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Arrow Season 7 Trailer Introduces New Villains The Longbow Hunters

A new trailer for The CW’s Arrow reveals the Longbow Hunters, a group of villains devoted to the cause of hunting downing Oliver Queen (Stephen Amell). It appears that the group will be lead by the main antagonist of season 6, Ricardo Diaz (Kirk Acevedo). At SDCC 2018, it was confirmed that the Longbow Hunters would be appearing in season 7.

Arrow season 6 ended with Oliver Queen taking extreme measures in his efforts to defeat Diaz and save Star City. In exchange for the FBI’s help, Oliver had to turn himself in and give up his secret identity. Oliver was sent to a supermax prison, where he will encounter enemies from his past. While Oliver takes a beating behind bars, members of Team Arrow may have problems of their own, considering that Diaz is still on the loose.

Related: Elseworlds: Everything You Need To Know About The Arrowverse Crossover

The CW has released a new trailer for Arrow that previews what Oliver will go through in prison, the return of Diaz, and what the former members of Team Arrow have been doing since Oliver’s incarceration. Perhaps most importantly, though, the trailer also introduces the Longbow Hunters, a team of villains that was teased in the season 6 finale.

The trailer reveals the shield-carrying Kodiak (Michael Jonsson), Red Dart (Holly Elissa), and The Silencer (Miranda Edwards). All three seem to be working either for or with Diaz, who apparently hasn’t given up on his plans to eliminate Team Arrow, since the trailer shows him taking shots at René (Rick Gonzalez). In the SDCC 2018 trailer, Diaz vowed to go after everyone Oliver cares about.

As each member of the group has their own unique skill set, the four could prove to be dangerous adversaries for Oliver and his former allies. It’s possible that it will be their actions that forces Oliver to escape prison and return to his role as the Green Arrow. In season 6, Diaz was dangerous enough all on his own, so being surrounded by equally capable villains could provide him with a huge advantage.

Though the three new characters all originate from the comic books, it’s unclear why any of them would want to target Oliver. The Silencer, however, has ties to Talia al Ghul, which means that Arrow‘s version could be a former member of the League of Assassins looking to avenge Ra’s al Ghul. All three could have their own motivations for hunting Oliver, which may be revealed in the coming episodes.

More: Arrow Season 7 Casts Shadowhunters Alum In ‘Pivotal’ Role

Arrow season 7 premieres Monday, October 15, on The CW.

Source: The CW





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2018-10-08 02:10:06 – Nicholas Raymond

Marvel Killing Off a Guardians of the Galaxy Hero

Warning: SPOILERS for Marvel’s Infinity Wars

The Infinity War movie forced fans to watch the Guardians of the Galaxy die – now Marvel Comics is going to repeat the heartbreak by killing off one member of the team. And if you read the evidence right, it’s not hard to guess which Guardian will make ‘the ultimate sacrifice.’

It’s a strange time to break the news to fans that Marvel is going to be first killing, then replacing the members of the Guardians of the Galaxy for a full-scale reboot. With James Gunn being forced out of the series director’s chair, and at least one cast member saying he’ll quit Guardians 3 without Gunn, the future of the property stands in question. The comics have followed a different path, but find themselves in the same spot.

So, which Guardian of the Galaxy is Marvel going to kill… and will the comic reboot show how the MCU may follow suit?

  • This Page: Marvel’s Plan To Kill & Reboot The Guardians
  • Page 2: The Guardian Marvel is Hinting Will Be Killed

Yes, a Guardian of the Galaxy is Going To Die

These days even casual comic fans know that when it comes to superheroes, even death isn’t permanent – a major reason why fans didn’t riot when Avengers 3 killed off half the MCU. So even with Marvel announcing the launch of Infinity Wars: Fallen Guardian coming in December, with a somber, de-saturated cover depicting the five core heroes (the same as the original movie team), there was some wiggle room on just how “fallen” was being used.

RELATED: Marvel’s Infinity Wars Does What The Movie Should’ve

With the Infinity Wars event building to its finale around the same time, even a Guardian leaving the team behind or turning to the villains’ side would be more believable than Marvel killing one off. Unfortunately, the synopsis leaves no doubt:

In the stunning climax of INFINITY WARS, one of the Guardians of the Galaxy makes the ultimate sacrifice. Look back at the life of a fallen Guardian and the empty space they leave behind in what’s left of the universe.

That tease means Guardians fans will need to pick up Infinity Wars #6 on the same day, December 19th, to see which Guardian dies for the sake of their friends and universe in the event’s big finale. On the very same day, writer Gerry Duggan and artist Andy McDonald will give that Fallen Guardian their own memorial issue… before the new Guardians of the Galaxy begins its total reboot just weeks later.

It All Leads To The New Guardians Reboot

The confirmation that an existing member of the Guardians of the Galaxy – Star-Lord, Gamora, Drax, Rocket, or Groot – won’t actually survive the Infinity Wars adds even more weight to the event. But it also helps explain the previous announcement of a new reboot for the Guardians of the Galaxy comic book. With the first image teasing that the new series, launching in January, will take just about every cosmic character into consideration, the tagline itself makes more sense than ever.

The inclusion of Silver Surfer, Adam Warlock, Captain Marvel, Thor, and even Galactus in the tease of a new roster grabbed the attention, but the tagline itself – “Who Are The Guardians?” – implies it’s the heroes themselves asking the question. In the wake of the coming death, the surviving team members may question everything. But how they recruit new heroes will change depending on who dies.

Especially if it’s the Guardian who Marvel seriously wants fans to expect… since they’re hinting that it’s another Guardian who actually kills the fallen hero.

Page 2 of 2: The Guardian Marvel is Hinting Will Be Killed

Star-Lord Will Die, Or So Marvel is Hinting

Surprisingly, the synopsis for Fallen Guardian revealing that a Guardian of the Galaxy dies in Infinity War‘s final issue makes perfect sense. Ever since the mysterious hooded figure referring to themselves as Requiem snuck up behind Thanos and cut off his head, then revealed themselves to actually be Gamora, Thanos’ daughter in disguise, the Guardians have been shattered. The sense of betrayal grew even deeper when Star-Lord tried to talk some sense into Gamora… who responded by murdering him, too.

RELATED: Thanos Finally DIES in His Final Comic Story

Luckily Doctor Strange was on hand with the Time Stone, and succeeded in reversing Peter Quill’s death. But it also demonstrated just how committed Gamora is to her current mission to kill Thanos and gather the Infinity Stones (a satisfying reversal of her death in Infinity War). She will seemingly stop at nothing to regain the piece of her soul trapped inside the Soul Stone – including murdering Star-Lord once again, which is exactly what’s shown on the cover of Infinity Wars #6. But then, comic fans know not to judge a book by its cover.

Gamora May Be The Guardian Dying, Not Killing

Not only would Star-Lord’s death be anticlimactic the second time around, it seems too big a moment to spoil on the cover. Frankly, it makes as much sense, if not more, that it’s Gamora who risks going too far and must be killed by a teammate. But judging by the synopsis of Fallen Guardian, it doesn’t sound like Gamora fans need to worry about her legacy. If she makes “the ultimate sacrifice” to bring the Wars to an end, Marvel likely has bigger plans in store than being put out of her desperation and misery.

It’s hard not to suspect that Thanos will be the one putting the doomed Guardian into their grave. Especially after Thanos Legacy #1 revealed that the villain’s death at his daughter’s hand may have been part of a larger plan. And with Duggan and Donny Cates writing that revelation together, Duggan scribing Fallen Guardian, before Cates launches the new Guardians reboot, it would make sense for Thanos to get his revenge as part of this narrative shifting of gears.

Pray For Groot & Rocket Raccoon

Of course, it must be considered that Marvel may wish to punch their readers and movie fans directly in the heart, and have either Groot or Rocket Raccoon sacrifice themselves in Infinity Wars. And with such a noble act expected least from Rocket, it’s hard to deny that such a twist would blindside readers and their emotions. Would the comic book Guardians ever continue without their furry, foul-mouthed mascot? And could Marvel fans endure one more Groot death scene after The Avengers: Infinity War?

The good news is that the tragic sacrifice and Fallen Guardian memorial issue will drop just months from now, and just in time for the holidays. Enjoy!

Infinity Wars: Fallen Guardian #1 arrives on December 19th, available from Marvel Comics.

MORE: Marvel Reveals Wolverine Was Venom Before Eddie Brock



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2018-10-07 06:10:35 – Andrew Dyce

10 Best Disney Movies According to Rotten Tomatoes (And 10 With Almost 0%)

After all these years, Disney movies remain the gold standard in family entertainment. Starting from the back of a realty office in Hollywood back in 1928, Disney is now a brand worth billions of dollars. But it’s not just money—Disney’s cultural influence is worldwide and manages to stay relevant with each subsequent generation. There’s no underestimating the power of nostalgia; chances are if someone grew up liking Disney movies, they’re probably a fan for life. Walt Disney pioneered the idea of feature-length animated movies, an idea considered ridiculous at the time. They would be too expensive to make, and what self-respecting adult would pay money to see a full-length animated film? Turns out everyone wanted to, especially those with kids. At the time, there was no such thing as a full-production studio dedicated to animated films—so with the profits of Snow White and the Seven Dwarves, Walt Disney built one. From there, it was only a short period of time before Disney branched out into producing live-action films, and before anyone knew it, Disney dominated the family entertainment market.

Since then, Disney has expanded its intellectual properties to include Marvel, Star Wars, ABC, and 20th Century Fox. This makes Disney virtually unstoppable. Some meme artists have even depicted Mickey Mouse as Thanos, with its individual properties the different gems in the Infinity Gauntlet. But there were a few hiccups along the way. Disney has had tremendous success with its films, but people tend to forget that even the mighty occasionally fall. Here are the 10 best Disney movies according to the ratings on Rotten Tomatoes, along with the 10 worst.

