Posts

10 Reality Shows For Fans Of The Real Housewives

Fans of the Real Housewives franchise have been invested since the first show, Orange County, premiered in 2006. Now there’s New York, New Jersey, Beverly Hills, Dallas, and Potomac (along with a few spin-offs that didn’t last many seasons). There are gifs, memes, and inside jokes, and the series has become a part of popular culture.

RELATED: Every Single Real Housewives TV Show, Ranked

The Real Housewives franchise has much drama and fighting that it would make sense if it was the only reality show that you watched… but there are so many other options out there that you’re sure to enjoy as well. Here are 10 reality shows for fans of The Real Housewives.

10 Keeping Up With The Kardashians

If you love watching a well-known family live their lives, then you’ve probably watched an episode (or a season) of Keeping Up With the Kardashians. The show premiered in 2007 and now is now on its 16th season.

RELATED: 10 Reality TV Stars Who Have Been On Multiple Reality Shows

KUWTK is a great show for fans of the Real Housewives because by now, many of the housewives have become celebrities. Teresa Giudice is perhaps the most famous of them all and has books and products that she promotes, and she often talks about this stuff on the show. You’re already used to watching the famous housewives and now you can watch the famous Kardashian-Jenner family, too.

9 Very Cavallari

If you watched The Hills then you know Kristin Cavallari… and if you know Kristin Cavallari then you probably know that she’s been doing a ton of stuff since that early reality show. She’s married with kids, a cookbook author, and running the jewelry brand, Uncommon James.

Kristin is also the star of her own reality show, Very Cavallari, and the second season is currently airing on the E! network. This is the perfect show for Real Housewives fans because of one element: the drama. There is a lot of tension between Kristin and her employees and that is often the focal point of each episode.

8 The City

Everyone knows The Hills, but did anyone catch the spin-off, The City? Whitney Port starred on this show, which only ran for two seasons, and it was about how she moved to New York and worked in fashion. She dated, had some friendship drama, and generally tried to find herself and become who she wanted to be.

RELATED: Where Are They Now: The Real Housewives Of New York

The City is beautifully produced and the shots of NYC streets are enough to make you book a vacation right away, so it’s great for fans of the Real Housewives who enjoy seeing the city that each show is filmed in (particularly fans of RHONY).

7 Teen Mom OG

Anyone who watches MTV reality shows or is a big fan of the genre would find it tough to ignore the Teen Mom franchise. But even if someone has never seen an episode of 16 and Pregnant, which is the MTV series which originally sparked the spin-off, they should still watch Teen Mom OG.

RELATED: 10 Things That Were Fake On Teen Mom (And 10 Things That Were Real)

This show features the four girls who had babies during their adolescent years and are now bringing up those kids (or in the case of Catelynn, dealing with giving their kid up for adoption and now they have two other kids). The latest season had two new girls, Bristol Palin and Cheyenne Floyd. It’s a reality show that is worth checking out if you love getting a look at someone’s every day life.

6 Bethenny Ever After

An oldie but a goodie kind of reality show, Bethenny Ever After aired for three seasons on Bravo from 2010 until 2012. The show was about Bethenny Frankel and basically showed you her real life for a little while.

RELATED: MBTI® Of Selling Sunset Characters

Back then, she was married to Jason Hoppy and they were about to have their daughter. She has since gotten divorced from him. The drama of that has been a big part of her time on RHONY so if fans want to go back a few years and get the background story, this is a good reality show to watch. You can also watch Bethenny’s previous show, Bethenny Getting Married which, of course, was about her wedding.

5 #RichKids Of Beverly Hills

#RichKids Of Beverly Hills ran for four seasons on the E! network and while it’s sadly over, there are still enough episodes for you to get your reality show binge-watching on.

It’s super easy to tell what this show is about thanks to the very clear title. The “rich kids” are Dorothy Wang, Morgan Stewart, and their pals. Want to see how very wealthy young people live? Want to watch them order expensive takeout and have a lifestyle that costs more by the second that yours ever would? This is your chance. The show is also worth it for the outlandish statements, like when Morgan said, “My personal trainer’s fee is $1,000. I drop a lot of money to complain with her.”

4 Vanderpump Rules

Calling all Real Housewives superfans: you have to go one step further and get into Vanderpump Rules. This show is a spin-off of Real Housewives of Beverly Hills and is about Lisa Vanderpump and her restaurant, SUR.

The show is really popular and has been on the air for seven seasons now. This show might even have bigger arguments and more “wow, that was wild!” moments than the Housewives francise, so it’s a must for anyone who loves Lisa. And, of course, if you get into RHOB you have to love Lisa because she’s a totally stylish and fabulous person.

3 The Hills: New Beginnings

Fans of the early 2000s MTV reality show The Hills can’t wait for the new spin-off called The Hills: New Beginnings which is premiering in June 2019. Audrina Patridge, Heidi Montag, and Whitney Port are coming back, along with Mischa Barton (yes, the actress who played Marissa on The O.C.). Lauren Conrad isn’t coming back for the new show, though.

RELATED: 15 Secrets You Never Knew About The Real Housewives

This is another good show for fans of the Real Housewives since it seems like it’s totally going to have the same great elements: drama, friendships that might get tested (okay, that probably will get tested), and a high production value.

2 Siesta Key

Fans of the Real Housewives should stop whatever they’re doing and check out Siesta Key ASAP. It couldn’t be a more perfect show for fans of friend groups that are often on the rocks, all kinds of personal drama, and pretty people who like getting dressed up for parties.

There have been two seasons on MTV so far and every episode honestly feels like it could be a music video. The environment is gorgeous since the show is set in a Florida beach town, and you never know who is dating who or which couple is going to break up. It’s a thrilling show.

1 Southern Charm

The final show that any Real Housewives loyal viewer should watch is Southern Charm. The Bravo series has been on the air since 2014 and the sixth season is about to premiere this spring 2019.

The series is about a group of pals who live in Charleston, and honestly there are times when it could be a part of the Housewives franchise since the friends are often fighting or getting really emotional with one another.

These 10 reality shows are perfect for fans of the Real Housewives franchise… and for anyone who can’t stop getting sucked into reality shows that look good and don’t stop with the drama, ever.

NEXT: 

Where Are They Now: The Real Housewives Of New York


2019-04-08 03:04:01

Aya Tsintziras

Elseworlds is Destroying the Reality of the 1990 Flash TV Show

A new trailer for the upcoming crossover event Elseworlds has revealed that the Earth of the 1990 The Flash series has been destroyed by the same forces that will be rewriting reality in the Arrowverse. This may signal the first steps towards The CW attempting to recreate the events of the classic comic book storyline Crisis on Infinite Earths – an event that was foreshadowed in the first episode of the current The Flash television series.

The Arrowverse Flash series has paid tribute to the 1990s Flash show in several ways over its first four seasons, mainly by casting actors from the earlier series in the new one. John Wesley Shipp (the ’90s Barry Allen) plays both Barry’s father, Dr. Henry Allen, and Jay Garrick – The Flash of Earth 3. Mark Hamill has also appeared several times on the show, recreating the role of James Jesse (aka The Trickster) as well as James Jesse’s Earth 3 counterpart. The new series also established that the older series was part of the Arrowverse’s multiverse in the season 2 episode “Welcome To Earth 2” when the 1990 Barry Allen was seen among the visions of other Earths, including Earth-38 – the home of Supergirl.

Related: Arrowverse Elseworlds Crossover Synopses Reveal New Story Details

The latest trailer for Elseworlds, which can be viewed below, shows the the John Wesley Shipp version of Barry Allen standing alongside Supergirl and a Barry Allen and Oliver Queen who have had their superhero identities reversed. At the 0:13 mark, the older Barry Allen can be seen to angrily declare “Enough! You will not do to this Earth what you did to mine!”

While it is unclear who The Flash is addressing in the trailer, it seems likely that he is facing the Monitor Mar Novu. A race of all-powerful cosmic beings charged with maintaining the continuity of all realities, The Monitors in DC Comics are generally neutral in executing their duties, only acting to destroy those beings whose actions threaten the cohesion of the universe. There have, however, been instances of Monitors going rogue, and that seems to be what is occurring in Elseworlds.

UPDATE (This paragraph contains SPOILERS from Supergirl):

This seems to have been confirmed as of Supergirl season 4, episode 8. The episode ends with a scene set on Earth-90, depicting the aftermath of a great battle between many superheroes and an unknown enemy. The John Wesley Shipp version of The Flash is confronted by one of The Monitors, who say the heroes failed and now must be destroyed. The scene ends with this version of Barry Allen running toward the camera into a close-up on his chest emblem, as the theme from the classic 1990 The Flash series plays.

Read More: Supergirl’s Elseworlds Ending Tease Explained: 1990s Flash vs The Monitor

It remains to be seen what will become of the Barry Allen from the 1990s The Flash series. Will his world be restored to its proper place after he aids the heroes of the Arrowverse with saving their Earths? Will be find another Earth in the multiverse in need of a hero? Or will he, much like The Flash in Crisis on Infinite Earths, be forced to make the ultimate sacrifice to save all reality? One thing is for certain – come what may, the Arrowverse will never be quite the same after Elseworlds is over.

More: Arrowverse May Be Teasing The Joker In Elseworlds Crossover



Source link
2018-12-02 12:12:03

Does First Man Have An After-Credits Scene?

You’ve been to the Moon and back with Ryan Gosling’s Neil Armstrong, does First Man have an after-credits scene in store for you? The new film from Damien Chazelle (Whiplash, La La Land) is about the first man to walk on the lunar surface, exploring Armstong’s family life as much as his humanity leaping actions.

It’s a very different sort of biopic for sure. While all the key moments are there – Neil joining NASA, the near-fatal Gemini 8 mission, the successful and unforgettable Apollo 11 landings – the film takes a more abstract approach, with documentary-style filming and moments of reflection creating something more personal than a peek behind the curtain. One of the biggest aspects of this is the lack of any end cards that explain what happened to First Man‘s key players after the Moon landings.

Watch: The First Man Trailer

And if you’re expecting to find out more by sticking around in the theater, you’re out of luck: First Man does not have an after-credits scene. However, there are two very good reasons to still stick about. The first is Justin Hurwitz’s score. In the movie itself, it’s a stunning blend of grounded and magical styles, evoking 2001 and Interstellar while still being its own thing, and the credits suite is a perfect cap. Second, there’s the use of archive NASA recordings at the end that serve as both a reminder of the reality of this story and how space exploration continued beyond the Moon landings.

It shouldn’t be too surprising that First Man doesn’t include anything after the credits. Even with it shirking a lot of drama genre conventions, it’s not going to dip its toe into a trope typically saved for superhero movies. The story of both the Space Race and Neil Armstrong are completed by the movie’s end, so there’s no greater narrative to explore – even if that final scene is rather ambiguous. A stinger showing Armstrong and Buzz Aldrin planting the US flag in the Moon would be humorous, but again not totally fitting.

There’ll be other ways to keep up with the talent involved. Chazelle is going to be giving the big screen a break, but is set to direct the first two episodes of upcoming musical Netflix series The Eddy and is writing a project for Apple TV. Ryan Gosling has no other acting projects lined up, but Claire Foy will be back in cinemas next month for The Girl In The Spider’s Web (but not on Netflix for The Crown, where the role of Queen Elizabeth has been recast with Olivia Coleman).

Next: First Man’s Moon Sequences Are Meant To Be Seen In IMAX



Source link
2018-10-11 03:10:50 – Alex Leadbeater

20 Things Wrong With American Horror Story We All Choose To Ignore

The horror anthology hit TV show American Horror Story just might be the magnum opus of Ryan Murphy and Brad Falchuck. Scarier and more riveting than any of the duo’s other projects, the spine-tingling series features a new theme and characters every season that are all still linked to each other’s universe. From the casting announcements to the series hints, theme reveals, and each season’s unique introductory visuals, it’s riveting entertainment all around. Even so, some seasons fall further off the mark than others, with many episodes barely even registering on the “horror” radar while others left us scratching our heads wondering what the heck just happened.

