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New York Comic-Con: 26 Biggest Announcements (And 4 Weirdest Possibilities)

It might not be as big as San Diego Comic-Con, but New York’s pop culture celebration is just as eventful. This year’s New York Comic-Con was littered with scoops. Whether it’s juicy rumors or brand new trailers, there was plenty to see and talk about. Of course, the convention weekend can get a bit overwhelming — the onslaught of news, panels, and footage seems endless. Thankfully, we’ve collected all of this biggest topics for those of you who are lost amidst all of the comic book news.

For this list, we’re going to cover the most important stories of this year’s New York Comic-Con, including some big ones that just happened to drop during the week rather than at the convention itself. The list will even feature a few big rumors that have come out of the con for some good measure — or for those of you who just like some gossip. Even those who attended the convention might have missed some of the major stories, so use this as your post-NYCC guide to recap the weekend as things begin to wind down.

We know it’s difficult to keep track of all this news, especially after the convention weekend. This list should make things a bit easier. Even if you didn’t attend, the bombardment of news is probably still filling your news feed. So after you’re finished watching trailers all day and unpacking your NYCC hauls, settle in and we’ll break everything down for you.

Here are the 26 Biggest Announcements From NYCC (And 4 Weirdest Possibilities).

30 Aquaman’s New/Old Armor

The new Aquaman trailer was the highlight of the weekend for many. It revealed a surprising amount of footage — some would say too much. The extended look — roughly five minutes long — featured a plenty of unseen footage.

Audiences were treated to a sequence involving Arthur and Mera in desert ruins, another look at Atlantis, and even an extended action sequence between the two leads as they are chased by Black Manta. Perhaps the biggest spoiler in the trailer was the reveal of Aquaman’s iconic orange and green outfit.

29 Hellboy First Look

While no footage from the Hellboy panel has been released to the public, convention-goers were treated to a poster reveal and an exclusive first look at the upcoming film.

The panel footage wooed many fans in attendance and featured a tone that balanced the movie’s violence and gore with humor. It saw Hellboy receive his iconic handgun and show off the Hand of Doom, and it highlighted his especially shaky relationship with his ally Ben Daimio.

The trailer’s money shot had Hellboy in all-out demon mode, rising out of a pit sporting a flaming sword and crown.

Hopefully it won’t be long before this footage is released to the public.

28 Bullseye in Daredevil Season 3

Daredevil’s new trailers suggest a return to the grounded crime-noir tones of the first season with some big new developments. The first trailer reveals that not only is Kingpin out of prison, but he appears to design a smear campaign to turn New York against Daredevil.

One of the ways this may be happening is through a Daredevil impostor, who is none other than the hero’s most famous villain, Bullseye. Bullseye is the subject of the second new trailer, exploring his life as a government agent-turned-assassin under the employ of Kingpin.

27 Titans Is Grittier Than The DCEU

Titans has already received flak for the marketing’s seriously dark tone. Now, after the first two episodes were screened for viewers at NYCC, it is getting the same criticism.

Not only does Titans sport the DCEU’s same dark tone, but apparently the show is even more violent than the films.

The footage featuring Robin displayed some extremely violent and lethal combat, complete with the same amount of gore and disrespect for human life one might find in — well, anything but a comic book show. With that said, the show did receive a warm reception from the audience, so maybe Titans has potential after all.

26 Possibility — Will Rick Grimes Survive?

The Walking Dead is losing its lead character this season, with the confirmed departure of Rick Grimes actor Andrew Lincoln. His impending exit has been talked about for months now, but fans still don’t know how his character will be written out of the show. In a new rumor, it seems that Rick Grimes might meet a brutal end.

In an interview with Entertainment Tonight, Andrew Lincoln joked that he might not “make it through the credits sequence” teasing Rick’s potential demise. Fans don’t want to say goodbye to Rick, but it will be even harder to do so if he is torn apart by walkers. Can’t somebody get a happy ending on this show?

25 Spock On Star Trek: Discovery

Star Trek fans weren’t left out of the fun this year, with a new trailer for season two of Star Trek: Discovery. The trailer promises a ride that might be just as intense as the first season, with plenty of action, character beats, and visuals so gorgeous that one would think the show had the budget of a feature-length film.

Amidst the sizzle of the trailer is a big reveal — the inclusion of a young, bearded Spock.

The character is supposedly connected to the “Red Angel” visions that Burnham is experiencing, though details on his appearance in the season are still under wraps.

24 First 35 minutes of new Spider-Man movie

Spider-Man: Into the Spider-Verse is still a few months out but panel attendees were treated to the first 35 minutes — and apparently what they saw was incredible. Reactions to the NYCC footage is overwhelmingly positive, citing the stylish animation and and lighthearted tone as some of the film’s standout elements. These early reactions come off the back of a new trailer for the film, which shows off several more of the alternate universe versions of Spider-Man.

Of course, this was only the first 35 minutes. Much of the movie is still under wraps and it has a long road ahead of it, being only one of many tentpole releases hitting theaters this December.

23 Deadly Class is coming in 2019

SYFY’s adaptation of the critically acclaimed Deadly Class comic series made a big showing this year. Between the close collaboration with series writer Rick Remender, the promise of intense action, and the Russo brothers at the helm (Captain America: The Winter Soldier, Avengers Infinity War), this long-awaited series has the potential to be a household name.

Not only does the show seem like a contender for the “next big thing” in comic book television, but it finally has a release date.

This was revealed to be January 16 in a new trailer that focuses on the coming-of-age aspect of the anarchic action series.

22 Star Wars’ The Mandalorian

The first image of Jon Favreau’s live-action Star Wars series was released on Thursday, getting fans hyped for the first real TV show in a galaxy far far away. The photo was released alongside new details about the show, namely its title: The Mandalorian.

Set between Return of the Jedi and The Force AwakensThe Mandalorian centers on a warrior from Mandalore travelling across the galaxy. The title character wears the iconic armor that the planet is known for — a costume shared by fan-favorite character Boba Fett. Plenty remains unknown about the series, though it is set to premiere on Disney’s upcoming streaming service.

21 Possibility — Kingpin and Spider-Man Crossover

Marvel fans will rejoice if this rumor comes true — during all of the Daredevil buzz over the convention weekend, Vincent D’Onofrio made a very reassuring tweet.

When a fan tweeted that the world will never see the him as Kingpin in an MCU film, D’Onofrio responded with “Who says?”

Marvel’s Netflix shows have been especially vague in their references to the Marvel Cinematic Universe, but having Kingpin show up in a Tom Holland Spider-Man film would be the perfect connection. The chances are slim, but at least there’s hope.

20 Bane On Gotham

Gotham‘s fifth and final season was revealed in a trailer this weekend, promising quite the grand finale. The trailer hints that Gotham will be adapting the classic No Man’s Land comic book story this season, and also teased another big bad.

Actor Shane West has been cast as Bane, one of Batman’s greatest adversaries and one of the only major rogues that the show hasn’t yet adapted. Bane’s appearance so early in Bruce Wayne’s life has been met with mixed reactions among fans, but at least that suggests a bombastic end to the pre-Batman series.

19 The X-Men Go To Space

New York Comic-Con got an extended look at X-Men: Dark Phoenix, despite being subject to what seems like endless delays. The exclusive footage, which still has not been revealed to the public, gave fans a look at the fully-formed X-Men team and their upcoming cosmic adventure.

Highlights of the footage included an argument between Mystique and Professor X, Jean Grey absorbing a solar flare, and the team going on a rescue mission in space.

While most of the movie likely takes place on Earth, it’s nice to know that the movies aren’t above digging into the spacebound shenanigans that the comics do.

18 Penny from The Big Bang Theory is Harley Quinn

Among the many DC Universe announcements this weekend was the trailer for the Harley Quinn animated series, which has taken many fans by surprise. The show looks like a quirky adult comedy with Harley breaking the fourth wall and using foul language.

The show is already being compared to the likes of Deadpool, with positive reactions coming out of NYCC. It also features a great cast, with Kaley Cuoco, Alan Tudyk, Ron Funches, JB Smoove, and Wanda Sykes among the voice talent. It is set to release late in 2019 on the DC Universe streaming service.

17 Umbrella Academy’s Big Debut

Netflix’s adaptation of Gerard Way’s superhero darling The Umbrella Academy came to play during NYCC, with a handful of new images and even a trailer exclusive to the folks at Comic-Con. An Umbrella Academy movie has been in the works for many years, but after the switch to television and some time in development freefall, it finally seems right around the corner.

The series — which consists of a dysfunctional family of superheroes — seems to be maintaining its gothic comic book aesthetic.

The show looks like surreal than its counterpart on the pages, but it already has people excited. Umbrella Academy hits Netflix on February 15, 2019.

16 Doctor Who First Reactions

Those who attended the Doctor Who panel were in for quite the event. The attendees got to see the premiere of the new season as well as have an in-depth talk with the season’s Doctor, Jodie Whittaker. The audience’s response to the episode was ecstatic to say the least, and that sentiment seems to be shared by viewers around the world.

Not only was the show a critical hit, but its viewer ratings were record-breaking. The premiere episode “The Woman Who Fell to Earth” peaked at 9 million viewers, which the highest the show has ever had! Sounds like the new season of Doctor Who is off to a fantastic start.

15 Odin’s true form in American Gods season 2

Last year’s adaptation of Neil Gaiman’s American Gods was a massive hit and the trailer for the new season looks just as enticing.  Shadow Moon and Mr. Wednesday are back on their surreal fantasy roadtrip, accompanied by even more colorful characters and bizarre, unsettling visuals.

The footage teases a war between Mr. Wednesday and Mr. World, with an especially striking shot of Wednesday in his true form: Odin. 

American Gods is a trippy, gorgeous series that many may have missed last year, and with such a great-looking sequel on the way, now might be the time to go back and binge. The second seasons drops in 2019.

14 Possibility — Sabrina/Riverdale Crossover

A full trailer for Chilling Adventures of Sabrina hit the web early last week, revealing a spooky-yet-fun adaptation of the comics, as well as a revival of the late ’90s sitcom. Sadly, Archie fans will be disappointed to hear that Sabrina is not currently attached to the hit CW series, Riverdale.

While the Sabrina was originally set to appear on the CW as Riverdale’s companion show (much like CW’s Arrowverse), the move to Netflix seems to have stifled the idea. Still, Sabrina showrunner Roberto Aguirre-Sacasa is holding out hope for a potential crossovers so that the original plan can come to fruition.

13 George R. R. Martin’s new show

Those of you eagerly awaiting Game of Thrones… well, we don’t have any good news for you. But, if you want more content from the mind of George R.R. Martin, an adaptation of his book Nightflyers has received a new trailer and a first-episode premiere at New York Comic-Con.

The sci-fi thriller follows a crew they struggle to survive on their space mission.

Not everything is as it seems on the vessel, as the show promises some solid horror scares as well as a character-driven story. The show doesn’t officially premiere until December 2nd, but at least sci-fi horror fans have something to look forward to.

12 She-Ra And The Princesses’ LGBT rep

Dreamworks Animation has been launching hit after hit lately — between shows like Trollhunters and Voltron: Legendary Defender, their work has earned them much success on Netflix. The newest series from the studio, She-Ra and the Princesses of Power, dropped a poster and teaser trailer at New York Comic-Con that looks like promising fun for young viewers.

