Posts

Avengers: Endgame Breaks International BO Records with $169M Opening Day

Marvel Studios’ Avengers: Endgame has officially broken several international box office records with its opening day. That shouldn’t come as a big surprise to moviegoers: Endgame is probably one of the most highly anticipated movies of the year, if not the decade. Even before its opening weekend, the film was already selling out thousands of screenings, and fans crashed ticket-buying sites, such as Fandango, when ticket pre-orders went live.

Endgame follows up on a story that the Marvel Cinematic Universe has been building up to for over 10 years. It’s a direct follow-up to Avengers: Infinity War, a movie that saw the Avengers lose to the Mad Titan Thanos, who successfully collected all the Infinity Stones to give him ultimate power. Thanos then used that power to snap his fingers, which decimated half of the universe’s population, as well as many of the superheroes who were members of the Avengers team. The movie will help wrap up Phase 3 of the MCU, although that phase officially ends in July with the release of Spider-Man: Far From Home.

Related: Avengers: Endgame Recap: The Most Important Things To Remember From Each Movie

For now, though, Endgame is breaking records all over the world. According to Box Office Pro, the film has brought in a whopping $169 million in its opening day overseas. It opened at #1 in all markets and broke records in China for the highest all-time industry single day and the highest all-time midnight showing. Other countries also saw the movie break records for the highest all-time industry single day, including Australia, Malaysia, New Zealand and Taiwan. It also scored the highest all-time superhero opening of all time in many countries.

Considering that Endgame cost anywhere from $350-400 million to produce, the fact that it is well on track to take in a sizable profit speaks loudly about just how many people are interested in seeing this film. The movie already has a Certified Fresh rating on Rotten Tomatoes, and both fans and critics have started to chime in with statements about how epic Endgame is.

Endgame breaking box office records isn’t surprising to fans of the franchise since Marvel spent over a decade building up these characters and stories, with Endgame being the ultimate finale in the series. The enormous demand for the film has some theaters adding additional showings around the clock to give fans what they want – unlimited power to see the movie of all movies in the MCU without needing an Infinity Gauntlet to do so. There is also a high likelihood of repeat viewings, meaning that the sky’s the limit when it comes to how much money Endgame will eventually take in.

More: Avengers: Endgame Hides a Secret Thor Joke in Its Poster

Source: Box Office Pro


2019-04-25 11:04:09

Robin Burks

Why There Are Four Dragons In Game Of Thrones’ New Opening Titles

The new opening credits for Game of Thrones contain various clues for season 8, but what do the four dragons on the golden ring mean? As the series has evolved, so have the opening credits sequence. With only a handful of episodes left, there are still many questions that need answering. The Game of Thrones opening sequence could indicate which mysteries will finally be solved in the final season.

Dragons were first introduced in season 1 when Daenerys Targaryen was given three petrified dragon eggs as a wedding gift. By the end of the season, the dragon eggs miraculously hatched and the species was re-established into the world of Westeros. From then on, the dragons – Drogon, Rhaegal, and Viserion – became integral pieces to Dany’s story arc. The trio of fire-breathing dragons also gave her an advantage over her various enemies, especially on the battlefield. That stood true until they met the Night King.

Related: Game Of Thrones Theory: The Night King is at King’s Landing, Not Winterfell

Dany’s connection to the majestic reptiles goes much deeper when considering her family history. The Targaryens had the last surviving Valyrian dragons before the species were thought to have gone extinct. Dany’s ancestor, Aegon I Targaryen, used his dragons – Balerion, Vhagar, and Meraxes – to conquer the Seven Kingdoms. The skulls of those dragons are still kept in the Red Keep as the story continues to be passed down to generations. There have been various other dragons kept by members of House Targaryen; it’s the theme of their sigil, after all. But could there be other dragons alive in Game of Thrones?

On one of the gold rings within the credits (1:33 mark in the video below), three small dragons can be seen in front of a much larger dragon. Considering only three dragons have made appearances in the series, the addition of a fourth on the gold ring is very intriguing. More than likely the large dragon represents Daenerys, who is also known as the “Mother of Dragons.” Even though Viserion is currently a member of the Night King’s undead army, all three of Dany’s dragons are imperative to the final season. There could also be other meanings behind the message shown in the credits.

The mystery surrounding “The Prince That Was Promised” will hopefully be solved by season’s end. The prophecy suggests that a character will emerge as a savior with a sword called Lightbringer to fight the impending darkness. In the book series which the show is based, the prince is thought to be the reborn version of the legendary figure, Azor Ahai. The prophecy specifically uses the word “prince,” but in High Valyrian, the word translates to “prince” or “princess.” Many viewers suspect that Jon Snow is the prince described in the prophecy, but it could very well be Dany. The shooting star that can be seen above the dragons on the gold ring even matches with a quote by Melisandre in the books, adding more evidence that Dany is Azor Ahai.

When the red star bleeds and the darkness gathers, Azor Ahai shall be born again amidst smoke and salt to wake dragons out of stone.”