20 Best: Pinnochio (100%)

Pinnochio was Walt Disney’s second animated feature, released shortly after the success of Snow White and the Seven Dwarves. Like its predecessor, it had gorgeous visuals with a painstaking attention to every element of the production. Unlike Snow White, it initially flopped at the box office. Luckily, Walt Disney had faith in the movie and gave it a second release to recover production costs. The plan worked, and Pinocchio eventually earned enough money to put it back into the black.

The iconic “When You Wish Upon A Star” theme from the film is still synonymous with the Disney brand.

The artists of Pinnochio helped pioneered advances in effects animation, which specialized on non-character elements that move, such as water or fire. The animated ocean effects during the Monstro sequence were the most ambitious water effects ever achieved for its time.

19 Worst: That Darn Cat (13%)

If nobody remembers this movie, it’s partially because it came in and of the theatre pretty fast. A remake of Disney’s moderately successful live-action That Darn Cat from 1965, the 1997 version was not nearly as successful. Starring Cristina Ricci as Patti, the plot features a cat that becomes “witness” to a kidnapping gone wrong. Patti eventually convinces the authorities to investigate and she becomes central in helping to solve the details of the crime and eventual rescue.

The reviews of the film were dismal. One critic described it as “…a desperate dip into utter conventionality: dull car chases, explosions, inept slapstick.” Another says it is a “…disappointing, rather warmed over Disney offering.” Despite this, Cristina Ricci was nominated for two awards for her performance in the film, a Kid’s Choice Awards, and a Young Artist’s Ward.

18 Best: Mary Poppins (100%)

The mostly live-action Mary Poppins was a smash-hit. It earned 13 Academy Award film nominations and won five, including Best Actress, Best Original Score, and Best Visual Effects. It’s easy to see why. Julie Andrews brought her amazing charisma to the performance, dazzling audiences with her ability to sing, dance, and easily handle comedy intended for children. The songs are memorable, with several such as A Spoonful of Sugar and Supercalifragilisticexpialidocious becoming part of the American culture.

Disney had experimented with combining live action with animation before, but never in such an ambitious way. For many, their favorite part of the film is where Mary Poppins, Burt the Chimney Sweep, and the Banks children jump into the chalk drawing and have a little adventure in an animated world. Disney is releasing the sequel, Mary Poppins Returns, in December of 2018.

17 Worst: My Favorite Martian (12%)

Based on the 1960’s television show of the same name, My Favorite Martian tells the story of a humanoid Martian (Christopher Lloyd) that crash lands on earth. He enlists the help of a reporter in a funk to put him up while he tries to repair his spaceship and get home.

Though reviews were generally kind to Christopher Lloyd, the movie as a whole was mostly disliked by critics.

Said one reviewer on Rotten Tomatoes, “An utterly pointless and unimaginative remake based on the classic ’60s sitcom…a meteoric misfire.” Another gets right to the point: “A terrible movie. Beware.” My Favorite Martian did earn three nominations…of The Stinkers Bad Movie Awards. It was nominated for Worst Resurrection of a TV Show, Most Botched Comic Relief and Most Painfully Unfunny Comedy.

16 Best: The Many Adventures of Winnie the Pooh (100%)

Like most Disney movies, The Many Adventures of Winnie the Pooh was adapted from existing source material. It’s based on characters from short stories from the author A. A. Milne. The film focuses on young Christopher Robin and his stuffed bear, and a menagerie of other stuffed animals come to life. The movie is a collection of animated shorts edited together into a feature-length film.

Surprisingly, the Winnie the Pooh franchise is worth much more than one might imagine. Variety estimated the sales of merchandise related to Winnie the Pooh topped over $5 billion, which among Disney properties, is second only to Mickey Mouse. Disney released a live action movie, Christopher Robin, based on an adult Christopher Robin rediscovering Winnie the Pooh and his friends in August of 2018.

15 Worst: Cinderella II: Dreams Come True (11%)

One would think that after one of the most stereotypical happy endings of all time, writers would have a hard time coming up with a good sequel for Cinderella. One would be right. Cinderella II: Dreams Come True is actually an anthology movie that ties together three Cinderella short stories into one film. The first story describes her struggle to be herself as a new princess. The second follows Jaq the mouse feeling left out. And the third shows how Cinderella tries to teach one of her step-sisters how to smile. Seriously.

This direct-to-video sequel wasn’t liked by critics. One top critic says simply, “Do not see this film.” Another, quite dramatically, announces, “A screaming black vortex of total, irredeemable awfulness.” A quick glance through other remarks reveals similarly negative responses. Nevertheless, Cinderella II: Dreams Come True still made approximately $120 million in sales.

14 Best: Toy Story (100%)

Toy Story was ambitious in scope, it being the first animated Disney feature that was fully animated with CGI. Audiences had never seen this kind of animated film before and impressed audiences made the movie a runaway hit. Though CGI animated movies have come a long way since then, Toy Story still holds up. The interplay between Woody the Cowboy (played by Tom Hanks) and Buzz Lightyear (Tim Allen) is the highlight of the film. Though they have different perceptions of reality, they learn to work together to make sure they don’t get left behind in their boy Andy’s move.

Toy Story garnered three Academy Award nominations and won a Special Achievement Academy Award for being the first feature-length computer-animated film. It has two hit sequels, with a third in production.

13 Worst: Blank Check (11%)

What if a kid found a blank check that allowed him to spend a million dollars? That’s the intriguing premise behind Blank Check, a movie that didn’t really build a successful story out of this great idea. Through an implausible series of events, young Preston Waters is given a blank check to help pay for a bicycle accident involving a car. But he’s given the wrong check, and the person who gave it to him is a criminal. Preston spends the rest of the movie spending lavishly while trying to avoid the authorities and the criminal who is hot on his tail.

One top critic explains it’s “One of those smart-aleck kid adventures that manages to be entirely obnoxious with very little effort.” A Rotten Tomatoes super reviewer hilariously opined, “If you loved Home Alone, you’ll still gonna hate Blank Check!”

12 Best: Darby O’Gill and the Little People (100%)

Though many modern audiences have never heard of Darby O’Gill and the Little People, it probably remains the most successful movie ever made about Leprechauns. In the film, the aging laborer and caretaker Darby O’Gill has spent much of his life trying to catch the Leprechauns. One day, in his old age, he is actually caught by them. He spends the rest of the film strategizing how he will spend the three wishes granted upon him by Brian, the King of the Leprechauns.

The film also features a young and dashing Sean Connery as Michael McBride, the love interest to Darby O’Gill’s daughter.

Though it won no awards, it has been critically well-received over the years and had state-of-the-art special effects for its day.

11 Worst: Mr. Magoo (7%)

The character of Mr. Magoo was a successful cartoon character from the late 40’s through the 50’s. The running gag for each story was that millionaire Mr. Magoo was practically blind, which led him into comically dangerous situations. Mr. Magoo was also amazingly lucky, which seemed to save him every time.

The Disney adaptation starred Leslie Nielsen, an actor beloved for being able to handle silly comedy with a straight face. But it just wasn’t enough to save the film, which seemed to suffer from the repetitive and unfunny gags. Critics were beyond cruel to the film. One announced, “The movie is an insult to the intelligence of the entire human race.” Another agrees, “Mr. Magoo is transcendently bad. It soars above ordinary badness as the eagle outreaches the fly. There is not a laugh in it. Not one.”

10 Best: Toy Story 2 (100%)

After the runaway success of the first Toy Story, a sequel seemed inevitable. Somehow avoiding the curse of most sequels being inferior to the original, Toy Story 2 managed to be a moving story which many think is even better than the first. It also introduced a brand new character to the saga, Jesse the Cowgirl.

Toy Story 2 has one of the most heartbreaking songs in Disney’s collection, When She Loved Me, performed by Sarah McLachlan. The song describes being abandoned by the child she loved, a sequence that left hardly a dry eye in the house. It went on to become a smash hit, just like the first one. Though it won no academy awards, it won many independent awards and some argue it is the best Toy Story movie of the entire franchise.

9 Worst: A Kid in King Arthur’s Court (5%)

A Kid in King Arthur’s Court is very loosely based on Mark Twain’s A Connecticut Yankee in King Arthur’s Court, a story that has been adapted into several other films. Modern ’90s kid Calvin Fuller is playing baseball for his team when an earthquake hits. A chasm opens up on the field and he falls in. Calvin is inexplicably transported to England in the age of King Arthur, where he quickly wows the locals with his modern knowledge. While there, he also falls in love with the local princess.

Critics seemed to be surprised this was a Disney film. One critic laments, “Rarely do the well-financed wizards at Walt Disney Pictures cook up a movie this badly written, acted, and directed.” Another says, “Sitting through it, I found myself shuddering at what Disney may have in store for next summer.”

8 Best: Old Yeller (100%)

Old Yeller was famous for ruining many a childhood with a depressing plot twist, the on-screen demise of its titular dog. After saving his family multiple times over the years from bears, wild hogs, and wolves, Old Yeller finally seals his fate when he fought off a rabid wolf to protect his people. Not only did the the dog pass away, but its owner and best friend Travis had to put him down himself because he had been infected with rabies. This scene has become one of the most famous tear-jerking live-action scenes in all of Disney’s films.

Despite the bummer plot development, the film was still a critical and commercial hit. And it still managed to leave on a high note—by the end, Travis adopts Old Yeller’s puppy and names him Young Yeller.

7 West: Meet the Deedles (4%)

As handsome as Paul Walker was, even he couldn’t have saved Meet the Deedles. The story describes the hapless Phil and Stew Deedle, brothers who are in high school and avid surfers. Their father becomes disgusted with their lazy behavior and sends them off to a boot camp where they can learn some discipline.

In an extremely unlikely series of events, the Deedle brothers assume false identities as park rangers and…hilarity is supposed to ensue.

As with most movies received this badly, the Rotten Tomatoes reviews are hilarious to read. One critic announces dryly, “If all of this sounds ridiculous, it is.” Another is much more cruel, saying, “Dumb is one thing, but this sorry attempt at action-comedy from stuntman turned director Steve Boyum is in an intelligence-deprived class all its own.”