The reboot of the ’80s television show sports new cartoony visuals, witty humor, and a diverse cast of characters — even including a same gender couple. While the show’s initial reveal was met with some backlash, the trailer seems infectiously pleasant and fun.

11 Matt Bomer stars in DC’s Doom Patrol

While Titans got plenty of attention at NYCC, the next DC Universe original series got a brief first look. Doom Patrol is set to release next spring, but panel attendees were show some exclusive photos of Brendan Fraser’s character, Robotman. Fraser appeared at the panel and talked through the first look.

Seeing as Doom Patrol is currently filming, it shouldn’t be long before official footage hits the web.

The Robotman design look remarkably accurate to the comics, which has gotten many fans even more excited for the obscure property’s TV adaptation. Supplementing this news was the casting of Matt Bomer as Negative Man — another big name

10 The Spawn Trilogy

Fans hoping for a Spawn trailer at NYCC were out of luck this weekend, but series creator Todd McFarlane spoke at length about his plans for the newly rebooted movie. McFarlane explained that he envisions an ambitious trilogy of Spawn movies, with each one visually and tonally distinct from the last.

The first film might be described as a kind of existential horror-superhero film, with characters wondering if what they see is even real. While the project is still a ways off, the Jamie Foxx-led vehicle is going to emphasize the dark tones of the book with a hard R-rating, as well as cater to the now-older readers of the comic series.

9 DC Universe Streaming Plans

DC Comics and Warner Bros wanted to spotlight their DC Universe streaming service at this year’s NYCC, several small news breaks on he various related properties. Not only did they show footage of Titans, Doom Patrol, and Harley Quinn, but they also revealed the service’s content release schedule over the coming year.

While no specific dates were given, the timeline depicts various release windows for the service’s different original series.

While Young Justice: Outsiders seems to have been split into two parts, Doom Patrol will drop next spring followed by Swamp Thing in the summer, with both Stargirl and Harley Quinn dropping next fall.

8 Pet Sematary First Look

Horror fans might not have had much to talk about at Comic-Con, but during the convention some promo images dropped for the reboot of a Stephen King classic. The first images of the Pet Sematary remake were released, featuring Jason Clarke, John Lithgow, and Amy Seimetz.

The best image of the bunch comes in the form of the Creed family cat, Church, looking meaner and mangier than ever.

While an evil cat may not be the scariest thing you’ll find in Pet Sematary, it’s a nice preview of the Stephen King spookiness to come, especially after the success of 2017’s It. Pet Sematary is set for release on April 5, 2019.

7 Runaways Season 2 Footage

A new trailer for the second season of Runaways shows that the series has moved way past high school drama, and further into superhero action territory. The trailer features the Runaways’ comic book hideout, huge action set-pieces, and plenty of superpowers to go around.

Highlights of the trailer include a kiss between Nico and Karolina, a battle on an airport runway, and a glimpse at Gert’s pet dinosaur Old Lace. The first season of the show was a quiet hit among the newer Marvel properties, but this season promises a much deeper dive into the superhero genre that fans of the series are have been waiting for.

6 How to Train Your Dragon: The Hidden World

One reveal snuck in towards the end of Comic-Con — a very short trailer for How To Train Your Dragon: The Hidden World. Although very brief, the trailer is made up of all-new footage.

The trailer consists of baby Hiccup in his father’s arms as he is told about the legendary world of dragons.

During his father’s narration, the titular Hidden World is given a brief tease as hundreds of dragons flutter across a cavernous landscape. It ends with a shot of Hiccup and Toothless overlooking a town covered in dragons. It’s not as extensive as the film’s last trailer, but it might hold fans over until the film’s release on February 22, 2019.

5 Good Omens Trailer

It’s a great year for Neil Gaiman lovers as they got not one, but two different Gaiman projects revealed at NYCC. First was the second season of American Gods, and now Amazon’s adaptation of Good Omens. 

The trailer for the new series pits Michael Sheen and David Tennant against each other as an angel and a demon who must join forces in order to prevent the apocalypse. The dark subject matter is contrasted by the show’s whimsical tone and David Tennant’s devilish charisma. It sets up what looks to be a very fun buddy comedy about he end of the world.

4 First 25 Minutes Of Peter Jackson’s Mortal Engines

Fans of director Peter Jackson were treated to the first 25 minutes of his next project, Mortal Engines, at this year’s New York Comic-Con. Mortal Engines is another expansive world, like the Tolkien material that Jackson has worked with before, but with a post-apocalyptic twist.

The most talked about elements of the footage were the massive scale of the world and the jaw-dropping visuals.

The Mortal Engines footage introduces viewers to Hester, a girl who lives in a world that was ravaged by the “60 Minute War” that destroyed civilization. Now the world consists of giant cities on wheels that fight each other. Audiences won’t see it for themselves until December 14.

3 The Boys Teaser Trailer

Amazon’s adaptation of Garth Ennis’s hyper-violent superhero comic The Boys has finally been revealed with a brief teaser trailer . The teaser features a public service announcement from Vought International, a company that facilitates the operation of the Seven, this world’s league of superheroes. At the end of the PSA, the titular Boys can be seen sitting on a couch, rudely gesturing to their televisions.

The Boys is already setting itself apart from the traditonal superhero fare, and with good reason — the series is about a team of people who keep out-of-control superheroes in check– by blackmailing them, stealing from them, and beating them up. It’s extremely adult-oriented and it already looks like fun.

2 Voltron Ends in December

The release date and synopsis for the eighth and final season of Voltron was revealed at New York Comic-Con, finally bringing the critically acclaimed Netflix series to a close.

The last season will feature the final battle between the Paladins and Witch Haggar.

A few promo images were released as well — one featuring the villain Honerva and another depicting the Voltron Paladins in a control room with Shiro commanding the gang in a background role. While no footage was shown at NYCC, the release date was confirmed to be December 14. The show’s final season will premiere on Netflix.

1 Possibility — Avengers 4 Titled “Avengers: Annihilation”

This rumor went viral during the weekend of NYCC — “Avengers: Annihilation” may or may not be the name of the still untitled Avengers 4. Speculation over the film’s name has driven fans mad in recent months, with “Annihilation” being yet another choice amidstthe rumored titles titles like “Avengers: Forever”, “Avengers: Endgame”, and “The Last Avenger”.

Annihilation comes from the name comic storyline of the same name, though it bears few similarities to the Infinity Gauntlet story that the films are adapting. Seriously, Marvel, just call it “Avengers: Assemble” and get it over with already. Don’t keep us waiting!

What announcements from New York Comic-Con excite you the most? Make sure to leave a comment before you go to share your thoughts!



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2018-10-08 07:10:26 – Jonathan Figueroa

James Gunn’s Secret Horror Movie Gets a Title & New Release Date

Sony has revealed the title of James Gunn’s latest horror film and pushed the release date to 2019. Writer and director Gunn is best known for his work with Marvel Studios, namely Guardians of the Galaxy and Guardians of the Galaxy Vol. 2, but his directorial debut was in the horror genre with Slither, in 2006.

Although he hasn’t directed a horror film since then, he hasn’t stayed far from it, having penned the remake of Dawn of the Dead in 2004, and written and produced the horror-thriller The Belko Experiment in 2016. Last year, it was announced Gunn was producing a new horror film alongside production company The H Collective from a script written by his brother, Brian Gunn, and their cousin, Mark Gunn. The project has been kept under wraps for months, but Sony finally shared some information on it, including a new release date.

Related: James Gunn’s Guardians 3 Script Will Be Used, Confirms Sean Gunn

The Wrap reports that Sony has pushed back Gunn’s film, now titled BrightBurn, from November of this year to May 24, 2019, placing another horror film (The Possession of Hannah Grace) in its spot. BrightBurn is directed by David Yarovesky (The Hive) and stars Elizabeth Banks, who also starred in Gunn’s Slither. Sadly, the studio didn’t share any plot details, so that will remain a mystery for a bit longer.

Back in July, Gunn was scheduled to appear at Sony’s Hall H panel in San Diego Comic-Con to talk about the project, teasing it was something “dark, sweet and special”. However, his appearance was cancelled at the last minute following his firing from Disney after some old tweets were brought to light. Gunn even shared a teaser image for the then-untitled project, which had some fans speculating about a Bloodborne adaptation.

Since then, Gunn has stayed away from social media and no details on his non-Marvel projects had been revealed until now. Aside from his work as writer and director in Guardians of the Galaxy and Guardians of the Galaxy Vol. 2, he also directed the mid-credits scene in Thor: The Dark World, Stan Lee’s cameo in Doctor Strange, and served as executive producer on Avengers: Infinity War and the upcoming Avengers 4.

For now, moviegoers can only speculate on the tone BrightBurn will have, and given Gunn’s and Yarovesky’s background in the horror genre, a film more gore-oriented with a good amount of psychological horror can be expected. Hopefully, it won’t be long until Sony releases an official synopsis for the film, as well as a first look – either official photos or a teaser.

More: Marvel Studios’ TV Shows Are The Perfect Way To Bring James Gunn Back

Source: The Wrap



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2018-10-08 06:10:15 – Adrienne Tyler

30 Actors Who Regretted Superhero Roles

Landing a part in the latest major superhero movie release represents the pinnacle of many an acting career. Michael Keaton, Hugh Jackman, Chris Evans and, to some extent, Robert Downey Jr might not be the household names they are today were it not for their comic book exploits.

However, while headlining the latest cinematic effort involving a caped crusader of some kind represents a dream come true for many, it’s proven to be something of a nightmare for a rare few. Bad scripts, difficult directors and a toxic work environment are just some of the many myriad reasons cited by the actors and actresses in this list – yet that’s really only the tip of the iceberg. Studio politics, stalled contract negotiations or issues around costume, make-up and iffy computer effects have also played a role in making these superhero movies not-so-super for the stars involved.

More often than not, the resulting movie has been forgettable at best and downright terrible at worst – but there are exceptions to the rule. Sometimes, an actor ended up enduring a miserable time on an otherwise enjoyable project. Other times, far sinister things were going on, unbeknownst to many involved in the finished movie.

Plenty of flops feature on this countdown but some major moneymakers can be found too, with comic book movie properties tied to Marvel, 2000AD, DC and Titan Comics all present and not very correct. Yes, landing a part in the latest superhero movie blockbuster has represented the pinnacle of many an acting career down the years but for this lot, it represented the pits.

Here are 30 Actors Who Regretted Superhero Roles.

30 Hugo Weaving – Red Skull

Hugo Weaving originally signed a multi-picture deal to play the Red Skull across various future Captain America movies. However, when the character returned in Avengers: Infinity War the character had been recast with The Walking Dead’s Ross Marquand taking Weaving’s place. It wasn’t a huge shock.

A few years prior, The Matrix actor told Collider playing the Red Skull was “not something I would want to do again.”

“It’s not the sort of film I seek out and really am excited by,” he said. “I increasingly like to go back to what I used to always do, which is to get involved with projects that I really have a personal affiliation with.”

29 Ryan Reynolds – Green Lantern

Ryan Reynolds has made no secret of the fact things didn’t exactly go to plan with 2011’s Green Lantern. He even went as far as to include a gag, poking fun at the project, in Deadpool 2. Though it’s something he is able to laugh about now, it’s clear the actor regrets signing on that particular dotted line.

“When we shot Green Lantern, nobody auditioning for the role of Green Lantern was given the opportunity to read the script because the script didn’t exist,” Reynolds told The Hollywood Reporter. The experience did at least teach him some valuable lessons about making superhero movies which was good news for Deadpool fans.

