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Brie Larson Serves Fans Popcorn On Captain Marvel’s Opening Weekend

Brie Larson helped out on opening weekend of Captain Marvel by showing up at one New Jersey theater to serve popcorn and soda to lucky fans. The first MCU film headed up by a female character, Captain Marvel has soared out of the gate in massive fashion, reportedly earning $455 million worldwide for the sixth-highest global opening ever.

Larson stars in the film as Carol Danvers, an earth woman who has become a member of an alien race called the Kree, who are involved in a war with a race of shapeshifters known as the Skrulls. Danvers soon finds herself back on earth in the 1990s, and meets up with Nick Fury (played by a digitally de-aged Samuel L. Jackson), who helps her find out about her forgotten earthly origins as an Air Force pilot. The film has received mostly positive reviews from critics, and has been certified fresh by Rotten Tomatoes. However, the movie’s audience score on RT is only at 57%, thanks in large part to an apparent review bombing attack by individuals who object to Marvel Studios placing a female character at the center of a movie.

Related: Captain Marvel: 5 Things They Changed From The Comics (And 5 That Stayed The Same)

With Captain Marvel finally arriving this weekend after months of anticipation, Brie Larson herself helped out the cause by showing up at a theater in New Jersey to serve popcorn and soda to a few lucky fans. Marvel Entertainment posted some images of Larson enjoying her interaction with the fans while offering her assistance behind the counter. See the images below:

Luckily for Larson, Marvel did not make her wear the real Captain Marvel costume while working at the concessions stand, but instead allowed her to sport a very comfortable looking Captain Marvel inspired tracksuit (that of course fans on Twitter are now clamoring to own). The extra promotional appearance likely was not needed, as Captain Marvel was expected to easily top $100 million domestically in its opening weekend, and indeed ended up far surpassing that mark.

Of course, Captain Marvel is just the beginning of things for Brie Larson and Carol Danvers in the MCU. The character is expected to play a major role in Avengers: Endgame, as the universe’s remaining heroes join forces to take on the all-powerful Thanos. As for the future of Captain Marvel beyond Endgame, it remains to be seen what plans Marvel has in mind for the character., but it seems a proper Captain Marvel sequel is inevitable after the first film’s massive worldwide opening. After somewhat falling behind DC in terms of female superheroes, it seems Marvel and Disney have succeeded in establishing a character to rival Wonder Woman in box office popularity and pop culture impact.

MORE: CAPTAIN MARVEL: EVERY EASTER EGG & SECRET REFERENCE

Source: Marvel Entertainment, Marvel Studios, Dustin Sandoval



2019-03-10 05:03:10

Dan Zinski

22 July Review: Paul Greengrass Delivers Another Intense Docudrama

Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

In-between his efforts on the Bourne movies, journalist-turned filmmaker Paul Greengrass has spent much of his career making docudrama-thrillers about real-world events, ranging from the September 11 terrorist attacks on the U.S. (United 93) to the hijacking of the Maersk Alabama in 2009 (Captain Phillips). While there’s an inherent risk of exploiting a real-world tragedy that comes with any such project, Greengrass has long been celebrated for his ability to dramatize terrible events on the big screen in a manner that’s intense, yet sensitive and ultimately insightful in its presentation. Thankfully, that remains the case with his Netflix Original 22 July, even if it doesn’t necessarily represent the writer/director at his finest. Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

22 July picks up on July 21, 2011 in Oslo, Norway, as Anders Behring Breivik (Anders Danielsen Lie) – a self-declared right wing extremist – prepares to carry out a terrorist attack on the city the next day. He begins his assault by setting off a bomb in a van near the main office of the then-current Norwegian Prime Minister Jens Stoltenberg (Ola G. Furuseth), killing eight people in the process. Breivik then proceeds to continue his attack by gunning down 69 members of a summer camp organized by the AUF – the youth division of the Norwegian Labour Party – on the island of Utøya, before he is ultimately apprehended by the police and taken into custody.

Among the members of the summer camp is one Viljar Hanssen (Jonas Strand Gravli), who manages to survive Breivik’s attack despite being shot multiple times and left permanently maimed. As Viljar struggles to recover both physically and psychologically from what happened to him (along with everyone else who survived the Utøya shootings and their loved ones), Breivik works with his chosen lawyer Geir Lippestad (Jon Øigarden) to mount a defense and use his trial as a platform to publicly announce his political agenda (which calls for the immediate deportation of all Muslims and heavier restrictions on immigration to Norway, among other things). When it becomes clear to Viljar what Breivik intends to do, he grows increasingly determined to continue his rehabilitation and testify against him in court for not only himself, but also every other person whose lives were affected by what took place on July 22.

