only Death Eaters who can love

Death Eaters are more ingrained to respond with acts of hate than love. This is hardly surprising, though, considering the amount of carnage and havoc that they have created. However, what is surprising is that even though Draco is a Death Eater, he is supposedly capable of feeling genuine love.

This love manifests itself towards both his parents and his future wife, Astoria Greengrass. This is at odds with the other Death Eaters, whose hate trumps their love. Be it Bellatrix Lestrange or Lucius Malfoy, these individuals are consumed by their service to the Dark Lord. While it could be argued that they love Voldemort, this is closer to worship than a romantic or platonic love.

15 He’s proud of his pure blood family

The Wizarding World of Harry Potter may be incredible, but when it comes to metaphors, it is not very subtle. The fact that some wizarding families, such as the Malfoys, favor those with pure blood is meant to echo the real world prejudices that some hold. Draco’s parents instilled the belief that he is superior to half blood and muggles on him at a young age. This explains his resentment towards Hermione, whom he calls “Mudblud” incessantly.

This hatred for anyone who is not pure blood is a trait that many of the old wizarding families share.

The notable exceptions are Nymphodora Tonks and Sirius Black, who were cast out of the family for their beliefs that muggles and wizards are equal. Draco may not be as hostile towards muggles and muggle-born wizards by the end of the Deathly Hallows, but it is still a prejudice that he cannot escape.

14 He has used a Time Turner

J. K. Rowling may live to regret introducing Time Turners into the Wizarding World. The amount of problems that this device, which was used by Hermione in Prisoner of Azkaban, could solve is countless. It could be used to stop Voldemort from ever existing or it could be used to bring back beloved characters. However, in Prisoner of Azkaban, it is used by Hermione to ensure that she can go to all her classes and to save Buckbeak.

Having not learnt the amount of plot holes attached to such a device, Rowling revealed the existence of a secret Time Turner belonging to the Malfoys. Without revealing too many details of The Cursed Child, Malfoy uses it successfully, which makes him – alongside Hermione, Harry, Albus, and Scorpius  – one of the few known people to have used a Time Turner.

13 He has a Dark Mark

Some fans believe that it was inevitable for Draco to follow in the footsteps of his father and become a Death Eater. He did this sometime between the events of Order of the Phoenix and Half-Blood Prince. We know this since we can clearly see a Dark Mark on his arm during the events before Dumbledore’s assassination. While Dumbledore looked unsurprised to see Draco pointing a wand at him, he did seem surprised by the fact that Draco now had a Dark Mark.

It is not possible to get rid of a Dark Mark, so despite the fact that Draco’s character has since been redeemed, he is not able to reverse the procedure. Draco will forever have the mark of He Who Must Not Be Named on his arm.

12 He was an extremely intelligent student

Although the movies show Draco to be just an arrogant bully, in the books, we see another aspect of Draco – we soon discover that he is an intelligent student, too. While Harry was always picked on in Potions due to Snape’s hatred for him, Draco was always the teacher’s pet.

Whether he was actually better than Harry is debatable, though, as Snape never gave the Gryffindor student a fair chance. However, one subject where Malfoy definitely excelled was in Charms, in which he was described as equally intelligent as Hermione.During his sixth year, he managed to cast the extremely difficult Protean charm. The only other person in the class who could cast it was Hermione.

11 He was supposed to get along with Harry

Draco and Harry were supposed to get along. According to Pottermore, Draco’s birthday is June 5, which makes him a Gemini. Meanwhile, Harry’s birthday is July 31, which makes him a Leo.

These two star signs are meant to get along with one another and are even able to become close friends.

During their first meeting, there was definitely potential for them to become friends, as Malfoy extends a hand of friendship to Harry. However, Harry sensed Draco’s arrogance and hostility and rejected him. Despite this, the fact that their star signs match up so well may have been a coincidence on behalf of J. K. Rowling. Or perhaps it could have been a hint that had Harry Potter shaken Draco’s hand, they could have formed an evil alliance.

10 He really wished he was the heir of Slytherin

While it may be obvious that the heir of Slytherin could only be Voldemort in hindsight, there was a lot of speculation over who it could be. During the events of Chamber of Secrets, many students thought that Harry was the heir due to his Parseltongue abilities.

Harry himself believed that Draco was the heir and took Polyjuice Potion in order to investigate. However, Draco admitted he was not the heir of Slytherin despite his family’s allegiance to Slytherin and their prejudiced view against Muggles. Although Draco didn’t know who the heir was, he served as nothing more than a pawn of the real heir: Tom Marvolo Riddle. This was still an honor for his family, though.

9 During Half-Blood Prince, he is described as unhealthily pale

Though one of Draco’s defining features is his pale skin, in Half-Blood Prince, he is described as being paler than ever. This is due to the fact that he was assigned by Voldemort to take down Dumbledore and help the Death Eaters infiltrate Hogwarts, which can put a lot of stress on a person.

Since he is the only one able to complete the tasks, he begins to physically show the signs of stress. It is notable to other students, particularly Harry, who notices his rapid deterioration over the course of sixth year. Before Half-Blood Prince was filmed, Tom Felton was told that he wasn’t allowed to come back tanned from holiday. His paleness may also draw some parallel’s to Voldemort’s own appearance, as some fans have spectated that Draco becomes more gaunt by committing evil deeds.

8 He wanted to use alchemy to become a better man

Alchemy is an ancient practice. Because of this, it is shielded in mystery. However, it principally involves turning lead into gold. For some reason, Draco became heavily invested in Alchemy after he left Hogwarts.

Post-Deathly Hallows, Draco settled down with his wife and child and began to study Alchemy. Being the heir of his family fortune and the Malfoy Manor, he did not have to worry about getting a job after school. However, Draco also spent time caring for his wife, Astoria, who was ill due to a curse that was put on her ancestors. While at home, Draco soon became fascinated by alchemical manuscripts. According to Pottermore, Draco’s obsession with Alchemy was pure – he wished to use it to become a better man.

7 He is never seen winning a duel

Despite Draco and Harry being sworn enemies during their time in Hogwarts, they only face off against each other twice. Their first duel happens during their second year in front of other second year students. However, Snape and Lockhart intervene after a snake is conjured by Malfoy. When Draco and Harry next duel, it nearly results in the demise of Malfoy during Half-Blood Prince.

During the events of Order of the Phoenix, Ginny and Draco also duel, which results in Draco losing his wand.

The final duel we see Draco participate in is during Deathly Hallows, when Hermione gets the better of him. At least during his youth, it was clear that Draco’s arrogance was just used as a shield.

6 He was a Prefect

A Hogwarts prefect is meant to inspire the younger students and act as a role model to them. By definition, Harry Potter would be the ideal Prefect for Gryffindor students, or any house for that matter. However, throughout his six years at Hogwarts, he is never given the coveted Prefect badge. While students like Percy Weasley may be obvious choices to become prefects, characters like Draco Malfoy aren’t typically expected to obtain the badge.

Draco is not a character that you typically associate with good morals, leadership, or as a role model. Regardless, Draco does become a prefect. Perhaps this was done by J. K. Rowling to show us that Draco did make for a decent leader, despite his lack of morals. In fact, some fans speculate that by giving Draco the badge, Rowling was not giving up on him.

5 He has ice grey eyes in the books, but Tom Felton has blue eyes in the movies

In the books, Draco is described as having platinum blonde hair and ice grey eyes. There are many parallels between Voldemort and his army and the Axis leaders and their army in WWII, so it makes sense that Draco would look like this.  However, in real life, the actor who brought Draco Malfoy to life on the big screen, Tom Felton, looks nothing like this. Felton has brown hair and blue eyes. Because of this, he had to dye his hair blonde for the movies.

Similarly, Daniel Radcliffe did not have Harry Potter’s green eyes. However, he found the contact lenses too painful to wear so the movies were filmed without them. Though not many fans may remember Draco’s eye color from the books, Harry’s eyes are constantly referred to in both the books and movies, which makes it even more noticeable.

4 He was unable to produce a Patronus

Though anyone can find out what their Patronus is on Pottermore, it is not as simple in the Wizarding World. Some wizards and witches are actually unable to produce a Patronus. While we know that Harry’s Patronus is a stag, many fans don’t know what Draco’s is. However, it has since been revealed that Draco is unable to conjure one.