28 Jessica Alba – Invisible Woman

Jessica Alba’s experience playing Sue Storm in Fantastic Four: Rise of the Silver Surfer was so bad it left her considering a career change. “I wanted to stop acting. I hated it. I really hated it,” Alba told Elle [via SyFy].

“I remember when I was dying in ‘Silver Surfer’. The director [Tim Story] was like, ‘It looks too real. It looks too painful. Can you be prettier when you cry? Cry pretty, Jessica.’ He was like, ‘Don’t do that thing with your face. Just make it flat. We can CGI the tears in.'” She continued: “It all got me thinking: Am I not good enough?”

27 Ben Affleck – Daredevil

Ben Affleck doesn’t just regret starring in the 2003 movie adaptation of Daredevil, he hates it. Affleck let his feelings be known to TimeTalks [via NME] during a discussion about why he signed on for Batman vs Superman: Dawn of Justice. Affleck said: “Part of it was I wanted for once to get one of these movies and do it right – to do a good version. I hate Daredevil so much.”

“The Netflix show does really cool stuff,” he added.

“I feel like that was there for us to do with that character, and we never kind of got it right. I wanted to do one of those movies and sort of get it right,” Affleck stated.

26 Terrence Howard – War Machine

Terrence Howard has always blamed Robert Downey Jr for the fact he never got to reprise the role of James Rhodes in the Iron Man sequels. “It turns out that the person that I helped become Iron Man, when it was time to re-up for the second one, took the money that was supposed to go to me and pushed me out,” Howard told Watch What Happens Live [via Vulture].

Howard claims the studio offered to pay him “one-eighth of what we contractually had” and when he tried to call Downey Jr to talk about it “he didn’t call me back for three months.”

25 Idris Elba – Heimdall

Idris Elba’s experience working on Thor: The Dark World was so bad the actor described parts of it as “torture” to The Telegraph. In the interview, Elba recalled how he was forced to complete reshoots in London for the Thor sequel just days after return from filming the prestige biopic Mandela, in South Africa.

“In between takes I was stuck there [hanging from a harness], fake hair stuck on to my head with glue, this fucking helmet, while they reset, he said. “And I’m thinking: ‘24 hours ago, I was Mandela.’ … Then there I was, in this stupid harness, with this wig and this sword and these contact lenses. It ripped my heart out.”

24 Ryan Reynolds – Wolverine: X-Men Origins

Ryan Reynolds’ appearance as Deadpool in Wolverine: X-Men Origins was plagued with problems, starting with the character’s appearance. “He wound up being this abomination of Deadpool that was like Barakapool, with his mouth sewn shut and weird blades that came out of his hands and these strange tattoos and stuff like that,” he told GQ.

Though Reynolds objected, the studio pressed on.

“The conversation at the time was ‘If you want to play Deadpool, this is your chance to introduce him. And if you don’t want to introduce him in this fashion, we’ll have someone else play him.'”When the film leaked online and fans reacted angrily, Reynolds response was simple: “told you so”.

23 Ed Norton – Hulk

Ed Norton clashed with producers behind the scenes on The Incredible Hulk, having only agreed to play Bruce Banner on the proviso he could have a say on the script and direction of the film. Replaced by Mark Ruffalo in the MCU, Norton couldn’t resist having a dig at the film during an appearance on Comedy Central’s Roast of Bruce Willis.

“I tried to be like you,” he told Willis [via Indiewire]. “I did a big action movie called The Incredible Hulk. You know what went wrong? I wanted a better script…I thought we should make one Marvel movie as good as the worst Christopher Nolan movie, but what the hell was I thinking.”

22 George Clooney – Batman

Joel Schumacher’s Batman & Robin may have fallen flat with critics and fans alike but it proved to be a serious career wake-up call for its star, George Clooney. “Up until that moment, I was an actor only concerned with finding work,” he told The Hollywood Reporter. “After the failure of that film creatively, I understood that I needed to take control of the films I made, not just the role.”

Clooney successfully banished memories of his time as Batman with next three films: Out of Sight, Three Kings and O Brother, Where Art Thou?

21 Tommy Lee Jones – Two-Face

Tommy Lee Jones hated working on Batman Forever or, rather, he hated working with co-star Jim Carrey. “I was the star and that was the problem,” Carrey explained on Norm MacDonald Live [via THR].

The situation came to a head when Carrey ended up in the same restaurant as Jones during filming.

“I went over and I said, ‘Hey Tommy, how are you doing?’ and the blood just drained from his face,” Carrey said. “He went to hug me and he said, ‘I hate you. I really don’t like you.’ And I said, ‘What’s the problem?’ and pulled up a chair, which probably wasn’t smart. And he said, ‘I cannot sanction your buffoonery.'”

20 Topher Grace – Venom

Topher Grace never felt entirely comfortable in the role of Eddie Brock/Venom having bagged the role in Sam Raimi’s Spider-Man 3. “I was a huge fan of the character of Venom when I was a kid when Todd McFarlane brought him into the comic,” he told Michael Rosenbaum on the Inside of You podcast [via Cinemablend]. “And I was surprised and a little bit like ‘Huh?’ when they wanted me to play it.”

Not only does Grace accept he was miscast, but he also agrees Tom Hardy is perfect for the role. “When I look at it now… [at Tom Hardy’s Venom movie] I go ‘That’s the guy.'”

19 Mickey Rourke – Ivan Vanko

Micky Rourke trashed the bigwigs over at Marvel Studios for what they did to his character Ivan Vanko, in Iron Man 2. Rourke told Syfy that he had worked hard with writer Justin Theroux and director Jon Favreau to flesh out his Russian villain and turn him into a three-dimensional character. Someone behind-the-scenes had other ideas though.

“I wanted to bring some other layers and colors, not just make this Russian a complete murderous revenging bad guy,” he said. “Unfortunately, the [people] at Marvel just wanted a one-dimensional bad guy, so most of the performance ended up the floor.”

18 Alicia Silverstone – Batgirl

Alicia Silverstone was on the receiving end of some serious body shaming while working on Batman & Robin. According to The Hollywood Reporter, Silverstone, who was a huge star following the success of Clueless, was under intense scrutiny over her weight with one critic reportedly observing she “looked more Babe than babe.”

When rumor got out on set that she was having issues with her costume fittings, a storyboard artist ever put together a joke cartoon of Batgirl, mocking Silverstone’s issues.

The fake poster for Clueless 2: The Casting of Batgirl might have gone down well with the guys in the film’s art department but studio bosses were far from impressed.

17 Nicolas Cage – Ghost Rider

Nicolas Cage has previously spoken of his disappointment at his two Ghost Rider movies, which he felt played it too safe. Speaking to JoBlo [via Bloody Disgusting], Cage explained that he and writer David S. Goyer had always envisioned the films as being gritty and, most importantly, R-rated.

“Ghost Rider was a movie that always should’ve been an R-rated movie,” Cage said. “David Goyer had a brilliant script which I wanted to do with David, and for whatever reason, they just didn’t let us make the movie.” Though he believes there is the potential for someone else to take on the role and go down that dark path, Cage is done with the character.

16 Jim Carrey – Colonel Stars And Stripes

Jim Carrey stunned social media ahead of the release of Kick-Ass 2 by denouncing the film and its “level of violence” in the wake of the Sandy Hook massacre. Carrey, who is an outspoken advocate for increased gun control, took to Twitter following the incident to explain that he could no longer support the film.

“I did Kick-Ass 2 a month b4 Sandy Hook and now in all good conscience I cannot support that level of violence,” he wrote [via The Guardian]. “My apologies to others involve[d] with the film. I am not ashamed of it but recent events have caused a change in my heart.”

15 Michael Jai White – Spawn

He may have been among the first African American actors to portray a major comic book superhero but Michael Jai White has little love for his sole outing as Spawn. In fact, White is a much bigger fan of his small but powerful role as the gangster Gambol in Christopher Nolan’s The Dark Knight.

He even went as far as to conduct an interview with The Hollywood Reporter revisiting his performance alongside Heath Ledger.

During the interview, White couldn’t resist having a dig at Spawn: “There is no footage of me ever saying that I liked Spawn. I have never said that I thought that was a good movie.” Ouch.

14 Jared Leto – The Joker

Jared Leto was left far from happy with the version of Suicide Squad that made it to the cinemas. Asked by IGN whether any scenes involving the Joker were cut from the film, Leto let rip.

“There were so many scenes that got cut from the movie, I couldn’t even start. I think that the Joker… we did a lot of experimentation on the set, we explored a lot. There’s so much that we shot that’s not in the film,” he said. “If I die anytime soon, it’s probably likely that it’ll surface somewhere. That’s the good news about the death of an actor is all that stuff seems to come out.”

13 Halle Berry – Catwoman

Halle Berry’s regret at signing up for Catwoman was clear to see when she decided to make an appearance at the annual Razzie Awards back in 2005. A celebration of the year’s worst films and performances, Berry ‘won’ the Worst Actress gong for her efforts in Catwoman and, in a surprising turn of events, was on hand to deliver a memorable acceptance speech.

“I want to thank Warner Bros. for casting me in this piece-of-sh**, god-awful movie,” she said [via MTV], going on to mock the rest of her cast. “I’d like to thank the rest of the cast. To give a really bad performance like mine, you need to have really bad actors.”

12 Alan Cumming – Nightcrawler

Back when Alan Cumming was still in the frame to reprise his role as Nightcrawler in X-Men: The Last Stand, the Scottish actor shocked journalists with his response to the news Bryan Singer would not be returning for the third installment.

“I’m not disappointed, I can’t deny it,” Cumming said [via Movieweb]. “I think he’s really talented. I’m very proud of the film. I think it’s a great film. I didn’t enjoy working with him on the film.”

Evidently, Singer and Cumming didn’t see eye to eye on X-Men 2 though the source of their fractious relationship has never been divulged.

11 Ellen Page – Kitty Pryde

Ellen Page took to Facebook in 2017 to accuse director Brett Ratner of harassment during their time together on 2006’s X-Men: The Last Stand. According to Page, Ratner mocked her sexuality during promotional work for the film. Page was only 18 at the time.

“‘You should f*** her to make her realize she’s gay.’ He said this about me during a cast and crew ‘meet and greet’ before we began filming, X Men: The Last Stand,” Page wrote. “He looked at a woman standing next to me, ten years my senior, pointed to me and said: ‘You should f*** her to make her realize she’s gay.’”

10 Michael Fassbender – Magneto

Back in 2016, during the Toronto Film Festival’s pre-opening-night fundraising event, honoree Michael Fassbender surprised those in attendance by laying into his performance as Magneto in X-Men: Days of Future Past. According to Vulture, during a segment in which clips from several of Fassbender’s films were shown, Fassbender started “cringing and rubbing his face with embarrassment”.

“I don’t actually like that performance there, to be honest,” Fassbender said after the highlights reel finished. “I just think it’s me shouting. It’s just like [making a face and flailing his arms around] some dude shouting.”

9 Jamie Bell – Thing

Rumoured unrest on the set of Josh Trank’s Fantastic Four movie, coupled with the movie’s bad reviews left a bad taste in the mouth of its star, Jamie Bell. “There were several things on that movie I was clearly not privy to because I’m just an actor and I just do my stuff on set,” Bell told the Los Angeles Times.

“Everything starts with the best of intentions. A production begins with the idea to make something that’s unique and original and with integrity,” he said.

