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Comprehensive Ronit Elkabetz retrospective showing at Pera Film



Paying homage to Ronit Elkabetz, who created stunning female characters fighting for their freedom against boundaries determined by society, Pera Film is offering a selection of her films titled ‘Beyond…Click To Continue



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Poland Now: Award-winning films by rising Polish directors at Istanbul Modern



Polish cinema is shining bright, especially in international film festivals around the world. As of today, Istanbul Modern is showing prominent Polish films until SundayClick To Continue



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Does First Man Have An After-Credits Scene?

You’ve been to the Moon and back with Ryan Gosling’s Neil Armstrong, does First Man have an after-credits scene in store for you? The new film from Damien Chazelle (Whiplash, La La Land) is about the first man to walk on the lunar surface, exploring Armstong’s family life as much as his humanity leaping actions.

It’s a very different sort of biopic for sure. While all the key moments are there – Neil joining NASA, the near-fatal Gemini 8 mission, the successful and unforgettable Apollo 11 landings – the film takes a more abstract approach, with documentary-style filming and moments of reflection creating something more personal than a peek behind the curtain. One of the biggest aspects of this is the lack of any end cards that explain what happened to First Man‘s key players after the Moon landings.

Watch: The First Man Trailer

And if you’re expecting to find out more by sticking around in the theater, you’re out of luck: First Man does not have an after-credits scene. However, there are two very good reasons to still stick about. The first is Justin Hurwitz’s score. In the movie itself, it’s a stunning blend of grounded and magical styles, evoking 2001 and Interstellar while still being its own thing, and the credits suite is a perfect cap. Second, there’s the use of archive NASA recordings at the end that serve as both a reminder of the reality of this story and how space exploration continued beyond the Moon landings.

It shouldn’t be too surprising that First Man doesn’t include anything after the credits. Even with it shirking a lot of drama genre conventions, it’s not going to dip its toe into a trope typically saved for superhero movies. The story of both the Space Race and Neil Armstrong are completed by the movie’s end, so there’s no greater narrative to explore – even if that final scene is rather ambiguous. A stinger showing Armstrong and Buzz Aldrin planting the US flag in the Moon would be humorous, but again not totally fitting.

There’ll be other ways to keep up with the talent involved. Chazelle is going to be giving the big screen a break, but is set to direct the first two episodes of upcoming musical Netflix series The Eddy and is writing a project for Apple TV. Ryan Gosling has no other acting projects lined up, but Claire Foy will be back in cinemas next month for The Girl In The Spider’s Web (but not on Netflix for The Crown, where the role of Queen Elizabeth has been recast with Olivia Coleman).

Next: First Man’s Moon Sequences Are Meant To Be Seen In IMAX



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2018-10-11 03:10:50 – Alex Leadbeater

The Flash Premiere Had The Arrowverse’s First Batwoman Easter Egg

The fifth season premiere of The Flash surprised fans by making the first official reference to the existence of Batwoman, months ahead of her first scheduled appearance during the annual Arrowverse crossover event this winter. The episode also dropped a number of references to the classic comic book mini-series Crisis On Infinite Earths, which has been hinted as an eventual occurrence in the future of the Arrowverse.

Batwoman’s arrival in the Arrowverse was first announced shortly before San Diego Comic Con 2018, when the news broke that The CW was considering developing a television series based around Kate Kane, a cousin of Bruce Wayne who unintentionally followed in his footsteps when she became a vigilante. It was later confirmed that not only was The CW developing the series, but they intended to introduce Kate Kane as part of Elseworlds – the next annual Arrowverse crossover event. Ruby Rose, of Orange Is The New Black fame, was ultimately cast in the role of Kate Kane.

Related: First Look At Ruby Rose In Costume As Batwoman In Arrowverse Crossover

The nod to Batwoman came near the end of the third segment of “Nora.” The action of the episode centered around Nora West-Allen, the future daughter of Barry Allen and Iris West-Allen, accidentally traveling back in time to before she was born and meeting her parents shortly after they got married. Barry quickly realized something was up when Nora seemed more concerned about spending time with him than doing the same with Iris and asked Nora, point blank, if that had anything to do his disappearance during a crisis in 2024, which he had read about in a future newspaper. Nora responded by showing Barry a newspaper from her time – the year 2049 – and confirming that he never returned home and that she grew up without a father.

Published 25 years to the day after the original article from the future, which was first seen in the first episode of The Flash, the 2049 article discusses the same crisis, but with a bit more detail. The 2024 article mentioned The Flash disappearing while fighting alongside Green Arrow, The Atom, and Hawkgirl. The 2049 article lists a larger number of heroes being involved in the battle, including Batwoman. The article says:

“But in the years following the crisis, accounts only grew more contradictory. Some eyewitnesses remember dozens of other heroes present, including Green Arrow, Batwoman, and Elongated Man. Others remember heroes thought lost in time, like The Atom, or from other worlds, like Supergirl. Some even contend they saw Reverse-Flash leading an army of ‘shadow demons’.”

It is interesting to note that Batwoman is mentioned in the same sentence as Green Arrow and Elongated Man – two heroes who frequently fight alongside The Flash on Earth-One. Until now, it had not been confirmed what Earth in the Arrowverse Kate Kane would be based on, though most assumed she would be from Earth 38 – the same Earth as Supergirl – as that would make it easier for the two to team-up in the future, in the same way that Batman and Superman frequently join forces in the comics. The wording of the article would suggest, however, that Kate Kane will be from Earth-One.

The mention of Reverse-Flash leading an army of shadow demons is another point of interest, given that shadow demons were the main mooks of The Anti-Monitor – the villain of the Crisis On Infinite Earths mini-series, where The Flash seemingly died saving the multiverse. The article also makes mention of The Psycho Pirate – another super-villain who had a major role in the events of The Crisis. It has long been suspected that the Arrowverse would eventually reenact Crisis On Infinite Earths in live-action and this latest bit of news about Batwoman from The Flash premiere seems to make that probability all the more certain.

More: The Flash Fixes Plot Hole By Secretly Changing Arrowverse History



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2018-10-10 07:10:43 – Matt Morrison

22 July Review: Paul Greengrass Delivers Another Intense Docudrama

Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

In-between his efforts on the Bourne movies, journalist-turned filmmaker Paul Greengrass has spent much of his career making docudrama-thrillers about real-world events, ranging from the September 11 terrorist attacks on the U.S. (United 93) to the hijacking of the Maersk Alabama in 2009 (Captain Phillips). While there’s an inherent risk of exploiting a real-world tragedy that comes with any such project, Greengrass has long been celebrated for his ability to dramatize terrible events on the big screen in a manner that’s intense, yet sensitive and ultimately insightful in its presentation. Thankfully, that remains the case with his Netflix Original 22 July, even if it doesn’t necessarily represent the writer/director at his finest. Despite some general storytelling issues, Greengrass succeeds in delivering another well-crafted and intelligent docudrama-thriller with 22 July.

22 July picks up on July 21, 2011 in Oslo, Norway, as Anders Behring Breivik (Anders Danielsen Lie) – a self-declared right wing extremist – prepares to carry out a terrorist attack on the city the next day. He begins his assault by setting off a bomb in a van near the main office of the then-current Norwegian Prime Minister Jens Stoltenberg (Ola G. Furuseth), killing eight people in the process. Breivik then proceeds to continue his attack by gunning down 69 members of a summer camp organized by the AUF – the youth division of the Norwegian Labour Party – on the island of Utøya, before he is ultimately apprehended by the police and taken into custody.

Among the members of the summer camp is one Viljar Hanssen (Jonas Strand Gravli), who manages to survive Breivik’s attack despite being shot multiple times and left permanently maimed. As Viljar struggles to recover both physically and psychologically from what happened to him (along with everyone else who survived the Utøya shootings and their loved ones), Breivik works with his chosen lawyer Geir Lippestad (Jon Øigarden) to mount a defense and use his trial as a platform to publicly announce his political agenda (which calls for the immediate deportation of all Muslims and heavier restrictions on immigration to Norway, among other things). When it becomes clear to Viljar what Breivik intends to do, he grows increasingly determined to continue his rehabilitation and testify against him in court for not only himself, but also every other person whose lives were affected by what took place on July 22.