Adapted from the book One of Us: The Story of a Massacre in Norway — and Its Aftermath by Åsne Seierstad, Greengrass’ script for 22 July has a very clear-cut three act structure – with the first act focused on the July 22 attack, the second part set during its immediate aftermath, and the final third centered on Breivik’s trial. The film is strongest during its first and third acts in particular, as those chapters (respectively) play to Greengrass’ strengths as a suspense-thriller storyteller and provide the emotional payoff to Viljar and, thus, Norway’s overarching journey of recovery and survival. It’s the second act where things start to drag and get a little muddled, especially as 22 July splits its focus between not only Viljar’s story thread, but also Lippestad and Breivik’s trial preparation, and the investigation into Stoltenberg’s administration and its failure to prevent a terrorist attack. While there’s nothing in the second act that feels inessential, 22 July struggles to divide its attention evenly between its three plotlines and the film’s pacing suffers for it.

On the whole, however, 22 July does a nice job covering a fair amount of narrative ground, even when taking its pretty substantial runtime into consideration. It helps that Greengrass (as he’s known now for doing, as a director) never fully lifts his foot off the gas pedal and keeps the film’s proceedings feeling on-edge throughout, even during its more purely dramatic portions. The filmmaker, working this time around with DP Pål Ulvik Rokseth (The Snowman) and Oscar-winning Argo editor William Goldenberg, uses essentially the same vérité cinematography and restless editing style that he has on his previous movies, in order to fully immerse viewers in the film’s setting and action. At the same time, Greengrass slows things down a bit here and, in turn, delivers a movie that’s more visually cohesive than some of his weaker efforts in the past (see the last Bourne sequel, in particular). This serves 22 July well, allowing it to effectively work as both a grounded drama and thriller.

Given the sheer amount of information that 22 July strives to cover, though, there’s not a lot of room for the film’s actors to really shine – not in the way that Barkhad Abdi and Tom Hanks did in Captain Phillips, for example. Even so, the 22 July cast is uniformly strong across the board, with Gravli especially doing an excellent job of portraying Viljar’s struggles with his physical injuries, PTSD, and the sheer amount of emotional baggage that he’s saddled with after barely managing to escape the attack on Utøya with his own life. Actors like Thorbjørn Harr and Isak Bakli Aglen are similarly moving in their smaller roles as members of Viljar’s family, as is Seda Witt as Lara Rashid, a young woman who starts to make a romantic connection with Viljar before both of their lives are shattered by Breivik’s attack. As for Breivik himself: Lie is quite compelling in the role and portrays the terrorist as a fully-developed person – one whose rationalization of his behavior makes him chilling and pathetic in equal measure.

As with his previous films, Greengrass uses 22 July as a means for delivering larger sociopolitical commentary about the state of things in the world, specifically where it concerns the rise of xenophobic and nationalist ideologies in various countries (the U.S. included). While his scripted dialogue can start to become a bit on the nose as its strives to get these points across (especially in the third act), Greengrass largely succeeds in allowing the story here to shine a light on these issues organically, without getting up on his figurative soapbox to drive the point home. If there’s a downside to the filmmaker’s approach, though, it’s that July 22 winds up handling its subject matter in a way that’s more engaging intellectually than emotionally and, thus, lacks the emotional resonance of Greengrass’ best work to date.

All things considered, however, Greengrass does a very good job of bringing the true story behind 22 July to cinematic life. The final result is a film that makes for an enlightening and otherwise respectful documentation of a horrifying real-world event, rather than one that comes off as exploitative or manipulative. 22 July is showing in select theaters now – in order to qualify for next year’s major film awards shows – and it certainly benefits from being seen on the big screen, but can still be appreciated just as much as a Netflix Original on your home TV. While it’s obviously not a light-hearted viewing experience, 22 July is very much worth checking out if you’ve enjoyed Greengrass’ previous non-Bourne efforts and/or would like to know more about Norway’s own infamous modern terrorist attack.

TRAILER

22 July is now available for streaming on Netflix and is playing in select U.S. theaters. It is 143 minutes long and is rated R for disturbing violence, graphic images, and language.

Let us know what you thought of the film in the comments section!