The thing is, we tend to give glaring errors, plot flops, and other things wrong with the show a pass because we love it so much. From intriguing horror to irresistible characters, from unexpected plot twists to some of the best storytelling on TV, American Horror Story keeps us coming back, not because it’s flawless but because it’s still addictive despite, and sometimes because of, its many flaws.

We might love a character and conveniently forget that he or she is a monster. We’ll keep tuning in even after an entire sequence left us feeling disgusted, embarrassed for the actress who had to play out the scene, or even angry at the creators themselves. It’s just that addictive.

We love it and we’ll keep coming back for me, even with these 20 Things Wrong With American Horror Story We All Choose To Ignore.

20 Some Seasons Aren’t Scary

With a name like American Horror Story, you might expect every episode to be a scream-fest. That’s just not the case, especially in seasons four and five. While there’s no shortage of horror-inducing characters in these seasons, they didn’t really give us nightmares like previous and subsequent seasons were able to do.

Were we jaded from all the mutants, ghosts, zombies, and other creatures in previous seasons?

Both Freak Show and Hotel fell short on promises of terror, often vying for more intense drama (a calling card of Falchuck and Murphy) instead. While we still received interesting stories, Gaga’s vampire and Twisty the Clown just weren’t all that scary.

19 There’s No Reason Given For All The Hotel Vampire Kids

In season five, Hotel, Lady Gaga’s character, The Countess Elizabeth, is a little less fabulous than we expected her to be. Perhaps she couldn’t live up to the Gaga we all know and love already. One of the things that just made zero sense about the character was her propensity to collect children and turn them into little vampires. Does Elizabeth have an old woman in the shoe complex? Is she just that bored? What is the point?

Here’s the thing about kids in horror movies: they add instant scare-factor. Take a look at most scary film kids, from Village of the Damned to The Others and you’ll see the scariest moments. The fact that the vampire kid collection wasn’t even scary was a pretty big letdown.

18 Teeth Fall From The Sky For No Reason

Season six of AHS, Roanoke, was able to recover some of the lost ground from the previous two less-scary seasons but still suffered from the lack of the one and only Jessica Lang. The season saw a return to the haunted house theme, always popular in AHS history, and wove in some new elements, like the whole “based on a true story” theme.  Between Deliverance-like hillbillies and more incredible Kathy Bates, Roanake was much better-received than Hotel, but it had some weird unexplained moments, like teeth randomly falling from the sky.

Not only do the teeth inexplicably fall while Matt is at work, but they also disappear.

The reason why is never given, prompting us to chalk this one up to “random scare tactic.”

17 Queenie Tried To Hook Up With A Minotaur

While we definitely applaud Murphy and Falchuck’s use of mythology throughout American Horror Story, it often makes no sense. Gabourey Sidibe was fantastic as Queenie, the young and lonely witch who gave as well as she got, used LaLaurie as her own personal racist slave, and really deserved main credits billing. But there was that one time she tried to hook up with a grotesque Minotaur…

While the inclusion of adult content is pretty standard in AHS, getting involved with a man who has bull’s head sewed over his own is pretty far out there. It didn’t make any sense, nor did Queenie’s own survival following the incident (or anything else including the Minotaur, really), so we just move along and say that there’s nothing to see here.

16 Zoe’s Hell Is Just Life Without Kyle

Zoe Benson, portrayed by Taissa Farmiga, starts out as a compelling character in the third season of American Horror Story, Coven. She has unique powers that pay homage to classic horror and a long journey ahead.

Tossing in a love interest is a great way to derail a personal growth story.

That’s what happened to Zoe with Kyle, her resurrected boyfriend played by Evan Peters. While we’re glad that Murphy and Falchuck used Kyle to illustrate that mothers can be abusive to their sons just as much as fathers can, “life without Kyle” as Zoe’s own personal hell is really stupid and overly angst-ridden.

15 Aliens In Asylum Makes No Sense

When it comes to American Horror Story, many fans reacted to the inclusion of aliens in season two, Asylum, in the same way that fans of Indiana Jones reacted to the Kingdom of the Crystal Skull. For many horror fans, aliens don’t enter the territory without very specific rules, and you certainly don’t add aliens into an already-existing story for a scare factor.

The aliens of AHS also just weren’t scary. Sure, they made Pepper more interesting and gave convenient explanations for a few weird happenings, but at the end of the day mixing aliens in with mutants, a mean nun, demons, and war criminals just doesn’t work. It’s a hodgepodge of plot devices tossed together like a salad with too many kinds of dressing. Sometimes simpler is just better.

14 The Musical Sequences

We get that Sister Jude is losing her mind in this tenth episode of season two, Asylum, but must we lose ours as well? The episode itself was gripping, but watching Jessica Lange sashay through “The Name Game” wasn’t nearly as eerie as it should have been. It played off as more of an homage to the creators’ Glee in a way that didn’t work.

While some critics enjoyed the mind-boggling number, many of us like to pretend it never happened.

It’s not the last time the showrunners implemented a bit of music and dance, either. Season four, Freak Show, featured several ditties, including a rendition of “Come As You Are” by Evan Peters, Sarah Paulson’s “Dream a Little Dream of Me”, and Lange singing David Bowie’s “Life on Mars”.

13 What Happens To Dr. Arden’s Experiments?

The mutants created in Dr. Arden’s horrific experiments are the stuff of nightmares, and they definitely present an interesting side story among the rest of the godawful happenings at Briarwood Manor in season two of American Horror Story, Asylum. Their issue, of course, is that they disappear off the radar without much of a peep.

Once turned into a mutant and taken to a hospital, Shelley, played by Chloë Sevigny as a homage to the many women unjustly committed to asylums throughout history, seems as if she may be able to lead the authorities toward Arden, but alas, Joseph Fiennes’ conflicted yet greedy Monsignor Timothy Howard takes her out instead. We don’t hear much about them afterward. What happened to the mutants?

12 The Messed-Up Historical Figures

Anne Frank was lobotomized by the evil Dr. Arden from Briarcliff Manor in season two, Asylum. Not only does this make zero sense, but it also really does a disservice to Anne Frank’s memory. There is a lot of artistic license taken with historical figures throughout American Horror Story, from Delphine Lalaurie to James March. Even characters used as backgrounds for new characters, like Nellie Bly’s inspiration for Lana Winters, often seems a bit much, especially when the representation is so loose.

The misrepresentation or grand re-representation of historical figures is nothing new.

Our own history books present complete falsehoods about everyone from Christopher Columbus to Paul Revere. Perhaps it’s just so glaring because we acknowledge that now, particularly during an age of “fake news” awareness.

11 The Opening Sequence And Spoilers Promise More Than We Get

One of the most exciting elements of a new season of American Horror Story is always the opening sequence and the slowly-revealed spoilers. Cast announcements and cool visuals trickle in until we finally get to see that first episode with its incredible casting graphics. The creepy opening sequence does much more than announce the cast: it revs us up like the announcer for a really scary joust about to take place.

The only problem is that it often goes downhill from there. While season 1 typically delivered, the casting graphics in seasons like Freak Show were actually scarier than the episodes themselves. That’s a real problem if we are supposed to be watching a horror program.

10 We Have No Idea What Happened To The Pig Boys

They were a successful execution of “the scary children” in a way that the little vampire entourage of the previous season just couldn’t seem to manage, so maybe that’s why Murphy and Falchuck decided to never let the “pig boys” of season six be seen again.

Aside from the fact that the boys could have made for some truly scary storytelling, the problem here isn’t just that they had no deeper involvement in the story than “check out these creepy kids” but that they don’t even have a resolution. Why the kids say, “Croatoan!” and why they drink pig milk remains unknown, and we may never know what happened to the charming little tykes.

9 No Consequences for the bad things the “good guys” do

As fans of American Horror Story, we sure do forgive a lot of murderers, don’t we? When someone bad finally goes good, all of their wicked deeds don’t seem to be as problematic. Even sweet Nan takes out Joan. Misty Day, otherwise a kind hippie, offs a couple of guys with alligators.

Were these warranted attacks? Maybe, but that doesn’t erase the fact that many characters end the lives of others and we pretty much turn a blind eye toward it like we wouldn’t if they occurred in real life. Of course, from people returning from the grave to mutant attacks near an asylum, there’s really not a lot in the show that applies to real life.

8 There’s Really No War Between The Coven And The Voodoo Witches

During season three, Coven, there’s a big build up about an oncoming war between the coven and the voodoo witches of the area. Both are led by powerful women, and who wasn’t excited to see Fiona, played by Jessica Lange, and Marie Laveau, played by Angela Bassett, go up against one another?

While there was plenty of tension and a zombie attack, it pretty much stopped there, especially after the witch hunters came to town.

AHS often builds up to something we’re expecting and completely abandon it for another plot instead. While we get that they want to keep us on our toes, broken promises do leave us unsatisfied and underwhelmed.

7 Zoe And Madison Gave Their Souls To Azaezel And It Never Came Up Again

When the bus full of frat boys who assaulted Madison wrecks, taking out all of the monsters on board on Madison’s whim, it’s satisfying. Even seeing Kyle taken out doesn’t bother some of us, given that we’ve already seen Evan Peters return from the grave before and wouldn’t be surprised if he returned. He may have stopped his “brothers” but he certainly tried to help them not get caught, making him complicit in the attack.

When Zoe and Madison decide to put “boy parts” together to resurrect Kyle as the perfect Frankenstein boyfriend, they sell their souls to Azaezel in order to do so, and yet it never comes up again. Given that both girls bite the dust during the show, shouldn’t that at least be an issue?

6 Roanoke’s Reality Show Inception

It was one of the most pointless plot points to ever be inserted into a season of American Horror Story. During season six, Roanoke, we’re treated to a reality show type of setting where re-enactors help us understand what happened to the Millers in “My Roanoke Nightmare”, an obvious play on so many other popular reality-based ghost hunting and experience shows. That’s an intriguing concept that works well for much of the season, but then we’re hit with reality-ception.

Getting all of the actors and people involved in actual events together for the blood moon event is one thing, but what about the disclaimer that nobody even survived the ordeal? If that’s true (which makes sense, since this is Roanoke), how did we get the footage in the first place?

5 There’s No Point To Scathach

Scathach, the mythical warrior from the Isle of Skye in Irish folklore, is an incredible character. It’s too bad we didn’t really get to know her in season six, Roanoke.

Lady Gaga’s Scathnach has a plethora of powers, is said to be the first Supreme and yet has no real point in the series.

The witch does a few nefarious things here and there, from purchasing souls to rendering people evil and insane, but in the grand scheme of things she has no real point except to serve as one of those random elements of horror woven in to just be spooky. Given the history of the traditional character, it would be amazing to see Murphy and Falchuck to use this as a tie-in for a more myth-heavy season.

4 People Are Constantly Offed Only To Be Brought Back

Character losses in the American Horror Story realm are pretty much like those in any comic book series: you don’t ever count them as permanent. Even when an entire series ends and you believe a character to be truly gone, they may return in another season! It’s definitely not a new tactic to have characters return from the grave; it’s a strategy used in everything from Dallas to Supernatural.

It makes us feel a little more jaded and a little less invested when tragedy does strike.

Oh, Fiona is sick? Oh, Ethel’s not going to make it? It’s too often meaningless. We want to feel affected, and we can’t help but worry a bit because we do love these characters, but deep down we’re always still wondering when they’ll return.

3 Twisty’s “Resolution” Is Basically A Deus Ex Machina

Season four’s big villain, Twisty the Clown, turned out to be much more Bozo than Pennywise. Sure, he was scary-looking, and he had the tragic backstory to boot, but Twisty’s crimes felt more garden variety scary movie than the monstrous panache we’d expect from AHS.