If the prophecy doesn’t become a focal point in the final season of Game of Thrones, it’s still possible the image of the fourth dragon has implications for the final episodes. There has been speculation that other dragons could be hiding in Westeros, possibly even in the crypts of Winterfell. In the books, there are rumors that a dragon laid eggs deep in the crypts by the natural hot springs. Seeing as the crypts are an enormous labyrinth of caverns and passageways, who knows what could be hiding in there. If any dragons are in there, now would be the time for them to come out.

Next: Game of Thrones: Where Melisandre Is (& Why She Has To Return)


2019-04-25 10:04:27

Kara Hedash

Why The Curse Of La Llorona Had The Worst Conjuring Box Office Opening

The Curse of La Llorona posted the worst opening weekend in the Conjuring film series, but why did that happen? The franchise began back in 2013 with James Wan’s The Conjuring, which proved to be a critical and financial success. Not only did the horror hit spawn a direct sequel, Warner Bros. also forged ahead with a number of spinoffs, blowing The Conjuring open into a shared cinematic universe. While not every installment has been widely acclaimed, each movie proved to be a box office success.

Since its production budget was just $9 million, La Llorona certainly goes down as another fruitful installment, as it’s tallied $55.3 million worldwide so far. However, celebrations should be tempered a bit, because the film won the worst Easter weekend in a decade with $26.3 million domestically in its first three days. That figure is also the lowest debut for a Conjuring movie to date. It’s true La Llorona is by no means a failure, but it’s still worth wondering why it made considerably less than the other entries.

Related: The Most Brutal Reviews of The Curse of La Llorona

Part of the blame should be placed on the marketing department, as La Llorona’s connection to the Conjuring universe was downplayed in advertising. A teaser trailer was released in October 2018, with a full theatrical preview following in February 2019. Both made note of Wan’s involvement as a producer, but didn’t mention La Llorona was part of a larger franchise. It wasn’t until the movie premiered at the SXSW Festival in March that the truth finally came out, which in retrospect seems like a wasted opportunity. The Conjuring is one of the most recognizable names in the genre this decade, so it’s definitely possible La Llorona would have benefitted if its ties to the shared universe were more upfront. This is a new golden age for original horror (see: Us), but franchises are still the bread and butter of the film industry. Spinoffs typically need some sort of branding to reach their full commercial potential.

The relation to The Conjuring is doubly important here because La Llorona, based on Mexican folklore, is not as widely-known in other areas of the world. In the case of other Conjuring spinoffs, like Annabelle and The Nun, there was a fair amount of setup done in other films to familiarize general audiences with the concepts and get them invested beforehand. An argument can also be made that perhaps La Llorona might have fared better if the studio used its English translation (The Weeping Woman) as the official title – at least for certain regions. It’s not uncommon for films to have different names in different countries in an attempt to raise their level of appeal.

Curse of La Llorona will probably go down as one of the lowest-grossing Conjuring movies overall, but this is by no means a disaster or an immediate franchise killer. All shared universes, even Marvel’s, have sub-series that aren’t as popular as others, so La Llorona’s performance isn’t anything abnormal. And, if all breaks the right way, this’ll be a fluke for The Conjuring overall. In the summer, Annabelle Comes Home opens, and there’s a third installment in the mainline series that’s about to commence production. So whichever way one looks at it, The Conjuring is still in excellent shape.

More: How The Curse of La Llorona Connects to the Conjuring Universe


2019-04-23 01:04:30

Chris Agar

GIVEAWAY: Win A Pair of Avengers: Endgame IMAX Tickets For Opening Weekend!

Avengers: Endgame opens in a week and to avoid spoilers for the biggest superhero movie of all-time, the culmination of 11 years and 22 movies, you should aim to see it as soon as possible in the best possible way. And that means the biggest screens.

Directors Joe and Anthony Russo designed and shot Avengers: Endgame specially for IMAX, exclusively using IMAX cameras to shoot it and Avengers: Infinity War before it. We saw it in action on set and spoke to the directors about these two movies being the first ever entirely shot in the IMAX format. Moviegoers will see up to 26% more picture in IMAX versus standard theaters. You have to see it to believe it and we’re going to help make that happen by giving some tickets away!

Related: The 5 Movies You Have To Watch To Understand Avengers: Endgame

For details on prizing and information on how to enter our Avengers: Endgame IMAX tickets giveaway!

Avengers: Endgame IMAX Tickets Giveaway Details & Prizes

Three (3) winners of the giveaway will each win a pair of IMAX Avengers: Endgame tickets just in time for opening weekend!

How to Enter Screen Rant’s Avengers: Endgame IMAX Tickets Giveaway

Avengers: Endgame IMAX Tickets Giveawayhttps://js.gleam.io/e.js

If the widget doesn’t appear, enter here.

Eligibility: Open to legal residents of the USA who are 18 years or older. Void where prohibited or restricted by law. Sponsor, prize supplier and their respective parents, subsidiaries, affiliates, distributors, retailers, sales representatives, advertising and promotion agencies and each of their respective officers, directors and employees (collectively, the “Promotion Entities”), and members of their immediate families and/or persons living in the same household as such persons, are ineligible to enter the Sweepstakes or win a prize.