Adapted from the book One of Us: The Story of a Massacre in Norway — and Its Aftermath by Åsne Seierstad, Greengrass’ script for 22 July has a very clear-cut three act structure – with the first act focused on the July 22 attack, the second part set during its immediate aftermath, and the final third centered on Breivik’s trial. The film is strongest during its first and third acts in particular, as those chapters (respectively) play to Greengrass’ strengths as a suspense-thriller storyteller and provide the emotional payoff to Viljar and, thus, Norway’s overarching journey of recovery and survival. It’s the second act where things start to drag and get a little muddled, especially as 22 July splits its focus between not only Viljar’s story thread, but also Lippestad and Breivik’s trial preparation, and the investigation into Stoltenberg’s administration and its failure to prevent a terrorist attack. While there’s nothing in the second act that feels inessential, 22 July struggles to divide its attention evenly between its three plotlines and the film’s pacing suffers for it.

On the whole, however, 22 July does a nice job covering a fair amount of narrative ground, even when taking its pretty substantial runtime into consideration. It helps that Greengrass (as he’s known now for doing, as a director) never fully lifts his foot off the gas pedal and keeps the film’s proceedings feeling on-edge throughout, even during its more purely dramatic portions. The filmmaker, working this time around with DP Pål Ulvik Rokseth (The Snowman) and Oscar-winning Argo editor William Goldenberg, uses essentially the same vérité cinematography and restless editing style that he has on his previous movies, in order to fully immerse viewers in the film’s setting and action. At the same time, Greengrass slows things down a bit here and, in turn, delivers a movie that’s more visually cohesive than some of his weaker efforts in the past (see the last Bourne sequel, in particular). This serves 22 July well, allowing it to effectively work as both a grounded drama and thriller.

Given the sheer amount of information that 22 July strives to cover, though, there’s not a lot of room for the film’s actors to really shine – not in the way that Barkhad Abdi and Tom Hanks did in Captain Phillips, for example. Even so, the 22 July cast is uniformly strong across the board, with Gravli especially doing an excellent job of portraying Viljar’s struggles with his physical injuries, PTSD, and the sheer amount of emotional baggage that he’s saddled with after barely managing to escape the attack on Utøya with his own life. Actors like Thorbjørn Harr and Isak Bakli Aglen are similarly moving in their smaller roles as members of Viljar’s family, as is Seda Witt as Lara Rashid, a young woman who starts to make a romantic connection with Viljar before both of their lives are shattered by Breivik’s attack. As for Breivik himself: Lie is quite compelling in the role and portrays the terrorist as a fully-developed person – one whose rationalization of his behavior makes him chilling and pathetic in equal measure.

As with his previous films, Greengrass uses 22 July as a means for delivering larger sociopolitical commentary about the state of things in the world, specifically where it concerns the rise of xenophobic and nationalist ideologies in various countries (the U.S. included). While his scripted dialogue can start to become a bit on the nose as its strives to get these points across (especially in the third act), Greengrass largely succeeds in allowing the story here to shine a light on these issues organically, without getting up on his figurative soapbox to drive the point home. If there’s a downside to the filmmaker’s approach, though, it’s that July 22 winds up handling its subject matter in a way that’s more engaging intellectually than emotionally and, thus, lacks the emotional resonance of Greengrass’ best work to date.

All things considered, however, Greengrass does a very good job of bringing the true story behind 22 July to cinematic life. The final result is a film that makes for an enlightening and otherwise respectful documentation of a horrifying real-world event, rather than one that comes off as exploitative or manipulative. 22 July is showing in select theaters now – in order to qualify for next year’s major film awards shows – and it certainly benefits from being seen on the big screen, but can still be appreciated just as much as a Netflix Original on your home TV. While it’s obviously not a light-hearted viewing experience, 22 July is very much worth checking out if you’ve enjoyed Greengrass’ previous non-Bourne efforts and/or would like to know more about Norway’s own infamous modern terrorist attack.

TRAILER

22 July is now available for streaming on Netflix and is playing in select U.S. theaters. It is 143 minutes long and is rated R for disturbing violence, graphic images, and language.

Let us know what you thought of the film in the comments section!



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2018-10-10 01:10:22 – Sandy Schaefer

The Flash Confirms [SPOILER] Still Happens In Barry’s Future

Warning! SPOILERS for The Flash season 5 premiere ahead!

The Flash season 5 premiere just revealed the full impact of the Crisis of 2024 – the future event from which comes the newspaper headline, “Flash Missing, Vanishes in Crisis” – and it’s not good.

As far back as season 1, we’ve known thanks to the future edition of The Central City Citizen stored in Gideon’s archive that come April 25th, 2024, The Flash would disappear. Some details have changed with the various timeline shake-ups, but that fact remains the same – during a battle with the Reverse-Flash, Barry disappears. We also know that when they disappear they actually travel back to March 18th, 2000, where the Reverse-Flash attempts to kill a young Barry but instead kills his mother. The Reverse-Flash then tries returning to his own time but can’t because he’s been disconnected from the Speed Force, and what follows leads to season 1 of the show.

Related: The Flash Fixes Plot Hole By Secretly Changing Arrowverse History

As for The Flash, it’s been assumed that after saving his past self, but not his mother, Barry returns to 2024 to face whatever new timeline awaits him. But as we learn in tonight’s season 5 premiere, that isn’t at all what happens. Nora, Barry’s daughter from the future, shares with 2018’s Barry a newspaper headline dated April 25th, 2049 which reads: “25 Years Later – Flash Still Missing.” So The Flash did not return home after chasing the Reverse-Flash to 2000, and by the time Nora travels to the past to spy on her parents, he has yet to return.

Nora’s behavior makes a lot of sense now that we know her father has been missing since she was a toddler. All throughout the premiere, she’s spouting off factoids she learned by studying every single one of his adventures, and when it comes time for their first attempt at sending her back to the future, she hugs Barry like she’s never going to see him again. Nora has clearly grown up not knowing her father so she’s spent a lot of time trying to learn everything she can about him. It’s why she travels back in time – to see her dad in action as The Flash. Of course, with traveling back in time comes the risk of changing the future – something Nora may have already done.

But the more distressing news is what happens to The Flash of the future? Why after following the Reverse-Flash to the year 2000 did he not return for at least another 25 years? The Flash season 5 is absolutely going to explore this, possibly even flashing-forward to that future date and showing what really went on – which, according to Iris’ original article, should see The Flash teaming up with Green Arrow, The Atom, and Hawkgirl to fight the Reverse-Flash as well as the ominous red skies and the immense destruction of Central City.

What The Flash season 5 may also do is explore how it is the future Flash comes back. We know that he must return because in 2056, a future Barry sends a message to Rip Hunter in 2016 warning him of Savitar. So he isn’t gone forever, just a lot longer than we initially thought. Nora’s newspaper has Barry gone for 25 years, and that isn’t exact but it’s very close to how long Barry is gone in the comics after Crisis on Infinite Earths – possibly DC Comics’ most famous storyline and in where The Flash sacrifices himself to save the world. He returns 23 years later in Final Crisis, revealing he had been stuck in the Speed Force. The CW’s The Flash has already done the whole ‘stuck in the Speed Force’ thing, so hopefully it won’t repeat itself, but it does appear as if they are preparing for The Flash of the future to finally make his return after being gone for a quarter-century.

Next: The Flash Season 5: New Cast & Character Guide

The Flash season 5 continues next Tuesday with ‘Blocked’ at 8pm/7c on The CW.