Twisty, played by John Carroll Lynch, even had a disappointing resolution as a character. Not only was he never really sorted out by a main character or a victim bent on revenge, but he was literally yanked out of the show to join Edward Mordrake’s nightmarish troupe, collecting the clown’s soul after hearing his tale of woe.

2 Misty Day Was Unjustly Lost

One of the characters fans most resonated with in season three, Coven, was Misty Day, played by the talented Lily Rabe. Misty’s character screamed Supreme, from her unique abilities to her lack of really caring about the position.

Misty was all about fairness, being kind to animals, and protecting the vulnerable, making her a fantastic character to root for.

Unfortunately she was also a red herring. Falchuck and Murphy offed her in such a terrible way in a Hell made up of her own personal vivisection nightmare, which made zero sense given her ability to bring things back to life so easily. Misty didn’t deserve her ending, but neither did Nan and many other characters.

1 Tate Is A School Shooter

Tate Langdon is one of the most romanticized characters in the history of AHS. The season 1 character is a doting friend, devoted boyfriend who would do anything for Violet, and speaks volumes of teen angst to many a smitten heart. It doesn’t hurt that Evan Peters, who plays Tate, is easy on the eyes as well. Is that why it’s so hard to remember that Langdon is such a deplorable character?

Tate is a school shooter. He took the lives of several classmates and should represent what we most despise and do not condone in this nation right now. He also assaulted Violet’s mother, Vivian, causing her to become pregnant with his Antichrist baby. How can anyone still crush on this guy knowing what harm he’s done?

What other problems with American Horror Story do fans overlook? Let us know in the comments!



Source link
2018-10-10 08:10:37 – Sara Schmidt

Simon Pegg Interview: The Boys

Amazon’s upcoming comic book adaptation, The Boys, dropped some big news at New York Comic Con this week; not only did was the first clip from the show revealed, but so was the news that Simon Pegg would be appearing in it. The Boys is an adaptation of the Garth Ennis comic series of the same name, which satirizes the superhero world and imagines life in a universe where those with powers become corrupted by them – but maintain their public image.

The ‘Boys’ of the comic title are a group of vigilantes, mostly without superpowers, who take it upon themselves to keep tabs on the various ‘supes’ in this world – and occasionally, to take them down. The series follows Butcher (Karl Urban), his new protege Hughie (Jack Quaid), and the rest of their gang as they wreak havoc on the twisted supes that the world sees as heroes, and it promises to be violent, foul-mouthed, and hilariously dark. After the reveal that Pegg would be appearing in the show as Hughie’s father, we sat down to talk about what fans can expect from his new character on the show.

Related: The Boys TV Show Casts Simon Pegg As Hughie’s Father

SR: So, obviously this was a big reveal for The Boys today. Can we ask now how big your part in the show is?

Simon Pegg: I’m a guest role. I think I’m in a few episodes, and it was something that we really wanted to do from the off. When the show became a reality, they were very kind to get in contact when Jack was cast and say ‘maybe you can be in the show’. And I think I suggested that maybe I could play Hughie’s father or something.

SR: So it was your idea?

Simon Pegg: Well, I can’t remember, but I feel like I did say that! Whether or not they had already had the character in mind I’m not sure, because he certainly… he serves a real purpose in the show. He’s not in the comic book, but I think in the show he represents the possibility of Hughie not taking action. And the show begins with this terrible tragedy that happens to Hugie and he has two choices; he can stay on the sofa with Dad like every Campbell man has in the past, or he can actually change his life.

And so, as a sort of visual representation of Hughie’s possible destiny, the Dad works really well as a character.

SR: And do we see any of Hughie’s Mom?

Simon Pegg: No, she passed away, so it’s just Hughie and Dad, and they have a very sweet relationship. That picture that you saw of us, the family shot, is very much prior to A-Train doing what he does. They have a very sweet little… you know they are just father and son, and he’s still got his toys in his bedroom, and they live together, and Dad dotes on him. He’s a nice guy, he’s just very ineffectual.

SR: How do you feel about the fact that in the comics, obviously Hughie is Scottish and now we’re coming over to the US for this series? Are you going to be an English Dad or are you going to do the American accent?

Simon Pegg: Well, we talked about this, and I think what happened was initially I was going to play Hughie’s Dad as Scottish in reference to the comic book, but then we decided in a way that if Hughie was used to a British accent of any kind, it would make Butcher less alien to him, in a way. Because Butcher’s got to feel like he’s from a completely different world, you know, and so he has this rough Cockney accent, and so we thought ok, let’s make them American. So I play Hughie’s father as American.

SR: Which other character are you most excited about? Which one is your favorite, either in the comics or the show… is it the same one?

Simon Pegg: I was just really happy to see the Supes, you know! When I did my first scene it was quite early on in the shoot and not all of the Boys had actually arrived. I hadn’t met Karen [Fukahara] or anybody and I was kind of like, really wanting to see some superheroes. And then when I came back to shoot some more scenes later on I got to see A-Train, and pictures of the other ones, and it was just really great to see them in 3D! But the one that I saw that was a full on ‘there he is, right in front of me’ superhero was a real treat.

SR: Do you think that this show is going to be particularly appealing to people who are maybe getting a little of that so-called ‘superhero fatigue’?

Simon Pegg: Yeah, I think that in a weird way, as a satire on superheroism, that’s kind of the least of what this show is, in a way. It’s a broader satire about the notion of power and celebrity, and it just so happens that the subjects of that particular analysis are superheroes in this show. We do, obviously, satirize superhero culture a little bit, and people might enjoy the parallels to other known superheroes that The Boys delights in. But at the same time, you know, it’s still a superhero show, I think it’s just a welcome change of tone, for sure. But it’s not like, I don’t think it’s sneering at its roots in any way. In the great tradition of comics like The Watchmen and The Dark Knight Returns, it’s kind of a slightly skewed version of that world, no less reverent.

SR: And other than yourself, because obviously your character doesn’t exist in the comics, were there any other major changes that surprised you, going in as a fan? At least, I am assuming you are a fan!

Simon Pegg: I am, yes! Everything that I saw, I really really liked, and I appreciate the importance, when making an adaptation, of not being too slavish. You can tie yourself in knots by being desperate to please, and I think that the best thing you can do with a story that first appeared in 2008 sis to make sure that it feels relevant in 2018. So they’ve done everything they can to do that. So the changes that I saw felt completely in keeping with the spirit of the comic book, and I know that’s what Garth Ennis really wanted as well, and Darick Robertson (the artist). And so as long as they maintain the kind of mission statement of it I’m happy to see it change. It must change, in the same way that The Walking Dead as a comic book is very different to the series, but it still has its own personality. TV is a different medium, you know, and it should have its own identity.

SR: And finally, I think we have time for one more, so given that you know the works of Garth Ennis, would you think that The Pro would be an interesting thing to be adapted next? And would you like to appear in that one, if it did?

Simon Pegg: [LAUGHS] I think anything he does is always… I think Garth kind of writes specifically to try and challenge people not to adapt… as if to say ‘alright, adapt that then!’. You know, things that just seem completely unadaptable. So, yes, I would always be happy to be involved in anything that Garth does, I’ve been a fan a long time, so yeah.

And, now they’ve done Preacher and now this, I think it’s paved the way for pretty much anything he does to appear in some form, you know, however mental. I shouldn’t say that, it’s the wrong word to say.

SR: Well, it’s a very British word.

Simon Pegg: [CHUCKLES] Yeah. So – who knows, you might have started a rumor – this is how these things start!

Next: Everything We Know About Preacher Season 4

The Boys is expected to premiere on Amazon in early 2019.



Source link
2018-10-10 01:10:06 – Rose Moore

15 Rules The Cast Of Counting Cars Is Forced To Obey

The guys working at Count’s Kustoms may not seem like a the type who are keen on rule-following, and, for the most part, that is true. There really aren’t all that many stated rules in the domain of Danny Koker and crew, but everyone has lines that they would prefer remain uncrossed.

That said, Danny and the crew of Counting Cars do have a few unstated laws that must be adhered to on the set. While the History network may not be as interested in staging dramatics and scenarios as their competitors, that isn’t to say that they haven’t laid out a few orders which need to be followed in order to keep the show interesting for the viewer. It may betray the tough guy bravado of the show, but rules are rules, no matter how many hot rods you’ve restored.

Some of these rules are relatively petty and simple, while others might raise an eyebrow or two and hint at a darker history behind these Las Vegas-based body shop workers. Danny, Mike and company haven’t caused all that many controversies when compared to some other big-name reality TV stars out there, but that doesn’t mean that they don’t have a couple of skeletons in their closet. Again, there don’t appear to be all that many hard-and-fast rules on the set of Counting Cars, but there are at least a few things that cast members know to keep an eye out for.

Here are the 15 Rules The Cast Of Counting Cars Is Forced To Obey.

15 Only Approach Certain People About Their Cars

A major focal point of many Counting Cars episodes is Danny’s frequent run-ins with random car owners. He’s often been filmed approaching people on the street or following someone home in order to track them down and make a deal for their car. These moments are, as most viewers may have guessed, almost always staged.

This is a pretty important rule for the cast to follow, however, as following hot rod owners home and offering to buy their cars is a pretty good way to creep out your clientele and make viewers think you’re a huge weirdo.

While Danny may have done something like this once or twice in his private life, these instances are commonly pre-arranged for the show. Stalking someone with the intent of bartering for their car is probably illegal anyway, though it does make for some interesting TV. Most of the Counting Cars guys aren’t actors by trade, either, and their performance sort of ruins the facade at times.

14 Get Every Fact Straight

If there’s one rule that Danny Koker does his best to follow, it is this one. Danny and the rest of the Counting Cars crew have frequently been called out and ridiculed by trivia-loving car aficionados for small mistakes they have made on air. Event the smallest of inaccuracies get pointed out, and it may call the integrity of Count’s Kustoms into question for the hardest of the hardcore.

For instance, Danny was once noted to have been incorrect about the year in which Chevy first started producing the Corvette: he said it was 1954, but it was actually 1952. It is a mistake he has yet to live down in some circles, and he’s since been sure to get his facts straight when he’s on camera.

13 Keep an Eye Out

Again, this isn’t necessarily a written rule, and it may seem like common sense for most business owners, but Danny and the rest of the guys working at Count’s Kustoms need to do their best to make sure burglary and theft aren’t taking place under their noses. This may sound like a no-brainer, but these things have happened more than once in the autoshop’s history.

From stolen trailers to ransacked houses and full-on employee embezzlement cases, Counting Cars hasn’t had a totally spotless run.

As a result, the guys at Count’s Kustoms need to keep an eye on their surroundings as well as on their co-workers, which doesn’t exactly create grounds for a healthy work environment.

12 The Customer is Always Right

The guys at Count’s Kustoms have taken on some pretty ludicrous jobs over the years, and this is partially because, as a rule, they try not to refuse any customization requests. This definitely isn’t something that’s been set in stone, as Koker and his employees have certainly turned some people away over the course of the show’s history, but it rarely ever happens.

Though they specialize in motorcycles and cars, the Counting Cars crew has accepted vans, busses, and even boats in the past, which certainly made for some interesting TV. It probably isn’t in Danny’s best interest to take on literally every project which comes through his door, but they certainly seem to try.

11 Keep Them Coming

Time is money, and the crew working behind the scenes at Count’s Kustoms sure like to keep busy. Though Counting Cars never really gets into the inner workings of the shop, Danny has said that they never have fewer than fifteen projects going at one time.

Given that each project is a pretty hefty investment in terms of time and resources, this is a pretty major commitment.

As a result, Count’s Kustoms has taken on a bunch of new employees over the years, and they don’t seem to show any signs of slowing down any time soon. Though the show’s popularity may eventually fade, Danny and his employee’s work probably won’t.