About Marvel’s Avengers: Endgame

The grave course of events set in motion by Thanos that wiped out half the universe and fractured the Avengers ranks compels the remaining Avengers to take one final stand in Marvel Studios’ grand conclusion to twenty-two films, “Avengers: Endgame.”

Kevin Feige produces “Avengers: Endgame,” and Anthony and Joe Russo are the directors. Louis D’Esposito, Victoria Alonso, Michael Grillo, Trinh Tran, Jon Favreau, James Gunn and Stan Lee are the executive producers, and Christopher Markus & Stephen McFeely wrote the screenplay.

About the IMAX Cameras

Directors Joe and Anthony Russo utilized the ALEXA IMAX 65mm camera to film AVENGERS: ENDGAME. It is a next-generation revolutionary 2D digital camera developed through a partnership between ARRI and IMAX for use by today’s leading filmmakers working in the IMAX® format. The camera, when combined with IMAX’s digital re-mastering process, delivers the highest level of digital image capture and playback resulting in stunning lifelike images with pristine clarity, incredibly fine detail, vivid colors and a higher dynamic range for superior contrast. This camera is no stranger to the world of superheroes as it was first used by the Russo Brothers to shoot the airport battle sequence of CAPTAIN AMERICA: CIVIL WAR, and again for AVENGERS: INFINITY WAR (in its entirety).

More: Last 8 Minutes Of Avengers: Endgame Are The Best In Entire MCU

Giveaway items provided by IMAX.


2019-04-19 05:04:09

Rob Keyes

How Game Of Thrones Opening Titles Are Different In Season 8

The final season of Game of Thrones is finally here, and that means one more season of the iconic opening sequence. Since the beginning, fans have joked about the length of the opening sequence, with one even working out that fans who watch the entire thing each episode have spent over an hour and a half watching that map of Westeros and listening to the theme music. The credits do more than just take up an incredible amount of time, though – they also change from episode to episode, revealing a little bit about what is going to happen in the episode.

Each episode, the credits begin with an astrolabe decorated with the symbols of the major houses of Westeros, wrapping around the sun, before the camera pans down to a three-dimensional map of Westeros and Essos. From here, the shot zooms in, skimming over the map and stopping on labeled locations (like Winterfell or Dragonstone) that rise from the map using clockwork. As well as showing the locations that are going to be relevant in each episode, the Game of Thrones map changes depending on what has been happening in Westeros; when Winterfell burned, smoke rose from it on the map. When a castle is taken by a different house, their sigil appears on it. All these details add up, orienting the viewer at the start of the show.

Related: Game Of Thrones Season 8: Returning Cast & New Character Guide

While the opening credits are different for each episode, there are some major differences when it comes to the opening credits for Game of Thrones season 8. Immediately, the visual effects are much more dynamic; the shot doesn’t just look over the various locations from above – when the camera comes to Winterfell and King’s Landing, it actually goes into the locations, exploring the Stark crypts and dragon skull basement respectively.

A new location also appears, as the shot of the Wall shows the massive breach that was made by Ice-Viserion in the Game of Thrones season 7 finale, as well as a shot of the castle nearby, and a sheet of ice spreading outward from the wall (charting the path of the Night King’s army).

In additon to the new design and perspective of the Westeros map Game of Thrones opening, the season 8 titles also feature different tableaux on the rings. Instead of Robert’s rebellion, they now depict the War of the Five Kings, with images of the Red Wedding and the birth of Daenerys’ dragons.

It’s fantastic to see that for the final Game of Thrones season, HBO is really pushing the boat out to create something new and exciting for fans, and leaves everyone wondering what else we might see appearing in the opening credits over the next five episodes – and if another major change may happen for the series finale itself.

Next: Every Season Of Game Of Thrones Ranked


2019-04-14 06:04:01

Rose Moore

Shazam Has Lowest DCEU Opening Weekend – But Is Still A Hit

Shazam scored the lowest opening weekend in the DCEU, but the film is still a hit. Following the all-around failure of Justice League in 2017, Warner Bros. experienced a nice rebound last December with James Wan’s Aquaman. The standalone received generally positive reviews from critics and crossed the $1 billion mark at the worldwide box office, becoming the highest-grossing DC film of all-time. With some forward momentum established, the onus was on Shazam to keep things going in the right direction as WB forges ahead with their next slate of DC projects.

Fortunately, it did just that. Receiving enthusiastic word-of-mouth, Shazam became Certified Fresh on Rotten Tomatoes in the days leading up to its theatrical premiere. The response caused its box office projections to increase ever so slightly, and the movie ended up performing right within those adjusted estimates in its opening frame.

Related: Every DCEU Connection In Shazam

According to Box Office MojoShazam earned $53.4 million in its first three days. When its earnings from the early screenings are taken into account, the film’s made $56.7 million in the States so far. Worldwide, it’s at $158.7 million.