“I don’t know what happened between the launch of the voyage and the arrival. I think we were all bitterly disappointed with that film,” stated Bell.

8 Josh Brolin – Jonah Hex

Production delays, directorial changes, script rewrites, reshoots, and some pretty heavy-handed editing helped make Jonah Hex one of the most disappointing comic book movies of all time. It’s something the film’s star, Josh Brolin, is only too aware of. In fact, he revealed in an interview with the Nerdist that he hates it just as much as everyone else.

“Oh, ‘Jonah Hex,’ hated it. Hated it,” he said [via Collider]. “The experience of making it — that would have been a better movie based on what we did. As opposed to what ended up happening to it, which is going back and reshooting 66 pages in 12 days.”

7 Jennifer Garner – Elektra

While Ben Affleck bounced back from his Daredevil movie, Jennifer Garner never quite got going again after her spin-off effort, Elektra, bombed. Though Garner has never spoken openly about the film, her ex-boyfriend and close friend Michael Vartan revealed to Us Weekly [via SFGate] that the Alias actress was very unhappy with how the film turned out.

“I heard [Elektra] was awful. [Jennifer] called me and told me it was awful,” Vartan said. “She had to do it because of Daredevil. It was in her contract.” Garner has never denied Vartan’s claims.

6 Edward Furlong – The Crow

The Crow: Wicked Prayer is an absolute stinker of a comic book movie and currently boasts a 0% rating on Rotten Tomatoes.

It’s star, Edward Furlong, struggled to show much in the way of enthusiasm for the role during an interview with Movieweb.

Asked about how he prepared for the film’s starring role, Furlong said: “It’s sort of like a really slow process that Lance Mungia, the director, and I went through. Initially, I was just attracted to the script because it was The Crow and I got to put on some leather pants and kick people’s ass.” Given how it turned out, he must be regretting signing up for such flimsy reasons.

5 Chloë Grace Moretz – Hit-Girl

Chloe Moretz made her name as Hit Girl in Mark Millar’s original Kick-Ass but, despite the first film holding a special place in her heart, she’s always been less enthusiastic about the sequel.

During an appearance on a panel at the Provincetown Film Festival in 2018, Moretz made those feelings crystal clear. “I love the franchise, I think the first movie was really, really special. I wish the second one had been handled in a little bit of a different way,” she said [via Cinemablend]. “Because I think we were all kind of looking forward to something a little different than what happened with it all.”

4 Kate Mara – The Invisible Woman

Kate Mara played Sue Storm in Josh Trank’s Fantastic Four movie and, in an interview with The Times[via Yahoo] revealed the negative aura surrounding the film made her “a little gun-shy” about seeing the finished film.

“You don’t always have to learn some incredible life lesson when making a s*** movie. Sometimes it’s just what happens,” she said. “[Fantastic Four] was a tricky shoot but you know when you know when you’re shooting it that a film isn’t going to be what you want it to be? That was not the case at all.”

3 Jamie Kennedy – The Mask

Son of the Mask saw Jamie Kennedy replace Jim Carrey as the franchise’s star, with almost unwatchable results.

Though the movie is widely regarded as one of the worst ever made, Kennedy’s biggest regret may boil down to the make-up he had to wear on the film.

“I wore it 6 days in a row, and after that it gets rough,” he told Movieweb. “I had ears in this one, and Jim Carrey didn’t in the first one, so they would like press against my real ears and cut the circulation, so I would have to like rub my ears a bit after having on the makeup to get the blood flowing again.”

2 Sylvester Stallone – Judge Dredd

Despite starring in such turkeys as Over The Top, Stop Or My Mom Will Shoot and Oscar, Sylvester Stallone’s biggest regret was reserved for another movie. “The biggest mistake I ever made was with the sloppy handling of Judge Dredd” he once declared [via Den of Geek]. “The philosophy of the film was not set in stone – by that I mean, ‘Is this going to be a serious drama or with comic overtones’, like other science fiction films that were successful? So a lotta pieces just didn’t fit smoothly.”

“The design work on it was fantastic, and the sets were incredibly real, even standing two feet away, but there was just no communication,” he stated.

1 Lori Petty – Tank Girl

Lori Petty had a very particular gripe with the way things turned out for her Tank Girl movie: it was given an R rating. “There is nothing about that movie that is R. Nothing. Except there’s a woman talking s***. That’s why they rated it R. If they were going to rate it R I should have been butt-naked all the time, running around,” she told AV Club.

Tommy Boy came out that weekend, too, which is a hysterical movie, but it was rated PG-13. Do you know how many people bought Tommy Boy tickets and went to see Tank Girl? A billion.”

Are there any other superhero actors who regretted their roles? Sound off in the comments!



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2018-10-08 03:10:25 – Jack Beresford

6 Casting Decisions That Hurt It’s Always Sunny In Philadelphia (And 14 That Saved It)

There are sitcoms that everyone loves, and then there’s It’s Always Sunny in Philadelphia — a series which has managed to turn off many with its despicable characters and depraved sense of humor. From faking cancer to trying to eat a homeless person, there are no depths that are too low for the owners of Paddy’s Pub. But you don’t get to thirteen seasons without making a few fans in the process.

While It’s Always Sunny in Philadelphia might not pull in the biggest numbers, the show has maintained such a rabid following over the years that one has to wonder if they’ve accidentally gotten there hands on some raccoon meat. But the more likely scenario is that many people have just as twisted of a sense of humor as the makers of this FX series.

The sitcom was created by Rob McElhenney with the help of Glenn Howerton and Charlie Day, who would go on to portray Mac, Dennis, and Charlie on the series. Kaitlin Olson and Danny DeVito fill out the rest of the main cast as Dee and Frank Reynolds, and for over the last decade, fans have been happily following the bizarre misadventures of the Gang. Of course, it’s impossible to imagine anyone else in these leading roles. With over 130 episodes, there has been no shortage of supporting characters and celebrity cameo, some of which have been a lot better than others.

Here are 6 Casting Decisions That Hurt It’s Always Sunny In Philadelphia (And 14 That Saved It).

20 Saved: Glenn Howerton as Dennis Reynolds

In a sea of despicable characters, Dennis Reynolds has slowly revealed himself to be the most reprehensible of them all. Dennis may have begun the series as one of the more sensible members of the Gang — albeit one with an extremely short fuse, but he’s slowly revealed himself to be a cool and calculated sociopath. One who also happens to have a heavy side of narcissistic personality disorder.

While Glenn Howerton didn’t want to name the character after himself for fear of people drawing an unwelcome comparison, that hasn’t stopped Howerton from taking the character to some extremely dark places. He’s more than a little convincing when he lays out one of his manipulative plans. While his temper tantrums may be over-the-top, you never doubt the authenticity of the rage and frustration Howerton has embedded into his performance.

19 Saved: Mary Elizabeth Ellis as The Waitress

One of the most prominent recurring characters on It’s Always Sunny, the Waitress has been a part of the series since the very beginning. She is the unrequited love interest of Charlie throughout the majority of the show — though it seems like the tables have turned in recent episodes.

The Waitress is portrayed by Mary Elizabeth Ellis, who had previously worked with Charlie Day on an episode of Reno 911! The two were married shortly after It’s Always Sunny began, adding another layer of hilarity to the dysfunctional relationship between the two characters on screen.

Ellis fully commits to her performance as the down-on-her-luck waitress.

She’s an example of the tight-knit community working behind-the-scenes that has made the series such a success.

18 Hurt: Jason Sudeikis as Schmitty

While sitcoms usually lend themselves well to celebrity cameos, It’s Always Sunny has created such a distinct world that more often than not these cameos end up feeling out of place. There have been a few instances where they’ve managed to pull them off. Josh Groban popping up in one of Dee’s fantasies seemed fitting, and Dax Shepard manages to blend in fairly well into the episodes where Mac and Charlie join a cult.

In the case of Jason Sudeikis and a number of other celebrities, the cameos just end up coming across as distracting. There’s nothing inherently wrong with Jason Sudeikis playing Schmitty — an ex-member of the Gang who makes an unexpected return. The whole time, you never forget that you’re watching Sudeikis, which just doesn’t work for the tone of the series.

17 Saved: Mary Lynn Rajskub as Gail the Snail

Though she’s only appeared in three episodes of the series to date, Gail the Snail is definitely one of those side characters that we’d like to see more of. She first appeared back in the season five episode “The Gang Gives Frank an Intervention”, where she is the clingy cousin of Dennis and Dee who talks with a lisp and has the disgusting habit of slurping her saliva. Dennis and Dee have found that the only way to get rid of her is to dust her with salt, hence her nickname of Gail the Snail.

The character is portrayed by the talented Mary Lynn Rajskub, who is best known for playing Chloe O’Brian on 24.

This is undeniably a very different character, and it’s impressive just how committed Rajskub is to playing someone so hilariously obnoxious.

16 Saved: David Hornsby as Cricket

The Gang has dragged their fair share of individuals down into the dirt with them, but none are more apparent than Rickety Cricket. Portrayed by David Hornsby, Cricket is a former classmate of the Gang who was once infatuated with Dee. He debuted in season two as a clean-cut priest who has slowly transformed into the addicted hobo that we have today.

Hornsby has been such a prominent member of the show that last season he was given his own episode with “A Cricket’s Tale”, which cleverly intertwined the character’s other brief appearances throughout the season into the story. Hornsby has also been a big part of the show behind-the-scenes as well, serving as an executive producer and a writer of nearly 30 episodes.

15 Hurt: Brian Unger as The Attorney

It’s Always Sunny has a number of supporting characters who re-emerge every few seasons, only to be dragged down by the shenanigans of the Gang once again. Brian Unger plays one such character with the Attorney, who the Gang often visits for legal advice only to contradict everything the lawyer has to say.

As a former correspondent of The Daily Show, Unger is really good at playing the straight man.

In fact, he’s too good, which makes it hard to believe that he would put up with these self-centered, narcissistic characters for more than a few episodes. Often, these supporting characters are revealed to be a little bit off in their own right, but Unger is just too normal to make his character mesh with the series.

14 Saved: Danny DeVito as Frank Reynolds

Danny DeVito first popped up in season two of It’s Always Sunny, and his casting as Frank Reynolds quite literally saved the series. While the higher-ups at FX reportedly loved the first season, not enough people were watching to warrant a second outing. McElhenney, Howerton, and Day were given the ultimatum to add a bigger name or face cancellation. While they worried how DeVito would fit into the series, the veteran actor has more than proven himself as a worthy member of the Gang.

The insane things that DeVito will do for the character are a testament to the actor’s commitment. Even more impressive is how you never feel like you’re watching a performance. DeVito becomes Frank Reynolds. Even when he’s not delivering lines, just watching him futz about in the background is already hilarious enough.

13 Saved: Charlie Day as Charlie Kelly

It’s Always Sunny has turned all of its leading actors into stars, but Charlie Day is the biggest breakout of them all. Since appearing on the show, Day has worked on a number of hit films, including Horrible Bosses, Pacific Rim, and The Lego Movie.

His star power has no doubt helped the show remain on the air for so long.

Thanks to Day’s performance and musical talents, the character of Charlie has no shortage of memorable moments. Bird law aside, Charlie may be the least intelligent member of the Gang. In a lot of ways, he’s the heart of the show. Charlie certainly has his share of questionable moments, but they often stem from ignorance rather than malice, which set him apart from the other employees of Paddy’s Pub.