10 Stick to the Budget

Danny Koker is known to be very conservative both politically and fiscally. He is extremely protective of his money despite the fact that he has plenty of it to spare, and he never overspends except in very particular situations. Though it may not be an explicitly laid out rule in his shop, Danny’s employees are doubtlessly aware of the fact that they really need to stick to a budget.

The Count himself has shown his financially conservative nature when haggling, and he has been known to walk away from deals he finds unfair. This doesn’t show up all that often in the show, of course, because most of the drama is scripted and most of the bartering has already been pre-arranged. Those close to Danny, however, will know the truth.

9 Don’t Rush It

Count’s Kustoms may take on no fewer than fifteen projects at a time, but most of these projects take quite a while to complete. This is never really shown on the show, though, as the Counting Cars producers like to expedite things for the sake of viewer interest, but customization jobs are known to take 12 to 24 months to complete on average.

This may sound like an insane amount of time, but there really aren’t many places in the world that offer customization options like Count’s Kustoms.

Though some projects cruise through the shop in as little as ninety days, most employees know not to rush things.

8 Don’t Mention Danny’s Dad

Danny Koker’s father, a well-respected man who taught Danny everything he knows about autobody customization, bequeathed his extensive collection of rare cars to his son when he passed away. These vehicles hold an incredible amount of sentimental value to the Count’s Kustoms owner, and, though he has shown parts of the collection off in recent years, he doesn’t like to work on them.

Danny has said that his father’s passing is still a tough subject for him, and, as a result, most of his employees know better than to bring it up. In fact, even Counting Cars regulars should know better than to mention those cars or suggest working on them. While this may one day change, it remains a point of contention in Danny’s garage.

7 Don’t Bring up the Bandana

This really isn’t an unspoken rule, as Danny’s look has been the subject of occasional workplace antics over the years, but it should be said that Danny doesn’t seem all that keen to reveal what’s going on underneath his iconic bandana.

Many have speculated that he is covering some sort of facial deformity or unsightly tattoo, while others believe that he is abnormally committed to his rock-and-roll look.

The most likely explanation is that he isn’t eager to show off his receding hairline. Though this is little more than speculation, it does explain why Danny is often pretty defensive in regards to his dress. Those close to him might poke fun, but fans may want to avoid the subject.

6 Be Careful When Haggling

Danny Koker has stated on multiple occasions that the success of his show has made haggling at car shows much more difficult. As a typical enthusiast, the Count never seemed to have a problem getting his way on the showroom floor.

However, once his profile was raised, sellers began recognizing him more often and attempting to upsell him. This has become a major headache to the penny-pinching autobody overhauler, and anyone working with him should ensure that they don’t overpay when bartering. Danny is most likely very grateful for all of the good that the show has done his business over the years, though he could almost certainly go without this one annoying quirk.

5 Don’t Mention Danny’s Family

In keeping with his conservative values, Danny Koker typically doesn’t like to reveal all that much about his family or his private life. This is completely fair, and most Counting Cars fans will understand that his reality TV star status doesn’t require him to relay all of his personal matters to the public.

That said, Danny is abnormally protective of his loved ones, and very little is known about his wife and kids.

His wife, Korie Koker, co-owns Count’s Vamp’d Rock Bar & Grill with her husband, though her private life remains largely undisclosed. Counting Cars cast members should almost certainly know better than to go prying into Danny’s personal life while the cameras are rolling.

4 Don’t Break The Fourth Wall

The guys on Counting Cars may seem like larger-than-life celebrities at times, but it is important to remember that they are actually people, and Count’s Kustoms is an actual business that will continue to operate independently of the show once the production crew heads home.

That said, though it may be an actual business, much of the situations covered on the show aren’t genuine. Whether played up for the sake of drama or totally fictional, much of the on-air hijinx covered on Counting Cars is dramatized. The Counting Cars cast is careful not to break the illusion, though, and everyone seems pretty eager to play along. There seems to be a rule against fourth wall breaks while on set, and it seems to have gone pretty much unbroken over the years.

3 Politics Are a No-Go

In today’s radically partisan climate, few shows are all that eager to take sides or show any sort of political bias at all. That said, Counting Cars star Danny Koker was an avid supporter of the current leader of the United States during his campaign in 2016. This should come as no surprise given his conservative background, but it remains a major point of contention among many viewers.

Rather than bring up a potentially costly political debate on-air, the Counting Cars crew is pretty careful to keep their lips sealed concerning the subject.

The time may well come when things of that nature can be discussed more freely, but Count’s Kustoms is better off free of political drama for the time being.

2 Forget About Scott Jones

Scott Jones, the ornery store manager featured in the first and second seasons of Counting Cars, isn’t brought up all that much these days. He was hardly mentioned at all in the third season, and he seems to have been totally absent from every subsequent episode since then.

Fans have speculated that he was actually fired as a result of an embezzlement scheme, while others believe he simply grew tired of the daily grind and returned to his hometown. It’s tough to know exactly what happened to Jones, though none of the Counting Cars cast members seem all that eager to bring it up. This probably isn’t an explicitly stated rule, but most will know better than to bring up Scott on camera.

1 Don’t Deal With Vince Neil

Show lead and shop owner Danny Koker has met quite a few celebrities through his business, and his rock-and-roll band side project has also put him in contact with some pretty interesting characters. Koker has, in one way or another, come to be pretty good friends with ex-Motley Crue vocalist Vince Neil.

Though it started out as a pretty lucrative relationship for Koker and his show, the Counting Cars cast soon decided that their relationship with Neil was detrimental to the show’s good standing.

After that, they by-and-large disbanded any professional connections to the singer, though Koker and Neil are said to have remained friends. Even so, it isn’t likely that the ex-rocker will be making any appearances on the show any time soon. The bottom line is that Vince is bad news, and the cast can’t mention him anymore.

Are there any other rules that the cast of Counting Cars has to follow? Let us know in the comments!



Source link
2018-10-09 05:10:54 – Tanner Fox

James Gunn Is A Better Fit For Suicide Squad Than Guardians of the Galaxy

Controversial writer and director James Gunn is perfectly suited for Suicide Squad 2; in fact, it’s a far better fit for him than Guardians of the Galaxy ever was. Gunn certainly has form transforming a band of misfits into a superhero family/team, and Suicide Squad 2 should give him the ideal opportunity to demonstrate his skills yet again, although the story goes a little deeper than that.

Gunn’s career with Disney came to a shocking end back in July, when some of his old social media posts went viral. Gunn had fancied himself as something of a provocateur prior to working for Disney, and these posts included off-key jokes on everything from rape to pedophilia. Disney responded by swiftly firing him from Guardians of the Galaxy Vol. 3. Within a month, there were reports that Gunn had been approached by Disney’s rival Warner Bros. potentially with the option of producing a DC superhero movie.

Related: Why Rehiring James Gunn Was Harder For Disney Than Fans Realize

DC Films has expressed interest in Gunn before. Back in 2016, he admitted that he’d “had opportunities to make DC films,” but had turned them down; he reeled off a list of heroes he’d quite enjoy tackling, ranging from Swamp Thing to Jonah Hex, from the Metal Men to Shazam. Now, though, there have been reports that Gunn is on board to write, and possibly even direct, Suicide Squad 2.

  • This Page: Why James Gunn Is Perfect For Suicide Squad 2
  • Next Page: Why This Is A Better Fit Than Guardians of the Galaxy

Why James Gunn Is Perfect For Suicide Squad 2

It’s not hard to see what Warner Bros. want James Gunn on board. He’s a writer and director with a proven history of turning even the most unlikely franchises into box office hits. Back when Marvel Studios announced the first Guardians of the Galaxy film, everybody assumed this would be their first misstep; the Guardians had a low profile even among comic book fans, and their members including a walking tree and a talking raccoon. A series of tremendously effective trailers immediately changed that, and the movie grossed $773 million worldwide. Not bad for a bunch of “a**-holes.

Ironically, David Ayer’s Suicide Squad suffered as a result of Guardians of the Galaxy‘s success. Warner Bros. attempted to make their dark movie fit Gunn’s tone, with the trailers showing a strong Guardians of the Galaxy vibe. Viewers responded well to the trailers, and as a result there are reports Warner Bros. lost faith in Ayer’s approach, attempting to make the franchise as Guardians-like as possible. The result was a strange hybrid of a finished production, critically panned, which nevertheless managed to gross $747 million worldwide off the back of its strong marketing campaign. A sequel was always on the cards, but nobody was quite sure who could make it work. So why not bring in the man who made Guardians of the Galaxy work in the first place?

Suicide Squad 2 Matches James Gunn’s Earlier Movies

It’s important not to assume Suicide Squad 2 would just be a rehash of Guardians of the Galaxy, though. In truth, the comic book franchise is tonally similar to some of Gunn’s earlier works, most notably Super. This was a black comedy-drama centered around the character of Frank Darbo, a cook who took up the identity of the “Crimson Bolt” in order to rescue his wife from a drug dealer. Although critics weren’t impressed by the movie, it built a strong fanbase and put Gunn on Disney’s radar. Super rejoices in its confusing characters, who are filled to the brim with flaws and conflicting character traits – and gore ready to be spilled. Frank, for example, was a religious pacifist who made the world a better place through merciless violence. It was only after he began hearing warped messages “from God” that he began to understand the real world at all.

Related: Disney’s Decision On James Gunn Will Define The MCU

This is just the kind of crazy, conflicted approach that would work so well for Suicide Squad 2. After all, this is a team who are defined by their contradiction. They’re a group of super-villains who are forced to save the world; they deeply resent the fact they’re being forced to work together, and yet somehow consider one another a family. The best Suicide Squad stories are a blend of light and dark, tinged with anger and joy, betrayal and redemption.

And the characters in Suicide Squad are so very three-dimensional. Take Harley Quinn; although it didn’t quite make it through to David Ayer’s film, at heart she’s an abuse victim who’s struggling to find herself, and the relationship between Harley and the Joker is most definitely not intended to be some sort of “relationship goal“. Killer Croc is a brutal murderer who eats his foes, and yet develops such a fondness for his team-mates that he becomes dangerously protective of them. Boomerang wants to live a life of crime, and yet vaguely enjoys the idea he’s achieving something when he saves the world. These “villains” are three-dimensional in a way few superheroes are, with aspects of their own natures in direct conflict, pulling them this way and that. They’re every bit as mercurial and inconsistent as real people. And they’re just the kind of characters James Gunn has a form for developing, back in his pre-Guardians of the Galaxy days.

Page 2 of 2: Why This Is A Better Fit Than Guardians of the Galaxy

James Gunn Made Great Guardians of the Galaxy Movies – But He Changed Them To Do So

The truth is that, although James Gunn made tremendous Guardians of the Galaxy movies, he did so by taking major liberties with the comic canon. Gunn took the most basic concept underlying the franchise, and then made his own version of it. Gunn’s genius was that he saw the potential, he realized why it wouldn’t connect with audiences, and then he made it work. Even the tone and style of the Guardians movies was nothing like the original comics, which had typically gone for cosmic melodrama rather than ’80s nostalgia.

Characters, too, were completely rewritten in order to become the versions Gunn needed. Take Peter Quill as the classic example. Steve Englehart created the character back in 1976, and he described the original Star-Lord as “an unpleasant, introverted jerk.” Englehart planned to develop him into the most cosmic hero ever, but left Marvel before he’d even begun that character arc. As a result, the comic book version remained in that pattern, although he gradually transformed into a leader. James Gunn looked at the comic character, and decided to completely rework him. Star-Lord remained something of a jerk, but he was much more charismatic and extroverted; a revised origin explained that he was a child who’d run away from home after his mother’s death, and had never really grown up as a result. It made Quill a deeply empathetic character, viewed with affection in spite of his many flaws.