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2018-10-09 07:10:13 – Sarah Moran

Venom Erases Spider-Man To Avoid Marvel Mistakes

Venom may owe his origins to Spider-Man in the comic books, but in the movie version, Marvel’s hold on Disney means no Spidey at all. But while some fans worried that removing Spider-Man from Venom’s origin would be a problem, it actually makes for a way better story – and honestly, one much closer to Venom’s current origin, too.

By now even casual fans will be familiar with the classic origin story for Venom, if not from the comics, then the fact that Spider-Man 3 adapted it almost to the letter. Spider-Man brings an alien suit back from space, which eventually shows an ‘evil’ mind of its own. Spider-Man rejects the symbiote until it finds the same level of hatred for Spidey in Eddie Brock. Man meets suit, and together they become Venom to launch their revenge on Spider-Man in a tale many claim the Venom movie SHOULD have told.

The problem with that version of a Venom origin movie? It’s faithful to the original version of the comic books, sure. But it’s a story that makes Spider-Man the real star of the show, plus… that’s not what really happened, according to modern Marvel Comics.

  • This Page: Spider-Man Makes Venom Worse, Not Better
  • Page 2: Venom Avoids Marvel’s Mistake By Removing Spider-Man

Venom Should Be Eddie’s Story, Not Spider-Man’s

It’s easy to see why there would be an outcry over the need to remove Spider-Man from Venom’s origin movie. After all, the moviegoers who would know Venom’s origin best are Spider-Man fans, and who would wish to see Spider-Man in the movie more? (Not to mention removing Spider-Man means no iconic Venom logo.)

RELATED: Why Venom’s Director Saved [SPOILER] For The Sequel

But what fans want isn’t always what’s best, and in the case of Venom, the existing origin has one major problem: in the comics, it’s told as one of Spider-Man‘s most formative stories, with Eddie Brock a victim of Peter, the symbiote, and professional failure. While a victim’s story could be interesting, and has been used as a jumping-off point for other superhero origins… those heroes aren’t Venom. Besides the fact that the Venom movie is trying to have some fun with Eddie and the symbiote’s fusion, it’s built on the idea that Eddie is a good man, ruined by evil forces – not a bitter, angry, jealous man fueled by hate of Spider-Man as he was in the comic.

One of those descriptions fits a movie hero… the other fits a villain unlikely to star in a fun, subversive, and oddball body horror adventure. The result is a better version of a Venom movie. “But,” we’re sure some die-hard Spider-Man fans will cry, “you’re making Venom a different character!” And by twisting his origin to make Eddie and the symbiote a misunderstood antihero, the makers of Venom have done just that… but Marvel Comics did it first.

Marvel Has Changed Venom’s Origin Already

Revisiting the comic book history of Eddie Brock and his time as Venom means traversing more than one major retcon, or retroactive changing of his origin story. Fictionally, it’s an expansion and deepening of Eddie’s story. But practically, like most other retcons, it’s about ‘fixing’ past writing or plot that hinders the character’s next step forward. And for Eddie Brock, the idea of him being a byproduct of Spider-Man has been minimized, downplayed, or altogether changed since he first set out to play a hero in Venom: Lethal Protector, upon which the movie is based.

People who walk out of Venom excited to read that comic book inspiration are in for a rude awakening, however, since Spider-Man is without question the WORST part of it. Because Peter Parker is misinformed about who Venom is, what motivates him, and who he has become as more than just the hero’s villain. Arguably, every bit as misinformed as the people claiming the Venom movie ‘got it wrong’ by removing Spider-Man altogether.

As we see it, the makers of the Venom movie just learned from the missteps and corrections Marvel Comics has made so they wouldn’t make them in the movie, too. The first step? Taking Spider-Man out of the equation to create the Venom modern comic readers know and love.

Page 2 of 2: How Venom Avoids Marvel’s Own Mistakes

Venom Avoids Marvel’s Own Comic Mistakes

In Venom’s first solo comic outing, Spider-Man is an antagonist for completely flawed reasons. Despite Eddie being every bit the normal, evil-hating human he is in the comics, Spider-Man actively fights him, believing he’s still as evil as Marvel made him in his origin story. In his defense, Spider-Man was just late to the party, unaware that Marvel editorial, and a long line of writers and artists were already beginning to make Eddie and Venom not evil, just… misunderstood.

RELATED: Venom’s Post-Credits Scene Tease Explained

The changes came one by one: the Venom symbiote wasn’t hateful, but a traumatized member of an alien symbiote race, Eddie Brock’s rough exterior becomes a result of a cold, distant, single father, and just weeks ago, the origin was changed once more by showing that Spider-Man was evil, not the symbiote when they first merged. It’s flawed thinking to assume a movie should recreate each one of those steps, rather than looking at who Venom is today, and aiming for that from thee outset.

Still, one feels for director Ruben Fleischer for having to make that call, since he has admitted that removing Spider-Man from Venom was a challenge (that’s the origin everyone knows). But the finished film shows it was the right path to take for one simple reason: the Venom of the movie is basically the one Marvel took decades to arrive at. Not just Eddie the relatable hero, but the symbiote’s personality, voice, sense of humor, and even love for its host.

The Movie Venom is The True Comic Venom

In fact, the moments of humor and love from the symbiote may turn off older fans of the origin hero, while hitting the bullseye for the modern incarnations. After all, Eddie and the symbiote had a baby not too long ago in the comics, and it’s not hard to see a Venom movie sequel embracing that strange, borderline ludicrous plot. Leave the theater and go pick up the newest issue of Venom, and the version may not be perfect copies, but more importantly, the strengths of one are alive in the other.

And, perhaps most importantly, the existence of Spider-Man is a footnote, or back-up character at best. By now even Peter Parker understands that his time with the symbiote was a fluke, or coincidence, compared to the character Eddie and Venom became.

In Marvel’s Universe, there may not be a greater romance than Eddie Brock and the Venom symbiote –  and when audiences line up for a great love story, you don’t bother starting with the flings, one-night stands, or bad dates that came before.

MORE: Venom Secretly Revealed Carnage’s Backstory



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2018-10-09 03:10:52 – Andrew Dyce

20 Storylines Shameless Wants Everyone To Forget

With the announcement that Emmy Rossum and Cameron Monaghan will leave the series following the ninth season of Shameless, the Gallagher household is prepping for a major shake-up on the casting front. The creator of the Showtime series John Wells has remained open about a future Fiona return, though he has also stated that there are many more dysfunctional tales left to be told for the Gallagher clan.

For eight seasons, Shameless has remained consistent in the deplorable decision-making skills of its characters, though the series’ depiction of a low-income family living below the poverty line has always been at the forefront. As the strong matriarch who single-handedly raised her siblings while her father wasn’t around, Fiona’s absence is sure to shift more focus towards the show’s younger stars as writers hope fans will soon forget her. Ian’s storyline in season 9 drove much of the action, so Monaghan’s exit will surely leave a whole as well.

Whether they’re dealing with the changing gentrification of their community or watching as another beloved character takes their leave, the Gallaghers have proven time and again that they can adapt better than anyone. From the show’s debut back in 2011 until now, the stars of the series have been forced to mature, sometimes faster than they wanted to. Along the way, there have been many entertaining or even head-scratching subplots which have since been left behind. Although the changes are nothing new to the Gallaghers, they have left many questions up in the air for fans.

Join us as we take a look back at 20 Storylines Shameless Wants Everyone to Forget.

20 Frank and Bianca

After Sammi shoots Frank in the arm to teach him a valuable lesson about courtesy, she forces him to visit the hospital to have his wound checked. During his stay, he begins bonding with his distraught doctor Bianca, whose diagnosis of stage three pancreatic cancer has left her with a new lease on life. Attempting to persuade her to live life to the fullest, Frank offers to teach her how to live carelessly, which includes a copious amount of substance abuse.

Although Frank’s time with Bianca was intended as a heart-wrenching moment which left him reeling the following season, it was never clear why the successful, young doctor would choose to spend her remaining days with him. With her money, she could seemingly spend her days anywhere. There’s little reason to believe Frank would appear as an enticing option.