This is apparently a common trait among Death Eaters, as many fans believe that they don’t have enough light and goodness to summon one.

While it has been established that Draco is capable of feeling love, this may not enough to produce the special charm. J. K. Rowling has also mentioned that Death Eaters are unable to produce a Patronus because Voldemort controls Dementors anyway.

3 He is a master of Transfiguration

Transfiguration is known to be a difficult class to pass at Hogwarts. After all, we see how hard it is for Ron to transform Scabbers into a grail in the movies. However, Draco is an accomplished hand at this craft. We see signs of this during his second year duel against Harry.

When they face each other in the Great Hall, Draco manages to summon a snake that slithers menacingly towards Harry. If it had not been for Harry’s ability to speak Parseltongue, he might have been attacked by the snake. In his later years, Draco even manages to transform Harry into a doppëlganger of Voldemort, which is an extremely complex charm. While the movies do not emphasize Draco’s intelligence, it remains clear in the books that he should not be underestimated.

2 His love life is fairly ambiguous

Draco’s love life is left relatively ambiguous in both the Harry Potter movies and the books. The only girl we see Draco talk to in the books and movies is Pansy Parkinson, who is described as the closest Draco comes to a girlfriend in the books. However, it is never actually confirmed that Pansy is his girlfriend in the series. At one point, the books describe a scene where Pansy is resting her head on Draco’s lap, but this is the closest we ever see them get.

While Draco eventually marries Astoria, little is known about how they met or even when they married. However, we do know that his parents disapproved of Astoria and that she was kind, and taught their son Scorpius to respect others (including muggles).

1 He is the only person Voldemort is known to have hugged

One of the most sinister Voldemort moments happens when he tries to honor one of his followers. This moment occurs during the Battle of Hogwarts, when Voldemort demands loyalty from the students of Hogwarts.

In a gesture of goodwill, Voldemort slowly and awkwardly brings Draco into an embrace in front of his followers. Understandably, Draco looks absolutely terrified, since the Dark Lord has never shown affection of any kind before. This is the only known instance of a Death Eater – or anyone for that matter – receiving a hug from Voldemort.

Are there any other interesting facts about Draco Malfoy’s body in Harry Potter? Let us know in the comments!



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2018-10-11 04:10:43 – Dan Struthers

True Detective Season 3 Gets an Official Premiere Date & New Images

HBO has announced that True Detective season 3 will premiere early next year on Sunday, January 13. Nic Pizzolatto’s crime anthology series hasn’t been on the air since it wrapped its largely-derided second season in August 2015 and went on an extended break, in an effort (on the network’s part) to give the show’s creator more time to deliver a third installment that could better live up to the standard set by the series’ widely-celebrated freshman run. Judging by everything that we know about season 3 thus far, it seems that Pizzolatto is taking a back to basics approach with his latest crime narrative.

True Detective season 3, like season 1, takes place in the U.S. South (the Ozarks in Arkansas, to be exact) and explores a narrative that unfolds across multiple time periods (three, in this case). Oscar-winner Mahershala Ali stars in Pizzolatto’s new crime story as state police detective Wayne Hays, a fellow who (much like season 1 detectives Rust Cohle and Marty Hart before him) is haunted in the present by a case that he originally worked years earlier, back when he was a younger man. As Wayne puts it in the True Detective season 3 teaser trailer, “I want to know the whole story”.

Related: HBO’s Watchmen TV Series Will Feature Music By Reznor & Ross

In addition to confirming the premiere date, HBO has released a handful of new images from True Detective season 3 that feature Ali with his costars Carmen Ejogo (the Fantastic Beasts movies) and Stephen Dorff (Somewhere). You can check them out in the space below.

Pizzolatto is once again the sole writer on True Detective season 3 (though he got an assist from Deadwood‘s David Milch on episode four) and further directed this season alongside Daniel Sackheim (Jack Ryan) and Jeremy Saulnier (Hold the Dark). However, even with so many of the same story elements as season 1 and equally strong acting talent, season 3 is still missing an important ingredient from the show’s first season – namely, Cary Fukunaga, who helmed all eight episodes and is generally credited for elevating the series in a high-art take on pulpy crime genre tropes.

Still, there’s a lot about True Detective season 3 that sounds promising on paper and it seems reasonable to assume that, if nothing else, this installment will be a step-up from the slow mess that was season 2. Moreover, for fans of Ali’s work in films like Moonlight (which he won his Oscar for) and his soulful performance as the villainous Cottonmouth from Netflix’s Luke Cage season 1, this new season of True Detective promises to showcase the actor’s powerful screen presence in a way that it never has been before.

MORE: Riverdale Season 3 is Similar to True Detective

True Detective season 3 premieres January 13, 2019 on HBO.

Source: HBO



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2018-10-11 01:10:23 – Sandy Schaefer

20 Things Wrong With American Horror Story We All Choose To Ignore

The horror anthology hit TV show American Horror Story just might be the magnum opus of Ryan Murphy and Brad Falchuck. Scarier and more riveting than any of the duo’s other projects, the spine-tingling series features a new theme and characters every season that are all still linked to each other’s universe. From the casting announcements to the series hints, theme reveals, and each season’s unique introductory visuals, it’s riveting entertainment all around. Even so, some seasons fall further off the mark than others, with many episodes barely even registering on the “horror” radar while others left us scratching our heads wondering what the heck just happened.

The thing is, we tend to give glaring errors, plot flops, and other things wrong with the show a pass because we love it so much. From intriguing horror to irresistible characters, from unexpected plot twists to some of the best storytelling on TV, American Horror Story keeps us coming back, not because it’s flawless but because it’s still addictive despite, and sometimes because of, its many flaws.

We might love a character and conveniently forget that he or she is a monster. We’ll keep tuning in even after an entire sequence left us feeling disgusted, embarrassed for the actress who had to play out the scene, or even angry at the creators themselves. It’s just that addictive.

We love it and we’ll keep coming back for me, even with these 20 Things Wrong With American Horror Story We All Choose To Ignore.

20 Some Seasons Aren’t Scary

With a name like American Horror Story, you might expect every episode to be a scream-fest. That’s just not the case, especially in seasons four and five. While there’s no shortage of horror-inducing characters in these seasons, they didn’t really give us nightmares like previous and subsequent seasons were able to do.

Were we jaded from all the mutants, ghosts, zombies, and other creatures in previous seasons?

Both Freak Show and Hotel fell short on promises of terror, often vying for more intense drama (a calling card of Falchuck and Murphy) instead. While we still received interesting stories, Gaga’s vampire and Twisty the Clown just weren’t all that scary.

19 There’s No Reason Given For All The Hotel Vampire Kids

In season five, Hotel, Lady Gaga’s character, The Countess Elizabeth, is a little less fabulous than we expected her to be. Perhaps she couldn’t live up to the Gaga we all know and love already. One of the things that just made zero sense about the character was her propensity to collect children and turn them into little vampires. Does Elizabeth have an old woman in the shoe complex? Is she just that bored? What is the point?

Here’s the thing about kids in horror movies: they add instant scare-factor. Take a look at most scary film kids, from Village of the Damned to The Others and you’ll see the scariest moments. The fact that the vampire kid collection wasn’t even scary was a pretty big letdown.

18 Teeth Fall From The Sky For No Reason

Season six of AHS, Roanoke, was able to recover some of the lost ground from the previous two less-scary seasons but still suffered from the lack of the one and only Jessica Lang. The season saw a return to the haunted house theme, always popular in AHS history, and wove in some new elements, like the whole “based on a true story” theme.  Between Deliverance-like hillbillies and more incredible Kathy Bates, Roanake was much better-received than Hotel, but it had some weird unexplained moments, like teeth randomly falling from the sky.

Not only do the teeth inexplicably fall while Matt is at work, but they also disappear.

The reason why is never given, prompting us to chalk this one up to “random scare tactic.”

17 Queenie Tried To Hook Up With A Minotaur

While we definitely applaud Murphy and Falchuck’s use of mythology throughout American Horror Story, it often makes no sense. Gabourey Sidibe was fantastic as Queenie, the young and lonely witch who gave as well as she got, used LaLaurie as her own personal racist slave, and really deserved main credits billing. But there was that one time she tried to hook up with a grotesque Minotaur…

While the inclusion of adult content is pretty standard in AHS, getting involved with a man who has bull’s head sewed over his own is pretty far out there. It didn’t make any sense, nor did Queenie’s own survival following the incident (or anything else including the Minotaur, really), so we just move along and say that there’s nothing to see here.