Related: Avengers Fans Are Being Too Hard On Star-Lord

Comic book readers traditionally complain when movies diverge from the comic book canon they grew up reading. In the case of Guardians of the Galaxy, though, James Gunn made his changes work so well that precious few objected. Marvel Comics, inspired by the surprise box office success of a previously-third-tier superhero franchise, quickly redesigned their own characters to align with Gunn’s versions. In the case of Peter Quill, they even retconned some of his previous appearances to say they’d taken place in another reality. Gunn won’t need to go the same lengths to make Suicide Squad 2 his own. As we’ve already pointed out, the characters are tailor-made for Gunn’s kind of character-work, and the themes and concepts that run through the comics fit perfectly with the kind of ideas he likes to work with.

Meanwhile, Gunn’s looser approach to canon and continuity will flourish in the DCEU. Although most viewers hadn’t picked up on it, Gunn’s maverick attitude towards continuity was never perfectly suited to the tighter, more intensely-scrutinized MCU; occasionally there were signs Gunn felt the pressure of it, and indeed rebelled against it. Guardians of the Galaxy Vol. 2 rendered a tie-in comic non-canon, for example, and Gunn admitted he contemplated breaking his own personal canon for the third film. “Marvel Canon – MCU – is crazy,” Gunn admitted. “I have a really good storytelling reason for breaking the canon, and I stayed up last night figuring out if I’m gonna do it or not. I still don’t know.” Given the complexity of the MCU and the degree to which fans take note of every detail, sooner or later that would have caused problems. Warner Bros., however, won’t particularly care; their view of continuity is very much that it should serve the director. That will give Gunn all the flexibility he needs to tell the best stories he can.

The latest reports confirm that James Gunn is on board as the writer of Suicide Squad 2, and he should breathe new life into the project. It remains to be seen whether or not Gunn will go on to become director as well; if he does, then he’d definitely be an effective choice, and the film would surely be guaranteed a success.

More: All 26 Upcoming & In-Development DC Films



Source link
2018-10-09 03:10:13 – Thomas Bacon

20 Crazy Details Behind The Making Of The Rocky Horror Picture Show

Roger Ebert once wrote that The Rocky Horror Picture Show was less a movie and more of a “social phenomenon.” This is probably the most accurate way to describe the 1975 rock musical, as it just isn’t an ordinary film. First released to a less-than-stellar reception, Rocky Horror eventually found long-lasting fame from an unlikely source: audience participation. Its original theatrical run didn’t garner much praise, but the film came into its own when theaters began showing it at midnight screenings, now infamous for the almost ritualistic ways the audience dresses, shouts, and flings objects at the screen.

Rocky Horror is a legend of cult cinema– one of the few movies that has earned that title again and again. The film follows what appears to be a whole married couple, Brad and Janet (Barry Bostwick and Susan Sarandon), as they stay the night at a spooky old mansion owned by Dr. Frank N. Furter (Tim Curry, in the performance that rocketed him to stardom). What ensues is a celebration of kitsch, camp, horror, and science fiction cinema, a musical that makes very little logical sense but is a ton of fun.

Naturally, a film like that has to have a riveting story behind the scenes. Written by Richard O’Brien and directed by Jim Sharman, The Rocky Horror Picture Show has just as many crazy details behind the camera as in front of it. Those details will be counted down here, and we’ll get straight to it, as we can see you tremble with antici…

Pation. This is 20 Crazy Details Behind The Making Of The Rocky Horror Picture Show.

20 It originally had a different title

The original stage version of the movie had a whirlwind creative process, with Richard O’Brien whipping up the show with his artist and actor friends fairly quickly. As it happens, they were originally rehearsing the show under a different title.

It was called They Came From Denton High due to the story being set somewhere near Denton, Texas.

Obviously, that didn’t last, but O’Brien and director Jim Sharman didn’t change it until the very last minute. Sharman suggested the name change just before previews of the stage show, based on the genres they were spoofing. Thus was “The Rocky Horror Show” born (only the movie had the extra “Picture” in the title, naturally).

19 Brad and Janet were replaced

The cast of Rocky Horror is mostly unchanged from the stage show to the movie. Richard O’Brien and Jim Sharman kept their creative team mostly intact, too, so when you’re watching the movie it should really feel like you’re just seeing a filmed version of the stage show. Well, except for a few roles.

Aside from the high-profile cameo from Meat Loaf and a few other replacements, the protagonists were also switched out.

The original actors for Brad and Janet wanted to reprise their roles, but studio executives at Fox felt they needed two US actors in those parts to help sell the movie. Rocky Horror fans can’t complain, as Barry Bostwick and Susan Sarandon did a great job as Brad and Janet, but we feel for those two original actors whose roles were taken from them.

18 The story behind the lips

Everyone who has seen The Rocky Horror Picture Show– not to mention plenty of people who have only seen the poster– are familiar with the lips that open the film. This iconic image is actually the product of several people working together, rather than just one actress.

The lips that appear in the film are Patricia Quinn’s (who also played Magenta), but she’s only lip-syncing the song “Science Fiction/Double Feature” even though she did in the stage show. The singer is actually creator Richard O’Brien. And the lips on that famous poster are those of somebody else entirely, former model Lorelei Shark.

17 The costume designer didn’t want to do it

Costume designer Sue Blane is credited with much of The Rocky Horror Picture Show’s lasting appeal thanks to her designs that spoofed the traditions of cinema and leaned heavily into camp. The movie wouldn’t be the same without her, but it almost had to do just that, as she wasn’t interested in the project at first.

In fact, Blane herself says that it took director Jim Sharman meeting with her personally and getting her tipsy before she saw the light. Blane didn’t like the idea of doing a silly project for very little money, but when she found out Tim Curry and a bunch of her other favorite colleagues and friends were already committed to the show, she relented. Thank goodness for that.

16 Tim Curry wasn’t new to corsets

Tim Curry has a long and storied career on the stage and screen, and his rise to prominence came largely thanks to The Rocky Horror Picture Show. Given that it was his first hit movie role, people tend to forget that Curry wasn’t a complete rookie. Case in point: Curry had actually starred in a similar stage show before originating the role of Frank N. Furter in Rocky Horror’s stage incarnation.

Curry had also worn a corset in a production of The Maids.

Costume designer Sue Blane had worked that same production. For Rocky Horror, Blane says she simply asked the theater for the same corset for Curry to wear. Naturally, Blane remarked that Curry took to the corset “like a duck to water.”

15 Susan Sarandon’s sickness

Cinema can be a fickle thing– while you’d expect film sets to be glamorous affairs, with every possible amenity available to the actors, you would occasionally be very wrong. The Rocky Horror Picture Show was no picnic to make, as the cast and crew had to endure unheated sets while filming scenes in pools.

This might not sound like a big deal, but it was for Susan Sarandon, who fell ill during production. The filmmakers had nothing but kind words for her after her gritty effort to push through with the work, as they mentioned that she was literally “shaking with fever” on set but kept on going in spite of that.

14 Rocky was supposed to talk

Sometimes you’ve just gotta improvise when you’re making a film. While the creative team behind The Rocky Horror Picture Show might have thought they had the perfect casting when they got Peter Hinwood to play the character of Rocky Horror, they changed their minds when they found out he was a model who had zero acting experience. Rocky Horror originally had dialogue in the film, but after watching Hinwood act, Sharman and O’Brien elected to remove all his speaking parts.

Another singer dubbed over the character’s singing parts, so Hinwood’s voice never actually shows up in the film.

Clearly, they were in love with his looks, but not the way he sounded.

13 You can book a room where it was filmed

The Rocky Horror Picture Show was filmed at Oakley Court in England, a castle that had been host to several horror films in its past. While it may not have been the most welcoming place for the film crew in 1975 (at the time, it had no heating and few bathrooms), it’s doing a better job of that nowadays.

Oakley Court is now a ritzy hotel, allowing guests to stay in the location that was the home to many of their favorite spooky movies from days gone by. Nowadays, of course, the hotel advertises its proximity to LEGOLAND more than it does its connection to film history, but we’d like to think there are still a few Rocky Horror fans who make the trip.

12 The David Bowie connection

This might seem unrelated to The Rocky Horror Picture Show, but it isn’t.

Pierre LaRoche was one of the creative forces behind David Bowie’s now-iconic Ziggy Stardust look, but that wasn’t the only influential job the makeup artist held.

LaRoche was also the person film producers turned to when they wanted a makeup redesign for the characters in Rocky Horror. While Sue Blane gets the lion’s share of the credit for the character designs in the film, we shouldn’t forget that it was Pierre LaRoche who actually came up with the makeup designs. Though the make-up is a touch more subtle than costumes, it’s still one of the main reasons the visuals of the film are so fun to watch.

11 Meat Loaf didn’t actually drive the motorcycle

Singer and occasional actor Meat Loaf has a memorable turn in Rocky Horror as Eddie, the delivery boy and partial brain donor to Rocky, who is tragically stabbed by Frank N. Furter. Eddie gets a fun entrance, bursting out of a freezer on a motorcycle, but the problem is that Meat Loaf didn’t actually ride that motorcycle. Aside from a few less dangerous wide shots, Meat Loaf left the actual driving to a stunt man as he says he didn’t feel comfortable doing anything risky on it.

For the close-up shots that needed to look like Eddie was on the motorcycle, the crew rigged up a wheelchair for Meat Loaf to ride.

That way, safety didn’t need to be sacrificed. Or that was the theory, anyway, as the wheelchair didn’t turn out to be that safe anyway.

10 The on-set injuries

Though it wasn’t Jim Sharman’s debut feature, The Rocky Horror Picture Show was not a film staffed by the most experienced team. This is perhaps reflected best by the apparently high number of on-set injuries that occurred– even ignoring the on-set illnesses, including Sarandon’s.

In the same interview, Meat Loaf describes an incident that happened while he was sitting in his wheelchair, where it fell off a ramp on the set, shattered a camera, caused a few cuts on Meat Loaf’s face and arm, and snapped a stand-in’s leg in two. While some efforts were made for safety, injuries ran rampant even with the wheelchair.

9 The skeleton inside the clock was real

One of the single most famous props in all of Rocky Horror is the skeleton clock; a coffin that has a clock face set on the front. The reveal that there is a skeleton inside the coffin is a fun moment in the movie, but the filmmakers dropped another bombshell in later years: the skeleton inside was real.

The skeleton clock actually lived on past the film.

In 2002, Sotheby’s auction house in London sold the clock for an exorbitant sum, 35,000 pounds. Adjusting for inflation, that would be approximately $63,000 today. Even true Rocky Horror fans might balk at that price, if the real human remains inside weren’t a turn-off.

8 Steve Martin auditioned for Brad

Whatever you think of Barry Bostwick’s performance as Brad in The Rocky Horror Picture Show, have you ever considered how different it might have been if another actor had taken on the role? Well, according to rumors and stories even repeated by the likes of Newsday, the role almost went to Steve Martin.

Given that Martin went on to star in a fairly similar movie musical, Little Shop of Horrors, this shouldn’t be too big a surprise.

Martin apparently auditioned for the role of Brad, but lost out to Bostwick. Maybe he played the antagonist in Little Shop of Horrors as a way to soothe the hurt of rejection.

7 It got terrible reviews when it first came out

Nowadays, The Rocky Horror Picture Show is viewed as one of the greatest classics of midnight cult cinema, as its popularity has only grown amongst its fans since its release. But to become a cult hit, you usually have to be a theatrical flop, and Rocky Horror was exactly that, both critically and commercially.

Some critics straight-up hated the film when it was first released, and others simply ignored it. Partially because of the counter-culture the film represented and the lack of a conventional plot structure, some seemed offended it even existed. Even today, many critics view the film more as an audience experience than a genuinely good movie.

6 Frank N. Furter’s villainous inspiration

The unquestionable star of The Rocky Horror Picture Show is Dr. Frank N. Furter, the role Tim Curry originated on the London stage and reprised in the film. Even critics who didn’t like the film enjoyed Curry’s assured and magnetic performance. That makes sense, given all the larger-than-life figures Curry took inspiration from to create the character.