6 Best: Snow White and the Seven Dwarves (98%)

Snow White and the Seven Dwarves was Disney’s first animated film feature and the first animated film to gain massive success. It was actually the profits from Snow White and the Seven Dwarves that allowed Disney to build its first full-fledged production studio in Burbank, California. From there, Disney was unleashed to produce dozens of huge hits.

Early forecasters predicted Snow White would be a huge flop, but Disney had the last laugh when the film was finally released. Critics, even the ones predicting its failure, absolutely loved it. Audiences flocked to it and children adored it. Walt Disney received a special Academy Honorary Award for making a “significant screen innovation.” The Honorary Oscar came with seven little miniature Oscars. As with Beauty and the Beast and Cinderella, Disney is producing a live-action adaptation of the film.

5 Worst: Mulan 2 (0%)

Did we ever even need a Mulan 2? According to critics, the answer is a resounding “no.” The original Mulan was a hit in 1998, following the adventures of the Chinese legend of Hua Mulan, a woman who became a fearsome warrior against all odds. Mulan 2 features a convoluted plot wherein Mulan prepares to get married and go on an important mission at the same time, trying to prevent several kingdoms from collapsing against the Mongolian hordes.

The plot doesn’t sound terrible, but it didn’t deliver. Critics seemed to dislike it mainly for being bland. One explained, “If it were any more trivial, it’d be invisible. Mulan II is, rather, more conceptually offensive.” Another spoke bluntly, “It’s harmless, sure, but it’s also charmless.” Another sequel was planned but eventually shelved.

4 Best: 101 Dalmatians (98%)

With 101 Dalmatians, Disney opted to develop a somewhat obscure children’s story.  This was a bit different from the popular fairy-tale adaptations that Disney had been known for. After a bachelor and his new blushing bride get married, their respective male and female adult Dalmatians breed a large litter of puppies. An over the top villain, Cruella de Vil, steals them along with other Dalmatian puppies with plans to eventually turn them all into a fur coat. The adult Dalmatians and other animals lead efforts to rescue ALL the puppies and bring them back to safety.

101 Dalmatians cut costs by adopting a more minimal animation style but still was a critical and financial success.

The movie was adapted into two live-action movies in the ’90s and also had an animated sequel in 2003.

3 Worst: The Big Green (0%)

Not many Disney fans know this film even exists. The Big Green was released in 1995 and tells the story of a scrappy British teacher who introduces kids with low self-esteem in a small Texas town the game of soccer. Sort of a Bad News Bears for the soccer crowd, the movie follows these underdog kids as they go from losers to heroes.

However, according to critics, it’s derivative and not as good as either of those films. Perhaps the poster, which features a young kid getting hit in the groin by a soccer ball, is the first sign the “comedy” wasn’t up to par. One critic writes, “The Big Green is at its worst and most desperate when resorting to ridiculous hallucinations and silly sped-up photography to get laughs, and it’s at its best when… well, it’s over.” Yikes.

2 Best: Cinderella (97%)

It’s hard to believe, but Disney suffered a bit of a downturn during WWII and by the late 40s was financially doing poorly. Disney turned back to its classic roots and decided to produce Cinderella, an old story based on folklore and also told in a classic Grimm’s fairy tale. The movie not only brought Disney out of debt, but gave the studio enough capital to create its own film distribution company, begin production on other films, and start building Disneyland and Disney World.

The movie received critical praise not seen since Snow White and the Seven Dwarves and Pinnochio. Many noted its rich colors and backgrounds, realistic human animation, and memorable music. It was later nominated for three Academy Awards, including Best Original Song for Bippity Boppity Boo.

1 Worst: Kronk’s New Groove (0%)

The Emperor’s New Groove was a unique and charming Disney film that has become somewhat of a cult classic over the years, featuring the voices of the hilarious David Spade and Patrick Warburton. Its sequel, Kronk’s New Groove was not received nearly as well. Part of the problem may be the thin plot, which has something to do with Kronk running a restaurant, falling in love with a camp counselor, and trying to impress his father. Yzma returns as a villain but doesn’t really have much to do.

Voice talents notwithstanding, the resulting film was a dud with critics.

Pointed out one, “Great voice talents, but weak storyline and frankly not much groove.” Another astutely observed, “It’s just too generic, and generic is not what we want from a sequel to a film that managed to escape the Disney mold.”

Which of these films did you love most? Let us know in the comments!



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2018-10-07 06:10:17 – Gary Gunter

6 Casting Decisions That Hurt It’s Always Sunny In Philadelphia (And 14 That Saved It)

There are sitcoms that everyone loves, and then there’s It’s Always Sunny in Philadelphia — a series which has managed to turn off many with its despicable characters and depraved sense of humor. From faking cancer to trying to eat a homeless person, there are no depths that are too low for the owners of Paddy’s Pub. But you don’t get to thirteen seasons without making a few fans in the process.

While It’s Always Sunny in Philadelphia might not pull in the biggest numbers, the show has maintained such a rabid following over the years that one has to wonder if they’ve accidentally gotten there hands on some raccoon meat. But the more likely scenario is that many people have just as twisted of a sense of humor as the makers of this FX series.

The sitcom was created by Rob McElhenney with the help of Glenn Howerton and Charlie Day, who would go on to portray Mac, Dennis, and Charlie on the series. Kaitlin Olson and Danny DeVito fill out the rest of the main cast as Dee and Frank Reynolds, and for over the last decade, fans have been happily following the bizarre misadventures of the Gang. Of course, it’s impossible to imagine anyone else in these leading roles. With over 130 episodes, there has been no shortage of supporting characters and celebrity cameo, some of which have been a lot better than others.

Here are 6 Casting Decisions That Hurt It’s Always Sunny In Philadelphia (And 14 That Saved It).

20 Saved: Glenn Howerton as Dennis Reynolds

In a sea of despicable characters, Dennis Reynolds has slowly revealed himself to be the most reprehensible of them all. Dennis may have begun the series as one of the more sensible members of the Gang — albeit one with an extremely short fuse, but he’s slowly revealed himself to be a cool and calculated sociopath. One who also happens to have a heavy side of narcissistic personality disorder.

While Glenn Howerton didn’t want to name the character after himself for fear of people drawing an unwelcome comparison, that hasn’t stopped Howerton from taking the character to some extremely dark places. He’s more than a little convincing when he lays out one of his manipulative plans. While his temper tantrums may be over-the-top, you never doubt the authenticity of the rage and frustration Howerton has embedded into his performance.

19 Saved: Mary Elizabeth Ellis as The Waitress

One of the most prominent recurring characters on It’s Always Sunny, the Waitress has been a part of the series since the very beginning. She is the unrequited love interest of Charlie throughout the majority of the show — though it seems like the tables have turned in recent episodes.

The Waitress is portrayed by Mary Elizabeth Ellis, who had previously worked with Charlie Day on an episode of Reno 911! The two were married shortly after It’s Always Sunny began, adding another layer of hilarity to the dysfunctional relationship between the two characters on screen.

Ellis fully commits to her performance as the down-on-her-luck waitress.

She’s an example of the tight-knit community working behind-the-scenes that has made the series such a success.

18 Hurt: Jason Sudeikis as Schmitty

While sitcoms usually lend themselves well to celebrity cameos, It’s Always Sunny has created such a distinct world that more often than not these cameos end up feeling out of place. There have been a few instances where they’ve managed to pull them off. Josh Groban popping up in one of Dee’s fantasies seemed fitting, and Dax Shepard manages to blend in fairly well into the episodes where Mac and Charlie join a cult.

In the case of Jason Sudeikis and a number of other celebrities, the cameos just end up coming across as distracting. There’s nothing inherently wrong with Jason Sudeikis playing Schmitty — an ex-member of the Gang who makes an unexpected return. The whole time, you never forget that you’re watching Sudeikis, which just doesn’t work for the tone of the series.

17 Saved: Mary Lynn Rajskub as Gail the Snail

Though she’s only appeared in three episodes of the series to date, Gail the Snail is definitely one of those side characters that we’d like to see more of. She first appeared back in the season five episode “The Gang Gives Frank an Intervention”, where she is the clingy cousin of Dennis and Dee who talks with a lisp and has the disgusting habit of slurping her saliva. Dennis and Dee have found that the only way to get rid of her is to dust her with salt, hence her nickname of Gail the Snail.

The character is portrayed by the talented Mary Lynn Rajskub, who is best known for playing Chloe O’Brian on 24.

This is undeniably a very different character, and it’s impressive just how committed Rajskub is to playing someone so hilariously obnoxious.

16 Saved: David Hornsby as Cricket

The Gang has dragged their fair share of individuals down into the dirt with them, but none are more apparent than Rickety Cricket. Portrayed by David Hornsby, Cricket is a former classmate of the Gang who was once infatuated with Dee. He debuted in season two as a clean-cut priest who has slowly transformed into the addicted hobo that we have today.

Hornsby has been such a prominent member of the show that last season he was given his own episode with “A Cricket’s Tale”, which cleverly intertwined the character’s other brief appearances throughout the season into the story. Hornsby has also been a big part of the show behind-the-scenes as well, serving as an executive producer and a writer of nearly 30 episodes.

15 Hurt: Brian Unger as The Attorney

It’s Always Sunny has a number of supporting characters who re-emerge every few seasons, only to be dragged down by the shenanigans of the Gang once again. Brian Unger plays one such character with the Attorney, who the Gang often visits for legal advice only to contradict everything the lawyer has to say.

As a former correspondent of The Daily Show, Unger is really good at playing the straight man.

In fact, he’s too good, which makes it hard to believe that he would put up with these self-centered, narcissistic characters for more than a few episodes. Often, these supporting characters are revealed to be a little bit off in their own right, but Unger is just too normal to make his character mesh with the series.