16 Zoe’s Hell Is Just Life Without Kyle

Zoe Benson, portrayed by Taissa Farmiga, starts out as a compelling character in the third season of American Horror Story, Coven. She has unique powers that pay homage to classic horror and a long journey ahead.

Tossing in a love interest is a great way to derail a personal growth story.

That’s what happened to Zoe with Kyle, her resurrected boyfriend played by Evan Peters. While we’re glad that Murphy and Falchuck used Kyle to illustrate that mothers can be abusive to their sons just as much as fathers can, “life without Kyle” as Zoe’s own personal hell is really stupid and overly angst-ridden.

15 Aliens In Asylum Makes No Sense

When it comes to American Horror Story, many fans reacted to the inclusion of aliens in season two, Asylum, in the same way that fans of Indiana Jones reacted to the Kingdom of the Crystal Skull. For many horror fans, aliens don’t enter the territory without very specific rules, and you certainly don’t add aliens into an already-existing story for a scare factor.

The aliens of AHS also just weren’t scary. Sure, they made Pepper more interesting and gave convenient explanations for a few weird happenings, but at the end of the day mixing aliens in with mutants, a mean nun, demons, and war criminals just doesn’t work. It’s a hodgepodge of plot devices tossed together like a salad with too many kinds of dressing. Sometimes simpler is just better.

14 The Musical Sequences

We get that Sister Jude is losing her mind in this tenth episode of season two, Asylum, but must we lose ours as well? The episode itself was gripping, but watching Jessica Lange sashay through “The Name Game” wasn’t nearly as eerie as it should have been. It played off as more of an homage to the creators’ Glee in a way that didn’t work.

While some critics enjoyed the mind-boggling number, many of us like to pretend it never happened.

It’s not the last time the showrunners implemented a bit of music and dance, either. Season four, Freak Show, featured several ditties, including a rendition of “Come As You Are” by Evan Peters, Sarah Paulson’s “Dream a Little Dream of Me”, and Lange singing David Bowie’s “Life on Mars”.

13 What Happens To Dr. Arden’s Experiments?

The mutants created in Dr. Arden’s horrific experiments are the stuff of nightmares, and they definitely present an interesting side story among the rest of the godawful happenings at Briarwood Manor in season two of American Horror Story, Asylum. Their issue, of course, is that they disappear off the radar without much of a peep.

Once turned into a mutant and taken to a hospital, Shelley, played by Chloë Sevigny as a homage to the many women unjustly committed to asylums throughout history, seems as if she may be able to lead the authorities toward Arden, but alas, Joseph Fiennes’ conflicted yet greedy Monsignor Timothy Howard takes her out instead. We don’t hear much about them afterward. What happened to the mutants?

12 The Messed-Up Historical Figures

Anne Frank was lobotomized by the evil Dr. Arden from Briarcliff Manor in season two, Asylum. Not only does this make zero sense, but it also really does a disservice to Anne Frank’s memory. There is a lot of artistic license taken with historical figures throughout American Horror Story, from Delphine Lalaurie to James March. Even characters used as backgrounds for new characters, like Nellie Bly’s inspiration for Lana Winters, often seems a bit much, especially when the representation is so loose.

The misrepresentation or grand re-representation of historical figures is nothing new.

Our own history books present complete falsehoods about everyone from Christopher Columbus to Paul Revere. Perhaps it’s just so glaring because we acknowledge that now, particularly during an age of “fake news” awareness.

11 The Opening Sequence And Spoilers Promise More Than We Get

One of the most exciting elements of a new season of American Horror Story is always the opening sequence and the slowly-revealed spoilers. Cast announcements and cool visuals trickle in until we finally get to see that first episode with its incredible casting graphics. The creepy opening sequence does much more than announce the cast: it revs us up like the announcer for a really scary joust about to take place.

The only problem is that it often goes downhill from there. While season 1 typically delivered, the casting graphics in seasons like Freak Show were actually scarier than the episodes themselves. That’s a real problem if we are supposed to be watching a horror program.

10 We Have No Idea What Happened To The Pig Boys

They were a successful execution of “the scary children” in a way that the little vampire entourage of the previous season just couldn’t seem to manage, so maybe that’s why Murphy and Falchuck decided to never let the “pig boys” of season six be seen again.

Aside from the fact that the boys could have made for some truly scary storytelling, the problem here isn’t just that they had no deeper involvement in the story than “check out these creepy kids” but that they don’t even have a resolution. Why the kids say, “Croatoan!” and why they drink pig milk remains unknown, and we may never know what happened to the charming little tykes.

9 No Consequences for the bad things the “good guys” do

As fans of American Horror Story, we sure do forgive a lot of murderers, don’t we? When someone bad finally goes good, all of their wicked deeds don’t seem to be as problematic. Even sweet Nan takes out Joan. Misty Day, otherwise a kind hippie, offs a couple of guys with alligators.

Were these warranted attacks? Maybe, but that doesn’t erase the fact that many characters end the lives of others and we pretty much turn a blind eye toward it like we wouldn’t if they occurred in real life. Of course, from people returning from the grave to mutant attacks near an asylum, there’s really not a lot in the show that applies to real life.

8 There’s Really No War Between The Coven And The Voodoo Witches

During season three, Coven, there’s a big build up about an oncoming war between the coven and the voodoo witches of the area. Both are led by powerful women, and who wasn’t excited to see Fiona, played by Jessica Lange, and Marie Laveau, played by Angela Bassett, go up against one another?

While there was plenty of tension and a zombie attack, it pretty much stopped there, especially after the witch hunters came to town.

AHS often builds up to something we’re expecting and completely abandon it for another plot instead. While we get that they want to keep us on our toes, broken promises do leave us unsatisfied and underwhelmed.

7 Zoe And Madison Gave Their Souls To Azaezel And It Never Came Up Again

When the bus full of frat boys who assaulted Madison wrecks, taking out all of the monsters on board on Madison’s whim, it’s satisfying. Even seeing Kyle taken out doesn’t bother some of us, given that we’ve already seen Evan Peters return from the grave before and wouldn’t be surprised if he returned. He may have stopped his “brothers” but he certainly tried to help them not get caught, making him complicit in the attack.

When Zoe and Madison decide to put “boy parts” together to resurrect Kyle as the perfect Frankenstein boyfriend, they sell their souls to Azaezel in order to do so, and yet it never comes up again. Given that both girls bite the dust during the show, shouldn’t that at least be an issue?

6 Roanoke’s Reality Show Inception

It was one of the most pointless plot points to ever be inserted into a season of American Horror Story. During season six, Roanoke, we’re treated to a reality show type of setting where re-enactors help us understand what happened to the Millers in “My Roanoke Nightmare”, an obvious play on so many other popular reality-based ghost hunting and experience shows. That’s an intriguing concept that works well for much of the season, but then we’re hit with reality-ception.

Getting all of the actors and people involved in actual events together for the blood moon event is one thing, but what about the disclaimer that nobody even survived the ordeal? If that’s true (which makes sense, since this is Roanoke), how did we get the footage in the first place?

5 There’s No Point To Scathach

Scathach, the mythical warrior from the Isle of Skye in Irish folklore, is an incredible character. It’s too bad we didn’t really get to know her in season six, Roanoke.

Lady Gaga’s Scathnach has a plethora of powers, is said to be the first Supreme and yet has no real point in the series.

The witch does a few nefarious things here and there, from purchasing souls to rendering people evil and insane, but in the grand scheme of things she has no real point except to serve as one of those random elements of horror woven in to just be spooky. Given the history of the traditional character, it would be amazing to see Murphy and Falchuck to use this as a tie-in for a more myth-heavy season.

4 People Are Constantly Offed Only To Be Brought Back

Character losses in the American Horror Story realm are pretty much like those in any comic book series: you don’t ever count them as permanent. Even when an entire series ends and you believe a character to be truly gone, they may return in another season! It’s definitely not a new tactic to have characters return from the grave; it’s a strategy used in everything from Dallas to Supernatural.

It makes us feel a little more jaded and a little less invested when tragedy does strike.