12 Hurt: Sean “Diddy” Combs as Dr. Jinx

Whenever Sean “Diddy” Combs pops up in a movie or TV show, he often plays a fictionalized version of himself. In It’s Always Sunny, he plays the unorthodox Dr. Jinx who utilizes alternative methods to treat his patients.

Not only is the cameo distracting, but Combs’ performance is pretty flat. It almost seems like the actor is reading off cue cards, and when Dr. Jinx is seen playing the bass guitar during a musical performance at Paddy’s Pub, it’s pretty obvious that Combs isn’t actually playing. The rapper may have stolen the show as Sergio in Get Him to the Greek, but whatever worked for him on that movie isn’t back on display in the sitcom.

11 Saved: Artemis Pebdani as Artemis

Artemis is one of the few supporting characters who can actually hang with the Gang without her life coming apart at the seams. She first appeared up in season one, where she befriends Dee after the two meet in an acting class. She’s also had a relationship without Frank throughout her time in the series.

The character is portrayed by Artemis Pebdani, who landed the role right at the start of her professional acting career.

While she’s continued to reprise her part as the fun-loving and wild Artemis, the actress has enjoyed success in a number of other shows, including Scandal and Masters of Sex. Though a number of supporting characters seem to have fallen off in recent years, Artemis has already popped up this season with “The Gang Beats Boggs: Ladies Reboot”.

10 Saved: Lynne Marie Stewart and Sandy Martin as Charlie and Mac’s Moms

Every since Danny DeVito debuted as Frank Reynolds, it was abundantly clear why Dennis and Dee are they way that they are. After all, Frank is just as self-absorbed and conniving as the twins. In that respect, we’ve also gotten to see how Mac and Charlie are a result of their childhoods by getting to know their moms over the course of the series.

Lynne Marie Stewart does a perfect job of playing Charlie’s mom, a kind-hearted woman who was far too overprotective of her son — which explains Charlie’s numerous irrational fears. Meanwhile, Sandy Martin is the total opposite, as Mac’s mom doesn’t seem emotionally invested in her son at all — which explains Mac’s constant desire for approval. Together, the two are a perfect comedy duo, which is on full display in “Old Lady House: A Comedy Situation”.

9 Hurt: Seann William Scott as Country Mac

In season nine, Seann William Scott made a one episode appearance as Mac’s cousin — who the Gang deems far cooler than Mac. Just like Jason Sudeikis as Schmitty, this is another star cameo that can’t help but feel distracting. Scott has made a career playing characters who are too cool for school thanks to movies like American Pie and Role Models. That might seem like he’s the ideal fit for Country Mac.

Wouldn’t it have been even funnier if the Gang idolized a character for no other reason than to get under Mac’s skin?

With the success of It’s Always Sunny, we’re sure that they could have a star cameo every few episodes. Since they’re kept to a bare minimum, it seems that even they know these roles can be a bit ostentatious.

8 Saved: Jimmi Simpson and Nate Mooney as Liam and Ryan McPoyle

The McPoyles are the perfect example of just how dark and twisted the humor on It’s Always Sunny can actually get. They are a large inbred family with the two most prominent members, Liam and Ryan, being former classmates of the Gang. They popped up in a number of episodes between seasons one and nine, where they’re often at odds with the owners of Paddy’s Pub.

Liam and Ryan are played by Jimmi Simpson and Nate Mooney throughout their time on the show. Both fully commit to the unsettling nature of these characters. They might be creepy, but that doesn’t stop them from being a hilarious comedy duo. Our only complaint is that they’ve been absent from the series for the last few seasons.

7 Saved: Catherine Reitman as Maureen Ponderosa

One of the weirdest characters in all of It’s Always Sunny, Maureen Ponderosa is the ex-wife of Dennis Reynolds who slowly makes her transition into becoming a cat in the later episodes of the show. Much like Rickety Cricket, her transition from seemingly normal to totally unhinged takes place over the course of a few seasons — better-allowing audiences to buy into the ridiculousness of it all.

Catherine Reitman seems totally devoted to this outlandish and often unsettling performance.

Since appearing on the show, Reitman’s notoriety has only continued to grow. She currently plays the lead on Workin’ Moms — a show which she also created — along with popping up as another recurring character in Black-ish.

6 Hurt: Guillermo del Toro as Pappy McPoyle

Writer/ director Guillermo del Toro was apparently such a big fan of It’s Always Sunny, that it was one of the reasons he cast Charlie Day in Pacific Rim. In return, del Toro was given this cameo appearance as Pappy McPoyle — who is most likely the grandfather of Liam and Ryan.

One problem right off the bat is that del Toro was cast to play someone who is most likely from Ireland— a fact which the director himself made fun of in a behind-the-scenes interview. This may have been the reason that Pappy McPoyle was given such an over-the-top appearance, which is really the worst part of the character. The McPoyle’s are indeed odd and unsettling, but they’re still somewhat believable.Pappy McPoyle, on the other hand, looks like some deranged wizard who has no place in the series.

5 Saved: Wade Boggs as Himself

The best episodes of It’s Always Sunny usually finds the Gang confined to a single area, where their personalities can do nothing but bounce off the walls and wreak havoc on themselves and anyone in their vicinity. This is what makes “The Gang Beats Boggs” one of the best episodes in the series.

The episode finds the five Philadelphia natives trying to beat Wade Boggs’ record of consuming 70 drinks during a cross-country flight.

While the Gang’s antics are usually based on nothing but nonsense, this true story only adds another level of hilarity to the episodes. The cherry on top is a brief appearance by Wade Boggs himself. In an interview, Charlie Day said that not only was Boggs happy to participate in the episode, but that his real-life record was a lot more impressive than previously thought.

4 Saved: Michael Naughton as the Waiter

Michael Naughton first appeared up in “The Gang Dines Out,” where he is a server at one of the finest restaurants in Philadelphia. He’s crossed paths with the Gang a number of times since, and every time the Waiter emerges worse for wear.

Just this season, Naughton appeared in “The Gang Beats Boggs: Ladies Reboot,” where he is now working as a flight attendant. Once again, the Waiter tries to get the Gang to acknowledge how they’ve sabotaged him in the past. But once again, the Gang can’t remember who he is.

Naughton plays the Waiter with a kind of obsessive desperation beneath his everyman facade; he seems like someone who really would let the Gang get the better of him. He’s also the kind of supporting character that rewards loyal fans every time he pops back up.

3 Hurt: Stephen Collins as Bruce Mathis

Stephen Collins popped up in season two and three of It’s Always Sunny, where he played Bruce Mathis, the biological father of Dennis and Dee. Bruce invests most of his time and money helping out various charities around the world, making him a polar opposite of his children. This also made Collins — who was best known for playing Reverend Eric Camden on 7th Heaven — seem like an ideal fit for the part.

In the years since, Collins has both been accused and admitted to being an abuser. The actor has obviously not appeared on the show since, but going back and watching these episodes with Collins can be more than a little discomfiting.

2 Saved: Kaitlin Olson as Dee Reynolds

With Rob McElhenney, Charlie Day, and Glenn Howerton working on the show right from the very beginning, the actors were afforded the opportunity to mold their characters as they saw fit. However, the character of Dee Reynolds was developed before an actress was cast, and she was originally meant to be the Gang’s voice of reason.

Thankfully, Kaitlin Olson nabbed the role, and over time Dee became just as hilariously pathetic as the other members of the Gang.

Being a former member of The Groundlings, Olson clearly had talent as a comedic performer — which might also explain why Dee fancies herself as a bit of an improv comic. The actress isn’t afraid to make Dee as embarrassing as possible, which adds an element of cringe-comedy to the show that’s not found in the other characters.

1 Saved: Rob McElhenney as Mac

Without Rob McElhenney, there would be no It’s Always Sunny in Philadelphia. The struggling actor/writer decided to put plans for the series into motion after a number of other projects fell through. With the help of Glenn Howerton and Charlie Day, McElhenney made a short episode of the series, which he used to pitch the sitcom. Over a decade later, McElhenney still serves as an executive produces while continuing to write a number of episodes.

As far as his role of Mac is concerned, McElhenney isn’t afraid to take the character in different directions.

He put on a whopping 50 pounds for season seven and Mac finally came out of the closet for good last year — just a few of the many ways McElhenney has kept the show feeling fresh after thirteen seasons.

 —

Who’s your favorite actor on It’s Always Sunny in Philadelphia? Let us know!



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2018-10-07 02:10:26 – Dylan Dembrow

20 Crazy Details Behind The Making Of E.T. The Extra-Terrestrial

It’s been almost forty years since E.T. the Extra-Terrestrial was first released, but this 1982 Steven Spielberg-directed gem is still going strong to this day with audiences of all ages. This wonderful film about a boy and his friend alien melted the hearts of all those who first watched it back in the early 1980s, and it still remains a most treasured family film. Its legacy is seen in every aspect of our pop culture, and it is regularly cited as people’s favorite film of all time. Only a director as visionary as Spielberg could take such a simple concept and transform it into a lasting cinematic treasure.

E.T. also helped transform the lives of those who participated in its making, sending a young Drew Barrymore into stratospheric fame and solidifying Henry Thomas as one of the most famous child actors of all time. There’s no doubt that E.T. will continue to leave its mark on future generations, and we can only hope that its perfection is respected without Hollywood grasping for a remake or an ill-advised, modern-day sequel.

If you’re a fan of this classic film or if you’re a Steven Spielberg aficionado wanting to know his tricks of the trade, you’ll be fascinated by the secrets that went on behind the scenes during the movie’s making. From the movie’s conception based on Spielberg’s life to the inspiration behind E.T.’s famous face, we have all the facts you’ll want to know about this iconic film.

With that in mind, here are 20 Crazy Details Behind the Making of E.T. The Extra-Terrestrial.

20 Henry Thomas Brought Up His Tragic Past For His Audition

Landing the role of Elliott in E.T. unquestionably changed child actor Henry Thomas’ life. Having only previously done a couple of small movie parts in 1981, Thomas all of a sudden became the most famous kid in the world thanks to his on-screen adventures with his alien co-star.  

According to the Mirror, Thomas was only nine years old when he landed this role of a lifetime. In order to secure himself the part, during the audition the young actor drew upon the traumatic experience of seeing his pet dog attacked by his neighbor’s dog, which brought on real tears. Spielberg and the casting directors were immediately impressed. Being able to call upon real emotion showed the director that he could definitely act, and solidified Thomas as a genuine child talent.

19 Drew Barrymore’s Vivid Imagination Got Her Her Role

Drew Barrymore has been on the Hollywood scene for a long time, but her first big start on screen was in E.T. playing the part of Gertie. According to an interview on Ellen, Barrymore revealed that she wasn’t originally even going to audition for E.T. During her interview, Barrymore explained how she was actually trying to get a part in Poltergeist, but the director wasn’t there that day. Instead, Poltergeist’s producer, Steven Spielberg was there in his place.

She told Ellen: “I was six, and I lied my face off. I told him I was in a rock ‘n’ roll band, that I was a drummer, that I was a cook.”

After her audition, Spielberg said she wasn’t quite right for Poltergeist, but that he’d love to have her come in and audition for another project he was working on. Sure enough, he called her up soon after and gave her the part of Gertie in E.T.