Writer Richard O’Brien describes Frank as a combination of Vlad the Impaler and Cruella De Vil, which makes a lot of sense, but Curry didn’t stop there. On top of those villainous ancestors, he added a posh accent, said to be modeled on both Elizabeth II and Curry’s own mother. That’s one doozy of a mixture for the role, and obviously it worked to perfection.

5 It was a stage show first

When Richard O’Brien first set out to tell his story, it was a work of theater, as that was his primary area of expertise. Thus, The Rocky Horror Picture Show started out as The Rocky Horror Show– the “Picture” part was added for the film. O’Brien wrote the play in his spare time, then gathered some of his friends in London to help him make it.

The play premiered at the Royal Court Theatre in London in 1973, and it was an immediate hit, moving to larger venues soon after. The show ran for weeks and weeks and eventually attracted the notice of producers, even Hollywood. This is the origin story for Rocky Horror— we wouldn’t have the film is the London stage show hadn’t been so popular.

4 The writer is Riff Raff

Given its reputation as one of the true classics of cult cinema, viewers today may not know that the original writer– playwright of the stage show, co-screenwriter of the movie, and Riff Raff in both, Richard O’Brien had never professionally written anything before the script for The Rocky Horror Show and its film adaptation The Rocky Horror Picture Show. That’s right, Rocky Horror is a debut work, by a person who never even wanted to be a writer.

O’Brien was living in London as an actor, struggling to make ends meet, and mostly wrote it just to keep himself occupied.

Luckily for him, the project resonated with his artistic friends, and they helped him turn it into the phenomenon it became.

3 O’Brien never thought it would be a big deal

Even when The Rocky Horror Show was making waves on the London theater circuit, it never registered with Richard O’Brien that he might have created a real hit. In an interview, O’Brien recalls when producer Michael White told him he thought this would be something big. “I said, ‘Oh, that’s nice,’ and walked away. It just didn’t register.”

For a while, it seemed like O’Brien was right to think it wouldn’t be a big deal. The film didn’t do well commercially when it came out, despite the popularity of the play, and it looked like that would be the end of the Rocky Horror story. But midnight viewers began to flock to the showings known for audience participation, and the film’s long-lasting appeal proved to be its greatest strength.

2 The writer thinks it was successful because it’s childish

The Rocky Horror Picture Show was originally written by a young actor with no writing experience, who just wanted something fun to occupy his time. Richard O’Brien, the writer in question, thinks that this process lent the show a quality of childlike naïveté, which contributed to its eventual popularity. In an interview, O’Brien said the show’s innocence is “very endearing and not threatening.” Continuing, he mentioned that every character in the show may appear to be intelligent or “sophisticated, but they’re really not.”

This quality allows young viewers to identify with the energy of the film, making it appeal to adolescent viewers.

O’Brien think this might be the key behind the social phenomenon that is Rocky Horror.

1 Originally, it started in black and white

The writing and directing team of Richard O’Brien and Jim Sharman had a lot of grand ideas for the film adaption of Rocky Horror, but not all of them were allowed to come to pass. Chief among these was the plan to film the opening section of the movie in black and white.

The film would have burst into color when Frank N. Furter made his entrance.

Everyone who has seen the movie remembers that scene– now imagine if it had this added bit of pizzaz, with the first frame of color coming on a shot of Tim Curry’s lips. Susan Sarandon lamented that they weren’t allowed to make this vision a reality, as studio executives rejected the idea due to budgetary concerns.

Do you have any The Rocky Horror Picture Show trivia to share? Let us know in the comments!



Source link
2018-10-08 05:10:06 – Eric McAdams

10 Best Disney Movies According to Rotten Tomatoes (And 10 With Almost 0%)

After all these years, Disney movies remain the gold standard in family entertainment. Starting from the back of a realty office in Hollywood back in 1928, Disney is now a brand worth billions of dollars. But it’s not just money—Disney’s cultural influence is worldwide and manages to stay relevant with each subsequent generation. There’s no underestimating the power of nostalgia; chances are if someone grew up liking Disney movies, they’re probably a fan for life. Walt Disney pioneered the idea of feature-length animated movies, an idea considered ridiculous at the time. They would be too expensive to make, and what self-respecting adult would pay money to see a full-length animated film? Turns out everyone wanted to, especially those with kids. At the time, there was no such thing as a full-production studio dedicated to animated films—so with the profits of Snow White and the Seven Dwarves, Walt Disney built one. From there, it was only a short period of time before Disney branched out into producing live-action films, and before anyone knew it, Disney dominated the family entertainment market.

Since then, Disney has expanded its intellectual properties to include Marvel, Star Wars, ABC, and 20th Century Fox. This makes Disney virtually unstoppable. Some meme artists have even depicted Mickey Mouse as Thanos, with its individual properties the different gems in the Infinity Gauntlet. But there were a few hiccups along the way. Disney has had tremendous success with its films, but people tend to forget that even the mighty occasionally fall. Here are the 10 best Disney movies according to the ratings on Rotten Tomatoes, along with the 10 worst.

20 Best: Pinnochio (100%)

Pinnochio was Walt Disney’s second animated feature, released shortly after the success of Snow White and the Seven Dwarves. Like its predecessor, it had gorgeous visuals with a painstaking attention to every element of the production. Unlike Snow White, it initially flopped at the box office. Luckily, Walt Disney had faith in the movie and gave it a second release to recover production costs. The plan worked, and Pinocchio eventually earned enough money to put it back into the black.

The iconic “When You Wish Upon A Star” theme from the film is still synonymous with the Disney brand.

The artists of Pinnochio helped pioneered advances in effects animation, which specialized on non-character elements that move, such as water or fire. The animated ocean effects during the Monstro sequence were the most ambitious water effects ever achieved for its time.

19 Worst: That Darn Cat (13%)

If nobody remembers this movie, it’s partially because it came in and of the theatre pretty fast. A remake of Disney’s moderately successful live-action That Darn Cat from 1965, the 1997 version was not nearly as successful. Starring Cristina Ricci as Patti, the plot features a cat that becomes “witness” to a kidnapping gone wrong. Patti eventually convinces the authorities to investigate and she becomes central in helping to solve the details of the crime and eventual rescue.

The reviews of the film were dismal. One critic described it as “…a desperate dip into utter conventionality: dull car chases, explosions, inept slapstick.” Another says it is a “…disappointing, rather warmed over Disney offering.” Despite this, Cristina Ricci was nominated for two awards for her performance in the film, a Kid’s Choice Awards, and a Young Artist’s Ward.

18 Best: Mary Poppins (100%)

The mostly live-action Mary Poppins was a smash-hit. It earned 13 Academy Award film nominations and won five, including Best Actress, Best Original Score, and Best Visual Effects. It’s easy to see why. Julie Andrews brought her amazing charisma to the performance, dazzling audiences with her ability to sing, dance, and easily handle comedy intended for children. The songs are memorable, with several such as A Spoonful of Sugar and Supercalifragilisticexpialidocious becoming part of the American culture.

Disney had experimented with combining live action with animation before, but never in such an ambitious way. For many, their favorite part of the film is where Mary Poppins, Burt the Chimney Sweep, and the Banks children jump into the chalk drawing and have a little adventure in an animated world. Disney is releasing the sequel, Mary Poppins Returns, in December of 2018.

17 Worst: My Favorite Martian (12%)

Based on the 1960’s television show of the same name, My Favorite Martian tells the story of a humanoid Martian (Christopher Lloyd) that crash lands on earth. He enlists the help of a reporter in a funk to put him up while he tries to repair his spaceship and get home.

Though reviews were generally kind to Christopher Lloyd, the movie as a whole was mostly disliked by critics.

Said one reviewer on Rotten Tomatoes, “An utterly pointless and unimaginative remake based on the classic ’60s sitcom…a meteoric misfire.” Another gets right to the point: “A terrible movie. Beware.” My Favorite Martian did earn three nominations…of The Stinkers Bad Movie Awards. It was nominated for Worst Resurrection of a TV Show, Most Botched Comic Relief and Most Painfully Unfunny Comedy.

16 Best: The Many Adventures of Winnie the Pooh (100%)

Like most Disney movies, The Many Adventures of Winnie the Pooh was adapted from existing source material. It’s based on characters from short stories from the author A. A. Milne. The film focuses on young Christopher Robin and his stuffed bear, and a menagerie of other stuffed animals come to life. The movie is a collection of animated shorts edited together into a feature-length film.

Surprisingly, the Winnie the Pooh franchise is worth much more than one might imagine. Variety estimated the sales of merchandise related to Winnie the Pooh topped over $5 billion, which among Disney properties, is second only to Mickey Mouse. Disney released a live action movie, Christopher Robin, based on an adult Christopher Robin rediscovering Winnie the Pooh and his friends in August of 2018.

15 Worst: Cinderella II: Dreams Come True (11%)

One would think that after one of the most stereotypical happy endings of all time, writers would have a hard time coming up with a good sequel for Cinderella. One would be right. Cinderella II: Dreams Come True is actually an anthology movie that ties together three Cinderella short stories into one film. The first story describes her struggle to be herself as a new princess. The second follows Jaq the mouse feeling left out. And the third shows how Cinderella tries to teach one of her step-sisters how to smile. Seriously.

This direct-to-video sequel wasn’t liked by critics. One top critic says simply, “Do not see this film.” Another, quite dramatically, announces, “A screaming black vortex of total, irredeemable awfulness.” A quick glance through other remarks reveals similarly negative responses. Nevertheless, Cinderella II: Dreams Come True still made approximately $120 million in sales.

14 Best: Toy Story (100%)

Toy Story was ambitious in scope, it being the first animated Disney feature that was fully animated with CGI. Audiences had never seen this kind of animated film before and impressed audiences made the movie a runaway hit. Though CGI animated movies have come a long way since then, Toy Story still holds up. The interplay between Woody the Cowboy (played by Tom Hanks) and Buzz Lightyear (Tim Allen) is the highlight of the film. Though they have different perceptions of reality, they learn to work together to make sure they don’t get left behind in their boy Andy’s move.

Toy Story garnered three Academy Award nominations and won a Special Achievement Academy Award for being the first feature-length computer-animated film. It has two hit sequels, with a third in production.

13 Worst: Blank Check (11%)

What if a kid found a blank check that allowed him to spend a million dollars? That’s the intriguing premise behind Blank Check, a movie that didn’t really build a successful story out of this great idea. Through an implausible series of events, young Preston Waters is given a blank check to help pay for a bicycle accident involving a car. But he’s given the wrong check, and the person who gave it to him is a criminal. Preston spends the rest of the movie spending lavishly while trying to avoid the authorities and the criminal who is hot on his tail.

One top critic explains it’s “One of those smart-aleck kid adventures that manages to be entirely obnoxious with very little effort.” A Rotten Tomatoes super reviewer hilariously opined, “If you loved Home Alone, you’ll still gonna hate Blank Check!”

12 Best: Darby O’Gill and the Little People (100%)

Though many modern audiences have never heard of Darby O’Gill and the Little People, it probably remains the most successful movie ever made about Leprechauns. In the film, the aging laborer and caretaker Darby O’Gill has spent much of his life trying to catch the Leprechauns. One day, in his old age, he is actually caught by them. He spends the rest of the film strategizing how he will spend the three wishes granted upon him by Brian, the King of the Leprechauns.

The film also features a young and dashing Sean Connery as Michael McBride, the love interest to Darby O’Gill’s daughter.

Though it won no awards, it has been critically well-received over the years and had state-of-the-art special effects for its day.

11 Worst: Mr. Magoo (7%)

The character of Mr. Magoo was a successful cartoon character from the late 40’s through the 50’s. The running gag for each story was that millionaire Mr. Magoo was practically blind, which led him into comically dangerous situations. Mr. Magoo was also amazingly lucky, which seemed to save him every time.