Oh, Fiona is sick? Oh, Ethel’s not going to make it? It’s too often meaningless. We want to feel affected, and we can’t help but worry a bit because we do love these characters, but deep down we’re always still wondering when they’ll return.

3 Twisty’s “Resolution” Is Basically A Deus Ex Machina

Season four’s big villain, Twisty the Clown, turned out to be much more Bozo than Pennywise. Sure, he was scary-looking, and he had the tragic backstory to boot, but Twisty’s crimes felt more garden variety scary movie than the monstrous panache we’d expect from AHS.

Twisty, played by John Carroll Lynch, even had a disappointing resolution as a character. Not only was he never really sorted out by a main character or a victim bent on revenge, but he was literally yanked out of the show to join Edward Mordrake’s nightmarish troupe, collecting the clown’s soul after hearing his tale of woe.

2 Misty Day Was Unjustly Lost

One of the characters fans most resonated with in season three, Coven, was Misty Day, played by the talented Lily Rabe. Misty’s character screamed Supreme, from her unique abilities to her lack of really caring about the position.

Misty was all about fairness, being kind to animals, and protecting the vulnerable, making her a fantastic character to root for.

Unfortunately she was also a red herring. Falchuck and Murphy offed her in such a terrible way in a Hell made up of her own personal vivisection nightmare, which made zero sense given her ability to bring things back to life so easily. Misty didn’t deserve her ending, but neither did Nan and many other characters.

1 Tate Is A School Shooter

Tate Langdon is one of the most romanticized characters in the history of AHS. The season 1 character is a doting friend, devoted boyfriend who would do anything for Violet, and speaks volumes of teen angst to many a smitten heart. It doesn’t hurt that Evan Peters, who plays Tate, is easy on the eyes as well. Is that why it’s so hard to remember that Langdon is such a deplorable character?

Tate is a school shooter. He took the lives of several classmates and should represent what we most despise and do not condone in this nation right now. He also assaulted Violet’s mother, Vivian, causing her to become pregnant with his Antichrist baby. How can anyone still crush on this guy knowing what harm he’s done?

What other problems with American Horror Story do fans overlook? Let us know in the comments!



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2018-10-10 08:10:37 – Sara Schmidt

Cyborg Actor Ray Fisher Reunites With Zack Snyder In New Photo

Justice League star Ray Fisher reunited with his former director, Zack Snyder, today at the filmmaker’s old office, and they both posted a photo together on social media, but it’s unclear why Fisher decided to stop by Snyder’s office. Years ago, before WB’s unofficially titled DC Extended Universe had gotten underway, Snyder – as well as his producing team and the casting department at Warner Bros. – ultimately decided to cast the actor as the DC superhero Cyborg.

While Fisher made his real debut in 2017’s Justice League movie, he first had a cameo in Snyder’s Batman V Superman: Dawn of Justice alongside some of the rest of the world’s finest heroes, namely Jason Momoa (Aquaman) and Ezra Miller (The Flash). Even though his fellow co-stars were all thrilled to portray their superheroes, Fisher was especially excited, and he hasn’t refrained from continuing to express that enthusiasm despite everything that happened with Snyder and Justice League.

Related: Justice League’s Ray Fisher Thinks Cyborg Would Be Costly To Make

It seems that Ray Fisher visited Zack Snyder’s office today, and they both posted the photo on social media; Fisher made his post on Twitter, saying, “Me and the Cap’n making it happen… #BORGLIFE,” while Snyder, of course, posted on Vero, saying, “Look who’s hanging out at the office today.” Take a look:

A specific reason for why Fisher visited Snyder today hasn’t been determined, but it presumably had nothing to do with the DC movie universe, despite the fact that Snyder is technically still on board as producer for some of the future movies, like Aquaman and Wonder Woman 1984. In all likelihood, it’s possible that Fisher was merely on the WB lot for something else (perhaps for something in relation to HBO’s True Detective season 3, which he stars in), or maybe he just happened to be in the general area and wanted to stop by to visit Snyder, who is currently working on developing The Fountainhead (not The Last Photograph, as previously assumed), an adaptation of Ayn Rand’s 1943 novel of the same name.

Regardless of the reason Fisher and Snyder met up today, the photo could ignite some speculation that Fisher could potentially appear in Snyder’s new project or that they were discussing WB’s Cyborg movie, which doesn’t seem to have moved forward in development since its initial announcement. It was originally slated to release in 2020, but that no longer seems to be the case. Furthermore, if it ever does happen, it’s certainly possible that Snyder would be on board as a producer, just like he’s producing the other Justice League character spinoff movies.

Next: DC’s Cyborg Movie Still Happening, May Use Scrapped Justice League Story

Source: Ray Fisher, Zack Snyder





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2018-10-10 05:10:11 – Mansoor Mithaiwala

18 Best Sequels, According To Rotten Tomatoes (And 8 Stuck With 0%)

We live in an age where sequels are all the rage. Every major studio is chasing those franchises that can keep their cash flow healthy for years to come. Sometimes, they’re exhausting. Other times, they can be our most anticipated movies. Maybe we could do without more Transformers movies, but Marvel and Mission: Impossible sequels are event movies that drive us to the theater in droves.

Sequels are tricky and unpredictable, though. On one hand, they’re often necessary for expanding stories and the good ones continue sagas we want to see progress. On the other, some are soulless cash grabs that shouldn’t exist. In the worst cases, some of them completely derail promising franchises by failing to deliver the goods. Then again, in some instances, sequels can get a series back up and running after they’ve experienced setbacks.

This list will look at those rare sequels that are considered worthy — and even superior — follow-ups. Those rare beasts that make us grateful for multiple movies in a series. Furthermore, we’ll also be discussing the most maligned sequels that brought no critical good will to their respective franchises whatsoever. It’s more fun this way. In order to fully appreciate the best of the best, we also must acknowledge the worst of the worst. Without evil, we wouldn’t be able to understand all that’s good and pure. Without terrible movies, we wouldn’t be grateful for the good ones.

With this in mind, here are 18 Best Sequels According To Rotten Tomatoes (And 8 Stuck With 0%).

26 Best: Captain America: Civil War (91%)

The decision to keep the same team of writers for all three Captain America films paid off in the end. The trilogy just went from strength to strength with each passing entry, though some would argue that The Winter Soldier is equally as good — if not better — than Civil War. Either way, they’re both prime examples of how to do sequels right.

Civil War tackles the same themes you’d expect from a movie about a do-gooder like Cap, but where the film truly soars is during its wild third act. The airport showdown is the best action showdown in the MCU, and that’s saying something.

25 Worst: The Bad News Bears Go To Japan (0%)

If you didn’t know that sequels to The Bad News Bears exist then no one would think any less of you. While the first movie is a cult classic about an underdog baseball team, the sequels have faded from the collective memory with the passing of time, lost like tears in the rain. That’s for good reason.

None of the sequels are good, but The Bad News Bears Go To Japan is especially bad.

While the idea to relocate to Japan for a big game is good on paper, the sequel is just bland, forgettable, and was made to cash in on the brand name.

24 Best: Star Wars: Episode VII – The Force Awakens (93%)

Some fans argue that The Force Awakens is essentially a retread of A New Hope in many ways. However, clearly the critics and audiences didn’t necessarily agree, given its stellar Rotten Tomatoes score and its audience score of 87%, not to mention its impressive box office haul.

As far as Star Wars movies go, it hits the spot. The new characters are great, the return of some old faces is a trip down memory lane, and the story still made significant effort to push the franchise forward. In those regards, the film definitely succeeded.

23 Best: War for the Planet of the Apes (93%)

Anyone who has a problem with classics being rebooted needs to watch the most recent Planet of the Apes trilogy.  The finale pits the apes in a brutal battle against the humans, which leads to an epic confrontation between the Caesar the Ape and humanity’s ruthless colonel (played by an utterly wicked Woody Harrelson). As far as concluding trilogies goes, War for the Planet of the Apes has everything.

By no means is this a pleasant movie, but it is rewarding. And not only does it wrap up an epic story, but the film boasts some of the great CGI wizardry out there. The action is also ridiculously impressive and compelling, which is crazy considering it’s a movie about people versus monkeys.