Though Shazam has the lowest opening weekend in its franchise, this is not cause for concern. Because the film’s budget was so economical (no more than $100 million), it never needed to break the bank in order to turn a profit for the studio. Indeed, it’s well on its way to hitting its break even point in the relatively near future and will most definitely end up in the black by the time it bows out of the multiplex. No sequel’s been officially green lit yet, but it stands reason to believe WB will move forward with a followup now that they know audiences are onboard for Shazam’s brand of superhero cinema. People seemed to enjoy its lighthearted tone, humor, and emotional core. And there are surely plenty of routes a Shazam 2 could take.

For the next couple of weeks, Shazam won’t face much in the way of direct competition; the Pet Sematary remake earned $25 million this weekend. Of course, by the end of April, Shazam will most decidedly not be the hottest ticket in town. Avengers: Endgame will be out by then, rewriting the box office record book as it dominates everything else in its path. The culmination of the MCU’s first three phases was crashing websites when tickets first became available, meaning Shazam will be a distant memory by the time Endgame opens. But at least it will go down as another hit for WB/DC, giving them a new character to build around for the future.

More: Shazam’s Ending Sets Up A Very Different DCEU Future

Source: Box Office Mojo


2019-04-07 09:04:55

Chris Agar

Brie Larson Serves Fans Popcorn On Captain Marvel’s Opening Weekend

Brie Larson helped out on opening weekend of Captain Marvel by showing up at one New Jersey theater to serve popcorn and soda to lucky fans. The first MCU film headed up by a female character, Captain Marvel has soared out of the gate in massive fashion, reportedly earning $455 million worldwide for the sixth-highest global opening ever.

Larson stars in the film as Carol Danvers, an earth woman who has become a member of an alien race called the Kree, who are involved in a war with a race of shapeshifters known as the Skrulls. Danvers soon finds herself back on earth in the 1990s, and meets up with Nick Fury (played by a digitally de-aged Samuel L. Jackson), who helps her find out about her forgotten earthly origins as an Air Force pilot. The film has received mostly positive reviews from critics, and has been certified fresh by Rotten Tomatoes. However, the movie’s audience score on RT is only at 57%, thanks in large part to an apparent review bombing attack by individuals who object to Marvel Studios placing a female character at the center of a movie.

Related: Captain Marvel: 5 Things They Changed From The Comics (And 5 That Stayed The Same)

With Captain Marvel finally arriving this weekend after months of anticipation, Brie Larson herself helped out the cause by showing up at a theater in New Jersey to serve popcorn and soda to a few lucky fans. Marvel Entertainment posted some images of Larson enjoying her interaction with the fans while offering her assistance behind the counter. See the images below:

Luckily for Larson, Marvel did not make her wear the real Captain Marvel costume while working at the concessions stand, but instead allowed her to sport a very comfortable looking Captain Marvel inspired tracksuit (that of course fans on Twitter are now clamoring to own). The extra promotional appearance likely was not needed, as Captain Marvel was expected to easily top $100 million domestically in its opening weekend, and indeed ended up far surpassing that mark.

Of course, Captain Marvel is just the beginning of things for Brie Larson and Carol Danvers in the MCU. The character is expected to play a major role in Avengers: Endgame, as the universe’s remaining heroes join forces to take on the all-powerful Thanos. As for the future of Captain Marvel beyond Endgame, it remains to be seen what plans Marvel has in mind for the character., but it seems a proper Captain Marvel sequel is inevitable after the first film’s massive worldwide opening. After somewhat falling behind DC in terms of female superheroes, it seems Marvel and Disney have succeeded in establishing a character to rival Wonder Woman in box office popularity and pop culture impact.

MORE: CAPTAIN MARVEL: EVERY EASTER EGG & SECRET REFERENCE

Source: Marvel Entertainment, Marvel Studios, Dustin Sandoval



2019-03-10 05:03:10

Dan Zinski

Crazy Rich Asians Bombs at China Box Office, Opening to $1.2 Million

Crazy Rich Asians debuted in China this weekend, and promptly bombed at the box office. While the movie was a runaway hit in the U.S., grossing $173 million domestically, it has failed to translate that success abroad, earning only $64 million from international markets.

The highest grossing rom-com of the year, Crazy Rich Asians, based on the book of the same name by Kevin Kwan, tells the story of a Chinese-American woman (Constance Wu) who travels with her boyfriend (Henry Golding) to Singapore, where she discovers she’s unwittingly been dating the heir to an incredibly wealthy family and one of Asia’s most eligible bachelors.

Related: Crazy Rich Asians’ Michelle Yeoh & Awkwafina Reunite For Action Film

Unfortunately, while Crazy Rich Asians was a smash success in America, the film earned a mere $1.2 million during its first weekend in China. Exhibitor Relations was the first to report the official box office numbers, but there had been much speculation about the film’s chance of success in China leading up to its release. Some industry prognosticators predicted that the level of success the movie achieved in America would be unlikely in the Asian market, for exactly the same reasons it smashed records domestically. While a film with an entirely Asian cast is refreshing and groundbreaking in the U.S., it’s not at all unusual in China, where almost all feature films include completely Asian casts.