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2018-10-10 01:10:22 – Sandy Schaefer

Simon Pegg Interview: The Boys

Amazon’s upcoming comic book adaptation, The Boys, dropped some big news at New York Comic Con this week; not only did was the first clip from the show revealed, but so was the news that Simon Pegg would be appearing in it. The Boys is an adaptation of the Garth Ennis comic series of the same name, which satirizes the superhero world and imagines life in a universe where those with powers become corrupted by them – but maintain their public image.

The ‘Boys’ of the comic title are a group of vigilantes, mostly without superpowers, who take it upon themselves to keep tabs on the various ‘supes’ in this world – and occasionally, to take them down. The series follows Butcher (Karl Urban), his new protege Hughie (Jack Quaid), and the rest of their gang as they wreak havoc on the twisted supes that the world sees as heroes, and it promises to be violent, foul-mouthed, and hilariously dark. After the reveal that Pegg would be appearing in the show as Hughie’s father, we sat down to talk about what fans can expect from his new character on the show.

Related: The Boys TV Show Casts Simon Pegg As Hughie’s Father

SR: So, obviously this was a big reveal for The Boys today. Can we ask now how big your part in the show is?

Simon Pegg: I’m a guest role. I think I’m in a few episodes, and it was something that we really wanted to do from the off. When the show became a reality, they were very kind to get in contact when Jack was cast and say ‘maybe you can be in the show’. And I think I suggested that maybe I could play Hughie’s father or something.

SR: So it was your idea?

Simon Pegg: Well, I can’t remember, but I feel like I did say that! Whether or not they had already had the character in mind I’m not sure, because he certainly… he serves a real purpose in the show. He’s not in the comic book, but I think in the show he represents the possibility of Hughie not taking action. And the show begins with this terrible tragedy that happens to Hugie and he has two choices; he can stay on the sofa with Dad like every Campbell man has in the past, or he can actually change his life.

And so, as a sort of visual representation of Hughie’s possible destiny, the Dad works really well as a character.

SR: And do we see any of Hughie’s Mom?

Simon Pegg: No, she passed away, so it’s just Hughie and Dad, and they have a very sweet relationship. That picture that you saw of us, the family shot, is very much prior to A-Train doing what he does. They have a very sweet little… you know they are just father and son, and he’s still got his toys in his bedroom, and they live together, and Dad dotes on him. He’s a nice guy, he’s just very ineffectual.

SR: How do you feel about the fact that in the comics, obviously Hughie is Scottish and now we’re coming over to the US for this series? Are you going to be an English Dad or are you going to do the American accent?

Simon Pegg: Well, we talked about this, and I think what happened was initially I was going to play Hughie’s Dad as Scottish in reference to the comic book, but then we decided in a way that if Hughie was used to a British accent of any kind, it would make Butcher less alien to him, in a way. Because Butcher’s got to feel like he’s from a completely different world, you know, and so he has this rough Cockney accent, and so we thought ok, let’s make them American. So I play Hughie’s father as American.

SR: Which other character are you most excited about? Which one is your favorite, either in the comics or the show… is it the same one?

Simon Pegg: I was just really happy to see the Supes, you know! When I did my first scene it was quite early on in the shoot and not all of the Boys had actually arrived. I hadn’t met Karen [Fukahara] or anybody and I was kind of like, really wanting to see some superheroes. And then when I came back to shoot some more scenes later on I got to see A-Train, and pictures of the other ones, and it was just really great to see them in 3D! But the one that I saw that was a full on ‘there he is, right in front of me’ superhero was a real treat.

SR: Do you think that this show is going to be particularly appealing to people who are maybe getting a little of that so-called ‘superhero fatigue’?

Simon Pegg: Yeah, I think that in a weird way, as a satire on superheroism, that’s kind of the least of what this show is, in a way. It’s a broader satire about the notion of power and celebrity, and it just so happens that the subjects of that particular analysis are superheroes in this show. We do, obviously, satirize superhero culture a little bit, and people might enjoy the parallels to other known superheroes that The Boys delights in. But at the same time, you know, it’s still a superhero show, I think it’s just a welcome change of tone, for sure. But it’s not like, I don’t think it’s sneering at its roots in any way. In the great tradition of comics like The Watchmen and The Dark Knight Returns, it’s kind of a slightly skewed version of that world, no less reverent.

SR: And other than yourself, because obviously your character doesn’t exist in the comics, were there any other major changes that surprised you, going in as a fan? At least, I am assuming you are a fan!