22 Best: Logan (93%)

James Mangold’s Logan, the gloriously violent and heartbreaking farewell to Patrick Stewart’s Professor X and Hugh Jackman’s Wolverine, is an all-timer. Taking cues from the Old Man Logan comics, the movie has just as much in common with neo-westerns as it does with superhero yarns, which makes for a gritty, character-driven elegy to characters many of us grew up with.

Logan deserves praise for going R-rated and taking some stylistic risks.

The movie is proof that audiences will still flock to see superhero movies with some edge. If you’re going to send off some icons, this is the way to do it.

21 Worst: Return to the Blue Lagoon (0%)

Considering that no one liked The Blue Lagoon (it currently holds a 9% rating on RT), why anyone would want to return to the franchise is beyond comprehension. Of course, every sequel is a perfect opportunity to right some old wrongs if handled with care. Unfortunately, this was not. The story follows two children who are marooned on a tropical island as the grow up and fall in love, etc. The characters don’t wear enough clothes either, which makes for some weird, uncomfortable viewing.

There are some unintentional laughs to be had at the poor script and performances.

Otherwise the Blue Lagoon isn’t a scenic cinematic paradise worth spending time in unless you want to punish yourself for some reason.

20 Best: The Dark Knight (94%)

Few superhero movies are ever regarded as anything more than popcorn fare. However, if there were ever a superhero movie that proved the genre could be prestige cinema, it would be The Dark Knight. Christopher Nolan’s take on Batman is an exploration of chaos and just how far people are willing to go to achieve their goal.

The Dark Knight — for better or worse when you consider how devoid of fun some DC movies have been since — also brought a gritty, realistic touch to the genre. The movie feels more like a Michael Mann crime saga than it does a story about superheroes versus their outlandishly evil counterparts.

19 Best: Finding Dory (94%)

In recent times, Pixar has been criticized for relying too heavily on sequels, but if it ain’t broke… Finding Dory was released 13 years after Finding Nemo, and it was a smash with critics and audiences alike.

Its 94% on Rotten Tomatoes is complemented by an 84% audience score.

Upon release Finding Dory was praised for being as funny and thought-provoking as the first movie, while also adding a new dimension to the story. As with any Pixar movie, Finding Dory can be appreciated by audiences of all ages. 

18 Worst: Staying Alive (0%)

No other actor on the planet has experienced a career of ups and downs like John Travolta has. When he broke out he had the world at his dancing feet. After that, his career experienced a downturn until it was resurrected briefly following Pulp Fiction until it ultimately plummeted when he started starring in movies like Battlefield Earth. Staying Alive was released in 1983 when Travolta was experiencing his first fall from grace. Following up a classic like Saturday Night Fever was never going to be easy, but it shouldn’t have been this difficult, either.

The sequel lacks the gritty realism of its predecessor, and instead tries to get by on dance sequences. What’s the point in dancing when we don’t care about who’s doing it?

17 Best: Creed (95%)

No franchise tends to remain compelling seven sequels in, but Creed is proof that the Rocky franchise is the rare exception. Granted, some Rocky movies aren’t exactly knockouts, but Creed got things back on track and showed that it’s game for a few more rounds.

By serving as both a sequel and a spin-off/soft reboot, Creed gave the franchise a breath of new life.

It passed the gloves on to Michael B. Jordan as the eponymous character.  Creed 2 is right around the corner. Let’s see if it can do what the original saga failed to do and deliver a second outing that’s as good as the inaugural entry.

16 Worst: Leprechaun 2 (0%)

The first Leprechaun movie doesn’t come close to being certified fresh rating on Rotten Tomatoes, so it should come as no surprise that the sequels didn’t receive any critical acclaim. Especially not the second movie, which no critic seemed to enjoy at all.

Here, the infamous critter resurfaces in Los Angeles to find a bride, which leads to him abducting a young woman and trying to claim her as his own. This isn’t high art by any means, nor does it try to be.

15 Harry Potter and the Deathly Hallows: Part 2 (96%)

The Harry Potter books were an emotional roller coaster that affected millions of readers worldwide. Reliving those adventures on the big screen was also a great time to be alive, and the grand finale lived up to expectations. In the final installment of the saga about the Boy Who Lived and his fight against the forces of darkness, the ultimate showdown finally happens as our hero and his pals face off against Voldemort in Hogwarts castle.

It’s a true epic in every sense of the word.

As far as wrapping up the story goes, Death Hallows: Part 2 delivered the goods and gave us cinematic closure in style.

14 Worst: Looking Who’s Talking Now (0%)

Look Who’s Talking is a perfectly serviceable comedy that should never have received any sequels. In a bid to end to the trilogy on a high following the disappointing previous sequel, Look Who’s Talking Too, someone thought it would be a good idea to introduce talking dogs to the mix for the series’ swan song. 

Needless to say, Look Who’s Talking Now wasn’t the glorious goodbye the series was looking for, but at least the film did cast some cute dogs.

13 Best: The Good, the Bad, and the Ugly (97%)

The third installment of Sergio Leone’s influential Dollars trilogy, The Good, The Bad and the Ugly is the creme de la creme of spaghetti westerns. 

The story centers around two men who form an uneasy alliance following a scam.

This leads them on a quest as it turns out there’s money buried in the desert and they want to find it. However, they have to compete against another who won’t hesitate to put a bullet in them to claim the prize. On top of being one of the most acclaimed movies out there, the film has been hailed as a major influence on directors like Quentin Tarantino.

12 Best: The Godfather: Part II (97%)

The continuation of Francis Ford Coppola’s Best Picture-winning 1972 crime saga, The Godfather: Part II chronicles Michael Corleone’s further ascendency in organized crime while simultaneously taking us back to the past to explore his dad’s humble beginnings.

Like its predecessor, the sequel also won Best Picture and is hailed by many a critic and film buff as one of the best movies ever made. Whether it’s better than the original is up for debate, but they’re like two sides of the same coin. These movies set the bar for mob pictures, and to this day, other directors are still trying to recreate the formula.

11 Mad Max: Fury Road (97%)

Director George Miller was in his seventies when he unleashed Mad Max: Fury Road, but the energy and madness imbued in every frame of this extravaganza suggest a man half his age.

Maybe we’ll never see another Mad Max movie, but the world needs a Furiosa spin-off eventually.

Fury Road is essentially one non-stop chase that barely lets up from the get-go all the way to the climactic ending. Furthermore, it’s a movie that defied expectation by taking the focus away from the titular character and making Charlize Theron’s Furiosa the real hero of the adventure. 

10 Worst: Jaws: The Revenge (0%)

Is Jaws: the Revenge a good movie? Definitely not. Is it an entertaining movie, though? Definitely yes.

How many other movies have sharks that make a conscious decision to get revenge on the humans that wronged them? Not only that, but the shark here followed its target to the Bahamas from Massachusetts. And why would someone who wants to avoid sharks go to an island surrounded by ocean? The movie is illogical, silly, nonsense, but it does offer sheer entertainment value for bad movie buffs.

9 Best: Aliens (98%)

Alien and Aliens are quite different in some regards, but they complement each other perfectly. The first is an exercise in pure suspense and terror. The sequel, on the other hand, retains the horror elements but adds a lot more action to proceedings.

Aliens shows how to make a successful sequel: acknowledge what came before but don’t be afraid to bring some fresh ideas to the table.

James Cameron was on fire in the ’80s and he wasn’t afraid to make Ridley Scott’s baby his own.

8 Best: Mad Max 2: Road Warrior (98%)

While George Miller’s inaugural Mad Max caper is a cult classic, most film buffs would agree that a couple of the sequels are slightly superior. Taking nothing away from the first movie, Road Warrior is a vast improvement when it comes to world building and sheer action spectacle. The story follows the eponymous character as he helps a group of people steal oil from a tyrannical madman and his band of goons.

As far as cinematic thrill rides go, few movies are on par with Road Warrior. Here, Miller turned up the volume significantly by making the post-apocalyptic terrains feel more dangerous and the action sequences more gung-ho and grander in scale.

7 Best: Evil Dead 2 (98%)

Sam Raimi’s first Evil Dead movie was a huge achievement for independent filmmaking when it was released back in 1981. The movie still holds up to this day with its innovative camera work, effective scares, and excellent cast as well.

The sequel is a triumph in its own right.