The timing of the film’s Chinese release also likely played a part in its disappointing debut. Crazy Rich Asians was released on August 15 in the U.S. and garnered much buzz, but by its November 30 release in China, that buzz had significantly died down. The large gap in release dates also meant that most Chinese moviegoers who were interested in seeing the film were probably able to watch it online through legally dubious means before it came to theaters in their country.

Despite the lackluster showing in international markets, Crazy Rich Asians is still on track for a sequel­ – or two. Kwan turned his bestseller into a trilogy, and there is every reason to expect the films will follow suit. The first sequel, based on Kwan’s book China Rich Girlfriend, has already begun moving forward with Jon M. Chu returning to direct. The Crazy Rich Asians effect has also reached beyond its own source material to greenlight other Chinese-centric films. Following the success of Crazy Rich Asians, Warner Brothers and New Line began moving forward with Single’s Day, a China-set romantic comedy based on the popular holiday that celebrates singledom. And this is likely just the beginning of a slate of films that will be looking to bank off of Crazy Rich Asians’ domestic, if not international, success.

More: Crazy Rich Asians 2: Everything We Know About The Sequel’s Story

Source: Exhibitor Relations




Source link
2018-12-02 11:12:43

Black Ops 4 Beginners Guide: How to Play (& Win) in Zombies Mode

The release of Call of Duty: Black Ops 4 brings with it a variety of different gameplay options for players. Although plenty of eyes seem to be on the title’s battle royale mode, Blackout, the traditional multiplayer modes like Team Deathmatch are still available. Also returning is the franchise’s Zombies game mode, this time with more options than ever before.

Indeed, Zombies is something of a different beast this time around. The mode comes complete with three maps, with two of them on the expansive side to boot. As such, new players might find it a little bit daunting, particularly given the intricacies of the game mode in comparison to some of the more simplistic elements of Call of Duty.

Related: Black Ops 4 Blackout Guide: Pro Tips For Battle Royale Beginners

Thankfully, new players can get a head start thanks to this guide. Read on to learn how to play Zombies mode, as well as some good strategies to help get that first win in what can be a tense and difficult part of Call of Duty.

What’s New In Zombies Mode?

This time around, Zombies is huge, with three different scenarios to choose from. Two of these revolve around Scarlett Rhodes and her band of misfits, with Voyage of Despair taking place aboard an RMS Titanic that had to handle a zombie threat alongside hitting an iceberg, while IX takes the team back in time to face gladiatorial combat in a Roman coliseum. Alongside this, there’s also the option to play Blood of the Dead, with the return of Richtofen, Dempsey, Takeo, and Nikolai.

Within that, the core gameplay loop remains the same. Survive waves of the zombie horde, unlocking areas of the map as and when the points are available, as the fight gets progressively tougher and tougher. This time around, though, it’s fair to say that the levels feel a little more maze-like and expansive, so make sure to be aware of the surroundings at all times to stop from getting stuck in a bottleneck.

Prioritize Your Points

As always, using points effectively is extremely important in Zombies. First and foremost, opening up areas of the map is a given, but more pressing is how the player uses their points towards perks and weapons. Although in early waves things like shotguns and pistols are all well and good, it’s important to aim to get weapons that have a faster fire rate and (most importantly) a faster reload rate as the game progresses. As such, look to weapons like the Spitfire or GKS to be most effective.

It’s also very important to improve the power of weapons as the game goes on. The most obvious way to do this is to keep returning to the Pack-a-Punch Machines once available, which give a 25% boost with each use. This does come at a considerable cost of 2,500 points per use, but it’s an undeniable way to get that firepower up.

Keep Moving

Staying static for too long in Zombies this time around is a recipe for disaster, as there is always the very real threat of being overrun by the horde. Whereas previous games could work with players cementing a position with a strong defensive line, at least for early portions of the game it’s recommended to keep moving. Not only does it avoid the issue of getting stuck in one place, but it also will keep players refreshed when it comes to where the different unlock options are in the map.

Keeping space from zombies is important for reasons other than this, too. Should one member of the team fall, they’ll have to be revived, and with a slightly longer revive time in Black Ops 4 it’s more vital than ever to have enough room to revive a teammate without having chunks taken out by an unseen zombie. This is particularly true when it comes to those special zombies that attack, so always keep an eye out.

Use Your Perks

In Black Ops 4‘s Zombies mode, players are able to use class customization for the first time. This isn’t just there for show, either, as a good grasp of what perks are available and how to use them can make the difference between success and failure. What’s more, the perks that can be chosen can actually work well for a variety of different play styles.

Those who want both power and speed could choose the likes of Deadshot Dealer, which automatically targets the zombie’s head when aiming down the sights, as well as Stamin-Up for a permanent boost to movement speed. Meanwhile, the frost explosion created by Winter’s Wail and the increased ammunition of Bandolier Bandit work well for those whose last stand may come from a more secure position. In essence, it comes down to how an individual best plays the game, and it’s good to have a variety of perks in the team to make the most of these options.