14 Saved: Danny DeVito as Frank Reynolds

Danny DeVito first popped up in season two of It’s Always Sunny, and his casting as Frank Reynolds quite literally saved the series. While the higher-ups at FX reportedly loved the first season, not enough people were watching to warrant a second outing. McElhenney, Howerton, and Day were given the ultimatum to add a bigger name or face cancellation. While they worried how DeVito would fit into the series, the veteran actor has more than proven himself as a worthy member of the Gang.

The insane things that DeVito will do for the character are a testament to the actor’s commitment. Even more impressive is how you never feel like you’re watching a performance. DeVito becomes Frank Reynolds. Even when he’s not delivering lines, just watching him futz about in the background is already hilarious enough.

13 Saved: Charlie Day as Charlie Kelly

It’s Always Sunny has turned all of its leading actors into stars, but Charlie Day is the biggest breakout of them all. Since appearing on the show, Day has worked on a number of hit films, including Horrible Bosses, Pacific Rim, and The Lego Movie.

His star power has no doubt helped the show remain on the air for so long.

Thanks to Day’s performance and musical talents, the character of Charlie has no shortage of memorable moments. Bird law aside, Charlie may be the least intelligent member of the Gang. In a lot of ways, he’s the heart of the show. Charlie certainly has his share of questionable moments, but they often stem from ignorance rather than malice, which set him apart from the other employees of Paddy’s Pub.

12 Hurt: Sean “Diddy” Combs as Dr. Jinx

Whenever Sean “Diddy” Combs pops up in a movie or TV show, he often plays a fictionalized version of himself. In It’s Always Sunny, he plays the unorthodox Dr. Jinx who utilizes alternative methods to treat his patients.

Not only is the cameo distracting, but Combs’ performance is pretty flat. It almost seems like the actor is reading off cue cards, and when Dr. Jinx is seen playing the bass guitar during a musical performance at Paddy’s Pub, it’s pretty obvious that Combs isn’t actually playing. The rapper may have stolen the show as Sergio in Get Him to the Greek, but whatever worked for him on that movie isn’t back on display in the sitcom.

11 Saved: Artemis Pebdani as Artemis

Artemis is one of the few supporting characters who can actually hang with the Gang without her life coming apart at the seams. She first appeared up in season one, where she befriends Dee after the two meet in an acting class. She’s also had a relationship without Frank throughout her time in the series.

The character is portrayed by Artemis Pebdani, who landed the role right at the start of her professional acting career.

While she’s continued to reprise her part as the fun-loving and wild Artemis, the actress has enjoyed success in a number of other shows, including Scandal and Masters of Sex. Though a number of supporting characters seem to have fallen off in recent years, Artemis has already popped up this season with “The Gang Beats Boggs: Ladies Reboot”.

10 Saved: Lynne Marie Stewart and Sandy Martin as Charlie and Mac’s Moms

Every since Danny DeVito debuted as Frank Reynolds, it was abundantly clear why Dennis and Dee are they way that they are. After all, Frank is just as self-absorbed and conniving as the twins. In that respect, we’ve also gotten to see how Mac and Charlie are a result of their childhoods by getting to know their moms over the course of the series.

Lynne Marie Stewart does a perfect job of playing Charlie’s mom, a kind-hearted woman who was far too overprotective of her son — which explains Charlie’s numerous irrational fears. Meanwhile, Sandy Martin is the total opposite, as Mac’s mom doesn’t seem emotionally invested in her son at all — which explains Mac’s constant desire for approval. Together, the two are a perfect comedy duo, which is on full display in “Old Lady House: A Comedy Situation”.

9 Hurt: Seann William Scott as Country Mac

In season nine, Seann William Scott made a one episode appearance as Mac’s cousin — who the Gang deems far cooler than Mac. Just like Jason Sudeikis as Schmitty, this is another star cameo that can’t help but feel distracting. Scott has made a career playing characters who are too cool for school thanks to movies like American Pie and Role Models. That might seem like he’s the ideal fit for Country Mac.

Wouldn’t it have been even funnier if the Gang idolized a character for no other reason than to get under Mac’s skin?

With the success of It’s Always Sunny, we’re sure that they could have a star cameo every few episodes. Since they’re kept to a bare minimum, it seems that even they know these roles can be a bit ostentatious.

8 Saved: Jimmi Simpson and Nate Mooney as Liam and Ryan McPoyle

The McPoyles are the perfect example of just how dark and twisted the humor on It’s Always Sunny can actually get. They are a large inbred family with the two most prominent members, Liam and Ryan, being former classmates of the Gang. They popped up in a number of episodes between seasons one and nine, where they’re often at odds with the owners of Paddy’s Pub.

Liam and Ryan are played by Jimmi Simpson and Nate Mooney throughout their time on the show. Both fully commit to the unsettling nature of these characters. They might be creepy, but that doesn’t stop them from being a hilarious comedy duo. Our only complaint is that they’ve been absent from the series for the last few seasons.

7 Saved: Catherine Reitman as Maureen Ponderosa

One of the weirdest characters in all of It’s Always Sunny, Maureen Ponderosa is the ex-wife of Dennis Reynolds who slowly makes her transition into becoming a cat in the later episodes of the show. Much like Rickety Cricket, her transition from seemingly normal to totally unhinged takes place over the course of a few seasons — better-allowing audiences to buy into the ridiculousness of it all.

Catherine Reitman seems totally devoted to this outlandish and often unsettling performance.

Since appearing on the show, Reitman’s notoriety has only continued to grow. She currently plays the lead on Workin’ Moms — a show which she also created — along with popping up as another recurring character in Black-ish.

6 Hurt: Guillermo del Toro as Pappy McPoyle

Writer/ director Guillermo del Toro was apparently such a big fan of It’s Always Sunny, that it was one of the reasons he cast Charlie Day in Pacific Rim. In return, del Toro was given this cameo appearance as Pappy McPoyle — who is most likely the grandfather of Liam and Ryan.

One problem right off the bat is that del Toro was cast to play someone who is most likely from Ireland— a fact which the director himself made fun of in a behind-the-scenes interview. This may have been the reason that Pappy McPoyle was given such an over-the-top appearance, which is really the worst part of the character. The McPoyle’s are indeed odd and unsettling, but they’re still somewhat believable.Pappy McPoyle, on the other hand, looks like some deranged wizard who has no place in the series.

5 Saved: Wade Boggs as Himself

The best episodes of It’s Always Sunny usually finds the Gang confined to a single area, where their personalities can do nothing but bounce off the walls and wreak havoc on themselves and anyone in their vicinity. This is what makes “The Gang Beats Boggs” one of the best episodes in the series.

The episode finds the five Philadelphia natives trying to beat Wade Boggs’ record of consuming 70 drinks during a cross-country flight.

While the Gang’s antics are usually based on nothing but nonsense, this true story only adds another level of hilarity to the episodes. The cherry on top is a brief appearance by Wade Boggs himself. In an interview, Charlie Day said that not only was Boggs happy to participate in the episode, but that his real-life record was a lot more impressive than previously thought.

4 Saved: Michael Naughton as the Waiter

Michael Naughton first appeared up in “The Gang Dines Out,” where he is a server at one of the finest restaurants in Philadelphia. He’s crossed paths with the Gang a number of times since, and every time the Waiter emerges worse for wear.

Just this season, Naughton appeared in “The Gang Beats Boggs: Ladies Reboot,” where he is now working as a flight attendant. Once again, the Waiter tries to get the Gang to acknowledge how they’ve sabotaged him in the past. But once again, the Gang can’t remember who he is.

Naughton plays the Waiter with a kind of obsessive desperation beneath his everyman facade; he seems like someone who really would let the Gang get the better of him. He’s also the kind of supporting character that rewards loyal fans every time he pops back up.

3 Hurt: Stephen Collins as Bruce Mathis

Stephen Collins popped up in season two and three of It’s Always Sunny, where he played Bruce Mathis, the biological father of Dennis and Dee. Bruce invests most of his time and money helping out various charities around the world, making him a polar opposite of his children. This also made Collins — who was best known for playing Reverend Eric Camden on 7th Heaven — seem like an ideal fit for the part.

In the years since, Collins has both been accused and admitted to being an abuser. The actor has obviously not appeared on the show since, but going back and watching these episodes with Collins can be more than a little discomfiting.

2 Saved: Kaitlin Olson as Dee Reynolds

With Rob McElhenney, Charlie Day, and Glenn Howerton working on the show right from the very beginning, the actors were afforded the opportunity to mold their characters as they saw fit. However, the character of Dee Reynolds was developed before an actress was cast, and she was originally meant to be the Gang’s voice of reason.

Thankfully, Kaitlin Olson nabbed the role, and over time Dee became just as hilariously pathetic as the other members of the Gang.

Being a former member of The Groundlings, Olson clearly had talent as a comedic performer — which might also explain why Dee fancies herself as a bit of an improv comic. The actress isn’t afraid to make Dee as embarrassing as possible, which adds an element of cringe-comedy to the show that’s not found in the other characters.

1 Saved: Rob McElhenney as Mac

Without Rob McElhenney, there would be no It’s Always Sunny in Philadelphia. The struggling actor/writer decided to put plans for the series into motion after a number of other projects fell through. With the help of Glenn Howerton and Charlie Day, McElhenney made a short episode of the series, which he used to pitch the sitcom. Over a decade later, McElhenney still serves as an executive produces while continuing to write a number of episodes.

As far as his role of Mac is concerned, McElhenney isn’t afraid to take the character in different directions.

He put on a whopping 50 pounds for season seven and Mac finally came out of the closet for good last year — just a few of the many ways McElhenney has kept the show feeling fresh after thirteen seasons.

 —

Who’s your favorite actor on It’s Always Sunny in Philadelphia? Let us know!