While the first movie contained moments of dark comedy, the sequel amps up the zaniness to become what is essentially the splatter flick equivalent of a Laurel and Hardy flick. For 90 minutes, Bruce Campbell is tormented by laughing ornaments and his own severed hand. As silly as that sounds, Evil Dead 2 still manages to pack more punch than your average MMA fighter.

6 Worst: Police Academy 4: Citizens on Patrol (0%)

In the third installment of the Police Academy franchise, the cops are understaffed and in need of some help. Naturally, the force turns to America’s civilians to help aid in their mission. Things don’t go smoothly, for the characters in the film and the movie itself.

Rotten Tomatoes describes Police Academy 4: Citizens on Patrol as “Utterly, completely, thoroughly and astonishingly unfunny” and  a movie which sent “a once-innocuous franchise plummeting to agonizing new depths.” That sounds about right.

5 Toy Story 3 (99%)

Few franchises manage to strike three home runs in a row. Even The Godfather stuttered when it came to the third outing. Toy Story, on the other hand, never ceases to replicate the magic time and time again.

This emotional installment sees Andy get ready to leave for college and neglect his old toys.

He’s all grown up and has no use for them anymore, and what ensues is what is by far the most heartfelt movie in the series.

4 Worst: Highlander II: The Quickening (0%)

As far as pure entertaining action-fantasy goes, the first Highlander movie is a fun slice of popcorn entertainment that aficionados of cult cinema lose their head over. The sequel, meanwhile, is an incomprehensible mess.

Highlander II is too overplotted to explain, but the cusp of the story revolves around the hero from the first movie taking on a corporation after being led to believe that they don’t have the world’s best interests in mind. In this one, our hero is a defender of the ozone as well. What makes Highlander II so awful is that it completely retcons everything good about the original film and the mythology it introduced.

3 Best: The Bride of Frankenstein (100%)

We all desire to be loved by someone special– even bolt-head monsters made up of the remains of other people. But to find them a mate, one must dig up some more corpses and create a suitable partner that’s similar in genetic make-up. This is also the storyline behind James Whale’s 1935 masterpiece, Bride of Frankenstein.

There are too many Frankenstein movies to keep track of at this point, but this sequel remains the pinnacle of the original series.

The movie is a masterpiece that successfully blends campy fun with Gothic beauty and genuine chills that’s stood the test of time as a result.

2 Paddington 2 (100%)

No one expected the the first Paddington to be as good as it is. That movie is a bona fide classic in the making in its own right, but the sequel is some next-next level brilliance.

Paddington 2 sees the lovable bear go to prison and, unsurprisingly, all the mean criminals fall in love with him as well. Critics, like the fictional convicts, were also full of praise for the titular bear and his second big onscreen adventure as well. At one point, Paddington 2 was even the best reviewed movie in history.

1 Best: Toy Story 2 (100%)

Following up a movie like Toy Story was never going to be easy, but that didn’t stop Pixar from trying and succeeding. In this one, we find out that Woody is a collectible when he’s discovered and stolen by a greedy museum owner. Naturally this prompts Buzz Lightyear, Mr. Potato, and the rest of the gang into action and they set out to save their friend.

General consensus on Rotten Tomatoes states that Toy Story 2 is that rare sequel that improves upon its predecessor.

The sequel raises the stakes and ups the element of adventure while retaining the humor and heart that made audiences fall in love with the franchise in the first place.

What’s your favorite sequel? Let us know in the comments!



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2018-10-10 04:10:39 – Kieran Fisher

22 July Review: Paul Greengrass Delivers Another Intense Docudrama

Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

In-between his efforts on the Bourne movies, journalist-turned filmmaker Paul Greengrass has spent much of his career making docudrama-thrillers about real-world events, ranging from the September 11 terrorist attacks on the U.S. (United 93) to the hijacking of the Maersk Alabama in 2009 (Captain Phillips). While there’s an inherent risk of exploiting a real-world tragedy that comes with any such project, Greengrass has long been celebrated for his ability to dramatize terrible events on the big screen in a manner that’s intense, yet sensitive and ultimately insightful in its presentation. Thankfully, that remains the case with his Netflix Original 22 July, even if it doesn’t necessarily represent the writer/director at his finest. Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

22 July picks up on July 21, 2011 in Oslo, Norway, as Anders Behring Breivik (Anders Danielsen Lie) – a self-declared right wing extremist – prepares to carry out a terrorist attack on the city the next day. He begins his assault by setting off a bomb in a van near the main office of the then-current Norwegian Prime Minister Jens Stoltenberg (Ola G. Furuseth), killing eight people in the process. Breivik then proceeds to continue his attack by gunning down 69 members of a summer camp organized by the AUF – the youth division of the Norwegian Labour Party – on the island of Utøya, before he is ultimately apprehended by the police and taken into custody.

Among the members of the summer camp is one Viljar Hanssen (Jonas Strand Gravli), who manages to survive Breivik’s attack despite being shot multiple times and left permanently maimed. As Viljar struggles to recover both physically and psychologically from what happened to him (along with everyone else who survived the Utøya shootings and their loved ones), Breivik works with his chosen lawyer Geir Lippestad (Jon Øigarden) to mount a defense and use his trial as a platform to publicly announce his political agenda (which calls for the immediate deportation of all Muslims and heavier restrictions on immigration to Norway, among other things). When it becomes clear to Viljar what Breivik intends to do, he grows increasingly determined to continue his rehabilitation and testify against him in court for not only himself, but also every other person whose lives were affected by what took place on July 22.

Adapted from the book One of Us: The Story of a Massacre in Norway — and Its Aftermath by Åsne Seierstad, Greengrass’ script for 22 July has a very clear-cut three act structure – with the first act focused on the July 22 attack, the second part set during its immediate aftermath, and the final third centered on Breivik’s trial. The film is strongest during its first and third acts in particular, as those chapters (respectively) play to Greengrass’ strengths as a suspense-thriller storyteller and provide the emotional payoff to Viljar and, thus, Norway’s overarching journey of recovery and survival. It’s the second act where things start to drag and get a little muddled, especially as 22 July splits its focus between not only Viljar’s story thread, but also Lippestad and Breivik’s trial preparation, and the investigation into Stoltenberg’s administration and its failure to prevent a terrorist attack. While there’s nothing in the second act that feels inessential, 22 July struggles to divide its attention evenly between its three plotlines and the film’s pacing suffers for it.

On the whole, however, 22 July does a nice job covering a fair amount of narrative ground, even when taking its pretty substantial runtime into consideration. It helps that Greengrass (as he’s known now for doing, as a director) never fully lifts his foot off the gas pedal and keeps the film’s proceedings feeling on-edge throughout, even during its more purely dramatic portions. The filmmaker, working this time around with DP Pål Ulvik Rokseth (The Snowman) and Oscar-winning Argo editor William Goldenberg, uses essentially the same vérité cinematography and restless editing style that he has on his previous movies, in order to fully immerse viewers in the film’s setting and action. At the same time, Greengrass slows things down a bit here and, in turn, delivers a movie that’s more visually cohesive than some of his weaker efforts in the past (see the last Bourne sequel, in particular). This serves 22 July well, allowing it to effectively work as both a grounded drama and thriller.

Given the sheer amount of information that 22 July strives to cover, though, there’s not a lot of room for the film’s actors to really shine – not in the way that Barkhad Abdi and Tom Hanks did in Captain Phillips, for example. Even so, the 22 July cast is uniformly strong across the board, with Gravli especially doing an excellent job of portraying Viljar’s struggles with his physical injuries, PTSD, and the sheer amount of emotional baggage that he’s saddled with after barely managing to escape the attack on Utøya with his own life. Actors like Thorbjørn Harr and Isak Bakli Aglen are similarly moving in their smaller roles as members of Viljar’s family, as is Seda Witt as Lara Rashid, a young woman who starts to make a romantic connection with Viljar before both of their lives are shattered by Breivik’s attack. As for Breivik himself: Lie is quite compelling in the role and portrays the terrorist as a fully-developed person – one whose rationalization of his behavior makes him chilling and pathetic in equal measure.