Work Together

As always, teamwork is the key to having an easier run of things in Zombies. Although it’s possible to play the game solo, this is always a challenge, and to help with this there are now bots to play with. Even so, it’s best to play with other human players, and as such taking on the game as a team of four is recommended.

It’s not just a matter of getting other human beings involved in the zombie slaughter, however. Working together cooperatively is key; don’t stray too far from one another, watch out for any fallen that need reviving, and potentially coordinate the perks used to make sure that everyone has bases covered for any eventuality. That way, the team should be set for what the game throws at them.

With these tips in mind, players should now have a solid framework to build on to get through the game’s Zombies mode. Whether taking a trip back in time to arena combat or trying to fight off zombified versions of Jack and Rose, Zombies is always a challenge for players, but with this guidance in mind players should be able to have a fighting chance of beating the supernatural threat.

More: Call of Duty: Black Ops 4 Trophy List Completely Revealed



Source link
2018-10-14 02:10:08 – Rob Gordon

20 Things Wrong With American Horror Story We All Choose To Ignore

The horror anthology hit TV show American Horror Story just might be the magnum opus of Ryan Murphy and Brad Falchuck. Scarier and more riveting than any of the duo’s other projects, the spine-tingling series features a new theme and characters every season that are all still linked to each other’s universe. From the casting announcements to the series hints, theme reveals, and each season’s unique introductory visuals, it’s riveting entertainment all around. Even so, some seasons fall further off the mark than others, with many episodes barely even registering on the “horror” radar while others left us scratching our heads wondering what the heck just happened.

The thing is, we tend to give glaring errors, plot flops, and other things wrong with the show a pass because we love it so much. From intriguing horror to irresistible characters, from unexpected plot twists to some of the best storytelling on TV, American Horror Story keeps us coming back, not because it’s flawless but because it’s still addictive despite, and sometimes because of, its many flaws.

We might love a character and conveniently forget that he or she is a monster. We’ll keep tuning in even after an entire sequence left us feeling disgusted, embarrassed for the actress who had to play out the scene, or even angry at the creators themselves. It’s just that addictive.

We love it and we’ll keep coming back for me, even with these 20 Things Wrong With American Horror Story We All Choose To Ignore.

20 Some Seasons Aren’t Scary

With a name like American Horror Story, you might expect every episode to be a scream-fest. That’s just not the case, especially in seasons four and five. While there’s no shortage of horror-inducing characters in these seasons, they didn’t really give us nightmares like previous and subsequent seasons were able to do.

Were we jaded from all the mutants, ghosts, zombies, and other creatures in previous seasons?

Both Freak Show and Hotel fell short on promises of terror, often vying for more intense drama (a calling card of Falchuck and Murphy) instead. While we still received interesting stories, Gaga’s vampire and Twisty the Clown just weren’t all that scary.

19 There’s No Reason Given For All The Hotel Vampire Kids

In season five, Hotel, Lady Gaga’s character, The Countess Elizabeth, is a little less fabulous than we expected her to be. Perhaps she couldn’t live up to the Gaga we all know and love already. One of the things that just made zero sense about the character was her propensity to collect children and turn them into little vampires. Does Elizabeth have an old woman in the shoe complex? Is she just that bored? What is the point?

Here’s the thing about kids in horror movies: they add instant scare-factor. Take a look at most scary film kids, from Village of the Damned to The Others and you’ll see the scariest moments. The fact that the vampire kid collection wasn’t even scary was a pretty big letdown.

18 Teeth Fall From The Sky For No Reason

Season six of AHS, Roanoke, was able to recover some of the lost ground from the previous two less-scary seasons but still suffered from the lack of the one and only Jessica Lang. The season saw a return to the haunted house theme, always popular in AHS history, and wove in some new elements, like the whole “based on a true story” theme.  Between Deliverance-like hillbillies and more incredible Kathy Bates, Roanake was much better-received than Hotel, but it had some weird unexplained moments, like teeth randomly falling from the sky.

Not only do the teeth inexplicably fall while Matt is at work, but they also disappear.

The reason why is never given, prompting us to chalk this one up to “random scare tactic.”

17 Queenie Tried To Hook Up With A Minotaur

While we definitely applaud Murphy and Falchuck’s use of mythology throughout American Horror Story, it often makes no sense. Gabourey Sidibe was fantastic as Queenie, the young and lonely witch who gave as well as she got, used LaLaurie as her own personal racist slave, and really deserved main credits billing. But there was that one time she tried to hook up with a grotesque Minotaur…

While the inclusion of adult content is pretty standard in AHS, getting involved with a man who has bull’s head sewed over his own is pretty far out there. It didn’t make any sense, nor did Queenie’s own survival following the incident (or anything else including the Minotaur, really), so we just move along and say that there’s nothing to see here.

16 Zoe’s Hell Is Just Life Without Kyle

Zoe Benson, portrayed by Taissa Farmiga, starts out as a compelling character in the third season of American Horror Story, Coven. She has unique powers that pay homage to classic horror and a long journey ahead.