Simon Pegg: I am, yes! Everything that I saw, I really really liked, and I appreciate the importance, when making an adaptation, of not being too slavish. You can tie yourself in knots by being desperate to please, and I think that the best thing you can do with a story that first appeared in 2008 sis to make sure that it feels relevant in 2018. So they’ve done everything they can to do that. So the changes that I saw felt completely in keeping with the spirit of the comic book, and I know that’s what Garth Ennis really wanted as well, and Darick Robertson (the artist). And so as long as they maintain the kind of mission statement of it I’m happy to see it change. It must change, in the same way that The Walking Dead as a comic book is very different to the series, but it still has its own personality. TV is a different medium, you know, and it should have its own identity.

SR: And finally, I think we have time for one more, so given that you know the works of Garth Ennis, would you think that The Pro would be an interesting thing to be adapted next? And would you like to appear in that one, if it did?

Simon Pegg: [LAUGHS] I think anything he does is always… I think Garth kind of writes specifically to try and challenge people not to adapt… as if to say ‘alright, adapt that then!’. You know, things that just seem completely unadaptable. So, yes, I would always be happy to be involved in anything that Garth does, I’ve been a fan a long time, so yeah.

And, now they’ve done Preacher and now this, I think it’s paved the way for pretty much anything he does to appear in some form, you know, however mental. I shouldn’t say that, it’s the wrong word to say.

SR: Well, it’s a very British word.

Simon Pegg: [CHUCKLES] Yeah. So – who knows, you might have started a rumor – this is how these things start!

Next: Everything We Know About Preacher Season 4

The Boys is expected to premiere on Amazon in early 2019.



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2018-10-10 01:10:06 – Rose Moore

6 Casting Decisions That Hurt It’s Always Sunny In Philadelphia (And 14 That Saved It)

There are sitcoms that everyone loves, and then there’s It’s Always Sunny in Philadelphia — a series which has managed to turn off many with its despicable characters and depraved sense of humor. From faking cancer to trying to eat a homeless person, there are no depths that are too low for the owners of Paddy’s Pub. But you don’t get to thirteen seasons without making a few fans in the process.

While It’s Always Sunny in Philadelphia might not pull in the biggest numbers, the show has maintained such a rabid following over the years that one has to wonder if they’ve accidentally gotten there hands on some raccoon meat. But the more likely scenario is that many people have just as twisted of a sense of humor as the makers of this FX series.

The sitcom was created by Rob McElhenney with the help of Glenn Howerton and Charlie Day, who would go on to portray Mac, Dennis, and Charlie on the series. Kaitlin Olson and Danny DeVito fill out the rest of the main cast as Dee and Frank Reynolds, and for over the last decade, fans have been happily following the bizarre misadventures of the Gang. Of course, it’s impossible to imagine anyone else in these leading roles. With over 130 episodes, there has been no shortage of supporting characters and celebrity cameo, some of which have been a lot better than others.

Here are 6 Casting Decisions That Hurt It’s Always Sunny In Philadelphia (And 14 That Saved It).

20 Saved: Glenn Howerton as Dennis Reynolds

In a sea of despicable characters, Dennis Reynolds has slowly revealed himself to be the most reprehensible of them all. Dennis may have begun the series as one of the more sensible members of the Gang — albeit one with an extremely short fuse, but he’s slowly revealed himself to be a cool and calculated sociopath. One who also happens to have a heavy side of narcissistic personality disorder.

While Glenn Howerton didn’t want to name the character after himself for fear of people drawing an unwelcome comparison, that hasn’t stopped Howerton from taking the character to some extremely dark places. He’s more than a little convincing when he lays out one of his manipulative plans. While his temper tantrums may be over-the-top, you never doubt the authenticity of the rage and frustration Howerton has embedded into his performance.

19 Saved: Mary Elizabeth Ellis as The Waitress

One of the most prominent recurring characters on It’s Always Sunny, the Waitress has been a part of the series since the very beginning. She is the unrequited love interest of Charlie throughout the majority of the show — though it seems like the tables have turned in recent episodes.

The Waitress is portrayed by Mary Elizabeth Ellis, who had previously worked with Charlie Day on an episode of Reno 911! The two were married shortly after It’s Always Sunny began, adding another layer of hilarity to the dysfunctional relationship between the two characters on screen.

Ellis fully commits to her performance as the down-on-her-luck waitress.

She’s an example of the tight-knit community working behind-the-scenes that has made the series such a success.