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2018-10-07 02:10:26 – Dylan Dembrow

7 New Character Additions That Hurt Buffy The Vampire Slayer (And 13 That Saved It)

It’s been over twenty years since Buffy the Vampire Slayer’s groundbreaking pilot hit TV screens and it remains one the most beloved and influential shows of all time. The series subverted expectations, in the process shattering illusions of what people thought television was capable of. It forever altered the pop culture landscape, introducing audiences to a feminist icon they could truly identify with. The show popularized serialized storytelling at a time when TV programs were largely episodic and even changed the way that viewers talked by introducing them to “Buffy speak.”

By taking the idea that high school is Hell quite literally, Joss Whedon was able to use werewolves, witches, and vampires to explore themes of desire, female empowerment, and addiction. The writers personified feelings such as isolation, alienation and humiliation, using them to ground fantastical situations in those very real emotions.

Buffy was praised for a great many things, from snappy dialogue to clever plotting. However, one of the most vital elements of Whedon’s magnum opus was undoubtedly the amazing characters with which he chose to populate this world. These players were as lovable as they were relatable and the series continues to resonate with viewers of all ages. However, not all characters introduced to the series could be as awesome as Buffy, Willow, or Xander. While certain new additions had an undeniably positive effect on the series as a whole, there were also a few that BtVS would’ve been better off without.

Here are 7 New Character Additions That Hurt Buffy The Vampire Slayer (And 13 That Saved It).

20 Saved – Spike and Dru

Sunnydale got its very own Sid and Nancy when Spike and Drusilla showed up in season 2 episode “School Hard”, quickly establishing themselves as the new Big Bads in town. They were never meant to last as long as they did, but stellar performances from James Marsters and Juliet Landau gave both characters a stay of execution. These two didn’t just shake up Sunnydale, but the show’s entire mythology. They were living proof that vampires were capable of genuine emotion. Their intense bond and amazing chemistry made fans fall hard for the couple. 

Spike, of course, went on to play a much larger role in the series as a whole. Writers kept finding new ways to justify his continued existence and fans never complained, because no one wanted the vampire gone.

19 Hurt – Riley

Buffy needed to move on from Angel, but did she really have to take up with “Captain Cardboard”? Riley Finn (Mark Blucas) first appeared in the season 4 premiere, “The Freshman”, and went on to hurt the show in ways almost too numerous to list.

With him came the Initiative, which remains the storyline that most BtVS fans would rather forget.

Even after the organization was no longer part of the narrative, Riley continued to overstay his welcome. Viewers were forced to deal with his constant whining and eventually, his infidelity. These were all plot points that the show could’ve done without. It was sad when Riley helicoptered out of Buffy’s life, but only because we care about her feelings. Ultimately, no one really missed him.

18 Saved – Tara

Now this is how you create a new love interest. Oz and Willow had become one of the show’s most beloved couples and fans were as heartbroken as she was over his sudden departure. Replacing the werewolf was going to be just as difficult as finding a way for Buffy to get over Angel. However, the show chose to go in a new direction entirely with Tara Maclay, who debuted in season 4 episode “Hush”. Not only was she a woman, but she also complemented Willow in very different ways than Oz had.

Not all viewers embraced this storyline initially, but Amber Benson’s performance quickly won most of them over. Before long, fans became incredibly invested in Willow and Tara’s relationship. In many ways, they became the show’s central couple, as well as its emotional anchor.

17 Saved – Anya

Much like James Marsters, Emma Caulfield earned more time on the show through her impressive performance. Her arc wasn’t meant to last much past her first appearance in season 3 episode “The Wish”.  Anya Christina Emmanuella Jenkins went from human to vengeance demon and back again. She was over 1100 old, but had completely lost touch with her humanity before meeting the Scoobies.

It was more than Anya’s evolution that made her special, though. She was the character who posed the questions that most people want to ask but think that they shouldn’t. Whether ruminating on love, loss, or the simple cold truth of mortality, Anya always said exactly what she meant. Even her lack of tact was charming. The former demon brought a different perspective to the group, as well as some undeniable humor.

16 Hurt – Dawn

This is kind of a tough one, because the storyline surrounding Dawn’s existence was one of the show’s best. Her introduction in the season 5 premiere, “Buffy vs. Dracula”, was particularly genius. Dawn was dropped into the series as if she had always been there, leaving viewers wondering if they had missed earlier clues of Buffy having a sister.

Dawn herself was always little more than an annoyance to most fans.

It didn’t help that Michelle Trachtenberg played the character as younger than she was. This wasn’t all her fault, as Dawn was initially meant to be portrayed by a younger actress. The main problem wasn’t season 5 Dawn anyway. In later years, writers clearly weren’t sure what to do with her, giving Buffy’s sister one ludicrous plot line after another: “Dawn’s in trouble. Must be Tuesday.

15 Saved – Glory/Ben

Glory is one of the greatest Big Bads ever to appear on BtVS. Debuting in season 5 installment “There’s No Place Like Home”, she brought the season-long threat to a whole new level. Glory wasn’t just another demon. She was a literal god, just trying to get back to her home sweet Hell. However, it was more than just sheer power that made Glory such a great villain. Clare Kramer’s manic performance is what really set her apart.

Introduced an episode before Glory, Ben (Charlie Weber) was serviceable enough.

What really brought depth to the kind doctor was the revelation that he and Glorificus were sharing a body.

This was one of the show’s most successful twists. Seriously, no one saw it coming.

14 Saved – Wesley

While it can be argued that the character of Wesley Wyndam-Pryce was utilized far better on Angel, there’s no denying that the stuffy new Watcher was another great addition to the cast of BtVS. Debuting in season 3 installment “Bad Girls”, Alexis Denisof imbued Wesley with undeniable heart and humor, despite the character’s uptight personality.

Aside from Wesley himself, it was the dynamic between him and Giles that helped to elevate the series during season 3. We got to explore a whole new side Buffy’s Watcher. It was one thing to know about his “Ripper” past, but it was the juxtaposition of Rupert and Wesley that truly proved how awesome Giles actually was – not that we didn’t love him already.

13 Hurt – Warren

The Trio is kind of everyone’s least favorite Big Bad. However, while Jonathan and Andrew were both worthy additions to the series, Warren never had any redeeming qualities. He first appeared in season 5 episode “I Was Made to Love You” and proved himself a total creep immediately.

Although Warren started out as a punchline, he turned out to be a misogynistic monster.

Adam Busch did an excellent job of making the character incredibly unlikable, but it was Warren’s cruelty that brought season 6 to the lowest of places. “Dead Things” was one of the most brutal episodes of BtVS, and not in a good way. Plus, no Buffy fan will ever forgive him for firing the gun that took Tara’s life. Warren did a lot of damage and his character was never compelling or likable enough to outweigh that fact.

12 Saved – Oz

Fans fell in love with Daniel “Oz” Osbourne (Seth Green) around the same time that Willow did. From the moment he appeared in season 2 episode “Inca Mummy Girl”, he was pretty much smitten with her – even in her Hallowe’en costume. Unlike Xander, Oz actually realized how awesome Willow was and fans were overjoyed to see her finally properly appreciated.

Oz was so beloved, in fact, that even though he left under truly awful circumstances, many viewers were still torn when he came back for Willow. A lesser character could never have remained in fans’ hearts after such indiscretions. In the end, the writers found someone even better for Willow, but it speaks volumes that so many viewers were willing to forgive Oz after he locked himself in a cage with Veruca.

11 Hurt – Veruca

Veruca (Paige Moss) made her first appearance in season 4 episode “Living Conditions”. Oz may have thought that she was pretty cool, but viewers noticed that something was off about her.

Most Buffy fans are pretty protective of Willow and no one liked seeing her relationship with Oz threatened.

It’s not that it makes no sense that something would break up Willow and Oz. They dated in high school and many such relationships do not survive the transition to college. The main issue was the werewolf herself. Veruca was kind of over the top, from her musical performances to her evil machinations. Perhaps she was meant to be a two-dimensional mustache-twirling villain. Regardless, no one mourned Veruca after Oz ended her life.

10 Saved – Mayor Wilkins

Fans were introduced to Mayor Richard Wilkins in season 3 episode “Homecoming”. Sure, he was a major Big Bad whose ascension plans would’ve left the world in ruins, but he was also incredibly polite. BtVS has often excelled at creating villains that fans still kind of rooted for. The Mayor was one of the best, and not just because he was such a formidable opponent.

Richard’s relationship with Faith gave his character real depth. Much like the love that Spike and Dru shared with one another, the Mayor’s affections for his protégée made him much more human, which in turn made viewers care more about him. Plus, Harry Groener’s pitch-perfect performance made it impossible not to enjoy Mayor Wilkins.

9 Hurt – Kennedy

Kennedy was as much of an epic fail as Riley. The writers proved that they could craft more than one great love interest for Willow, so what happened with her? Introduced in season 7 episode “Bring on the Night”, Kennedy (Iyari Limon) was spoiled, argumentative and honestly, kind of bland. The key to a great TV relationship is making both characters compelling in their own right.

While fans came to love both Oz and Tara rather quickly, you’d be hard pressed to find many Kennedy fans out there.

There was nothing about Willow’s new girlfriend to even distinguish her from the other Potential Slayers, save her bad attitude. Willow deserved better and so did fans.

8 Saved – Faith

Shaking up things from the moment she arrived in season 3 installment “Faith, Hope and Trick”, Faith Lehane was Buffy’s dark reflection. The Slayers were incredibly different from one another and yet, undeniably two sides of the same coin. Eliza Dushku’s magnetic performance brought so much passion and energy to the role, and she had no trouble fitting in with the rest of the cast.

Faith provided new depth not only for the slayer line, but also to the idea of what it actually means to be Slayer. Before Faith’s arrival, fans had never seen a Slayer go rogue. However, it didn’t matter how far Faith went. Viewers were always hoping that she could somehow redeem herself. Thanks to her time on Angel, she was given that chance.

7 Saved – Robin

Robin Wood’s (D.B. Woodside) debut in season 7 premiere “Lessons” initially painted the new school principal as another villain lurking in the shadows. However, much like the rest of the characters on BtVS, appearances are often deceiving. Not only was Robin one of the good guys, but he was also the son of New York-based slayer, Nikki. The series teased this out slowly until fans realized the truth shortly before it was revealed.