Tossing in a love interest is a great way to derail a personal growth story.

That’s what happened to Zoe with Kyle, her resurrected boyfriend played by Evan Peters. While we’re glad that Murphy and Falchuck used Kyle to illustrate that mothers can be abusive to their sons just as much as fathers can, “life without Kyle” as Zoe’s own personal hell is really stupid and overly angst-ridden.

15 Aliens In Asylum Makes No Sense

When it comes to American Horror Story, many fans reacted to the inclusion of aliens in season two, Asylum, in the same way that fans of Indiana Jones reacted to the Kingdom of the Crystal Skull. For many horror fans, aliens don’t enter the territory without very specific rules, and you certainly don’t add aliens into an already-existing story for a scare factor.

The aliens of AHS also just weren’t scary. Sure, they made Pepper more interesting and gave convenient explanations for a few weird happenings, but at the end of the day mixing aliens in with mutants, a mean nun, demons, and war criminals just doesn’t work. It’s a hodgepodge of plot devices tossed together like a salad with too many kinds of dressing. Sometimes simpler is just better.

14 The Musical Sequences

We get that Sister Jude is losing her mind in this tenth episode of season two, Asylum, but must we lose ours as well? The episode itself was gripping, but watching Jessica Lange sashay through “The Name Game” wasn’t nearly as eerie as it should have been. It played off as more of an homage to the creators’ Glee in a way that didn’t work.

While some critics enjoyed the mind-boggling number, many of us like to pretend it never happened.

It’s not the last time the showrunners implemented a bit of music and dance, either. Season four, Freak Show, featured several ditties, including a rendition of “Come As You Are” by Evan Peters, Sarah Paulson’s “Dream a Little Dream of Me”, and Lange singing David Bowie’s “Life on Mars”.

13 What Happens To Dr. Arden’s Experiments?

The mutants created in Dr. Arden’s horrific experiments are the stuff of nightmares, and they definitely present an interesting side story among the rest of the godawful happenings at Briarwood Manor in season two of American Horror Story, Asylum. Their issue, of course, is that they disappear off the radar without much of a peep.

Once turned into a mutant and taken to a hospital, Shelley, played by Chloë Sevigny as a homage to the many women unjustly committed to asylums throughout history, seems as if she may be able to lead the authorities toward Arden, but alas, Joseph Fiennes’ conflicted yet greedy Monsignor Timothy Howard takes her out instead. We don’t hear much about them afterward. What happened to the mutants?

12 The Messed-Up Historical Figures

Anne Frank was lobotomized by the evil Dr. Arden from Briarcliff Manor in season two, Asylum. Not only does this make zero sense, but it also really does a disservice to Anne Frank’s memory. There is a lot of artistic license taken with historical figures throughout American Horror Story, from Delphine Lalaurie to James March. Even characters used as backgrounds for new characters, like Nellie Bly’s inspiration for Lana Winters, often seems a bit much, especially when the representation is so loose.

The misrepresentation or grand re-representation of historical figures is nothing new.

Our own history books present complete falsehoods about everyone from Christopher Columbus to Paul Revere. Perhaps it’s just so glaring because we acknowledge that now, particularly during an age of “fake news” awareness.

11 The Opening Sequence And Spoilers Promise More Than We Get

One of the most exciting elements of a new season of American Horror Story is always the opening sequence and the slowly-revealed spoilers. Cast announcements and cool visuals trickle in until we finally get to see that first episode with its incredible casting graphics. The creepy opening sequence does much more than announce the cast: it revs us up like the announcer for a really scary joust about to take place.

The only problem is that it often goes downhill from there. While season 1 typically delivered, the casting graphics in seasons like Freak Show were actually scarier than the episodes themselves. That’s a real problem if we are supposed to be watching a horror program.

10 We Have No Idea What Happened To The Pig Boys

They were a successful execution of “the scary children” in a way that the little vampire entourage of the previous season just couldn’t seem to manage, so maybe that’s why Murphy and Falchuck decided to never let the “pig boys” of season six be seen again.

Aside from the fact that the boys could have made for some truly scary storytelling, the problem here isn’t just that they had no deeper involvement in the story than “check out these creepy kids” but that they don’t even have a resolution. Why the kids say, “Croatoan!” and why they drink pig milk remains unknown, and we may never know what happened to the charming little tykes.

9 No Consequences for the bad things the “good guys” do

As fans of American Horror Story, we sure do forgive a lot of murderers, don’t we? When someone bad finally goes good, all of their wicked deeds don’t seem to be as problematic. Even sweet Nan takes out Joan. Misty Day, otherwise a kind hippie, offs a couple of guys with alligators.

Were these warranted attacks? Maybe, but that doesn’t erase the fact that many characters end the lives of others and we pretty much turn a blind eye toward it like we wouldn’t if they occurred in real life. Of course, from people returning from the grave to mutant attacks near an asylum, there’s really not a lot in the show that applies to real life.