18 Hurt: Jason Sudeikis as Schmitty

While sitcoms usually lend themselves well to celebrity cameos, It’s Always Sunny has created such a distinct world that more often than not these cameos end up feeling out of place. There have been a few instances where they’ve managed to pull them off. Josh Groban popping up in one of Dee’s fantasies seemed fitting, and Dax Shepard manages to blend in fairly well into the episodes where Mac and Charlie join a cult.

In the case of Jason Sudeikis and a number of other celebrities, the cameos just end up coming across as distracting. There’s nothing inherently wrong with Jason Sudeikis playing Schmitty — an ex-member of the Gang who makes an unexpected return. The whole time, you never forget that you’re watching Sudeikis, which just doesn’t work for the tone of the series.

17 Saved: Mary Lynn Rajskub as Gail the Snail

Though she’s only appeared in three episodes of the series to date, Gail the Snail is definitely one of those side characters that we’d like to see more of. She first appeared back in the season five episode “The Gang Gives Frank an Intervention”, where she is the clingy cousin of Dennis and Dee who talks with a lisp and has the disgusting habit of slurping her saliva. Dennis and Dee have found that the only way to get rid of her is to dust her with salt, hence her nickname of Gail the Snail.

The character is portrayed by the talented Mary Lynn Rajskub, who is best known for playing Chloe O’Brian on 24.

This is undeniably a very different character, and it’s impressive just how committed Rajskub is to playing someone so hilariously obnoxious.

16 Saved: David Hornsby as Cricket

The Gang has dragged their fair share of individuals down into the dirt with them, but none are more apparent than Rickety Cricket. Portrayed by David Hornsby, Cricket is a former classmate of the Gang who was once infatuated with Dee. He debuted in season two as a clean-cut priest who has slowly transformed into the addicted hobo that we have today.

Hornsby has been such a prominent member of the show that last season he was given his own episode with “A Cricket’s Tale”, which cleverly intertwined the character’s other brief appearances throughout the season into the story. Hornsby has also been a big part of the show behind-the-scenes as well, serving as an executive producer and a writer of nearly 30 episodes.

15 Hurt: Brian Unger as The Attorney

It’s Always Sunny has a number of supporting characters who re-emerge every few seasons, only to be dragged down by the shenanigans of the Gang once again. Brian Unger plays one such character with the Attorney, who the Gang often visits for legal advice only to contradict everything the lawyer has to say.

As a former correspondent of The Daily Show, Unger is really good at playing the straight man.

In fact, he’s too good, which makes it hard to believe that he would put up with these self-centered, narcissistic characters for more than a few episodes. Often, these supporting characters are revealed to be a little bit off in their own right, but Unger is just too normal to make his character mesh with the series.

14 Saved: Danny DeVito as Frank Reynolds

Danny DeVito first popped up in season two of It’s Always Sunny, and his casting as Frank Reynolds quite literally saved the series. While the higher-ups at FX reportedly loved the first season, not enough people were watching to warrant a second outing. McElhenney, Howerton, and Day were given the ultimatum to add a bigger name or face cancellation. While they worried how DeVito would fit into the series, the veteran actor has more than proven himself as a worthy member of the Gang.

The insane things that DeVito will do for the character are a testament to the actor’s commitment. Even more impressive is how you never feel like you’re watching a performance. DeVito becomes Frank Reynolds. Even when he’s not delivering lines, just watching him futz about in the background is already hilarious enough.

13 Saved: Charlie Day as Charlie Kelly

It’s Always Sunny has turned all of its leading actors into stars, but Charlie Day is the biggest breakout of them all. Since appearing on the show, Day has worked on a number of hit films, including Horrible Bosses, Pacific Rim, and The Lego Movie.

His star power has no doubt helped the show remain on the air for so long.

Thanks to Day’s performance and musical talents, the character of Charlie has no shortage of memorable moments. Bird law aside, Charlie may be the least intelligent member of the Gang. In a lot of ways, he’s the heart of the show. Charlie certainly has his share of questionable moments, but they often stem from ignorance rather than malice, which set him apart from the other employees of Paddy’s Pub.

12 Hurt: Sean “Diddy” Combs as Dr. Jinx

Whenever Sean “Diddy” Combs pops up in a movie or TV show, he often plays a fictionalized version of himself. In It’s Always Sunny, he plays the unorthodox Dr. Jinx who utilizes alternative methods to treat his patients.

Not only is the cameo distracting, but Combs’ performance is pretty flat. It almost seems like the actor is reading off cue cards, and when Dr. Jinx is seen playing the bass guitar during a musical performance at Paddy’s Pub, it’s pretty obvious that Combs isn’t actually playing. The rapper may have stolen the show as Sergio in Get Him to the Greek, but whatever worked for him on that movie isn’t back on display in the sitcom.