19 Lip’s Sports Gambling Internship

With an exceptionally high IQ, Lip isn’t the standard member of the Gallagher household, though his self-sabotaging personality has prevented him from achieving a legitimate career. Accepted into the University of Chicago, he threw away his future after an assault on a campus guard led to his expulsion. Following a stint in rehab, Lip secured an internship with a tech start-up, thanks to his friend, Professor Youens.  Soon, however, he discovered the truth behind the company. His co-workers were using proxy servers to hide illegal sports gambling activities.

Although the crooked start-up appeared as a perfect match, nothing would come of it.

He temporarily used a wire fraud scheme to steal cash from the company, but in due time, the start-up went under and Lip was left without a career goal once again.

18 Kevin Discovers His Kentucky Heritage

Season eight concluded with a strange hodgepodge of storylines for Kevin, which included a search for self-identity as he tracked down his biological parents and found himself in Kentucky. Once he arrived, he was introduced to Aunt Ronnie and the rest of the family, immediately settling in and recalling his past as Little Barty. Unfortunately, V immediately sensed something wrong about the group, apart from their offhanded racist remarks.

As a small child, the low-income family struggled to properly raise Kev, resorting to abandoning him at a roadside gas station. He eventually learned to accept his heritage, although he seemed to quickly forget all about it soon after. Kev would have other moments of a self-identity crisis in season eight, including exploring his possible attraction to men, but his Kentucky lineage would ultimately become an afterthought.

17 Fiona Marries Gus, Then Immediately Cheats on Him

Speaking of his character on Shameless, star Steve Kazee said Fiona’s former husband Gus Pfender “got a really raw deal” over the way his storyline ended. After meeting the eldest Gallagher sibling, the two went from strangers to married seemingly overnight.

When Jimmy’s return visit catches Fiona off guard, she’s faced with an ultimatum.

Either run away with Jimmy or stay with Gus, whom she’s known for a few days. Her reaction is to throw away her newfound relationship for the temptation of her ex-boyfriend. She cheats on Gus then immediately regrets it, but by then it’s too late. Her marriage to Gus is over and any remnants of it are completely forgotten by the writing staff.

16 Debbie Steals a Baby

Before Debbie was doing crazy things like stealing expensive baby strollers to support Frances or having Liam amputate her toes to avoid undergoing a pricey surgery on her crushed foot, she was just a lonely girl looking for a playmate.

In the episode “Casey Casden”, Debbie grows tired of playing with a sack of potatoes decorated to look like a baby.

Rather than asking for a new doll, she takes matters into her own hands when she lures a three year old boy back to the Gallagher residence. The Gallaghers then spend the episode concocting a plan to call in false sightings of the child with the cops finally finding him with Debbie, who acts like she found him wandering around Chicago. Needless to say, it was a crazy storyline that the show’s producers haven’t attempted since.

15 Anything Involving Sammi or Chuckie

Frank’s estranged daughter Sammi is first introduced in season four after Frank discovers his liver in failing. Posing as a Good Samaritan, he begins dating her to grow closer before dropping the devastating bombshell. Oddly enough, however, she’s not disgusted at all by the news and even embraces her new father figure, despite his countless shortcomings.

By season five, Sammi has acquainted herself enough with the Gallaghers to move into the household, though she was never invited. When her son Chuckie is later arrested and sent to juvenile detention for possession, she blames Carl, later ratting him out to the authorities. As a result, a dispute breaks out which ends with Mickey locking her inside a shipping container and Sammi later shooting at him, presumably leading to her arrest and the end of her story.

14 Fiona Cheats on Mike with His Brother

With her recent investments in Patsy’s Pies as well as a laundromat and an apartment complex, Fiona’s newfound entrepreneurial spirit has only recent become a central part of her storyline. Prior to becoming a property owner, she was a down on her luck South Side girl who constantly found herself in failing relationships.

In season four, Fiona’s downward spiral of relationships hit another low.

She was in desperate need of a rebound following Jimmy’s disappearance. After securing a job at Worldwide Cup, she began having a fling with her boss Mike. When Mike’s brother Robbie comes into the picture after his release from rehab, Fiona’s attraction to danger takes ahold. Putting her career in jeopardy, she has an unwise affair which culminates in her arrest at the end of the season.

13 Frank Uses Liam as Collateral

Scouring Chicago for enough money to support his many dirty habits, Frank has attracted the attentions of enough bad guys that it’s a miracle that he’s manage to run around carelessly for so long. In the season two premiere, he again backed himself into a corner when he drunkenly bet a bar patron at the Alibi Room that he couldn’t remain conscious after two taser blasts. After the customer manages to remain on two feet, Frank’s $10,000 gamble comes at the expense of the Gallagher household.

Unable to come up with the dough, the patron threatens Frank with a blowtorch, to which he responds by offering up Liam as collateral. Luckily, the Gallagher clan rallies together to get him back. Frank would later develop a bonding relationship with his youngest son, completely erasing all memory of the incident.

12 Kevin and Veronica’s Foster Child

With twins Amy and Jemma, Kevin and Veronica finally settled down to have children of their own after V became pregnant in season four. Prior to having their own kids, the couple were experimenting with parenthood in the form of a money scheme which saw them taking in a foster child in order to collect money from the government.

In season one, Kev and V welcome Ethel, a teen saved from a polygamist colony where she was married to an elderly man named Clyde.

They also took in Ethel’s son Jonah, who was born as a result of the marriage. Over the course of her stay, she struggles to grow accustomed to the modern world, but eventually settles in, until she runs away with her boyfriend Malik in season two, disappearing forever.

11 Anything Involving Sheila

Remember Sheila? The agoraphobic housewife with a proclivity for cooking was a former love interest of Frank’s, who welcomed him into her home to take advantage of her disability checks. For five seasons, she played the picture-perfect example of a housewife, though her repressed emotions would occasionally rear their ugly head.

Throughout the series, Joan Cusack would receive considerable acclaim for her turn as the wacky, subservient Sheila, earning an Emmy nomination for each season she appeared in. Although she would never receive more than a guest credit, her most memorable storylines would include dealing with her troubled daughter Karen, having an affair with Karen’s boyfriend Jody, and marrying Frank. Her storyline came to a rather abrupt end after her house exploded in season five, resulting in her driving off in an RV, never to be seen again.

10 Frank Hires a Hitman

Always the deadbeat father, Frank experienced a slight morality check when he wasn’t invited toFiona’s wedding to Sean in season six. As a way to make up for all his shortcomings, he offered to pay for all of Fiona’s wedding expenses. Everything came to a head, however, when Sean began sleeping over at the Gallagher residence, resulting in a brutal confrontation between Fiona’s fiance and the lousy patriarch of the household. After days of Frank wearing Sean’s underwear and drinking his milk, Sean’s frustration boiled over, resulting in a fight between the two.

Frank is seen on a train attempting to pay a random guy to dispose of Sean permanently.

Although nothing would come of the exchange, the attempted assassination was out of the ordinary, even for the lowly Frank.

9 Debbie Purposely Gets Pregnant

The third youngest Gallagher, Debbie began the series as the well-intention, younger sister who still held high hopes for Frank and cared for her family, though she often found it difficult to socialize in school. In due time, she transformed from the innocent girl wise beyond her years to one of the most troublesome characters on the show, using her hardened attitude to deceive her way to whatever she desired.

In season five, Debbie’s manipulative personality crossed a line when she became enamored with Derek, a boy who taught her how to box. Wanting a perfect life with her newfound boyfriend, she purposely lies to him about being on birth control in order to become pregnant and force him into a marriage. Unfortunately, her plans fall through when Derek leaves to live with his grandmother, leaving Debs a single mother.