It was a pretty genius move.

Although it’s easy to hate on Robin for his sneak attack on Spike, the vampire did off his mother, so his frustration can be understood. In the end, Robin turned out to be a great addition to the Scoobies, bringing both new perspective and an actual bag of tricks to the mix.

6 Hurt – Adam

Buffy almost always managed to deliver the goods when it came to the season-long Big Bad: compelling characters, with humor and even a bit of heart. The series excelled in that moral grey area, making viewers sympathize with villainous even as they committed unforgivable acts. Sadly, Adam (George Hertzberg) was a giant exception to this success.

The ersatz Frankenstein’s monster – or Walsh’s monster, as the case may have been – first appeared in season 4 episode “A New Man”. The only cool thing he ever really did was skewer his creator, Maggie, who was also not a great addition to the series. All in all, Adam was very powerful, but a boring villain. Defeating him required a major deus ex machina, which would’ve been fine if he had been a better character in the first place.

5 Saved – Andrew

Andrew Wells, aka Tucker’s brother, initially seemed as irredeemable as Warren Mears. When we met him in season 6 episode “Flooded”, he was a whiny coward with nothing even resembling a moral compass. After Andrew returned the following year, the first thing he did was take his best friend’s life.

Most fans weren’t happy to see him again, but somewhere over the course of season 7, this changed.

Like BtVS has done with the best of its characters – most of whom, let’s be real, have done some terrible things – the show found a way to endear him to viewers. Andrew may not have exactly been instrumental in Buffy’s battle with the First, but the former villain definitely brought some levity to a fairly dark season. He also provided an excellent example of the power of compassion.

4 Saved – Kendra

Interestingly, Bianca Lawson was originally cast in the role of Cordelia Chase. However, due to scheduling conflicts, the actress was forced to take a smaller part in BtVSIf we can all just put aside her painfully awful accent, everyone can probably admit that Kendra herself was a pretty cool addition to the series.

Fans were introduced to the other slayer in season 2 installment “What’s My Line Part 1”. She appeared initially to be another enemy, but instead proved vital in saving Angel’s life. Kendra’s existence answered important questions about the slayers and it was this new line, beginning with her, that later allowed for the introduction of Faith. The juxtaposition of Kendra and Buffy was also quite interesting, as they each approached their calling so differently. She also helped Buffy see that slaying was more than just a job.

3 Hurt – Forrest

Another irritating and useless season 4 addition, Forrest Gates (Leonard Roberts) was introduced in “The Initiative”.

He was little more than a foil for Riley and Buffy’s relationship.

Forrest’s feelings for his fellow soldier bordered on obsession and there was nothing interesting about him in his own right.Riley’s other pal Graham may have been boring, but at least he wasn’t so annoying. Forrest was self-righteous and obviously had very little going on in the way of an actual life. No one mourned him after he his passing. The worst part about Forrest’s demise was that it wasn’t even the last we saw of him, because Adam chose to reanimate his husk. Even then, he was still a total drag.

2 Saved – Jonathan

Jonathan Levinson (Danny Strong) had a continuing presence on Buffy the Vampire Slayer for years after his first appearance in season 2 installment “Inca Mummy Girl”. He was always on the periphery, being picked on, rescued or taken advantage of. Prior to joining the Trio, Jonathan was at the center of season 3 episode “Earshot” and season 4 installment “Superstar”. The former was incredibly poignant and the latter, a hilarious change of pace.

Many fans were surprised to see Jonathan pulled by the dark side, but he never fully committed like his cohorts did. Less obviously evil than Warren and not as easily manipulated as Andrew, he eventually saw the error of his ways. Sadly, by the time Jonathan made an effort to redeem himself, it was too late. That opportunity was stolen from him by his best friend.

1 Saved – Angelus

None of Buffy’s greatest Big Bads were quite as personal or painful to witness as Angelus. Aside from the unfortunate implications of essentially punishing Buffy for being intimate with her boyfriend, there is no denying that the second half of season 2 was the show at its best. This was due in large part to David Boreanaz’s villainous turn.

Two people who were so in love destroying each other was utterly brutal and completely gut-wrenching. It also led to some of BtVS’s most empowering moments. Buffy was just a teenage girl shouldering the weight of the entire world. Feeling as though she had lost everything led to the epiphany that she still possessed what mattered most. Much of the series is about surviving life on life’s terms. More than just enduring this pain, Buffy managed to recover from it.

What new characters do you feel hurt or saved Buffy the Vampire Slayer? Let us know in the comments!



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2018-10-06 04:10:54 – Jamie Gerber

A Star Is Born’s Ending Is Bad (And Always Has Been)

WARNING: Major spoilers for A Star Is Born

A Star Is Born‘s ending undoes what could have been a Hollywood classic – but that’s not exactly Bradley Cooper’s fault. From its first version in 1937, A Star Is Born has always had a problematic resolution to its story, one that’s only got worse over the past century, and this latest version is no different.

A Star Is Born is a classic story that Hollywood loves so much it’s told it four times (with a suspiciously-similar earlier version, several failed attempts and many, many imitators). A top-of-his-game star (in 2018, Bradley Cooper’s rock star Jackson Maine) is suffering from alcoholism and in a stupor discovers a struggling artist (Lady Gaga as Ally, a waitress moonlighting in a drag bar), falling in love with both her and her talent. He provides her with a big break, sending her fame into the stratosphere just as his addictions begin to derail his career. The pair marry, but despite their love things begin to fray.

Related: Read Our A Star Is Born Review

It’s a tale of rags to riches, of falls from grace, of the power of love, and personal identity within all of that. And, for much of the runtime, A Star Is Born 2018 is genuinely a great version of all those stories. Gaga’s first major concert leaves you floating, Cooper shows mental affliction with grace, both perform their songs incredibly (to actual live crowds, no less), and are utterly believable as troubled lovers. It is, for much of its runtime, a very good film worthy of that deafening hype.

However, everything implodes into a black hole of pretentiousness as what could have been a great film its own right has to follow through on being called A Star Is Born

  • This Page: The Problem With A Star Is Born’s Ending
  • Page 2: A Star Is Born’s Ending Has Always Been Bad
  • Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

What Happens In A Star Is Born’s Ending

We’ll stick with Cooper’s take for now before going deeper into the past. A Star Is Born‘s third act is kicked off by Ally winning the Grammy for Best New Artist – a major step for her career, undercut entirely by Jack drunkenly taking to the stage with her and relieving himself on live TV. He goes into rehab and she wrestles with where her focus should lie, eventually deciding to try and protect her recovering husband. She cancels her European tour when her agent, Rez, blocks the duo playing together.

As a result, Jack kills himself. He’s confronted by a seething Rez who has no sympathies or expectations of sobriety and states outright Jack’s ruining his wife’s career. When she matter-of-fact states the tour cancellation, he sees the impact of his actions and, while she plays a concert, he hangs himself in their garage.

Related: Every Song On A Star Is Born’s Soundtrack

This breaks Ally at first, leaving her emotionally distraught, before her understanding the meaning of Jack’s sacrifice – to enable her to truly become the star he always saw – helps her pull through. The film ends at a tribute concert in Jack’s memory. “My name is Ally Maine.” she declares before singing “I’ll Never Love Again”, a song based on their relationship they wrote together while he was recovering. A flashback shows the pair singing, she looks through the camera at the audience, the end.

Why A Star Is Born’s Ending Is Bad

Removing the ending of all presentation and self-imposed importance (a character looking into the camera at the end is an overused trope that Cooper simply doesn’t earn), in just writing down the events of A Star Is Born its problems should be obvious.

Jack decides to kill himself to save his wife, committing suicide because it’s the only way to set her free. This comes about two hours into a film which has slowly built up its numerous interpersonal relationships, and so comes as a drastic and rather unearned turn. Now, there is an argument to be made about accuracy to the unpredictability of mental illness, but given the intimacy audiences had with both Jack and Ally up until this moment, that doesn’t fit with the rest of the film. A Star Is Born, plainly, presents suicide as the only way out. It’s meant to come across as a selfless act but still values success as a true route to happiness, meaning anything emotional about the “gesture” is laced with hypocrisy.

But it’s what comes after and Ally’s coming to terms with her loss that’s so disquieting. For all her innate talent being the drive of the story and her freely made decision to step back what motivated Jack to kill himself, the final scene makes everything about Jack; the mononymous singer for the first time takes on her husband’s surname at his concert, where she performs a song that he helped her write in her original singer style. The suggestion is meant to be that Jack was holding her back, but in the shadow of the previous two hours the strange implication is that the act of a true star being born came from the adversity of Jack’s sacrifice. Making Ally’s success symbiotic to her dead husband is already heavily in the text of the film, but the final scene makes her final ascension even more indebted to his drastic act.

It’s hard to not read A Star Is Born‘s ending as trivializing suicide down to a plot point to give the fundamentally broken male lead the defining role in its female protagonist’s arc. It’s a weird move to make in 2018, although don’t believe this is just the product of an 80-year-old movie being remade. There’s something flawed at the heart of A Star Is Born.

Page 2: A Star Is Born’s Ending Has Always Been Bad

The True Story Behind A Star Is Born’s Ending Explains The Problem

There have been four versions of A Star Is Born: the 1937 Hollywood-skewering original starring Janet Gaynor and Frederick March, the 1954 musical starring Judy Garland and James Mason, the 1976 shift to the music industry with Barbra Streisand and Kris Kristofferson, and the latest Cooper/Gaga release. Each one has its own quirks, but all endeavor to tell the same story of love and fame intertwined, and all have the same basic ending. But the 1937 version isn’t the start. While A Star Is Born‘s narrative is a fiction, it’s very much based on truth; each movie is rooted heavily in the entertainment industry of the time – Hollywood for the 1937 and 1954 versions, music for 1976 and 2018 – and aims to tell an encapsulating story. There are some real-life events that inspired it.