As with his previous films, Greengrass uses 22 July as a means for delivering larger sociopolitical commentary about the state of things in the world, specifically where it concerns the rise of xenophobic and nationalist ideologies in various countries (the U.S. included). While his scripted dialogue can start to become a bit on the nose as its strives to get these points across (especially in the third act), Greengrass largely succeeds in allowing the story here to shine a light on these issues organically, without getting up on his figurative soapbox to drive the point home. If there’s a downside to the filmmaker’s approach, though, it’s that July 22 winds up handling its subject matter in a way that’s more engaging intellectually than emotionally and, thus, lacks the emotional resonance of Greengrass’ best work to date.

All things considered, however, Greengrass does a very good job of bringing the true story behind 22 July to cinematic life. The final result is a film that makes for an enlightening and otherwise respectful documentation of a horrifying real-world event, rather than one that comes off as exploitative or manipulative. 22 July is showing in select theaters now – in order to qualify for next year’s major film awards shows – and it certainly benefits from being seen on the big screen, but can still be appreciated just as much as a Netflix Original on your home TV. While it’s obviously not a light-hearted viewing experience, 22 July is very much worth checking out if you’ve enjoyed Greengrass’ previous non-Bourne efforts and/or would like to know more about Norway’s own infamous modern terrorist attack.

TRAILER

22 July is now available for streaming on Netflix and is playing in select U.S. theaters. It is 143 minutes long and is rated R for disturbing violence, graphic images, and language.

Let us know what you thought of the film in the comments section!



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2018-10-10 01:10:22 – Sandy Schaefer

20 Storylines Shameless Wants Everyone To Forget

With the announcement that Emmy Rossum and Cameron Monaghan will leave the series following the ninth season of Shameless, the Gallagher household is prepping for a major shake-up on the casting front. The creator of the Showtime series John Wells has remained open about a future Fiona return, though he has also stated that there are many more dysfunctional tales left to be told for the Gallagher clan.

For eight seasons, Shameless has remained consistent in the deplorable decision-making skills of its characters, though the series’ depiction of a low-income family living below the poverty line has always been at the forefront. As the strong matriarch who single-handedly raised her siblings while her father wasn’t around, Fiona’s absence is sure to shift more focus towards the show’s younger stars as writers hope fans will soon forget her. Ian’s storyline in season 9 drove much of the action, so Monaghan’s exit will surely leave a whole as well.

Whether they’re dealing with the changing gentrification of their community or watching as another beloved character takes their leave, the Gallaghers have proven time and again that they can adapt better than anyone. From the show’s debut back in 2011 until now, the stars of the series have been forced to mature, sometimes faster than they wanted to. Along the way, there have been many entertaining or even head-scratching subplots which have since been left behind. Although the changes are nothing new to the Gallaghers, they have left many questions up in the air for fans.

Join us as we take a look back at 20 Storylines Shameless Wants Everyone to Forget.

20 Frank and Bianca

After Sammi shoots Frank in the arm to teach him a valuable lesson about courtesy, she forces him to visit the hospital to have his wound checked. During his stay, he begins bonding with his distraught doctor Bianca, whose diagnosis of stage three pancreatic cancer has left her with a new lease on life. Attempting to persuade her to live life to the fullest, Frank offers to teach her how to live carelessly, which includes a copious amount of substance abuse.

Although Frank’s time with Bianca was intended as a heart-wrenching moment which left him reeling the following season, it was never clear why the successful, young doctor would choose to spend her remaining days with him. With her money, she could seemingly spend her days anywhere. There’s little reason to believe Frank would appear as an enticing option.

19 Lip’s Sports Gambling Internship

With an exceptionally high IQ, Lip isn’t the standard member of the Gallagher household, though his self-sabotaging personality has prevented him from achieving a legitimate career. Accepted into the University of Chicago, he threw away his future after an assault on a campus guard led to his expulsion. Following a stint in rehab, Lip secured an internship with a tech start-up, thanks to his friend, Professor Youens.  Soon, however, he discovered the truth behind the company. His co-workers were using proxy servers to hide illegal sports gambling activities.

Although the crooked start-up appeared as a perfect match, nothing would come of it.

He temporarily used a wire fraud scheme to steal cash from the company, but in due time, the start-up went under and Lip was left without a career goal once again.

18 Kevin Discovers His Kentucky Heritage

Season eight concluded with a strange hodgepodge of storylines for Kevin, which included a search for self-identity as he tracked down his biological parents and found himself in Kentucky. Once he arrived, he was introduced to Aunt Ronnie and the rest of the family, immediately settling in and recalling his past as Little Barty. Unfortunately, V immediately sensed something wrong about the group, apart from their offhanded racist remarks.

As a small child, the low-income family struggled to properly raise Kev, resorting to abandoning him at a roadside gas station. He eventually learned to accept his heritage, although he seemed to quickly forget all about it soon after. Kev would have other moments of a self-identity crisis in season eight, including exploring his possible attraction to men, but his Kentucky lineage would ultimately become an afterthought.

17 Fiona Marries Gus, Then Immediately Cheats on Him

Speaking of his character on Shameless, star Steve Kazee said Fiona’s former husband Gus Pfender “got a really raw deal” over the way his storyline ended. After meeting the eldest Gallagher sibling, the two went from strangers to married seemingly overnight.

When Jimmy’s return visit catches Fiona off guard, she’s faced with an ultimatum.

Either run away with Jimmy or stay with Gus, whom she’s known for a few days. Her reaction is to throw away her newfound relationship for the temptation of her ex-boyfriend. She cheats on Gus then immediately regrets it, but by then it’s too late. Her marriage to Gus is over and any remnants of it are completely forgotten by the writing staff.

16 Debbie Steals a Baby

Before Debbie was doing crazy things like stealing expensive baby strollers to support Frances or having Liam amputate her toes to avoid undergoing a pricey surgery on her crushed foot, she was just a lonely girl looking for a playmate.

In the episode “Casey Casden”, Debbie grows tired of playing with a sack of potatoes decorated to look like a baby.

Rather than asking for a new doll, she takes matters into her own hands when she lures a three year old boy back to the Gallagher residence. The Gallaghers then spend the episode concocting a plan to call in false sightings of the child with the cops finally finding him with Debbie, who acts like she found him wandering around Chicago. Needless to say, it was a crazy storyline that the show’s producers haven’t attempted since.

15 Anything Involving Sammi or Chuckie

Frank’s estranged daughter Sammi is first introduced in season four after Frank discovers his liver in failing. Posing as a Good Samaritan, he begins dating her to grow closer before dropping the devastating bombshell. Oddly enough, however, she’s not disgusted at all by the news and even embraces her new father figure, despite his countless shortcomings.

By season five, Sammi has acquainted herself enough with the Gallaghers to move into the household, though she was never invited. When her son Chuckie is later arrested and sent to juvenile detention for possession, she blames Carl, later ratting him out to the authorities. As a result, a dispute breaks out which ends with Mickey locking her inside a shipping container and Sammi later shooting at him, presumably leading to her arrest and the end of her story.

14 Fiona Cheats on Mike with His Brother

With her recent investments in Patsy’s Pies as well as a laundromat and an apartment complex, Fiona’s newfound entrepreneurial spirit has only recent become a central part of her storyline. Prior to becoming a property owner, she was a down on her luck South Side girl who constantly found herself in failing relationships.

In season four, Fiona’s downward spiral of relationships hit another low.

She was in desperate need of a rebound following Jimmy’s disappearance. After securing a job at Worldwide Cup, she began having a fling with her boss Mike. When Mike’s brother Robbie comes into the picture after his release from rehab, Fiona’s attraction to danger takes ahold. Putting her career in jeopardy, she has an unwise affair which culminates in her arrest at the end of the season.

13 Frank Uses Liam as Collateral

Scouring Chicago for enough money to support his many dirty habits, Frank has attracted the attentions of enough bad guys that it’s a miracle that he’s manage to run around carelessly for so long. In the season two premiere, he again backed himself into a corner when he drunkenly bet a bar patron at the Alibi Room that he couldn’t remain conscious after two taser blasts. After the customer manages to remain on two feet, Frank’s $10,000 gamble comes at the expense of the Gallagher household.

Unable to come up with the dough, the patron threatens Frank with a blowtorch, to which he responds by offering up Liam as collateral. Luckily, the Gallagher clan rallies together to get him back. Frank would later develop a bonding relationship with his youngest son, completely erasing all memory of the incident.

12 Kevin and Veronica’s Foster Child

With twins Amy and Jemma, Kevin and Veronica finally settled down to have children of their own after V became pregnant in season four. Prior to having their own kids, the couple were experimenting with parenthood in the form of a money scheme which saw them taking in a foster child in order to collect money from the government.