8 Frank Tells Carl He Has Cancer

As the delinquent troublemaker whose interests include weapons, explosives, and various money-making schemes, Carl has proven to be the most like his dear deadbeat father Frank. As a faithful member of the Gallagher family, he’s the unfortunate product of a dysfunctional upbringing, but none of his regrettable actions were deserving of the scare Frank gave him in season five.

After seeing a cancer patient receive an autographed Bulls basketball on television, Frank decides to extort the Make-A-Wish Foundation by giving them a sob story.

Shaving Carl’s head, he convinces him that he has cancer and tries to get him an autographed basketball of his own, that he can later sell for a profit. Instead, Carl is offered a free summer away at a camp for cancer patients, ruining Frank’s plans and giving Carl his own mini vacation.

7 Carl Marries Kassidi

As a way of coming up with enough cash for military school in season eight, Carl sets up his own rehabilitation center in the basement of the Gallagher home, hosting neighborhood addicts for days of withdrawal. It’s here where he first encounters Kassidi, a seemingly sociopathic teen who concocts a plan to extort money from her rich father to pay Carl’s expenses.

Soon after sparking a relationship, Kassidi’s wildly chaotic personality begins threatening Carl’s career goals. As she wanders about Chicago’s South Side doing things like Snapchatting drive-by shooting victims, Carl becomes more wary of her actions, which makes it all the more confusing that he marries her at the end of the season. The season nine premiere seems to have ended her story, however, as the character’s recent disappearance suggests that she may now be deceased.

6 Mandy Hurts Karen

As the manipulative former girlfriend of Lip, Karen was the incessantly rude daughter of the agoraphobic Sheila, who would go to extreme lengths to get her way. After she stops seeing Lip due to her marriage to Jody as well as the birth of her down syndrome son Hymie, Karen decides to start things back up with her former lover, only for Lip rejects her for Mandy.

After brazenly attempting to meddle with Lip and Mandy’s relationship, Karen receives a rude awakening when she receives a text from Lip, which is later revealed to be Mandy using Lip’s phone. Showing up to a park to meet, Karen is struck by an SUV driven by Mandy, leaving her permanently brain damaged, effectively ending her story on the series.

5 Frank Has a Twin Brother

With so many siblings running around and Frank constantly inviting himself in with his various trouble-making shenanigans, it’s impossible for the Gallaghers to keep track of everyone’s comings and goings. That’s why the existence of more Gallaghers seems completely absurd, but as the early seasons have shown, there are more family members out there.

Of all the odd Gallagher members forgotten from the early seasons, none were crazier than Jerry, Frank’s twin brother.

Ian and Lip visit Jery after their grandmother Peggy claims he owes the family $5,000. Looking just like Frank, he threatens to shoot his nephews shortly after realizing they’re after money. Since his appearance, little mention has been made of Frank’s twin or of Frank’s other siblings Clayton and Wyatt.

4 Jimmy’s Return

First appearing as Fiona’s love interest in season one, Jimmy introduced himself to the Gallagher household as Steve, a hotshot businessman who comes from money. Soon afterward, his real personality begins to shine through as Fiona discovers that he makes his money through various illegal activities. In due time, he gets engaged to the daughter of a crime lord, which leads to his supposed demise in the season three finale.

Jimmy returns at the end of season four, becoming a recurring cast member for a brief time.

In an attempt to flatter Fiona, he tries to persuade her to leave her husband Gus for him. Although his return answered questions about his fate, it still left his future up in the air, leaving many to believe his story should have ended with the season three cliffhanger.

3 Frank Lies to Butterface About Her Heart Transplant

Of all the lowdown plans Frank has concocted, perhaps nothing is more despicable than the time he began hanging out with Dottie, a former good-time girl with a heart condition. Nicknamed Butterface for her less than stellar looks, Frank discovers that Dottie is in serious need of a heart transplant, rewarding him the opportunity to weasel his way into her good graces and work his way into her will before she passes away.

Although Frank’s decision proves to be flawed, he fully commits to the scheme. While Dottie is in the shower, she gets a phone call telling her a new heart has arrived which could save her life, only Frank decides to tell the hospital that Dottie has already passed away. Later, Dottie loses her life during an intimate moment with Frank, making his actions even more awful.

2 Kev has a Baby with Veronica’s Mother

As the Gallaghers’ longtime friends, Kevin and Veronica are often the supporting comic relief of the series, though they have also proven to be the strongest lasting couple. In season three, after repeatedly failing to have a baby, V enlists her bubbly mother Carol to act as a surrogate. When Carol also fails to become pregnant, Veronica to suggests her mom and Kevin actually get intimate with each other to possibly improve their results.

In due time, Carol warms up to the idea, becoming pregnant with Kevin’s child. By happenstance, Veronica soon discovers that she too is pregnant, with twins. Nine months later, the couple are the proud parents to three newborns, only Carol decides to single-handedly raise her child on her own. After a few brief appearances, Kevin and Carol’s child is forgotten and never shown again.

1 Everything Positive About Ian and Mickey’s Relationship

As a violent street thug, Mickey Milkovich is the antithesis of the gay stereotype. Ian, whose storied history with Mickey makes up a large portion of his story in the early seasons, is the more sensitive of the couple, but his rebellious nature and struggles with bipolar disorder make him an equally multi-dimensional character.

As one of the best-written gay relationships on television in recent memory, Ian and Mickey’s story was at times chaotic. 

After his imprisonment at the end of season five, Mikey escaped from prison and fled to Mexico, tearfully leaving Ian behind. Since then, the positives of their relationship have been largely dismissed and Mickey’s absence has left a void on the show which has yet to be filled.

What other storylines does Shameless want to bury? Let us know in the comments!



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2018-10-09 03:10:17 – Turner Minton

James Gunn Is A Better Fit For Suicide Squad Than Guardians of the Galaxy

Controversial writer and director James Gunn is perfectly suited for Suicide Squad 2; in fact, it’s a far better fit for him than Guardians of the Galaxy ever was. Gunn certainly has form transforming a band of misfits into a superhero family/team, and Suicide Squad 2 should give him the ideal opportunity to demonstrate his skills yet again, although the story goes a little deeper than that.

Gunn’s career with Disney came to a shocking end back in July, when some of his old social media posts went viral. Gunn had fancied himself as something of a provocateur prior to working for Disney, and these posts included off-key jokes on everything from rape to pedophilia. Disney responded by swiftly firing him from Guardians of the Galaxy Vol. 3. Within a month, there were reports that Gunn had been approached by Disney’s rival Warner Bros. potentially with the option of producing a DC superhero movie.

Related: Why Rehiring James Gunn Was Harder For Disney Than Fans Realize

DC Films has expressed interest in Gunn before. Back in 2016, he admitted that he’d “had opportunities to make DC films,” but had turned them down; he reeled off a list of heroes he’d quite enjoy tackling, ranging from Swamp Thing to Jonah Hex, from the Metal Men to Shazam. Now, though, there have been reports that Gunn is on board to write, and possibly even direct, Suicide Squad 2.

  • This Page: Why James Gunn Is Perfect For Suicide Squad 2
  • Next Page: Why This Is A Better Fit Than Guardians of the Galaxy

Why James Gunn Is Perfect For Suicide Squad 2

It’s not hard to see what Warner Bros. want James Gunn on board. He’s a writer and director with a proven history of turning even the most unlikely franchises into box office hits. Back when Marvel Studios announced the first Guardians of the Galaxy film, everybody assumed this would be their first misstep; the Guardians had a low profile even among comic book fans, and their members including a walking tree and a talking raccoon. A series of tremendously effective trailers immediately changed that, and the movie grossed $773 million worldwide. Not bad for a bunch of “a**-holes.