The established star falling for an unknown as she climbs to the top was seen in actors Barbara Stanwyck and Frank Fay’s relationship, with the pair marrying in 1928 when the former was an unknown after starring in a Broadway show together. Their marriage fell apart after she rose above him and he fell into alcoholism. They separated in 1935 after seven years of marriage, two years before A Star Is Born was released. This appears to have been composited with the death of silent film actor John Bowers, who died at sea in 1936 after failing to win a part (whether it was a suicide or not is unclear). There are others (as we’ll see) but these are regarded as the ones who powered the 1937 version.

Related: Lady Gaga Fans Are Trolling Venom With Fake Bad Reviews

Of course, there’s one key distinction between inspiration and movie: in real life, it was two unrelated stories. There are the famous lovers who piggyback success and the past-it star who takes his own life, but in all cases these two aspects are entirely independent; the woman goes on to greater success by cutting the man out, while elsewhere another man falls from grace. Both stories epitomize Hollywood together, and taken alongside each other rather than melded have an ingrained believability. A Star Is Born trades that for something more streamlined in having the suicide be the culmination of the romance, but it’s also idealistic and wistful, losing the real moral of either.

This is reflected in what is regarded as a proto-Star Is Born, the 1932 film What Price Hollywood? Released five years before the 1937 version and produced also by David O. Selznick (and directed by George Cukor, who was approached for the first A Star Is Born and directed the first remake), this is regarded as something of a dry run at the story. Obviously from the release year it can’t share the same real-life inspirations (although, because this is the Golden Age of Hollywood, there are others pointed to), but the core concept and even smaller story beats are there, albeit with one massive difference: the leads are not romantically involved. Lowell Sherman’s Max drunkenly finds Constance Bennett’s Mary and helps make her a star, eventually killing himself after he sees realizes how far he’s fallen and is hurting his friend, while Mary’s suffers an ill-fated marriage that breaks down due to her absences filming and is reconciled at the end.

Watched today, What Price Hollywood? has a cynicism about the film industry ahead of its time despite ultimately being a movie romanticizing Hollywood – and at the core of this is the tragic story of Max and its impact on Mary’s life. The title question is apt.

How The Remakes Have Tried To “Fix” The Ending

In contrast to What Price Hollywood?, A Star Is Born 1937 carries a self-awareness and charm, but in bridging the romantic and the career side of protagonist Esther creates the problematic suicide reading. It’s not helped by dated elements, including the defining part of Esther’s ascension being the actress known as Vicki Lester taking on her husband’s name with a declaration “This is Mrs. Norman Maine“. It works given the time period, but even 16 years later needed an update.

Related: Watch the Trailer For A Star Is Born

The 1954 version is, for the most part, a beat-for-beat remake, just with dance number expansion to make it a musical, but it does make some strides to justifying the ending. The toll that caring for a drunk has on Judy Garland’s Vicki Lester is shown gradually, most upsettingly in an off-stage breakdown she immediately returns to filming from: an unavoidable presentation of the line between art and performer. But, ultimately, it ends in the same way: Norman Maine overhears Vicki’s plans to quit acting to care for her husband, so he feigns going for a swim and drowns himself; after a traumatic period and being unmasked at her funeral (the invasion of the press), Vicki returns to the public eye where she declares herself “Mrs. Norman Maine“. Every issue discussed is here.

The 1976’s A Star Is Born is overall incredibly melodramatic, nowhere less than its handling of the ending. What it should be praised for is its attempts at giving the female lead a greater sense of autonomy: throughout Streisand’s Esther makes decisions that power the narrative, not just being led along by Kristoffersen as those who came before her, but that’s lost thuddingly in the finale. After his meltdown, John Howard has imposed isolation – not rehab – and when returning home immediately sleeps with a reporter wanting an interview for Esther. The couple tries to power past this, but John figures he’s still broken and crashes his car at high speeds. Again, Esther is sad before taking his name (and singing at a tribute event).

Like we’ve already explored with A Star Is Born 2018, all versions have tried to provide their own contemporary spin on the tale to iron out its kinks, yet all wind up having to repeat the same suicide-anger-name triple-tap that doesn’t belong. A degree can be accounted to the changing times, but that ignores that the original trio of movies released over nearly 40 years, and that Cooper wasn’t able to address it either.

Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

Why Bradley Cooper Can’t Fix A Star Is Born

Bradley Cooper certainly tries to bring a modern slant to the worn tale of A Star Is Born. He invests heavily in making Jack and Ally’s opposite trajectories operate independently – Jack is suffering from tinnitus before he’s heard a note of “La Vie En Rose”, while Ally’s SNL appearance is deemed to contradict his advice – while making the love story more immediate. It’s a bigger story, more personal and considerably more consummately paced.

But, like all the others, the ending hits a snag. And some of his decisions make it worse. The method of final descent is different, with the awards show upset and rehab undone not by Maine going off the rails again as in every other take, but rather by Ally’s agent calling his supposed bluff. It’s implied from the British Rez knowing when exactly Jackson first toured across the pond that he was once a fan, now disillusioned with his hero, making him a millennial scapegoat to any affronting reading.

Related: 2018 Fall Movie Preview: The 30 Films to See

This generational push and pull could have been what sent A Star Is Born to greatness. Sam Elliott’s speech about there only being twelve notes played over and over, with the majesty coming from how the artist uses them is a beautiful sentiment that sees Cooper self-justifying another remake and appears like a zen view on the entertainment business that birthed it. Except it isn’t, because this idea is also trying to explain the ending, claiming that the music industry is cyclical and that stars are born and then new stars are born later; Jack’s death is enabling that. What the film seems to miss is that for one state to ever enter another, a star must always die. Ally will fall too. The raw textual argument is that the failures are as eternal as the successes, raising the question of worth, yet the film provides no further exploration and presents it as somehow immediately uplifting.

And that’s the hump that A Star Is Born 2018, like its predecessors, can’t get over. The story thinks it’s a biting, self-aware take on itself, but it’s too close to the subject to see that it’s really just propagating a harsh cycle. This isn’t helped by the film being weighted by so much – the casting of Lady Gaga, his writer-director-producer-actor whammy, even Sam Elliott as the Sam Elliott-type – although those concerns are also the key explanation for what’s really going on.

A Star Is Born Only Exists Because Of Ego

Throughout this article, there’s been one question dangling unspoken. Why are there four versions of A Star Is Born anyway? It’s a story that is flawed and dated, on a topic which has been tackled in more films than any other. Yes, each movie got serious Oscar nominations and wins, but that alone isn’t enough to justify going back. The true answer is enlightening.

1954’s A Star Is Born was conceived as a bid to restart Judy Garland’s career after it stalled over the 1940s. 1976’s A Star Is Born was Barbra Streisand’s attempt (along with then-husband Jon Peters) to boost her standing in Hollywood. And 2018’s A Star Is Born is Bradley Cooper’s grand attempt to win the Oscar that he believes he deserves (his entire post-Hangover career is a carefully played game of chess with a Golden Baldie the King). There are studio concerns too (before Cooper, Warner Bros had been attempting to get a remake off the ground since the early 2010s, although as a Beyonce vehicle has the same career expansion goals), but those are the primary purposes of each version. A Star Is Born is a vanity project on repeat.

Related: A Star Is Born Is An Oscar Favorite – But Could An Infamous Producer Hurt Its Chances?

Now, vanity projects needn’t be bad, and indeed a lot of good comes from each of these attempts. Indeed, each was ultimately successful in both their primary and commercial goals: Garland’s career was rejuvenated; Streisand won her second Oscar; and Cooper’s currently the front-runner in multiple categories for next year’s Academy Awards.

But this aspect appears to be why each version of A Star Is Born struggles to understand the real meaning of its ending. Each powering force believes this movie will be what takes them being a Norman/Jack Maine to a new Esther/Ally while missing that it’s built into the story to be impossible. They believe so much in the two contradictory Hollywood legends wholesale, so don’t see that the story is almost warning against such a thing.

A Star Is Born Is No Longer Needed

In recent years, we’ve seen Hollywood’s reliable rotation of movies about itself take a genuinely incisive slant. 2015’s Best Picture Winner Birdman was an ostentatious exploration of ego that too ended with the protagonist committing suicide, but there it was with the wry critique that fame and adoration are fleeting and that such a bold act was the only way for the self-involved hero to reach the heights he dreamed of. Then there’s 2017’s almost-Best Picture Winner La La Land, which was a celebration of Hollywood-gone-by looking at love in a city of stars, eventually concluding that success required the sacrifice of the central relationship.

Together, these take on all the ideas that A Star Is Born is playing with and apply them in a more thoughtful way. The messages are more widely applicable and their endnotes have considerably less of the hypocrisy. Birdman and La La Land may find joy in the arts, but they also uncover the trials of creativity and fame, keeping the brutal truths in earshot while presenting from a position of success.

A Star Is Born 2018 is a good movie, an undeniable achievement for both Bradley Cooper and Lady Gaga. But there is a flaw at the heart of the tale that just doesn’t ring true. Unless it’s made with a completely revisionist, ego-less eye, in twenty years we do not need another one.

More: Every Version Of A Star Is Born Ranked, From Garland To Gaga



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2018-10-06 01:10:52 – Alex Leadbeater

Mark Ruffalo Fake Spoils Avengers 4 Title; Directors Fake Fire Him [Update]

Update: Mark Ruffalo’s bleeped Avengers 4 title is The Last Avenger

It looks like Mark Ruffalo has trolled Marvel fans with by having his Avengers 4 title spoiler bleeped out of his appearance on The Tonight Show. Ever since it was announced that the 2019 Avengers movie would no longer be titled Avengers: Infinity War – Part 2 and, instead, be an entirely separate story that exists apart from 2018’s Avengers: Infinity War, fans have continuously speculated what the title could be. Since Marvel plans on straying away from titles used in the comics, that leaves the door wide open for whatever the title may ultimately be.