8 There’s Really No War Between The Coven And The Voodoo Witches

During season three, Coven, there’s a big build up about an oncoming war between the coven and the voodoo witches of the area. Both are led by powerful women, and who wasn’t excited to see Fiona, played by Jessica Lange, and Marie Laveau, played by Angela Bassett, go up against one another?

While there was plenty of tension and a zombie attack, it pretty much stopped there, especially after the witch hunters came to town.

AHS often builds up to something we’re expecting and completely abandon it for another plot instead. While we get that they want to keep us on our toes, broken promises do leave us unsatisfied and underwhelmed.

7 Zoe And Madison Gave Their Souls To Azaezel And It Never Came Up Again

When the bus full of frat boys who assaulted Madison wrecks, taking out all of the monsters on board on Madison’s whim, it’s satisfying. Even seeing Kyle taken out doesn’t bother some of us, given that we’ve already seen Evan Peters return from the grave before and wouldn’t be surprised if he returned. He may have stopped his “brothers” but he certainly tried to help them not get caught, making him complicit in the attack.

When Zoe and Madison decide to put “boy parts” together to resurrect Kyle as the perfect Frankenstein boyfriend, they sell their souls to Azaezel in order to do so, and yet it never comes up again. Given that both girls bite the dust during the show, shouldn’t that at least be an issue?

6 Roanoke’s Reality Show Inception

It was one of the most pointless plot points to ever be inserted into a season of American Horror Story. During season six, Roanoke, we’re treated to a reality show type of setting where re-enactors help us understand what happened to the Millers in “My Roanoke Nightmare”, an obvious play on so many other popular reality-based ghost hunting and experience shows. That’s an intriguing concept that works well for much of the season, but then we’re hit with reality-ception.

Getting all of the actors and people involved in actual events together for the blood moon event is one thing, but what about the disclaimer that nobody even survived the ordeal? If that’s true (which makes sense, since this is Roanoke), how did we get the footage in the first place?

5 There’s No Point To Scathach

Scathach, the mythical warrior from the Isle of Skye in Irish folklore, is an incredible character. It’s too bad we didn’t really get to know her in season six, Roanoke.

Lady Gaga’s Scathnach has a plethora of powers, is said to be the first Supreme and yet has no real point in the series.

The witch does a few nefarious things here and there, from purchasing souls to rendering people evil and insane, but in the grand scheme of things she has no real point except to serve as one of those random elements of horror woven in to just be spooky. Given the history of the traditional character, it would be amazing to see Murphy and Falchuck to use this as a tie-in for a more myth-heavy season.

4 People Are Constantly Offed Only To Be Brought Back

Character losses in the American Horror Story realm are pretty much like those in any comic book series: you don’t ever count them as permanent. Even when an entire series ends and you believe a character to be truly gone, they may return in another season! It’s definitely not a new tactic to have characters return from the grave; it’s a strategy used in everything from Dallas to Supernatural.

It makes us feel a little more jaded and a little less invested when tragedy does strike.

Oh, Fiona is sick? Oh, Ethel’s not going to make it? It’s too often meaningless. We want to feel affected, and we can’t help but worry a bit because we do love these characters, but deep down we’re always still wondering when they’ll return.

3 Twisty’s “Resolution” Is Basically A Deus Ex Machina

Season four’s big villain, Twisty the Clown, turned out to be much more Bozo than Pennywise. Sure, he was scary-looking, and he had the tragic backstory to boot, but Twisty’s crimes felt more garden variety scary movie than the monstrous panache we’d expect from AHS.

Twisty, played by John Carroll Lynch, even had a disappointing resolution as a character. Not only was he never really sorted out by a main character or a victim bent on revenge, but he was literally yanked out of the show to join Edward Mordrake’s nightmarish troupe, collecting the clown’s soul after hearing his tale of woe.

2 Misty Day Was Unjustly Lost

One of the characters fans most resonated with in season three, Coven, was Misty Day, played by the talented Lily Rabe. Misty’s character screamed Supreme, from her unique abilities to her lack of really caring about the position.

Misty was all about fairness, being kind to animals, and protecting the vulnerable, making her a fantastic character to root for.

Unfortunately she was also a red herring. Falchuck and Murphy offed her in such a terrible way in a Hell made up of her own personal vivisection nightmare, which made zero sense given her ability to bring things back to life so easily. Misty didn’t deserve her ending, but neither did Nan and many other characters.

1 Tate Is A School Shooter

Tate Langdon is one of the most romanticized characters in the history of AHS. The season 1 character is a doting friend, devoted boyfriend who would do anything for Violet, and speaks volumes of teen angst to many a smitten heart. It doesn’t hurt that Evan Peters, who plays Tate, is easy on the eyes as well. Is that why it’s so hard to remember that Langdon is such a deplorable character?

Tate is a school shooter. He took the lives of several classmates and should represent what we most despise and do not condone in this nation right now. He also assaulted Violet’s mother, Vivian, causing her to become pregnant with his Antichrist baby. How can anyone still crush on this guy knowing what harm he’s done?

What other problems with American Horror Story do fans overlook? Let us know in the comments!



Source link
2018-10-10 08:10:37 – Sara Schmidt