18 It had a very boring title at first

When a movie becomes a huge hit, especially one that continues to garner success decades and generations after its first release, it’s hard to imagine it separately from its title. Indeed, the title of a movie becomes its first point of cultural consciousness, and there are those that last the test of time, and those that don’t.

Mention E.T. The Extra-Terrestrial to anyone and they’ll know exactly what you’re talking about. It’s not only a memorable film title, it’s also become so deeply ingrained in our collective pop culture that we all know what it is even if we haven’t seen it. Well, E.T. might have faded away in the land of forgotten films, had they gone with the original title, A Boy’s Life, as noted by The New Yorker. While there’s nothing inherently wrong with A Boy’s Life, it’s not half as memorable as E.T. The Extra-Terrestrial.

17 Harrison Ford Shot a Cameo

While Spielberg was working on getting things ready to begin filming E.T., he was still in the process of filming Raiders of the Lost Ark, which, of course, starred Harrison Ford as Indiana Jones. Ford dating Melissa Mathison, who was the scriptwriter for E.T., at the time.

Because of his friendship with Spielberg and his relationship with Mathison, Ford agreed to make a cameo appearance in the film.

According to Entertainment Weekly, Ford’s bit part was supposed to be a kind of a joke as he was going to play against his usual type, here as an uptight school principal who would scold Elliott after the frog-releasing scene. In the final edit, the decision was made to cut the Ford scene as it didn’t fit in with the rest of the movie and it was thought Ford’s presence would be too distracting from the story line.

16 M&M’s Were Supposed To Be E.T.’s favorite candy

Reese’s Pieces surged in popularity after the release of E.T.. The candy was featured in the scene where Elliott tries lays a trail of candy to lure E.T. back to his house. Many people back then, and now for that matter, might have thought it strange that Elliott used Reese’s Pieces.

Well, according to Business Insider, the reason for the choice of sweet was down to the fact that M&Ms had refused the production permission to use its brand in the film. Culinary Lore also states that Mars Inc., which owned M&Ms, refused the filmmakers the right to use the candy because it didn’t want to be associated with aliens. This was clearly a bad call, as after the release of E.T., sales of Reese’s rose exponentially, topping the numbers sold of M&Ms for the first time ever.

15 E.T.’s Face Was Modeled On Some Famous People

E.T. is one of the most recognizable movie characters in history and one of the cutest, albeit weirdest, examples of an on-screen alien. No character had, or has since, looked like like this singular creature, and its aesthetic is all thanks to Spielberg and his incredible designer Carlo Rambaldi.

Rambaldi created the aliens for Close Encounters of the Third Kind, and his talents were once again put to use in E.T.

In a special featurette called The Making of E.T. The Extra-Terrestrial, Spielberg reveals: “I remember saying to Carlo, here’s some pictures of Albert Einstein, Ernest Hemingway and Carl Sandburg. I love their eyes, can we make E.T.’s eyes as frivolous and also wizened and as sad as those three icons.” Based on these famous celebrities, we have the E.T. we all know and recognize.

14 E.T. Was Played by Three Different Actors

With today’s technology, it would be a fairly easy task creating a CGI alien to act as the main part in a blockbuster film. However, when E.T. was being made in 1982, things were not so simple According to The Vintage News, creating a believable, friendly alien back then took three mechanical puppets as well as three actors, one of whom was a young 12-year-old boy who had been born without legs.

There wasn’t always someone wearing the suit in every scene, as often E.T. was being controlled by a team of mechanical operators. However, when the alien was required to walk or move about, a small person was often behind the movements. Watching E.T. today, the alien might seem like quite a basic piece of engineering, but back then, Spielberg and his team were making technological strides.

13 Drew Barrymore Thought E.T. Was Real

Drew Barrymore was only six years old when she played the part of Gertie in E.T., and even though she was already developing into a bright, young, talented actress, she was still very much at an age where imagination and make-believe can cloud reality. Barrymore’s acting is fantastic in the film, especially for someone so young, but her great reactions to things on screen could be down to the fact that she believed E.T. was a real alien.

 The cast and crew encouraged her to believe E.T. was really alive, and she seems to have taken the bait completely.

In a behind-the-scenes featurette for the movie, Elliott actor Henry Thomas reveals: “Drew, she’s imaginative. She introduced E.T. to her mom and said ‘He’s just a little shy now. He doesn’t want to talk to you right now but he’s just a little shy.’”

12 E.T.’s Voice Comes From Raccoons, Otters, Horses, and Burps

E.T. is one of the most imitated movie characters, with people of all ages having tried at one time or another to impersonate the alien’s singular speech patterns. If you listen closely, you’ll hear that there are a lot of different elements and sounds to the alien’s voice. This wasn’t achieved by employing one spectacularly gifted voice recording artist. Instead, as we learn from the BBC, it was a talented sound designer, Ben Burtt, who collected noises from an entire array of sources and put them together to create E.T.’s voice.

As Burtt tells the BBC: “I created the voice for E.T. out of many different things, about 18 different people and animals and sound effects. There are raccoons in there, there are sea otters, there are some horses, there’s a burp from my old cinema professor from USC.” They also used the voice of a chain-smoking housewife.

11 Spielberg Dressed As A Woman On Set

Being around such a young cast, Spielberg had to ensure that there was enough fun and playfulness on set. In The Making of E.T. The Extra-Terrestrial from 1996, we learn that the director definitely didn’t take himself too seriously while on set. Apparently, around Halloween, Spielberg came to set dressed up as a lady school teacher.

As Henry Thomas remembers: “Halloween was great. He directed the whole day like that, as an old lady.”

Spielberg adds: “I didn’t have children back then in the early 1980s, and you know suddenly I was becoming a father every single day, I felt like a father and it felt good.” Spielberg certainly knew how to keep spirits high on his set, and his kind, playful personality has left wonderful lasting memories on his cast and crew.

10 A Mime Was Hired To Move E.T.’s Arms

In The Making of E.T. The Extra-Terrestrial, we learn that it took a lot of work to create the alien we all know and love. Aside from having a whole team of mechanics working to ensure the creature looked real, Spielberg also hired a mime to help out E.T.’s gestures.

The director reveals: “When I saw the mechanical arms, they were really great but they were very jerky when they worked. The fingers would move, but almost too thoughtfully. And I felt E.T.’s got to have almost balletic arms, almost like the hands of a mime. So I just put it out there, can we hire a mime and we’ll put the E.T. hand makeup on a mime’s hand so the artist can really be artistic about picking things up and touching themselves and reaching out. So this is where this wonderful mime artist came to work with us.”

9 The Original Ending Was Very Different

When a movie is as beloved as E.T. is, it’s hard to imagine it being any different. Grown men and women still weep when thinking about the emotionally-charged final scene, but we could have ended up an alternative ending had Spielberg gone with his original idea.

According to actor Michael MacNaughton’s interview in Express, “The last scene was going to be all of us playing Dungeons & Dragons again, except this time, Elliott’s the dungeon master. Because he was the one that found ET, he sort of got in with the group. […] And then they would pan up to the roof and you’d see the communicator and it’s still working — in other words, Elliott is still in touch with E.T. But after they did the score and they saw what they had with the spaceship taking off and everything… How can you follow that? I mean, it was a wise choice.”

8 There Was A Dark Sequel Planned

Because E.T. did so unexpectedly well at the box-office, it’s a wonder why there was never a sequel released. Had the movie been made today, it’s almost certain that Hollywood would have tried to make it a franchise. Well, according to Syfy, there was actually a story treatment for an E.T. sequel, but it was so terrible that it never got made.

Apparently, its dark tone was done on purpose.

Spielberg was reportedly completely against the idea of a sequel to his 1982 film, saying: “Sequels can be very dangerous because they compromise your truth as an artist. I think a sequel to E.T. would do nothing but rob the original of its [purity].” Who knows, maybe someday someone will dust off the draft and attempt to make it, but Spielberg will certainly be the first to veto the project.

7 They shot the movie in chronological order for the kids

It’s a well known fact that most large-scale film projects aren’t filmed in chronological order. Due to shooting schedules, location requirements, and budget factors, it’s usually not possible to film in script-order. Well, E.T. is one of the very few exceptions to this usual Hollywood practice, as Steven Spielberg insisted that the scenes be shot chronologically.

According to TIME, Spielberg made this unorthodox decision in order to help his younger cast. The director explained: “I insisted on shooting the film in complete continuity so the kids knew, emotionally, where they had been the day before, and they pretty much didn’t have any idea of where they were going the next day. So, like real life, every day was a surprise – Drew, Henry Thomas and Robert really believed that this was happening to their lives.”

6 Robert MacNaughton’s Dungeons & Dragons love got him his part

Robert MacNaughton played Elliott’s older brother Michael in the movie, and he revealed to Express that a childhood pastime of his helped land him the role. Apparently, E.T.’s screenwriter Melissa Mathison was a huge fan of Dungeons & Dragons and she was always playing it with her then husband Harrison Ford at their house.

This explains the game at the start of the film, where we see Elliott trying to join in playing D&D with Michael and his friends.

MacNaughton revealed that he too was an avid Dungeons & Dragons player, and when asked by Spielberg what his hobbies were, he told the director about his love of the game. Spielberg seemed pleased that MacNaughton’s hobbies fit with his character Michael’s pastimes, and the role became his shortly after.

5 The Film Was Shot From A Child’s Point-of-View

One of the things that you may not have noticed while watching E.T. is the fact that is is filmed from a child’s point of view. According to Filmsite, the movie was deliberately shot from a lower-angle in order to encourage younger audience members to identify more easily with the child characters on screen. It also helps adults put themselves back into the shoes of a child, encouraging them to remember how scary and threatening the taller, bigger world of adults can really be for a kid.

In fact, the only adult we ever see in full is the mother, Mary, who was played by Dee Wallace.

Otherwise, most of the other grown-ups in the movie are seen from the waist down, the way a child would see the world in front of them.

4 Real Doctors And Nurses Were Hired As Actors

E.T. is a very emotional movie. From the burgeoning friendship between Elliott and E.T. to the ending when we face the teary goodbyes between these unlikely friends, the movie is rife with sentiment. One of the most poignant, dramatic scenes is when E.T. and Elliott are lying side-by-side in the makeshift medical facility at their house, both fading away while doctors and nurses try to revive them.

According to People, the medical staff we see looking after these two friends were actually real-life medics. Spielberg contacted the UCLA Center for the Health Services in order to get information on cardiopulmonary resuscitation, and he was referred to a specialist. Wanting the scene to look as real as possible, Spielberg got real-life medical staff to play out the scene in order to simulate the chaos that really happens in emergencies.

3 E.T. was inspired by real children

E.T. is one of the most lovable incarnations of an alien to grace our screens.

Part of this androgynous creature’s charm is the fact that there’s so much goofiness and childlike innocence to it.

Well, this sweet naivete, as well as E.T.’s powers, were actually inspired by the screenwriter’s interactions with children. As Melissa Mathison tells us in The Making of E.T. The Extra-Terrestrial: “Many of the scenes from the movie come from my own experience being with children. For instance, what children would like [E.T.’s] powers to be. A lot of the children would mention the obvious of telepathy or telekinetic powers but I was struck by the fact that several of them mentioned that they would like this magic creature to be able to heal. And I thought it was such an incredibly poignant idea to come from a child.”

2 Spielberg Didn’t think E.T. Would Make A Lot of Money

According to Business Insider, E.T. The Extra-Terrestrial is the fourth highest-grossing movie of all time– not too shabby for a low-budget film about a boy and his alien pal. While the movie became a immense success and has been hailed as the most successful film to come out of the 1980s, Steven Spielberg didn’t think it was going to be a hit with audiences.