The Disney adaptation starred Leslie Nielsen, an actor beloved for being able to handle silly comedy with a straight face. But it just wasn’t enough to save the film, which seemed to suffer from the repetitive and unfunny gags. Critics were beyond cruel to the film. One announced, “The movie is an insult to the intelligence of the entire human race.” Another agrees, “Mr. Magoo is transcendently bad. It soars above ordinary badness as the eagle outreaches the fly. There is not a laugh in it. Not one.”

10 Best: Toy Story 2 (100%)

After the runaway success of the first Toy Story, a sequel seemed inevitable. Somehow avoiding the curse of most sequels being inferior to the original, Toy Story 2 managed to be a moving story which many think is even better than the first. It also introduced a brand new character to the saga, Jesse the Cowgirl.

Toy Story 2 has one of the most heartbreaking songs in Disney’s collection, When She Loved Me, performed by Sarah McLachlan. The song describes being abandoned by the child she loved, a sequence that left hardly a dry eye in the house. It went on to become a smash hit, just like the first one. Though it won no academy awards, it won many independent awards and some argue it is the best Toy Story movie of the entire franchise.

9 Worst: A Kid in King Arthur’s Court (5%)

A Kid in King Arthur’s Court is very loosely based on Mark Twain’s A Connecticut Yankee in King Arthur’s Court, a story that has been adapted into several other films. Modern ’90s kid Calvin Fuller is playing baseball for his team when an earthquake hits. A chasm opens up on the field and he falls in. Calvin is inexplicably transported to England in the age of King Arthur, where he quickly wows the locals with his modern knowledge. While there, he also falls in love with the local princess.

Critics seemed to be surprised this was a Disney film. One critic laments, “Rarely do the well-financed wizards at Walt Disney Pictures cook up a movie this badly written, acted, and directed.” Another says, “Sitting through it, I found myself shuddering at what Disney may have in store for next summer.”

8 Best: Old Yeller (100%)

Old Yeller was famous for ruining many a childhood with a depressing plot twist, the on-screen demise of its titular dog. After saving his family multiple times over the years from bears, wild hogs, and wolves, Old Yeller finally seals his fate when he fought off a rabid wolf to protect his people. Not only did the the dog pass away, but its owner and best friend Travis had to put him down himself because he had been infected with rabies. This scene has become one of the most famous tear-jerking live-action scenes in all of Disney’s films.

Despite the bummer plot development, the film was still a critical and commercial hit. And it still managed to leave on a high note—by the end, Travis adopts Old Yeller’s puppy and names him Young Yeller.

7 West: Meet the Deedles (4%)

As handsome as Paul Walker was, even he couldn’t have saved Meet the Deedles. The story describes the hapless Phil and Stew Deedle, brothers who are in high school and avid surfers. Their father becomes disgusted with their lazy behavior and sends them off to a boot camp where they can learn some discipline.

In an extremely unlikely series of events, the Deedle brothers assume false identities as park rangers and…hilarity is supposed to ensue.

As with most movies received this badly, the Rotten Tomatoes reviews are hilarious to read. One critic announces dryly, “If all of this sounds ridiculous, it is.” Another is much more cruel, saying, “Dumb is one thing, but this sorry attempt at action-comedy from stuntman turned director Steve Boyum is in an intelligence-deprived class all its own.”

6 Best: Snow White and the Seven Dwarves (98%)

Snow White and the Seven Dwarves was Disney’s first animated film feature and the first animated film to gain massive success. It was actually the profits from Snow White and the Seven Dwarves that allowed Disney to build its first full-fledged production studio in Burbank, California. From there, Disney was unleashed to produce dozens of huge hits.

Early forecasters predicted Snow White would be a huge flop, but Disney had the last laugh when the film was finally released. Critics, even the ones predicting its failure, absolutely loved it. Audiences flocked to it and children adored it. Walt Disney received a special Academy Honorary Award for making a “significant screen innovation.” The Honorary Oscar came with seven little miniature Oscars. As with Beauty and the Beast and Cinderella, Disney is producing a live-action adaptation of the film.

5 Worst: Mulan 2 (0%)

Did we ever even need a Mulan 2? According to critics, the answer is a resounding “no.” The original Mulan was a hit in 1998, following the adventures of the Chinese legend of Hua Mulan, a woman who became a fearsome warrior against all odds. Mulan 2 features a convoluted plot wherein Mulan prepares to get married and go on an important mission at the same time, trying to prevent several kingdoms from collapsing against the Mongolian hordes.

The plot doesn’t sound terrible, but it didn’t deliver. Critics seemed to dislike it mainly for being bland. One explained, “If it were any more trivial, it’d be invisible. Mulan II is, rather, more conceptually offensive.” Another spoke bluntly, “It’s harmless, sure, but it’s also charmless.” Another sequel was planned but eventually shelved.

4 Best: 101 Dalmatians (98%)

With 101 Dalmatians, Disney opted to develop a somewhat obscure children’s story.  This was a bit different from the popular fairy-tale adaptations that Disney had been known for. After a bachelor and his new blushing bride get married, their respective male and female adult Dalmatians breed a large litter of puppies. An over the top villain, Cruella de Vil, steals them along with other Dalmatian puppies with plans to eventually turn them all into a fur coat. The adult Dalmatians and other animals lead efforts to rescue ALL the puppies and bring them back to safety.

101 Dalmatians cut costs by adopting a more minimal animation style but still was a critical and financial success.

The movie was adapted into two live-action movies in the ’90s and also had an animated sequel in 2003.

3 Worst: The Big Green (0%)

Not many Disney fans know this film even exists. The Big Green was released in 1995 and tells the story of a scrappy British teacher who introduces kids with low self-esteem in a small Texas town the game of soccer. Sort of a Bad News Bears for the soccer crowd, the movie follows these underdog kids as they go from losers to heroes.

However, according to critics, it’s derivative and not as good as either of those films. Perhaps the poster, which features a young kid getting hit in the groin by a soccer ball, is the first sign the “comedy” wasn’t up to par. One critic writes, “The Big Green is at its worst and most desperate when resorting to ridiculous hallucinations and silly sped-up photography to get laughs, and it’s at its best when… well, it’s over.” Yikes.

2 Best: Cinderella (97%)

It’s hard to believe, but Disney suffered a bit of a downturn during WWII and by the late 40s was financially doing poorly. Disney turned back to its classic roots and decided to produce Cinderella, an old story based on folklore and also told in a classic Grimm’s fairy tale. The movie not only brought Disney out of debt, but gave the studio enough capital to create its own film distribution company, begin production on other films, and start building Disneyland and Disney World.

The movie received critical praise not seen since Snow White and the Seven Dwarves and Pinnochio. Many noted its rich colors and backgrounds, realistic human animation, and memorable music. It was later nominated for three Academy Awards, including Best Original Song for Bippity Boppity Boo.

1 Worst: Kronk’s New Groove (0%)

The Emperor’s New Groove was a unique and charming Disney film that has become somewhat of a cult classic over the years, featuring the voices of the hilarious David Spade and Patrick Warburton. Its sequel, Kronk’s New Groove was not received nearly as well. Part of the problem may be the thin plot, which has something to do with Kronk running a restaurant, falling in love with a camp counselor, and trying to impress his father. Yzma returns as a villain but doesn’t really have much to do.

Voice talents notwithstanding, the resulting film was a dud with critics.

Pointed out one, “Great voice talents, but weak storyline and frankly not much groove.” Another astutely observed, “It’s just too generic, and generic is not what we want from a sequel to a film that managed to escape the Disney mold.”

Which of these films did you love most? Let us know in the comments!



Source link
2018-10-07 06:10:17 – Gary Gunter

15 Sitcoms That Became Massive Hits (And 15 That Completely Flopped)

There are many forms of entertainment, but television is one of the most popular. Watching TV has been a popular pastime ever since the television was created in 1927. Programs can often bring families together or can even give people an escape from reality while they binge-watch their new favorite show. People used to have to pay for cable to watch their favorite shows, but now, watching TV is easier than ever with the mass amount of streaming services that have become available, such as Hulu and Netflix.

Some of the best shows are even exclusive to streaming services such as these. Even YouTube has expanded to include TV shows that come in a variety of genres. Needless to say, there is now a seemingly endless amount of programming that will entertain anybody and everybody.

Much like movies, there are a wide variety of TV shows and genres to pick from. TV networks seem to come out with a variety of different shows each year including sitcoms. While a network might release a few different sitcoms each year, a lot of them seem to flop and be forever forgotten by viewers. Other sitcoms stick around for several years resulting in many seasons worth of laughs.

Some of these shows have stuck around longer than they probably should have, but others were so terrible that they were canceled after only one season.

 Here are the 15 Sitcoms That Became Massive Hits (And 15 That Completely Flopped). 

30 Massive Hit: The Big Bang Theory

The Big Bang Theory may have not launched any of the main actors acting careers, but the show certainly boosted them into the spotlight. The Big Bang Theory came on the air in 2007 thanks to creators Chuck Lorre and Bill Prady. The show centers around a group of geeky and socially awkward friends who hang out with a waitress named Penny.

The show has become incredibly popular during its twelve seasons on the air, with many celebrities making cameos on the show.

The Big Bang Theory became so popular that it even received a spinoff about a young Sheldon Cooper.

29 Flopped: Caveman

The Cavemen were a popular marketing image used by the auto insurance company GEICO starting in 2004. While people don’t see a lot of the Cavemen anymore, they used to be incredibly popular. ABC thought they were so popular that they should launch a sitcom featuring the GEICO Cavemen.

The show was a massive failure with viewers and critics and was therefore canceled after one season. Thirteen episodes were created for the first season; however, only six of them aired in the U.S. Caveman was such a flop that it didn’t even get a DVD release to try and make some money back. 

28 Massive Hit: Friends

Friends was a massive win for NBC and ran for ten years from 1994 to 2004. The show just follows the lives of six friends living in Manhattan, but many people loved the idea of the show.

Friends was, and still is, adored by fans and critics. The show even landed the #24 spot on the Writers Guild of America West’s 101 Best Written TV Series. The sitcom did a lot for all of the actors involved in the series, but is often considered a turning point for Jennifer Aniston’s career. 

27 Flopped: Ferris Bueller

John Hughes’ Ferris Bueller’s Day Off starring Matthew Broderick was a hit back in 1986. Fans still love the movie to this day and even launched a “Ferris Fest” in Chicago to celebrate the 30th anniversary of the movie. While the film was successful, the TV series was not.

The show titled Ferris Bueller followed Ferris and his friends’ everyday life at high school. What made the first movie fun was that Ferris wasn’t in school, but NBC apparently didn’t get that since they picked up the series in the ‘90s. The show didn’t bring back any of the original cast members and ended after one season. 

26 Massive Hit: That ‘70s Show

When That ‘70s Show first came on the air, there was no guarantee that the show would succeed. The show starred primarily new young actors, with little to no acting experience. That ‘70s Show was even the very first acting job for Ashton Kutcher, Topher Grace, and Laura Prepon. Thankfully, the risk paid off for Fox and became a massive hit.

The series lasted for eight seasons from 1998 to 2006. Besides, Kutcher, Grace, and Prepon, the show also starred Mila Kunis, Danny Masterson, and Wilmer Valderrama. The cast did a phenomenal job for a total of 200 episodes, and then went on to have even more enriching careers in Hollywood. 

25 Flopped: That ‘80s Show

While That ‘70s Show was a massive hit, the success could not be repeated for That ‘80s Show. Even when Fox was still broadcasting new episodes of That ‘70s Show, they created a show about the ‘80s in 2002.

The show isn’t a direct sequel to the first show and the only way it connects to That ‘70s Show is that the main character, Corey Howard, is supposed to be Eric Forman’s cousin.

The show was created because of the popularity of That ‘70s Show, but people just weren’t interested in another show about a different decade. 

24 Massive Hit: The Office

The original The Office debuted on the BBC in 2001 and only stuck around for two seasons and a Christmas special. The concept for the show, however, was adapted eight different times for countries across the world.