Ironically, David Ayer’s Suicide Squad suffered as a result of Guardians of the Galaxy‘s success. Warner Bros. attempted to make their dark movie fit Gunn’s tone, with the trailers showing a strong Guardians of the Galaxy vibe. Viewers responded well to the trailers, and as a result there are reports Warner Bros. lost faith in Ayer’s approach, attempting to make the franchise as Guardians-like as possible. The result was a strange hybrid of a finished production, critically panned, which nevertheless managed to gross $747 million worldwide off the back of its strong marketing campaign. A sequel was always on the cards, but nobody was quite sure who could make it work. So why not bring in the man who made Guardians of the Galaxy work in the first place?

Suicide Squad 2 Matches James Gunn’s Earlier Movies

It’s important not to assume Suicide Squad 2 would just be a rehash of Guardians of the Galaxy, though. In truth, the comic book franchise is tonally similar to some of Gunn’s earlier works, most notably Super. This was a black comedy-drama centered around the character of Frank Darbo, a cook who took up the identity of the “Crimson Bolt” in order to rescue his wife from a drug dealer. Although critics weren’t impressed by the movie, it built a strong fanbase and put Gunn on Disney’s radar. Super rejoices in its confusing characters, who are filled to the brim with flaws and conflicting character traits – and gore ready to be spilled. Frank, for example, was a religious pacifist who made the world a better place through merciless violence. It was only after he began hearing warped messages “from God” that he began to understand the real world at all.

Related: Disney’s Decision On James Gunn Will Define The MCU

This is just the kind of crazy, conflicted approach that would work so well for Suicide Squad 2. After all, this is a team who are defined by their contradiction. They’re a group of super-villains who are forced to save the world; they deeply resent the fact they’re being forced to work together, and yet somehow consider one another a family. The best Suicide Squad stories are a blend of light and dark, tinged with anger and joy, betrayal and redemption.

And the characters in Suicide Squad are so very three-dimensional. Take Harley Quinn; although it didn’t quite make it through to David Ayer’s film, at heart she’s an abuse victim who’s struggling to find herself, and the relationship between Harley and the Joker is most definitely not intended to be some sort of “relationship goal“. Killer Croc is a brutal murderer who eats his foes, and yet develops such a fondness for his team-mates that he becomes dangerously protective of them. Boomerang wants to live a life of crime, and yet vaguely enjoys the idea he’s achieving something when he saves the world. These “villains” are three-dimensional in a way few superheroes are, with aspects of their own natures in direct conflict, pulling them this way and that. They’re every bit as mercurial and inconsistent as real people. And they’re just the kind of characters James Gunn has a form for developing, back in his pre-Guardians of the Galaxy days.

Page 2 of 2: Why This Is A Better Fit Than Guardians of the Galaxy

James Gunn Made Great Guardians of the Galaxy Movies – But He Changed Them To Do So

The truth is that, although James Gunn made tremendous Guardians of the Galaxy movies, he did so by taking major liberties with the comic canon. Gunn took the most basic concept underlying the franchise, and then made his own version of it. Gunn’s genius was that he saw the potential, he realized why it wouldn’t connect with audiences, and then he made it work. Even the tone and style of the Guardians movies was nothing like the original comics, which had typically gone for cosmic melodrama rather than ’80s nostalgia.

Characters, too, were completely rewritten in order to become the versions Gunn needed. Take Peter Quill as the classic example. Steve Englehart created the character back in 1976, and he described the original Star-Lord as “an unpleasant, introverted jerk.” Englehart planned to develop him into the most cosmic hero ever, but left Marvel before he’d even begun that character arc. As a result, the comic book version remained in that pattern, although he gradually transformed into a leader. James Gunn looked at the comic character, and decided to completely rework him. Star-Lord remained something of a jerk, but he was much more charismatic and extroverted; a revised origin explained that he was a child who’d run away from home after his mother’s death, and had never really grown up as a result. It made Quill a deeply empathetic character, viewed with affection in spite of his many flaws.

Related: Avengers Fans Are Being Too Hard On Star-Lord

Comic book readers traditionally complain when movies diverge from the comic book canon they grew up reading. In the case of Guardians of the Galaxy, though, James Gunn made his changes work so well that precious few objected. Marvel Comics, inspired by the surprise box office success of a previously-third-tier superhero franchise, quickly redesigned their own characters to align with Gunn’s versions. In the case of Peter Quill, they even retconned some of his previous appearances to say they’d taken place in another reality. Gunn won’t need to go the same lengths to make Suicide Squad 2 his own. As we’ve already pointed out, the characters are tailor-made for Gunn’s kind of character-work, and the themes and concepts that run through the comics fit perfectly with the kind of ideas he likes to work with.

Meanwhile, Gunn’s looser approach to canon and continuity will flourish in the DCEU. Although most viewers hadn’t picked up on it, Gunn’s maverick attitude towards continuity was never perfectly suited to the tighter, more intensely-scrutinized MCU; occasionally there were signs Gunn felt the pressure of it, and indeed rebelled against it. Guardians of the Galaxy Vol. 2 rendered a tie-in comic non-canon, for example, and Gunn admitted he contemplated breaking his own personal canon for the third film. “Marvel Canon – MCU – is crazy,” Gunn admitted. “I have a really good storytelling reason for breaking the canon, and I stayed up last night figuring out if I’m gonna do it or not. I still don’t know.” Given the complexity of the MCU and the degree to which fans take note of every detail, sooner or later that would have caused problems. Warner Bros., however, won’t particularly care; their view of continuity is very much that it should serve the director. That will give Gunn all the flexibility he needs to tell the best stories he can.

The latest reports confirm that James Gunn is on board as the writer of Suicide Squad 2, and he should breathe new life into the project. It remains to be seen whether or not Gunn will go on to become director as well; if he does, then he’d definitely be an effective choice, and the film would surely be guaranteed a success.

More: All 26 Upcoming & In-Development DC Films



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2018-10-09 03:10:13 – Thomas Bacon

New York Comic-Con: 26 Biggest Announcements (And 4 Weirdest Possibilities)

It might not be as big as San Diego Comic-Con, but New York’s pop culture celebration is just as eventful. This year’s New York Comic-Con was littered with scoops. Whether it’s juicy rumors or brand new trailers, there was plenty to see and talk about. Of course, the convention weekend can get a bit overwhelming — the onslaught of news, panels, and footage seems endless. Thankfully, we’ve collected all of this biggest topics for those of you who are lost amidst all of the comic book news.

For this list, we’re going to cover the most important stories of this year’s New York Comic-Con, including some big ones that just happened to drop during the week rather than at the convention itself. The list will even feature a few big rumors that have come out of the con for some good measure — or for those of you who just like some gossip. Even those who attended the convention might have missed some of the major stories, so use this as your post-NYCC guide to recap the weekend as things begin to wind down.

We know it’s difficult to keep track of all this news, especially after the convention weekend. This list should make things a bit easier. Even if you didn’t attend, the bombardment of news is probably still filling your news feed. So after you’re finished watching trailers all day and unpacking your NYCC hauls, settle in and we’ll break everything down for you.

Here are the 26 Biggest Announcements From NYCC (And 4 Weirdest Possibilities).

30 Aquaman’s New/Old Armor

The new Aquaman trailer was the highlight of the weekend for many. It revealed a surprising amount of footage — some would say too much. The extended look — roughly five minutes long — featured a plenty of unseen footage.

Audiences were treated to a sequence involving Arthur and Mera in desert ruins, another look at Atlantis, and even an extended action sequence between the two leads as they are chased by Black Manta. Perhaps the biggest spoiler in the trailer was the reveal of Aquaman’s iconic orange and green outfit.

29 Hellboy First Look

While no footage from the Hellboy panel has been released to the public, convention-goers were treated to a poster reveal and an exclusive first look at the upcoming film.

The panel footage wooed many fans in attendance and featured a tone that balanced the movie’s violence and gore with humor. It saw Hellboy receive his iconic handgun and show off the Hand of Doom, and it highlighted his especially shaky relationship with his ally Ben Daimio.

The trailer’s money shot had Hellboy in all-out demon mode, rising out of a pit sporting a flaming sword and crown.

Hopefully it won’t be long before this footage is released to the public.