Speaking in The Making of E.T. The Extra-Terrestrial, the director said: “I think E.T.’s not going to make a lot of money, I think I’m making a movie that is only going to appeal to kids. I said I’m probably making a big mistake, I’m going to make an old-fashioned Walt Disney movie about an alien and a kid and that’s all it’s going to be.”

1 The Movie Was Inspired by Spielberg’s Lonely Childhood

It’s always interesting to find out how some of our favorite movies came about, but no one would ever expect that Spielberg’s tale of a boy and an alien would stem from his own childhood experiences. In an interview with director James Cameron for People, Spielberg admitted that E.T. was “never meant to be a movie about an extra-terrestrial,” but instead about something very personal.

“It was supposed to be a movie about my mom and dad getting a divorce,” he explains.

“So I started a story, not a script per say, but I started writing a story about what it was like when your parents divide the family up and they move to different states.” Eventually, the idea for a boy and an alien friend developed from this, and the rest is E.T. history.

Do you have any other trivia to share about E.T. the Extra-Terrestrial? Let us know in the comments!



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2018-10-06 04:10:51 – Steph Brandhuber

A Star Is Born’s Ending Is Bad (And Always Has Been)

WARNING: Major spoilers for A Star Is Born

A Star Is Born‘s ending undoes what could have been a Hollywood classic – but that’s not exactly Bradley Cooper’s fault. From its first version in 1937, A Star Is Born has always had a problematic resolution to its story, one that’s only got worse over the past century, and this latest version is no different.

A Star Is Born is a classic story that Hollywood loves so much it’s told it four times (with a suspiciously-similar earlier version, several failed attempts and many, many imitators). A top-of-his-game star (in 2018, Bradley Cooper’s rock star Jackson Maine) is suffering from alcoholism and in a stupor discovers a struggling artist (Lady Gaga as Ally, a waitress moonlighting in a drag bar), falling in love with both her and her talent. He provides her with a big break, sending her fame into the stratosphere just as his addictions begin to derail his career. The pair marry, but despite their love things begin to fray.

Related: Read Our A Star Is Born Review

It’s a tale of rags to riches, of falls from grace, of the power of love, and personal identity within all of that. And, for much of the runtime, A Star Is Born 2018 is genuinely a great version of all those stories. Gaga’s first major concert leaves you floating, Cooper shows mental affliction with grace, both perform their songs incredibly (to actual live crowds, no less), and are utterly believable as troubled lovers. It is, for much of its runtime, a very good film worthy of that deafening hype.

However, everything implodes into a black hole of pretentiousness as what could have been a great film its own right has to follow through on being called A Star Is Born

  • This Page: The Problem With A Star Is Born’s Ending
  • Page 2: A Star Is Born’s Ending Has Always Been Bad
  • Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

What Happens In A Star Is Born’s Ending

We’ll stick with Cooper’s take for now before going deeper into the past. A Star Is Born‘s third act is kicked off by Ally winning the Grammy for Best New Artist – a major step for her career, undercut entirely by Jack drunkenly taking to the stage with her and relieving himself on live TV. He goes into rehab and she wrestles with where her focus should lie, eventually deciding to try and protect her recovering husband. She cancels her European tour when her agent, Rez, blocks the duo playing together.

As a result, Jack kills himself. He’s confronted by a seething Rez who has no sympathies or expectations of sobriety and states outright Jack’s ruining his wife’s career. When she matter-of-fact states the tour cancellation, he sees the impact of his actions and, while she plays a concert, he hangs himself in their garage.

Related: Every Song On A Star Is Born’s Soundtrack

This breaks Ally at first, leaving her emotionally distraught, before her understanding the meaning of Jack’s sacrifice – to enable her to truly become the star he always saw – helps her pull through. The film ends at a tribute concert in Jack’s memory. “My name is Ally Maine.” she declares before singing “I’ll Never Love Again”, a song based on their relationship they wrote together while he was recovering. A flashback shows the pair singing, she looks through the camera at the audience, the end.

Why A Star Is Born’s Ending Is Bad

Removing the ending of all presentation and self-imposed importance (a character looking into the camera at the end is an overused trope that Cooper simply doesn’t earn), in just writing down the events of A Star Is Born its problems should be obvious.

Jack decides to kill himself to save his wife, committing suicide because it’s the only way to set her free. This comes about two hours into a film which has slowly built up its numerous interpersonal relationships, and so comes as a drastic and rather unearned turn. Now, there is an argument to be made about accuracy to the unpredictability of mental illness, but given the intimacy audiences had with both Jack and Ally up until this moment, that doesn’t fit with the rest of the film. A Star Is Born, plainly, presents suicide as the only way out. It’s meant to come across as a selfless act but still values success as a true route to happiness, meaning anything emotional about the “gesture” is laced with hypocrisy.

But it’s what comes after and Ally’s coming to terms with her loss that’s so disquieting. For all her innate talent being the drive of the story and her freely made decision to step back what motivated Jack to kill himself, the final scene makes everything about Jack; the mononymous singer for the first time takes on her husband’s surname at his concert, where she performs a song that he helped her write in her original singer style. The suggestion is meant to be that Jack was holding her back, but in the shadow of the previous two hours the strange implication is that the act of a true star being born came from the adversity of Jack’s sacrifice. Making Ally’s success symbiotic to her dead husband is already heavily in the text of the film, but the final scene makes her final ascension even more indebted to his drastic act.

It’s hard to not read A Star Is Born‘s ending as trivializing suicide down to a plot point to give the fundamentally broken male lead the defining role in its female protagonist’s arc. It’s a weird move to make in 2018, although don’t believe this is just the product of an 80-year-old movie being remade. There’s something flawed at the heart of A Star Is Born.

Page 2: A Star Is Born’s Ending Has Always Been Bad

The True Story Behind A Star Is Born’s Ending Explains The Problem

There have been four versions of A Star Is Born: the 1937 Hollywood-skewering original starring Janet Gaynor and Frederick March, the 1954 musical starring Judy Garland and James Mason, the 1976 shift to the music industry with Barbra Streisand and Kris Kristofferson, and the latest Cooper/Gaga release. Each one has its own quirks, but all endeavor to tell the same story of love and fame intertwined, and all have the same basic ending. But the 1937 version isn’t the start. While A Star Is Born‘s narrative is a fiction, it’s very much based on truth; each movie is rooted heavily in the entertainment industry of the time – Hollywood for the 1937 and 1954 versions, music for 1976 and 2018 – and aims to tell an encapsulating story. There are some real-life events that inspired it.

The established star falling for an unknown as she climbs to the top was seen in actors Barbara Stanwyck and Frank Fay’s relationship, with the pair marrying in 1928 when the former was an unknown after starring in a Broadway show together. Their marriage fell apart after she rose above him and he fell into alcoholism. They separated in 1935 after seven years of marriage, two years before A Star Is Born was released. This appears to have been composited with the death of silent film actor John Bowers, who died at sea in 1936 after failing to win a part (whether it was a suicide or not is unclear). There are others (as we’ll see) but these are regarded as the ones who powered the 1937 version.

Related: Lady Gaga Fans Are Trolling Venom With Fake Bad Reviews

Of course, there’s one key distinction between inspiration and movie: in real life, it was two unrelated stories. There are the famous lovers who piggyback success and the past-it star who takes his own life, but in all cases these two aspects are entirely independent; the woman goes on to greater success by cutting the man out, while elsewhere another man falls from grace. Both stories epitomize Hollywood together, and taken alongside each other rather than melded have an ingrained believability. A Star Is Born trades that for something more streamlined in having the suicide be the culmination of the romance, but it’s also idealistic and wistful, losing the real moral of either.

This is reflected in what is regarded as a proto-Star Is Born, the 1932 film What Price Hollywood? Released five years before the 1937 version and produced also by David O. Selznick (and directed by George Cukor, who was approached for the first A Star Is Born and directed the first remake), this is regarded as something of a dry run at the story. Obviously from the release year it can’t share the same real-life inspirations (although, because this is the Golden Age of Hollywood, there are others pointed to), but the core concept and even smaller story beats are there, albeit with one massive difference: the leads are not romantically involved. Lowell Sherman’s Max drunkenly finds Constance Bennett’s Mary and helps make her a star, eventually killing himself after he sees realizes how far he’s fallen and is hurting his friend, while Mary’s suffers an ill-fated marriage that breaks down due to her absences filming and is reconciled at the end.

Watched today, What Price Hollywood? has a cynicism about the film industry ahead of its time despite ultimately being a movie romanticizing Hollywood – and at the core of this is the tragic story of Max and its impact on Mary’s life. The title question is apt.

How The Remakes Have Tried To “Fix” The Ending

In contrast to What Price Hollywood?, A Star Is Born 1937 carries a self-awareness and charm, but in bridging the romantic and the career side of protagonist Esther creates the problematic suicide reading. It’s not helped by dated elements, including the defining part of Esther’s ascension being the actress known as Vicki Lester taking on her husband’s name with a declaration “This is Mrs. Norman Maine“. It works given the time period, but even 16 years later needed an update.

Related: Watch the Trailer For A Star Is Born

The 1954 version is, for the most part, a beat-for-beat remake, just with dance number expansion to make it a musical, but it does make some strides to justifying the ending. The toll that caring for a drunk has on Judy Garland’s Vicki Lester is shown gradually, most upsettingly in an off-stage breakdown she immediately returns to filming from: an unavoidable presentation of the line between art and performer. But, ultimately, it ends in the same way: Norman Maine overhears Vicki’s plans to quit acting to care for her husband, so he feigns going for a swim and drowns himself; after a traumatic period and being unmasked at her funeral (the invasion of the press), Vicki returns to the public eye where she declares herself “Mrs. Norman Maine“. Every issue discussed is here.

The 1976’s A Star Is Born is overall incredibly melodramatic, nowhere less than its handling of the ending. What it should be praised for is its attempts at giving the female lead a greater sense of autonomy: throughout Streisand’s Esther makes decisions that power the narrative, not just being led along by Kristoffersen as those who came before her, but that’s lost thuddingly in the finale. After his meltdown, John Howard has imposed isolation – not rehab – and when returning home immediately sleeps with a reporter wanting an interview for Esther. The couple tries to power past this, but John figures he’s still broken and crashes his car at high speeds. Again, Esther is sad before taking his name (and singing at a tribute event).

Like we’ve already explored with A Star Is Born 2018, all versions have tried to provide their own contemporary spin on the tale to iron out its kinks, yet all wind up having to repeat the same suicide-anger-name triple-tap that doesn’t belong. A degree can be accounted to the changing times, but that ignores that the original trio of movies released over nearly 40 years, and that Cooper wasn’t able to address it either.

Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

Why Bradley Cooper Can’t Fix A Star Is Born

Bradley Cooper certainly tries to bring a modern slant to the worn tale of A Star Is Born. He invests heavily in making Jack and Ally’s opposite trajectories operate independently – Jack is suffering from tinnitus before he’s heard a note of “La Vie En Rose”, while Ally’s SNL appearance is deemed to contradict his advice – while making the love story more immediate. It’s a bigger story, more personal and considerably more consummately paced.