11 Saved: Artemis Pebdani as Artemis

Artemis is one of the few supporting characters who can actually hang with the Gang without her life coming apart at the seams. She first appeared up in season one, where she befriends Dee after the two meet in an acting class. She’s also had a relationship without Frank throughout her time in the series.

The character is portrayed by Artemis Pebdani, who landed the role right at the start of her professional acting career.

While she’s continued to reprise her part as the fun-loving and wild Artemis, the actress has enjoyed success in a number of other shows, including Scandal and Masters of Sex. Though a number of supporting characters seem to have fallen off in recent years, Artemis has already popped up this season with “The Gang Beats Boggs: Ladies Reboot”.

10 Saved: Lynne Marie Stewart and Sandy Martin as Charlie and Mac’s Moms

Every since Danny DeVito debuted as Frank Reynolds, it was abundantly clear why Dennis and Dee are they way that they are. After all, Frank is just as self-absorbed and conniving as the twins. In that respect, we’ve also gotten to see how Mac and Charlie are a result of their childhoods by getting to know their moms over the course of the series.

Lynne Marie Stewart does a perfect job of playing Charlie’s mom, a kind-hearted woman who was far too overprotective of her son — which explains Charlie’s numerous irrational fears. Meanwhile, Sandy Martin is the total opposite, as Mac’s mom doesn’t seem emotionally invested in her son at all — which explains Mac’s constant desire for approval. Together, the two are a perfect comedy duo, which is on full display in “Old Lady House: A Comedy Situation”.

9 Hurt: Seann William Scott as Country Mac

In season nine, Seann William Scott made a one episode appearance as Mac’s cousin — who the Gang deems far cooler than Mac. Just like Jason Sudeikis as Schmitty, this is another star cameo that can’t help but feel distracting. Scott has made a career playing characters who are too cool for school thanks to movies like American Pie and Role Models. That might seem like he’s the ideal fit for Country Mac.

Wouldn’t it have been even funnier if the Gang idolized a character for no other reason than to get under Mac’s skin?

With the success of It’s Always Sunny, we’re sure that they could have a star cameo every few episodes. Since they’re kept to a bare minimum, it seems that even they know these roles can be a bit ostentatious.

8 Saved: Jimmi Simpson and Nate Mooney as Liam and Ryan McPoyle

The McPoyles are the perfect example of just how dark and twisted the humor on It’s Always Sunny can actually get. They are a large inbred family with the two most prominent members, Liam and Ryan, being former classmates of the Gang. They popped up in a number of episodes between seasons one and nine, where they’re often at odds with the owners of Paddy’s Pub.

Liam and Ryan are played by Jimmi Simpson and Nate Mooney throughout their time on the show. Both fully commit to the unsettling nature of these characters. They might be creepy, but that doesn’t stop them from being a hilarious comedy duo. Our only complaint is that they’ve been absent from the series for the last few seasons.

7 Saved: Catherine Reitman as Maureen Ponderosa

One of the weirdest characters in all of It’s Always Sunny, Maureen Ponderosa is the ex-wife of Dennis Reynolds who slowly makes her transition into becoming a cat in the later episodes of the show. Much like Rickety Cricket, her transition from seemingly normal to totally unhinged takes place over the course of a few seasons — better-allowing audiences to buy into the ridiculousness of it all.

Catherine Reitman seems totally devoted to this outlandish and often unsettling performance.

Since appearing on the show, Reitman’s notoriety has only continued to grow. She currently plays the lead on Workin’ Moms — a show which she also created — along with popping up as another recurring character in Black-ish.

6 Hurt: Guillermo del Toro as Pappy McPoyle

Writer/ director Guillermo del Toro was apparently such a big fan of It’s Always Sunny, that it was one of the reasons he cast Charlie Day in Pacific Rim. In return, del Toro was given this cameo appearance as Pappy McPoyle — who is most likely the grandfather of Liam and Ryan.

One problem right off the bat is that del Toro was cast to play someone who is most likely from Ireland— a fact which the director himself made fun of in a behind-the-scenes interview. This may have been the reason that Pappy McPoyle was given such an over-the-top appearance, which is really the worst part of the character. The McPoyle’s are indeed odd and unsettling, but they’re still somewhat believable.Pappy McPoyle, on the other hand, looks like some deranged wizard who has no place in the series.