In season one, Kev and V welcome Ethel, a teen saved from a polygamist colony where she was married to an elderly man named Clyde.

They also took in Ethel’s son Jonah, who was born as a result of the marriage. Over the course of her stay, she struggles to grow accustomed to the modern world, but eventually settles in, until she runs away with her boyfriend Malik in season two, disappearing forever.

11 Anything Involving Sheila

Remember Sheila? The agoraphobic housewife with a proclivity for cooking was a former love interest of Frank’s, who welcomed him into her home to take advantage of her disability checks. For five seasons, she played the picture-perfect example of a housewife, though her repressed emotions would occasionally rear their ugly head.

Throughout the series, Joan Cusack would receive considerable acclaim for her turn as the wacky, subservient Sheila, earning an Emmy nomination for each season she appeared in. Although she would never receive more than a guest credit, her most memorable storylines would include dealing with her troubled daughter Karen, having an affair with Karen’s boyfriend Jody, and marrying Frank. Her storyline came to a rather abrupt end after her house exploded in season five, resulting in her driving off in an RV, never to be seen again.

10 Frank Hires a Hitman

Always the deadbeat father, Frank experienced a slight morality check when he wasn’t invited toFiona’s wedding to Sean in season six. As a way to make up for all his shortcomings, he offered to pay for all of Fiona’s wedding expenses. Everything came to a head, however, when Sean began sleeping over at the Gallagher residence, resulting in a brutal confrontation between Fiona’s fiance and the lousy patriarch of the household. After days of Frank wearing Sean’s underwear and drinking his milk, Sean’s frustration boiled over, resulting in a fight between the two.

Frank is seen on a train attempting to pay a random guy to dispose of Sean permanently.

Although nothing would come of the exchange, the attempted assassination was out of the ordinary, even for the lowly Frank.

9 Debbie Purposely Gets Pregnant

The third youngest Gallagher, Debbie began the series as the well-intention, younger sister who still held high hopes for Frank and cared for her family, though she often found it difficult to socialize in school. In due time, she transformed from the innocent girl wise beyond her years to one of the most troublesome characters on the show, using her hardened attitude to deceive her way to whatever she desired.

In season five, Debbie’s manipulative personality crossed a line when she became enamored with Derek, a boy who taught her how to box. Wanting a perfect life with her newfound boyfriend, she purposely lies to him about being on birth control in order to become pregnant and force him into a marriage. Unfortunately, her plans fall through when Derek leaves to live with his grandmother, leaving Debs a single mother.

8 Frank Tells Carl He Has Cancer

As the delinquent troublemaker whose interests include weapons, explosives, and various money-making schemes, Carl has proven to be the most like his dear deadbeat father Frank. As a faithful member of the Gallagher family, he’s the unfortunate product of a dysfunctional upbringing, but none of his regrettable actions were deserving of the scare Frank gave him in season five.

After seeing a cancer patient receive an autographed Bulls basketball on television, Frank decides to extort the Make-A-Wish Foundation by giving them a sob story.

Shaving Carl’s head, he convinces him that he has cancer and tries to get him an autographed basketball of his own, that he can later sell for a profit. Instead, Carl is offered a free summer away at a camp for cancer patients, ruining Frank’s plans and giving Carl his own mini vacation.

7 Carl Marries Kassidi

As a way of coming up with enough cash for military school in season eight, Carl sets up his own rehabilitation center in the basement of the Gallagher home, hosting neighborhood addicts for days of withdrawal. It’s here where he first encounters Kassidi, a seemingly sociopathic teen who concocts a plan to extort money from her rich father to pay Carl’s expenses.

Soon after sparking a relationship, Kassidi’s wildly chaotic personality begins threatening Carl’s career goals. As she wanders about Chicago’s South Side doing things like Snapchatting drive-by shooting victims, Carl becomes more wary of her actions, which makes it all the more confusing that he marries her at the end of the season. The season nine premiere seems to have ended her story, however, as the character’s recent disappearance suggests that she may now be deceased.

6 Mandy Hurts Karen

As the manipulative former girlfriend of Lip, Karen was the incessantly rude daughter of the agoraphobic Sheila, who would go to extreme lengths to get her way. After she stops seeing Lip due to her marriage to Jody as well as the birth of her down syndrome son Hymie, Karen decides to start things back up with her former lover, only for Lip rejects her for Mandy.

After brazenly attempting to meddle with Lip and Mandy’s relationship, Karen receives a rude awakening when she receives a text from Lip, which is later revealed to be Mandy using Lip’s phone. Showing up to a park to meet, Karen is struck by an SUV driven by Mandy, leaving her permanently brain damaged, effectively ending her story on the series.

5 Frank Has a Twin Brother

With so many siblings running around and Frank constantly inviting himself in with his various trouble-making shenanigans, it’s impossible for the Gallaghers to keep track of everyone’s comings and goings. That’s why the existence of more Gallaghers seems completely absurd, but as the early seasons have shown, there are more family members out there.

Of all the odd Gallagher members forgotten from the early seasons, none were crazier than Jerry, Frank’s twin brother.

Ian and Lip visit Jery after their grandmother Peggy claims he owes the family $5,000. Looking just like Frank, he threatens to shoot his nephews shortly after realizing they’re after money. Since his appearance, little mention has been made of Frank’s twin or of Frank’s other siblings Clayton and Wyatt.

4 Jimmy’s Return

First appearing as Fiona’s love interest in season one, Jimmy introduced himself to the Gallagher household as Steve, a hotshot businessman who comes from money. Soon afterward, his real personality begins to shine through as Fiona discovers that he makes his money through various illegal activities. In due time, he gets engaged to the daughter of a crime lord, which leads to his supposed demise in the season three finale.

Jimmy returns at the end of season four, becoming a recurring cast member for a brief time.

In an attempt to flatter Fiona, he tries to persuade her to leave her husband Gus for him. Although his return answered questions about his fate, it still left his future up in the air, leaving many to believe his story should have ended with the season three cliffhanger.

3 Frank Lies to Butterface About Her Heart Transplant

Of all the lowdown plans Frank has concocted, perhaps nothing is more despicable than the time he began hanging out with Dottie, a former good-time girl with a heart condition. Nicknamed Butterface for her less than stellar looks, Frank discovers that Dottie is in serious need of a heart transplant, rewarding him the opportunity to weasel his way into her good graces and work his way into her will before she passes away.

Although Frank’s decision proves to be flawed, he fully commits to the scheme. While Dottie is in the shower, she gets a phone call telling her a new heart has arrived which could save her life, only Frank decides to tell the hospital that Dottie has already passed away. Later, Dottie loses her life during an intimate moment with Frank, making his actions even more awful.

2 Kev has a Baby with Veronica’s Mother

As the Gallaghers’ longtime friends, Kevin and Veronica are often the supporting comic relief of the series, though they have also proven to be the strongest lasting couple. In season three, after repeatedly failing to have a baby, V enlists her bubbly mother Carol to act as a surrogate. When Carol also fails to become pregnant, Veronica to suggests her mom and Kevin actually get intimate with each other to possibly improve their results.

In due time, Carol warms up to the idea, becoming pregnant with Kevin’s child. By happenstance, Veronica soon discovers that she too is pregnant, with twins. Nine months later, the couple are the proud parents to three newborns, only Carol decides to single-handedly raise her child on her own. After a few brief appearances, Kevin and Carol’s child is forgotten and never shown again.

1 Everything Positive About Ian and Mickey’s Relationship

As a violent street thug, Mickey Milkovich is the antithesis of the gay stereotype. Ian, whose storied history with Mickey makes up a large portion of his story in the early seasons, is the more sensitive of the couple, but his rebellious nature and struggles with bipolar disorder make him an equally multi-dimensional character.

As one of the best-written gay relationships on television in recent memory, Ian and Mickey’s story was at times chaotic. 

After his imprisonment at the end of season five, Mikey escaped from prison and fled to Mexico, tearfully leaving Ian behind. Since then, the positives of their relationship have been largely dismissed and Mickey’s absence has left a void on the show which has yet to be filled.

What other storylines does Shameless want to bury? Let us know in the comments!



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2018-10-09 03:10:17 – Turner Minton