One of the more popular versions of The Office came in 2005. The show starred Steve Carell as Michael Scott and John Krasinski as Jim Halpert. These two men have probably had the biggest career after the show ended, but the entire cast made a memorable group of characters that kept fans laughing for nine seasons. 

23 Flopped: George

George Foreman may be known for his impressive boxing career or even the famous George Foreman Grill, but he also got his own TV show in the ‘90s. The show ran for ten episodes, only nine of which actually ended up on the air. The show starred Foreman as a retired boxer who took care of troubled kids after school.

While Foreman’s show may have flopped, there is no doubt denying he was an impressive boxer especially since he won a gold medal in the 1968 Mexico City Summer Olympics. 

22 Massive Hit: How I Met Your Mother

How I Met Your Mother was a romantic comedy that aired on CBS from 2005 to 2014. The show centered around Ted Mosby, who would narrate the adventures that led up to him meeting his wife.

Apart from Ted, played by Josh Radnor, the series had several other memorable characters played by Jason Segel, Cobie Smulders, Neil Patrick Harris, and Alyson Hannigan. While the majority of the series was met with critical acclaim, the final two seasons are often criticized for the way it wrapped up the show. A spinoff titled How I Met Your Dad or How I Met Your Father have been in development before, but the spinoff has had some trouble taking off. 

21 Flopped: 1600 Penn

NBC has had some hits over the years, but 1600 Penn was not one of them. The series was about a dysfunctional family who lived in the White House with their father.

Bill Pullman played the President of the United States starring alongside with Josh Gad, Jenna Elfman, and Martha MacIsaac. The show ultimately didn’t do well with critics who slammed the show for having too many sitcom stereotypes and being a failed parody attempt of The West Wing. The show was canceled after one season and people aren’t really begging NBC to bring it back. 

20 Massive Hit: Brooklyn Nine-Nine

There has always been an abundance of cop dramas on TV, but not as many cop sitcoms. Brooklyn Nine-Nine stars the singer of the comedy band The Lonely Island Andy Samberg, as well as Terry Crews, Melissa Fumero, Joe Lo Truglio, and Stephanie Beatriz.

In May, Fox decided to cancel the show, but the very next day, NBC picked it up and renewed it for a sixth season.

So far, Brooklyn Nine-Nine has won two Golden Globes, two Primetime Emmy Awards, and has been nominated for several other awards.

19 Flopped: Dads

The show Dads was created by Alec Sulkin and Wellesley Wild and premiered on Fox in 2013. Seth Green and Giovanni Ribisi starred as two video game developers whose fathers move in with them. Not only was the show canceled after only one season, but it also got ripped apart by critics.

The series became known for depending on offensive gags to get laughs and having an array of unlikable characters. Along with Green and Ribisi, Brenda Song and Vanessa Lachey had recurring roles on the show.

18 Massive Hit: Modern Family

Modern Family is about three different families living in Los Angeles. Much like The Office, Modern Family was created as a mockumentary type sitcom. The series was created in 2009 and is still running on ABC. The show has won an impressive 21 Primetime Emmy Awards, which is partly because of the incredible cast.

Actors such as Ed O’Neil, Sofía Vergara, Ty Burrell, and Eric Stonestreet are some of the many talented people in the cast. While the series has been a massive hit so far, there are rumors that the show could be ending after season 10. 

17 Flopped: My Big Fat Greek Life

It isn’t every day that a romantic comedy will spawn its own TV show, but it certainly happens. My Big Fat Greek Wedding came out in 2002 and starred Nia Vardalos and John Corbett.

The movie revolved around the struggles that Vardalos’ character Toula had by marrying someone who wasn’t Greek. The TV series took place after the first film and starred Vardalos, but Corbett did not return. At first, the series had incredible ratings, but by the second episode, people had started to tune out, which led to CBS canceling the show. 

16 Massive Hit: It’s Always Sunny in Philadelphia 

It’s Always Sunny in Philadelphia was created by Rob McElhenney in 2005 and is currently still running on FXX. The comedy is about five friends who run an Irish Bar in Philadelphia. McElhenney stars in the show alongside fellow comedians Charlie Day, Danny Devito, Kaitlin Olson, and Glenn Howerton. The show began with low ratings, which is why FX forced the show to add a big name actor.

Devito was added to the cast and they haven’t looked back since. It’s Always Sunny in Philadelphia has received critical acclaim since the beginning, and now thirteen seasons later, it has become one of the longest-running live action comedies ever. 

15 Flopped: Joey

Many fans were disappointed to see Friends go off the air in 2004. While most of the cast moved on to other acting roles, one friend stuck around to try and get more laughs for NBC.

After Friends ended, Matt LeBlanc played Joey Tribbiani in the spinoff show titled Joey.

The show saw Joey move on with his life and try to make it big in Hollywood as an actor. The show couldn’t live up to the success that NBC saw with the first series and it was ultimately canceled after two seasons. 

14 Massive Hit: Arrested Development 

Arrested Development has been bringing on the laughs ever since the first episode aired in 2003. The show originally ran for three seasons on Fox but was then later picked up by Netflix. Netflix released season four in 2013 and the first half of season five this year.

The show truly has an ensemble cast, including actors Jason Bateman, Michael Cera, Portia de Rossi, and Will Arnett. Tony Hale and David Cross also have the fan-favorite roles of Buster Bluth and Tobias Fünke. The entire series can be found on Netflix. 

13 Flopped: Bad Judge

While shows like Judge Judy or The People’s Court may be hilarious already, NBC set out to make an actual sitcom about a judge in 2014.

Kate Walsh stars as Judge Rebecca Wright, who works at the Los Angeles County Circuit Court by day, but is a party animal by night. NBC canceled the show before the season had even gotten halfway through, although the rest of the series came on the air as planned. Most people gave the show negative reviews, mainly criticizing Walsh’s performance and the fact that the show just wasn’t funny. 

12 Massive Hit: Parks and Recreation

Parks and Recreation, or simply Parks and Rec., was a massive hit for a couple different reasons. Not only was the show a sitcom, but it doubled as political satire and a mockumentary.

The show ran for a total of seven seasons, but for many people, that wasn’t enough. Parks and Rec. had an incredible cast and memorable characters that only got more hilarious as the series continued. This show most notably included Chris Pratt who has recently blown up in Hollywood, starring in many massive summer blockbusters. 

11 Flopped: Mulaney

John Mulaney is no doubt a funny guy. He is a stand-up comedian and even wrote on Saturday Night Live; however, the sitcom he created in 2014 couldn’t grab people’s attention. The show starred Mulaney himself as a comedian in New York. However, people were concerned about the show before it even came on the air.

The show had an obvious resemblance to Seinfeld and concerns were solidified when the show premiered. With Mulaney doing poorly with critics and with not a lot of people tuning in, the show was canceled after only one season.

10 Massive Hit: Community

Community’s premise centers on Jeff Winger, who is a lawyer who lied about having a bachelor’s degree and is forced to attend a community college. Community lasted for six seasons, five of which aired on NBC and the last on Yahoo! Screen.

The show became a massive hit not just because of the impressive writing team, but because of its cast.

Veteran comedian Chevy Chase stars in the show alongside actors like Joel McHale, Danny Pudi, Alison Brie, and Donald Glover. The show also succeeded by parodying several television and movie clichés. 

9 Flopped: Rob

Some actors have a certain time in the spotlight before they fall out of it completely. Fans have seen this happen with Adam Sandler, despite his attempt to stay relevant, and also with his friend and co-worker Rob Schneider.

Schneider attempted to make a sitcom back in 2012 simply titled Rob and CBS actually picked it up. The show focused on Rob, a former bachelor who works as a landscape architect with OCD and who recently got married. Rob was canceled after eight episodes once the show was flooded with horrible reviews pointing out the show’s use of Mexican stereotypes and the weak supporting cast. 

8 Massive Hit: The Fresh Prince of Bel-Air

Before Will Smith was a massive Hollywood star, he starred in a show on NBC called The Fresh Prince of Bel-Air. The show was a huge hit and spawned a total of six seasons and 148 episodes. Will Smith starred as a fictionalized version of himself who goes to live with his Aunt and Uncle in Bel-Air after he gets into one little fight and his mom gets scared. We all know how the rest of the story goes.

Besides Smith, the show is known for the talented cast members, the unique story, and the wide range of celebrity cameos.

7 Flopped: AfterMASH

After the show M*A*S*H ended, CBS came out with AfterMASH. Adequately titled, AfterMASH centered around Colonel Potter, Sergeant Klinger, and Father Mulch who end up in a veteran’s hospital after the Korean War ended.

While M*A*S*H did quite well for the eleven seasons it was on the air, AfterMASH only lasted two seasons before getting canceled. AfterMASH just couldn’t capture what made the first show great, but that didn’t stop CBS from trying again. The TV network would try again in 1984 with WALTER, but thankfully that show didn’t even get picked up. 

6 Massive Hit: The Middle

The Middle was just an average show about a lower middle-class family, yet it still became a massive hit. The series was created by Eileen Heisler and DeAnn Heline, who previously worked on shows like Roseanne and Murphy Brown.

The show was praised for accurately capturing the lives of a middle-class family while still delivering a hilarious story and unique characters. The Middle lasted for nine seasons before going off the air this year. While the show might be over, a spinoff revolving around Eden Sher’s character Sue Heck is currently in the works. 

5 Flopped: Angel From Hell

Those who don’t remember the sitcom Angel From Hell will be forgiven since the show wasn’t really anything to write home about. In the show Angel From Hell, Jane Lynch stars as a guardian angel for a girl named Allison, who was played by Maggie Lawson.

The show came after Lynch starred in the massively popular Glee, yet Angel From Hell didn’t get as big of a fan base.

The show was canceled by CBS after only five episodes at the beginning of 2016. While CBS didn’t initially air the remaining eight episodes, the rest of the season was released starting in July 2016. 

4 Massive Hit: Two and a Half Men

Even though Two and a Half Men often got mixed reviews, it was still a massive hit for CBS. The show ran for twelve seasons before going off the air, but the show started with Jon Cryer, Charlie Sheen, and a young Angus T. Jones.

There was a lot of drama surrounding the show, especially after Sheen’s crazed antics, but the show continued never the less. After a feud with show co-creator Chuck Lorre, Sheen was replaced on the show with Ashton Kutcher. Kutcher stayed on for the rest of the series until the show ended in 2015. 

3 Flopped: I Hate My Teenage Daughter

Another one of Fox’s TV shows that flopped was called I Hate My Teenage Daughter. The show was about a pair of moms, played by Jaime Pressly and Katie Finneran, who began to notice that their daughters were turning into the kind of teenagers who had bullied them in high school.

The show began its thirteen episode run in November 2011 and ended it in May 2012. After Fox decided to cancel the show, the remaining six episodes were never released in the U.S., but based on viewership, nobody was really watching anyway.

2 Massive Hit: Seinfeld

Created by Larry David and Jerry Seinfeld, the show Seinfeld began in 1989 and lasted for nine seasons. The show was about a fictionalized version of Jerry Seinfeld who lived in New York and spent time with his friends. The show is often called one of the greatest sitcoms ever made and even landed the #2 spot on the Writers Guild of America West’s 101 Best Written TV Series.

Many shows have since tried to copy Seinfeld’s success, but none have been as original as this NBC hit. 

1 Flopped: My Mother the Car

As strange as it sounds, My Mother the Car was an actual sitcom back in the ‘60s. The show follows David Crabtree, who purchases a car that happens to be a reincarnation of his mother who passed away.

The show aired on NBC and starred Dick Van Dyke’s little brother Jerry, but even the Van Dyke gene couldn’t save the show. My Mother the Car was as strange as it was horrible, and not very many people cared for the show. NBC decided to cancel the program after just one season. 

Are there any other sitcoms that should have made the list? Sound off in the comments!



Source link
2018-10-07 04:10:06 – Christopher Fiduccia