5 Saved: Wade Boggs as Himself

The best episodes of It’s Always Sunny usually finds the Gang confined to a single area, where their personalities can do nothing but bounce off the walls and wreak havoc on themselves and anyone in their vicinity. This is what makes “The Gang Beats Boggs” one of the best episodes in the series.

The episode finds the five Philadelphia natives trying to beat Wade Boggs’ record of consuming 70 drinks during a cross-country flight.

While the Gang’s antics are usually based on nothing but nonsense, this true story only adds another level of hilarity to the episodes. The cherry on top is a brief appearance by Wade Boggs himself. In an interview, Charlie Day said that not only was Boggs happy to participate in the episode, but that his real-life record was a lot more impressive than previously thought.

4 Saved: Michael Naughton as the Waiter

Michael Naughton first appeared up in “The Gang Dines Out,” where he is a server at one of the finest restaurants in Philadelphia. He’s crossed paths with the Gang a number of times since, and every time the Waiter emerges worse for wear.

Just this season, Naughton appeared in “The Gang Beats Boggs: Ladies Reboot,” where he is now working as a flight attendant. Once again, the Waiter tries to get the Gang to acknowledge how they’ve sabotaged him in the past. But once again, the Gang can’t remember who he is.

Naughton plays the Waiter with a kind of obsessive desperation beneath his everyman facade; he seems like someone who really would let the Gang get the better of him. He’s also the kind of supporting character that rewards loyal fans every time he pops back up.

3 Hurt: Stephen Collins as Bruce Mathis

Stephen Collins popped up in season two and three of It’s Always Sunny, where he played Bruce Mathis, the biological father of Dennis and Dee. Bruce invests most of his time and money helping out various charities around the world, making him a polar opposite of his children. This also made Collins — who was best known for playing Reverend Eric Camden on 7th Heaven — seem like an ideal fit for the part.

In the years since, Collins has both been accused and admitted to being an abuser. The actor has obviously not appeared on the show since, but going back and watching these episodes with Collins can be more than a little discomfiting.

2 Saved: Kaitlin Olson as Dee Reynolds

With Rob McElhenney, Charlie Day, and Glenn Howerton working on the show right from the very beginning, the actors were afforded the opportunity to mold their characters as they saw fit. However, the character of Dee Reynolds was developed before an actress was cast, and she was originally meant to be the Gang’s voice of reason.

Thankfully, Kaitlin Olson nabbed the role, and over time Dee became just as hilariously pathetic as the other members of the Gang.

Being a former member of The Groundlings, Olson clearly had talent as a comedic performer — which might also explain why Dee fancies herself as a bit of an improv comic. The actress isn’t afraid to make Dee as embarrassing as possible, which adds an element of cringe-comedy to the show that’s not found in the other characters.

1 Saved: Rob McElhenney as Mac

Without Rob McElhenney, there would be no It’s Always Sunny in Philadelphia. The struggling actor/writer decided to put plans for the series into motion after a number of other projects fell through. With the help of Glenn Howerton and Charlie Day, McElhenney made a short episode of the series, which he used to pitch the sitcom. Over a decade later, McElhenney still serves as an executive produces while continuing to write a number of episodes.

As far as his role of Mac is concerned, McElhenney isn’t afraid to take the character in different directions.

He put on a whopping 50 pounds for season seven and Mac finally came out of the closet for good last year — just a few of the many ways McElhenney has kept the show feeling fresh after thirteen seasons.

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Who’s your favorite actor on It’s Always Sunny in Philadelphia? Let us know!



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2018-10-07 02:10:26 – Dylan Dembrow

Why Venom’s Director Saved [SPOILER] For The Sequel

Warning: This article contains spoilers for Venom.

Venom director Ruben Fleischer has explained just why he saved Carnage for a sequel. The post-credits scene introduced viewers to Woody Harrelson as Cletus Kasady, the serial killer who becomes the most dangerous symbiote villain in Marvel Comics.

In 1992, David Michelinie, Erik Larsen and Mark Bagley created the character of Carnage. Envisioned as a darker version of Venom, Carnage was created when a symbiote bonded with a convicted serial killer, a sociopath who revels in bloodshed. Carnage has become a comic book legend in his own right, a monstrous force of destruction who’s pushed every hero to the brink of madness.