28 Bullseye in Daredevil Season 3

Daredevil’s new trailers suggest a return to the grounded crime-noir tones of the first season with some big new developments. The first trailer reveals that not only is Kingpin out of prison, but he appears to design a smear campaign to turn New York against Daredevil.

One of the ways this may be happening is through a Daredevil impostor, who is none other than the hero’s most famous villain, Bullseye. Bullseye is the subject of the second new trailer, exploring his life as a government agent-turned-assassin under the employ of Kingpin.

27 Titans Is Grittier Than The DCEU

Titans has already received flak for the marketing’s seriously dark tone. Now, after the first two episodes were screened for viewers at NYCC, it is getting the same criticism.

Not only does Titans sport the DCEU’s same dark tone, but apparently the show is even more violent than the films.

The footage featuring Robin displayed some extremely violent and lethal combat, complete with the same amount of gore and disrespect for human life one might find in — well, anything but a comic book show. With that said, the show did receive a warm reception from the audience, so maybe Titans has potential after all.

26 Possibility — Will Rick Grimes Survive?

The Walking Dead is losing its lead character this season, with the confirmed departure of Rick Grimes actor Andrew Lincoln. His impending exit has been talked about for months now, but fans still don’t know how his character will be written out of the show. In a new rumor, it seems that Rick Grimes might meet a brutal end.

In an interview with Entertainment Tonight, Andrew Lincoln joked that he might not “make it through the credits sequence” teasing Rick’s potential demise. Fans don’t want to say goodbye to Rick, but it will be even harder to do so if he is torn apart by walkers. Can’t somebody get a happy ending on this show?

25 Spock On Star Trek: Discovery

Star Trek fans weren’t left out of the fun this year, with a new trailer for season two of Star Trek: Discovery. The trailer promises a ride that might be just as intense as the first season, with plenty of action, character beats, and visuals so gorgeous that one would think the show had the budget of a feature-length film.

Amidst the sizzle of the trailer is a big reveal — the inclusion of a young, bearded Spock.

The character is supposedly connected to the “Red Angel” visions that Burnham is experiencing, though details on his appearance in the season are still under wraps.

24 First 35 minutes of new Spider-Man movie

Spider-Man: Into the Spider-Verse is still a few months out but panel attendees were treated to the first 35 minutes — and apparently what they saw was incredible. Reactions to the NYCC footage is overwhelmingly positive, citing the stylish animation and and lighthearted tone as some of the film’s standout elements. These early reactions come off the back of a new trailer for the film, which shows off several more of the alternate universe versions of Spider-Man.

Of course, this was only the first 35 minutes. Much of the movie is still under wraps and it has a long road ahead of it, being only one of many tentpole releases hitting theaters this December.

23 Deadly Class is coming in 2019

SYFY’s adaptation of the critically acclaimed Deadly Class comic series made a big showing this year. Between the close collaboration with series writer Rick Remender, the promise of intense action, and the Russo brothers at the helm (Captain America: The Winter Soldier, Avengers Infinity War), this long-awaited series has the potential to be a household name.

Not only does the show seem like a contender for the “next big thing” in comic book television, but it finally has a release date.

This was revealed to be January 16 in a new trailer that focuses on the coming-of-age aspect of the anarchic action series.

22 Star Wars’ The Mandalorian

The first image of Jon Favreau’s live-action Star Wars series was released on Thursday, getting fans hyped for the first real TV show in a galaxy far far away. The photo was released alongside new details about the show, namely its title: The Mandalorian.

Set between Return of the Jedi and The Force AwakensThe Mandalorian centers on a warrior from Mandalore travelling across the galaxy. The title character wears the iconic armor that the planet is known for — a costume shared by fan-favorite character Boba Fett. Plenty remains unknown about the series, though it is set to premiere on Disney’s upcoming streaming service.

21 Possibility — Kingpin and Spider-Man Crossover

Marvel fans will rejoice if this rumor comes true — during all of the Daredevil buzz over the convention weekend, Vincent D’Onofrio made a very reassuring tweet.

When a fan tweeted that the world will never see the him as Kingpin in an MCU film, D’Onofrio responded with “Who says?”

Marvel’s Netflix shows have been especially vague in their references to the Marvel Cinematic Universe, but having Kingpin show up in a Tom Holland Spider-Man film would be the perfect connection. The chances are slim, but at least there’s hope.

20 Bane On Gotham

Gotham‘s fifth and final season was revealed in a trailer this weekend, promising quite the grand finale. The trailer hints that Gotham will be adapting the classic No Man’s Land comic book story this season, and also teased another big bad.

Actor Shane West has been cast as Bane, one of Batman’s greatest adversaries and one of the only major rogues that the show hasn’t yet adapted. Bane’s appearance so early in Bruce Wayne’s life has been met with mixed reactions among fans, but at least that suggests a bombastic end to the pre-Batman series.

19 The X-Men Go To Space

New York Comic-Con got an extended look at X-Men: Dark Phoenix, despite being subject to what seems like endless delays. The exclusive footage, which still has not been revealed to the public, gave fans a look at the fully-formed X-Men team and their upcoming cosmic adventure.

Highlights of the footage included an argument between Mystique and Professor X, Jean Grey absorbing a solar flare, and the team going on a rescue mission in space.

While most of the movie likely takes place on Earth, it’s nice to know that the movies aren’t above digging into the spacebound shenanigans that the comics do.

18 Penny from The Big Bang Theory is Harley Quinn

Among the many DC Universe announcements this weekend was the trailer for the Harley Quinn animated series, which has taken many fans by surprise. The show looks like a quirky adult comedy with Harley breaking the fourth wall and using foul language.

The show is already being compared to the likes of Deadpool, with positive reactions coming out of NYCC. It also features a great cast, with Kaley Cuoco, Alan Tudyk, Ron Funches, JB Smoove, and Wanda Sykes among the voice talent. It is set to release late in 2019 on the DC Universe streaming service.

17 Umbrella Academy’s Big Debut

Netflix’s adaptation of Gerard Way’s superhero darling The Umbrella Academy came to play during NYCC, with a handful of new images and even a trailer exclusive to the folks at Comic-Con. An Umbrella Academy movie has been in the works for many years, but after the switch to television and some time in development freefall, it finally seems right around the corner.

The series — which consists of a dysfunctional family of superheroes — seems to be maintaining its gothic comic book aesthetic.

The show looks like surreal than its counterpart on the pages, but it already has people excited. Umbrella Academy hits Netflix on February 15, 2019.

16 Doctor Who First Reactions

Those who attended the Doctor Who panel were in for quite the event. The attendees got to see the premiere of the new season as well as have an in-depth talk with the season’s Doctor, Jodie Whittaker. The audience’s response to the episode was ecstatic to say the least, and that sentiment seems to be shared by viewers around the world.

Not only was the show a critical hit, but its viewer ratings were record-breaking. The premiere episode “The Woman Who Fell to Earth” peaked at 9 million viewers, which the highest the show has ever had! Sounds like the new season of Doctor Who is off to a fantastic start.

15 Odin’s true form in American Gods season 2

Last year’s adaptation of Neil Gaiman’s American Gods was a massive hit and the trailer for the new season looks just as enticing.  Shadow Moon and Mr. Wednesday are back on their surreal fantasy roadtrip, accompanied by even more colorful characters and bizarre, unsettling visuals.

The footage teases a war between Mr. Wednesday and Mr. World, with an especially striking shot of Wednesday in his true form: Odin. 

American Gods is a trippy, gorgeous series that many may have missed last year, and with such a great-looking sequel on the way, now might be the time to go back and binge. The second seasons drops in 2019.

14 Possibility — Sabrina/Riverdale Crossover

A full trailer for Chilling Adventures of Sabrina hit the web early last week, revealing a spooky-yet-fun adaptation of the comics, as well as a revival of the late ’90s sitcom. Sadly, Archie fans will be disappointed to hear that Sabrina is not currently attached to the hit CW series, Riverdale.