But, like all the others, the ending hits a snag. And some of his decisions make it worse. The method of final descent is different, with the awards show upset and rehab undone not by Maine going off the rails again as in every other take, but rather by Ally’s agent calling his supposed bluff. It’s implied from the British Rez knowing when exactly Jackson first toured across the pond that he was once a fan, now disillusioned with his hero, making him a millennial scapegoat to any affronting reading.

Related: 2018 Fall Movie Preview: The 30 Films to See

This generational push and pull could have been what sent A Star Is Born to greatness. Sam Elliott’s speech about there only being twelve notes played over and over, with the majesty coming from how the artist uses them is a beautiful sentiment that sees Cooper self-justifying another remake and appears like a zen view on the entertainment business that birthed it. Except it isn’t, because this idea is also trying to explain the ending, claiming that the music industry is cyclical and that stars are born and then new stars are born later; Jack’s death is enabling that. What the film seems to miss is that for one state to ever enter another, a star must always die. Ally will fall too. The raw textual argument is that the failures are as eternal as the successes, raising the question of worth, yet the film provides no further exploration and presents it as somehow immediately uplifting.

And that’s the hump that A Star Is Born 2018, like its predecessors, can’t get over. The story thinks it’s a biting, self-aware take on itself, but it’s too close to the subject to see that it’s really just propagating a harsh cycle. This isn’t helped by the film being weighted by so much – the casting of Lady Gaga, his writer-director-producer-actor whammy, even Sam Elliott as the Sam Elliott-type – although those concerns are also the key explanation for what’s really going on.

A Star Is Born Only Exists Because Of Ego

Throughout this article, there’s been one question dangling unspoken. Why are there four versions of A Star Is Born anyway? It’s a story that is flawed and dated, on a topic which has been tackled in more films than any other. Yes, each movie got serious Oscar nominations and wins, but that alone isn’t enough to justify going back. The true answer is enlightening.

1954’s A Star Is Born was conceived as a bid to restart Judy Garland’s career after it stalled over the 1940s. 1976’s A Star Is Born was Barbra Streisand’s attempt (along with then-husband Jon Peters) to boost her standing in Hollywood. And 2018’s A Star Is Born is Bradley Cooper’s grand attempt to win the Oscar that he believes he deserves (his entire post-Hangover career is a carefully played game of chess with a Golden Baldie the King). There are studio concerns too (before Cooper, Warner Bros had been attempting to get a remake off the ground since the early 2010s, although as a Beyonce vehicle has the same career expansion goals), but those are the primary purposes of each version. A Star Is Born is a vanity project on repeat.

Related: A Star Is Born Is An Oscar Favorite – But Could An Infamous Producer Hurt Its Chances?

Now, vanity projects needn’t be bad, and indeed a lot of good comes from each of these attempts. Indeed, each was ultimately successful in both their primary and commercial goals: Garland’s career was rejuvenated; Streisand won her second Oscar; and Cooper’s currently the front-runner in multiple categories for next year’s Academy Awards.

But this aspect appears to be why each version of A Star Is Born struggles to understand the real meaning of its ending. Each powering force believes this movie will be what takes them being a Norman/Jack Maine to a new Esther/Ally while missing that it’s built into the story to be impossible. They believe so much in the two contradictory Hollywood legends wholesale, so don’t see that the story is almost warning against such a thing.

A Star Is Born Is No Longer Needed

In recent years, we’ve seen Hollywood’s reliable rotation of movies about itself take a genuinely incisive slant. 2015’s Best Picture Winner Birdman was an ostentatious exploration of ego that too ended with the protagonist committing suicide, but there it was with the wry critique that fame and adoration are fleeting and that such a bold act was the only way for the self-involved hero to reach the heights he dreamed of. Then there’s 2017’s almost-Best Picture Winner La La Land, which was a celebration of Hollywood-gone-by looking at love in a city of stars, eventually concluding that success required the sacrifice of the central relationship.

Together, these take on all the ideas that A Star Is Born is playing with and apply them in a more thoughtful way. The messages are more widely applicable and their endnotes have considerably less of the hypocrisy. Birdman and La La Land may find joy in the arts, but they also uncover the trials of creativity and fame, keeping the brutal truths in earshot while presenting from a position of success.

A Star Is Born 2018 is a good movie, an undeniable achievement for both Bradley Cooper and Lady Gaga. But there is a flaw at the heart of the tale that just doesn’t ring true. Unless it’s made with a completely revisionist, ego-less eye, in twenty years we do not need another one.

More: Every Version Of A Star Is Born Ranked, From Garland To Gaga



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2018-10-06 01:10:52 – Alex Leadbeater

Is Blade’s Daughter One Of Marvel Studios’ Vampire Projects?



According to Wesley Snipes, there are conversations at Marvel Studios right now about breathing new life into the Blade franchise. If Marvel really want to reinvent Blade for the modern MCU, their best route is to look to a comic book run that would have introduced Blade’s daughter, Fallon Grey – a comic that ironically never saw print.

Marvel has always acknowledged the debt they owe to the Blade trilogy. The Batman franchise seemed to have killed off the entire superhero genre back in 1997, when Batman and Robin released to critical scorn and box office failure. Then came Blade, an unexpected triumph that persuaded studios to give comic book adaptations another chance. For Kevin Feige, the success of Blade taught him an important lesson; “It doesn’t matter how well known the character is, it matters how cool the movie is.” That was why he would go on to green-light films like Doctor Strange or Guardians of the Galaxy.

Related: All the Black Superhero Movies That Came Before Black Panther

Wesley Snipes has revealed that insiders at Marvel Studios have been discussing ideas for Blade for the past two years.” Apparently, there are two specific projects in the works, and he feels they truly honor the legacy of his character. We don’t yet know what those projects may be, but the most interesting take would surely be rooted in a comic that was never actually published in the first place; Tim Seeley and Logan Faerber’s Blade the Hunter.

What Was Blade the Hunter?

In July 2015, Marvel Comics was preparing the ground for their next relaunch, the “All-New All-Different” Marvel Universe. They began to tease a range of books that would release over the course of the year, with one of the most exciting being Seeley and Faerber’s Blade the Hunter. The publisher released a few teaser images and a solicit, which read:

“Fallon Grey is a sixteen year old girl from rural Oregon. Nominated for Prom Queen, Captain of the debate team, most popular girl in her class. But there is another side to Fallon. A feeling like there’s something more inside of her. When terror strikes her small town, she’ll find out just how right she was. As fearsome supernatural forces hunt Fallon, she’ll come face to face with something even more shocking than the monsters on her tail. Eric Brooks…Blade…her father?! And in each other, they’ll discover the purpose they’ve each been struggling to find.”

Seeley insisted that any comparisons between Blade the Hunter and Buffy the Vampire Slayer would be incidental, telling CBR that he’d never even seen the series. His idea was to do something with Blade that had never been done before, using the relationship between Blade and his daughter to force the Vampire Hunter to re-examine his life. “He’s a half-vampire who can “walk in the day,”” Seeley noted, “but hasn’t spent much time actually enjoying the sunshine.” Grey, for her part, would be envisioned as a sort of “anti-Peter-Parker,” a popular girl who fell unwillingly into a life of superheroism.

Related: Avengers 5 Predictions: New Characters Marvel Can Add To The MCU

Unfortunately, Blade the Hunter‘s announcement received a mixed reception. The main problem was that, yet again, Marvel had chosen a white comic book writer for a young black female character. Seeley accepted the point, realizing there was an opportunity here for a fresh and more diverse creative voice, and quit. The book was canceled outright – but rumors began to swirl that there was another reason for that. According to Bleeding Cool, the idea had captured imaginations at Marvel Studios, and they wanted to be the ones to create the definitive Fallon Grey.

It’s not hard to see why this would be a perfect take for a new Blade film. This idea offers an excellent way to incorporate Wesley Snipes’s Blade into the MCU; it acknowledges the character’s legacy in the superhero genre, creating a “passing-of-the-torch” arc that has the potential to launch a whole new supernatural franchise. Even the fact that Snipes has aged becomes part of the plot; this is an older, more world-weary portrayal of the Vampire Hunter than seen in the Blade trilogy.

Given Snipes’ claims of long-standing discussions with Marvel about Blade that began two years ago, those conversations began just months after there were rumors Marvel Studios was interested in Blade the Hunter. Here’s hoping that indicates Marvel fans will finally get the chance to meet Fallon Grey – on the big screen rather than in the printed page.

More: Marvel After Avengers 4: Everything We Know About MCU Phase 4



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Wesley Snipes Teases Two Upcoming Projects In Blade Universe



Wesley Snipes continues to tease a future appearance as Blade, either as a continuation or even in the Marvel Cinematic Universe. Although Marvel Studios receives plenty of credit for kicking off this current age of superhero movies, they were hardly the first. The success of the original X-Men trilogy and Sam Raimi’s Spider-Man trilogy both made it possible, but neither of those would’ve happened without the success of Blade in the late 1990s and early 2000s. Snipes made three appearances as the vampire hero, but fans of his portrayal continue to want more.

As a result of the fan-favorite status of Snipes’ Blade, his hypothetical future arises on a yearly basis. For many years Snipes has remained open to the idea of returning, but the decision is squarely in Marvel’s hands. And, with Kevin Feige and Marvel Studios crafting a cinematic universe, they haven’t done a one-off film or something outside of the MCU in a decade. Whether it comes in the MCU or as a continuation of the Blade trilogy, Snipes is now teasing a few projects are in the works.

Related: Wesley Snipes Doesn’t Want Anyone Else Playing Blade

VICE interviewed Wesley Snipes as part of a profile on it being 20 years since he first played the character of Blade, and they couldn’t help but ask about a possible future. Their question was specifically in regards to Blade 4, and while Snipes didn’t get specific on what is being discussed, multiple projects are in the works according to him. He specifically mentions Marvel needing to square things away on their end before Blade makes his return.

There are a lot of conversations going around right now and we’re very blessed to have the enthusiasm and interest in something coming from that world again. We’ve created two projects that fit perfectly into this world and, when people see them, I think they’re only going to have a problem with deciding which one they love the most.

All the main execs [at Marvel] and my team, we’ve been discussing for the past two years. Everyone’s enthusiastic about it, everybody gets it. But they got a business to run and they gotta square the things that they gotta figure out before they can get to it, I guess. In the meantime, we got a business to run and our own slate of things to do so…

But the next time you see something in [the Blade universe], mark my words: what we did before is child’s play compared to what we can do now.

Unlike previous comments from Snipes about a willingness to return, these quotes specifically mention two ideas that they’re developing. It isn’t clear what exactly these projects are. These could be two separate ideas they can pitch Marvel and then do whichever one they prefer. There’s also a chance that they’re tied together, effectively making them Blade 4 and Blade 5. However, he does mention projects, and not specifically movies, so maybe one of their ideas takes Blade to the small screen, as many have long hoped he’d find his way to Netflix.

Even though Snipes is directly referring to something in the Blade universe, could one of their projects actually be part of the MCU? If Marvel and Snipes’ team have been discussing something for two years, it at least shows an interest from the company. He doesn’t specifically say Marvel Studios, but if you’re Snipes or part of his team, why wouldn’t you want to work with the biggest running franchise? A new Blade movie that takes place in the MCU that also brings Snipes back would instantly make countless fans ecstatic. But, there’s been no real movement on a Blade film from Marvel Studios in years, so only time will tell if Snipes gets a chance to play Blade again.

MORE: Kevin Feige Says Blade Should Join the MCU One Day

Source: VICE



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