Related: Venom: The 10 Biggest Spoilers

The post-credits scene for Venom revealed that Woody Harrelson is playing the part of Cletus Kasady, a serial killer who’s under arrest in San Quentin prison. He’s visited by journalist Eddie Brock, having asked Brock for the chance to tell his story, but really all Kasady wants to do is issue a threat; when he breaks out – and, Kasady swears, he will do so – he’s coming for Brock. It was a promising introduction to the character, and in an interview with IGN director Ruben Fleischer has explained why he took this approach.

“We’d like to think that this movie will expand to other movies and Carnage is, I think, the most beloved of the Venom adversaries, with the exception of probably Spider-Man. And so we definitely didn’t want to include Carnage in this first movie because it felt like we wanted to establish Eddie and Venom and so that’s why we worked having Riot as our main adversary. But the intention or the ambition was to show that there are legs for the franchise in that a fan favorite let alone played by Woody Harrelson would be something we could look forward to in the future.”

Fleischer has a point; the narrative in Venom is pretty economical, with a tightly-focused story that serves to introduce viewers to the idea of Venom and the alien symbiotes. As a result, Venom is essentially a standalone film, and that post-credits scene is really the only explicit piece of setup in the entire movie. That’s quite a remarkable approach to take, given this film is expected to launch an entire Spider-villains franchise.

Fleischer admitted that he doesn’t really know how Carnage will come to exist in the films just yet. As he pointed out, “In the comics, he’s a spawn of Venom’s and basically he and Eddie in the comics are cell mates.” Sony wanted to set Venom up as an antihero rather than an outright villain, and so didn’t want him to wind up in jail at the end of the film. “That would’ve been a bit of a bummer,” Fleischer observed. Instead, he had the idea of shooting a scene in which journalist Eddie Brock visits the prison and talks to Kasady. That sets up a fascinating new dynamic, in which Kasady is obsessed with Brock even before he’s exposed to a symbiote. It will be fascinating to see how this develops.

Notice how careful Fleischer is with his comments, though. He doesn’t actually confirm that Carnage will appear in Venom 2. Back in 2014, leaked Sony emails revealed that the studio was considering a Maximum Carnage event movie as the culmination of their Spider-villain universe. That idea may still be on the cards, and Carnage could be a far more important foe than simply the key sequel villain.

More: Maximum Carnage Can Be The Avengers Of Sony’s Spider-Villains Universe

Source: IGN



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2018-10-05 04:10:16 – Thomas Bacon

Little Drummer Girl Images: Author John le Carré Serves Up A Fun Cameo

AMC’s upcoming miniseries adaptation of John le Carré’s The Little Drummer Girl is shaping up to be one of the fall’s most anticipated new series, and it looks like the author himself will be serving up a fun cameo. The six-part miniseries boasts a stellar cast that includes Florence Pugh, Alexander Skarsgård, and Michael Shannon in a thriller set in the 1970s. The espionage event marks the second high-profile adaptation of le Carré’s work for a joint production between the BBC and AMC, following in the very big footsteps of The Night Manager. 

All evidence suggests this new miniseries will be an even bigger event, as it has not only nabbed a top-notch cast, but also the entire series is directed by Park Chan-wook. That the director of such films as Oldboy, The Handmaiden, and Sympathy for Mr. Vengeance is on board with this project turns it into something potentially far more special that it already would have been — especially for fans of le Carré’s work and its subsequent adaptations. 

More: The Cool Kids Series Premiere Review: Getting Old Stinks, But It Can Still Be Funny

Those fans can now be on the lookout for the author, as a new image reveals the circumstances of the cameo appearance he’ll make. As seen in the image below, it looks as though le Carré will be joined by Skarsgård in a scene involving a cafe of some kind, where the two play waiters. In case it’s been a while since you looked at his photo on the back of one of his books, le Carré is the gentleman in the middle of the image below: 

There’s not a lot to go on from the image other than le Carré joins Alfred Hitchcock in making brief but memorable appearances in his work (or adaptations thereof). For more you’ll have to check out three new first-look images released by EW showing off the series’ cast, one image is a promotional photo but the other two, feature Pugh on a beach somewhere and Skarsgård in a club of some sort, sporting a dashing orange and green combo that seems intriguingly out of place in a spy thriller. 

Unfortunately, audiences still have a considerable wait ahead of them, as The Little Drummer Girl won’t hit AMC until late November, when it becomes a three-night event. Until then, those eager to see more of the new miniseries will have to wait patiently for the first trailer. 

Next: The Good Place Season 3 Review: Still One Of The Most Inventive Comedies On TV

The Little Drummer Girl premieres Monday, November 21 @9pm on AMC.



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2018-09-29 03:09:46 – Kevin Yeoman