While the Sabrina was originally set to appear on the CW as Riverdale’s companion show (much like CW’s Arrowverse), the move to Netflix seems to have stifled the idea. Still, Sabrina showrunner Roberto Aguirre-Sacasa is holding out hope for a potential crossovers so that the original plan can come to fruition.

13 George R. R. Martin’s new show

Those of you eagerly awaiting Game of Thrones… well, we don’t have any good news for you. But, if you want more content from the mind of George R.R. Martin, an adaptation of his book Nightflyers has received a new trailer and a first-episode premiere at New York Comic-Con.

The sci-fi thriller follows a crew they struggle to survive on their space mission.

Not everything is as it seems on the vessel, as the show promises some solid horror scares as well as a character-driven story. The show doesn’t officially premiere until December 2nd, but at least sci-fi horror fans have something to look forward to.

12 She-Ra And The Princesses’ LGBT rep

Dreamworks Animation has been launching hit after hit lately — between shows like Trollhunters and Voltron: Legendary Defender, their work has earned them much success on Netflix. The newest series from the studio, She-Ra and the Princesses of Power, dropped a poster and teaser trailer at New York Comic-Con that looks like promising fun for young viewers.

The reboot of the ’80s television show sports new cartoony visuals, witty humor, and a diverse cast of characters — even including a same gender couple. While the show’s initial reveal was met with some backlash, the trailer seems infectiously pleasant and fun.

11 Matt Bomer stars in DC’s Doom Patrol

While Titans got plenty of attention at NYCC, the next DC Universe original series got a brief first look. Doom Patrol is set to release next spring, but panel attendees were show some exclusive photos of Brendan Fraser’s character, Robotman. Fraser appeared at the panel and talked through the first look.

Seeing as Doom Patrol is currently filming, it shouldn’t be long before official footage hits the web.

The Robotman design look remarkably accurate to the comics, which has gotten many fans even more excited for the obscure property’s TV adaptation. Supplementing this news was the casting of Matt Bomer as Negative Man — another big name

10 The Spawn Trilogy

Fans hoping for a Spawn trailer at NYCC were out of luck this weekend, but series creator Todd McFarlane spoke at length about his plans for the newly rebooted movie. McFarlane explained that he envisions an ambitious trilogy of Spawn movies, with each one visually and tonally distinct from the last.

The first film might be described as a kind of existential horror-superhero film, with characters wondering if what they see is even real. While the project is still a ways off, the Jamie Foxx-led vehicle is going to emphasize the dark tones of the book with a hard R-rating, as well as cater to the now-older readers of the comic series.

9 DC Universe Streaming Plans

DC Comics and Warner Bros wanted to spotlight their DC Universe streaming service at this year’s NYCC, several small news breaks on he various related properties. Not only did they show footage of Titans, Doom Patrol, and Harley Quinn, but they also revealed the service’s content release schedule over the coming year.

While no specific dates were given, the timeline depicts various release windows for the service’s different original series.

While Young Justice: Outsiders seems to have been split into two parts, Doom Patrol will drop next spring followed by Swamp Thing in the summer, with both Stargirl and Harley Quinn dropping next fall.

8 Pet Sematary First Look

Horror fans might not have had much to talk about at Comic-Con, but during the convention some promo images dropped for the reboot of a Stephen King classic. The first images of the Pet Sematary remake were released, featuring Jason Clarke, John Lithgow, and Amy Seimetz.

The best image of the bunch comes in the form of the Creed family cat, Church, looking meaner and mangier than ever.

While an evil cat may not be the scariest thing you’ll find in Pet Sematary, it’s a nice preview of the Stephen King spookiness to come, especially after the success of 2017’s It. Pet Sematary is set for release on April 5, 2019.

7 Runaways Season 2 Footage

A new trailer for the second season of Runaways shows that the series has moved way past high school drama, and further into superhero action territory. The trailer features the Runaways’ comic book hideout, huge action set-pieces, and plenty of superpowers to go around.

Highlights of the trailer include a kiss between Nico and Karolina, a battle on an airport runway, and a glimpse at Gert’s pet dinosaur Old Lace. The first season of the show was a quiet hit among the newer Marvel properties, but this season promises a much deeper dive into the superhero genre that fans of the series are have been waiting for.

6 How to Train Your Dragon: The Hidden World

One reveal snuck in towards the end of Comic-Con — a very short trailer for How To Train Your Dragon: The Hidden World. Although very brief, the trailer is made up of all-new footage.

The trailer consists of baby Hiccup in his father’s arms as he is told about the legendary world of dragons.

During his father’s narration, the titular Hidden World is given a brief tease as hundreds of dragons flutter across a cavernous landscape. It ends with a shot of Hiccup and Toothless overlooking a town covered in dragons. It’s not as extensive as the film’s last trailer, but it might hold fans over until the film’s release on February 22, 2019.

5 Good Omens Trailer

It’s a great year for Neil Gaiman lovers as they got not one, but two different Gaiman projects revealed at NYCC. First was the second season of American Gods, and now Amazon’s adaptation of Good Omens. 

The trailer for the new series pits Michael Sheen and David Tennant against each other as an angel and a demon who must join forces in order to prevent the apocalypse. The dark subject matter is contrasted by the show’s whimsical tone and David Tennant’s devilish charisma. It sets up what looks to be a very fun buddy comedy about he end of the world.

4 First 25 Minutes Of Peter Jackson’s Mortal Engines

Fans of director Peter Jackson were treated to the first 25 minutes of his next project, Mortal Engines, at this year’s New York Comic-Con. Mortal Engines is another expansive world, like the Tolkien material that Jackson has worked with before, but with a post-apocalyptic twist.

The most talked about elements of the footage were the massive scale of the world and the jaw-dropping visuals.

The Mortal Engines footage introduces viewers to Hester, a girl who lives in a world that was ravaged by the “60 Minute War” that destroyed civilization. Now the world consists of giant cities on wheels that fight each other. Audiences won’t see it for themselves until December 14.

3 The Boys Teaser Trailer

Amazon’s adaptation of Garth Ennis’s hyper-violent superhero comic The Boys has finally been revealed with a brief teaser trailer . The teaser features a public service announcement from Vought International, a company that facilitates the operation of the Seven, this world’s league of superheroes. At the end of the PSA, the titular Boys can be seen sitting on a couch, rudely gesturing to their televisions.

The Boys is already setting itself apart from the traditonal superhero fare, and with good reason — the series is about a team of people who keep out-of-control superheroes in check– by blackmailing them, stealing from them, and beating them up. It’s extremely adult-oriented and it already looks like fun.

2 Voltron Ends in December

The release date and synopsis for the eighth and final season of Voltron was revealed at New York Comic-Con, finally bringing the critically acclaimed Netflix series to a close.

The last season will feature the final battle between the Paladins and Witch Haggar.

A few promo images were released as well — one featuring the villain Honerva and another depicting the Voltron Paladins in a control room with Shiro commanding the gang in a background role. While no footage was shown at NYCC, the release date was confirmed to be December 14. The show’s final season will premiere on Netflix.

1 Possibility — Avengers 4 Titled “Avengers: Annihilation”

This rumor went viral during the weekend of NYCC — “Avengers: Annihilation” may or may not be the name of the still untitled Avengers 4. Speculation over the film’s name has driven fans mad in recent months, with “Annihilation” being yet another choice amidstthe rumored titles titles like “Avengers: Forever”, “Avengers: Endgame”, and “The Last Avenger”.

Annihilation comes from the name comic storyline of the same name, though it bears few similarities to the Infinity Gauntlet story that the films are adapting. Seriously, Marvel, just call it “Avengers: Assemble” and get it over with already. Don’t keep us waiting!

What announcements from New York Comic-Con excite you the most? Make sure to leave a comment before you go to share your thoughts!



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2018-10-08 07:10:26 – Jonathan Figueroa