Shortly before Infinity War released, it was reported that the reason Marvel hadn’t revealed what the Avengers 4 title was yet was that they didn’t want to spoil what happens in Infinity War. However, that notion was walked back by Marvel Studios head honcho Kevin Feige. Furthermore, directors Anthony and Joe Russo put to rest several title rumors by saying the title wasn’t spoken at all in their 2018 Avengers movie, which shut down fan hopes that Avengers 4 would be called Endgame, thus referring to Doctor Strange’s final words before disintegrating.

Related: Rumor Says Avengers 4 Title Is Annihilation… But Is It?

It finally looked like Marvel Studios was going to reveal the title today during The Tonight Show with Jimmy Fallon. To start with, Mark Ruffalo tweeted at Fallon this morning, asking him to remove the Avengers 4 spoiler that he “accidentally” leaked. Then, the Russo Brothers chimed in on Twitter, telling Ruffalo, “Mark, you’re fired.” Things came to a head when Ruffalo was actually going to reveal the title… but he didn’t. Instead, it got bleeped out. As it turns out, it was expert-level trolling by Ruffalo (and Marvel).

Update: Ruffalo responds to the Russos firing him, asking for a second chance.

Sure, it’s possible that people could try to make out what Ruffalo is saying, but it’s clear that this was all planned from the get-go. Marvel Studios has their marketing plan laid out, and they are merely getting people excited for that to kick off. A teaser trailer for the highly-anticipated movie is expected to debut sometime in late November (or possibly early December), but the title should release sometime before then.

Given Ruffalo’s appearance and the apparent trolling on behalf of Ruffalo/Marvel, it seems like the studio acknowledges the importance of the title itself and is willing to potentially reveal it separately. Until the Avengers 4 title is revealed, though, MCU and comic book fans will have plenty to discuss and plenty of possibilities to sift through.

Next: Chris Evans Finishes Filming On Avengers 4 Reshoots… And The MCU?

Source: The Tonight Show



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2018-10-05 10:10:44 – Mansoor Mithaiwala

Barbie Movie Now Starring Margot Robbie, Eyes Wonder Woman Director

Warner Bros. is taking control of the long-delayed Barbie live-action movie and Oscar-nominated actress Margot Robbie is in talks to produce and star in it. If a deal is reached, the movie will be handled through Robbie’s banner Luckychap Entertainment – the same group producing the upcoming Birds of Prey movie for DC Films.

First announced in 2009, the Barbie movie has spent the better part of a decade being tossed around Hollywood like a hot potato. The project started at Universal, before moving to Sony, where Diablo Cody was hired to work on a script. Amy Schumer was cast to star in the film in 2016 before dropping out due to other commitments, at which point Anne Hathaway was cast as Barbie. Plans were made for the film to begin shooting this year in anticipation of a 2020 release, before the rights revered back to Mattel, who sold the film rights to Warner Bros.

Related: Birds of Prey Movie: Margot Robbie Pushing to Hire Diverse Co-Stars

THR reports that Robbie is in talks to play the title role in the movie, with Wonder Woman director Patty Jenkins reportedly being eyed to direct, but negotiations haven’t started on that front yet.

It’s unknown at this point just what sort of film Warner Bros. intends to make using the Barbie license. Previous scripts for Sony were reportedly based around the idea of putting a spin on the classic Barbie mythology, exploring the issues of feminism and identity in a modern world through the eyes of a character who has not always exemplified the ideals of feminine empowerment. It’s also unknown if Mattel took ownership of these Barbie scripts of if they remained the property of Sony. This would be the standard practice, but Mattel could still move forward with the idea of a more proactive Barbie with interests beyond fashion and boys at Warner Bros.

It seems likely that concept of such a Barbie movie would appeal to Robbie, whose most recent works have been centered around the portrayal of strong women. In addition to her work producing the Birds of Prey movie (in which she will reprise her role as the anti-hero Harley Quinn), Robbie will soon be appearing in Josie Rourke’s Mary, Queen of Scots as Queen Elizabeth I of England. She is also signed to star in Marian, a film based around the idea of Maid Marian having to lead a new rebellion against the newly crowned King John in the wake of the death of her husband, Robin Hood.

More: Mary Queen of Scots International Trailer: Ronan & Robbie Go to War 

Source: THR



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2018-10-05 02:10:15 – Matt Morrison

Zack Snyder Confirms Batman Died In His Original DCEU Plans

Batman was going to die in Zack Snyder’s original 5 part plan for the DC Extended Universe. The DCEU is headed in a new direction, and most of Zack Snyder’s plans for the characters after the events of Batman v Superman: Dawn of Justice, including a significant portion of Justice League, were abandoned after he was forced off the project and extensive reshoots were conducted by Joss Whedon.

Over time, details for Snyder’s plan for Justice League have continued to leak, including a number of details for his plans beyond that first major team-up, and Screen Rant pieced together a good idea of Snyder’s original plan for Justice League 2, and now, thanks to a comment on the Vero social media platform, we have confirmation of a significant portion of that plan: Batman was going to die.

Related: What Was Zack Snyder’s Original 5 Movie DCEU Plan?

Ramesh De Silva recently posted an image of Superman holding Batman’s body, inspired by a similar image from Grant Morrison’s Final Crisis event, suggesting it was “what we may have seen in [Zack Snyder’s] 5 story arc…” The thought was confirmed when Zack Snyder himself commented to simply say “of course.”  Snyder had previously teased the possibility additional main character deaths when a fan inquired about the nature of 3 different crosses at the end of Batman v Superman, saying it was a set-up for Justice League 2.

This newest revelation isn’t only confirmation of Batman’s death, but also gives us a significant clue as to Snyder’s plan for Justice League 2 as a whole. We’d already suggested Final Crisis would be a major influence on Justice League 2, and this newest confirmation gives us another main ingredient for that story. First, Snyder planned to include Darkseid in Justice League as set-up for Justice League 2. Second, the Anti-Life equation was supposed to be introduced in the ancient battle with Steppenwolf. Third, Batman was supposed to die, presumably with the Final Crisis iconography Ramesh De Silva posted to Vero, indicating Batman sacrificed himself against Darkseid.

Related: What Deaths Did the 3 Crosses Represent Batman v Superman?

This revelation doesn’t merely shed light on the Snyder’s original intent for the story, but also gives a fuller picture of what happened behind the scenes in the DCEU during Justice League’s production. This is the version of the story Ben Affleck would have signed on to portray, meaning his solo Batman movie would have been created with this ending in mind for the caped crusader. Looking at the timeline of Ben Affleck’s departure, it’s very clear it lines up with the time during Justice League’s production that Snyder was clashing with Warner Bros. prior to his exit. So it’s more than likely Affleck’s lack of commitment to the director’s chair was directly related to the fact that his Batman script was significantly impacted by decisions such as removing Darkseid – and he specifically said he wouldn’t direct if he didn’t like the script.

Ultimately, Affleck stepped down, Snyder was forced out, Justice League bombed, and now Affleck’s future with the character is in doubt as Matt Reeves is telling a story that has nothing to do with the role Affleck originally signed on for. Even if he did want to play Batman, it may not be an option since Reeves is expected to tell a story about a younger Batman, so Affleck’s involvement would be limited to potential narrator or modern-day bookend at most. Regardless, with the DCEU’s new direction and confusion surrounding the future of both Cavill and Affleck in question, we’re not likely to see this moment on screen any time soon – if ever.

Related: Zack Snyder’s Cut Of Justice League Was More Complete Than You Realize





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2018-09-29 01:09:25 – Stephen M. Colbert

AMC Has Plans For Another Decade Of The Walking Dead Universe Content

AMC has a plan in place that will see The Walking Dead universe continue in some shape or form for at least another 10 years. The success of the zombie drama has already led to one spin-off, Fear the Walking Dead, and more are expected to come.

After The Walking Dead‘s fifth season in 2015, AMC launched the show’s first companion series, Fear the Walking Dead, a series which focused on a family of characters as they experience the zombie apocalypse from the very beginning. In doing so, the series succeeded in providing viewers with a unique look at the world of The Walking Dead. Since then, fans have been eager to see more spin-offs that explore other settings and characters.

Related: Walking Dead Continuity Makes Even Less Sense With Timeline Confirmed

As reported by THR at the Goldman Sachs Communacopia Conference, AMC Networks CEO Josh Sapan answered a question about The Walking Dead’s falling ratings by explaining that AMC has a long-term plan to maintain The Walking Dead brand. He said:

The Walking Dead is a universe…and we have a plan to manage over the next decade, plus. That plan is a careful plan to respect the world of the fans of that world.

What’s noteworthy about Sapan’s comment is that he isn’t necessarily talking about the show, but the world it inhabits, which suggests that AMC is more interested in preserving The Walking Dead universe than the series itself. So while AMC may not keep The Walking Dead on the air for another decade, it may keep the universe alive either through Fear the Walking Dead or other spin-offs.

The show’s ratings have been slipping for years, but not to a point where cancellation is on the table. Some are concerned that it will continue to drop to even worse numbers in the coming years. There’s also the argument that the time has come for the series to end, considering the show is about to lose its star, Andrew Lincoln, in the first half of season 9. However, The Walking Dead is an ensemble show and may be able to still thrive without him. If The Walking Dead is cancelled at some point down the line, a new spin-off series could be announced or may even launch prior to the show’s end.

The decision to move Lennie James to Fear The Walking Dead also opens the door for some of the show’s key characters to survive a possible cancellation. In recent episodes of Fear, Morgan planned on taking the group to Alexandria, the setting for the main series. The connections between the two shows allows for the two casts to intersect and possibly even combine if it was ever necessary. It’s already been stated that future spin-offs will have deep connections to the other shows.

More: Fear the Walking Dead: Former Star Saddened by Show’s Current State

Season 9 of The Walking Dead premieres Sunday, October 7th on AMC.

Source: THR



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2018-09-14 11:09:15 – Nicholas Raymond