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Spider-Man: Far From Home First Teaser Poster Spotted At Licensing Expo

Sony’s Spider-Man: Far From Home gets a teaser poster as the promotional image is spotted at the Brand Licensing Europe 2018 event in London. Thanks to a deal between Sony Pictures and Marvel Studios, Peter Parker (Tom Holland) joined the Marvel Cinematic Universe in Captain America: Civil War. Since then, Holland’s wall-crawling superhero has headlined his own movie in Spider-Man: Homecoming and teamed up with Earth’s Mightiest Heroes in Avengers: Infinity War. Next, Spidey will return for Avengers 4, then the beloved Marvel hero will kick off Phase 4 of the MCU with Spider-Man: Far From Home.

Despite Peter Parker becoming the victim of Thanos’ snap as part of Infinity War’s cliffhanger ending, we know the web-head will return somehow – whether that means Avengers 4 will use time travel, though, remains to be seen. Holland and stars of Homecoming returned to work this summer as Spider-Man: Far From Home has been filming across Europe. Set photos from the Spider-Man sequel have offered looks at MCU characters joining the Sony movie, including Samuel L. Jackson’s Nick Fury and Cobie Smulders’ Maria Hill. Now, a promo poster for Spider-Man: Far From Home has also surfaced.

Related: Every Villain Rumored For Spider-Man: Far From Home

Instagram user Dirtees posted a group of photos from the floor of the Brand Licensing Europe 2018 expo in London, United Kingdom this week. The fourth photo in the post (which can be located by clicking through the series of photos below) features a hanging promotion image for Spider-Man: Far From Home. It appears to be an image of Spider-Man from Homecoming that was repurposed with the Spider-Man: Far From Home movie logo. Take a look at the image below.

Of course, Sony can use images of Spider-Man from Homecoming for the Far From Home posters because Peter Parker is expected to be wearing the same superhero suit. Previously, Holland confirmed Spider-Man will wear the Homecoming suit in the sequel, despite upgrading to the Iron-Spider suit for Infinity War. However, based on Far From Home set photos, Spider-Man will also don a stealth suit that’s all black. Fans have theorized this suit is inspired by Spider-Man Noir, but how exactly Spidey gets the black suit for Far From Home remains to be seen. All we know for now is that Peter Parker will trade in his red and blue costume for something more covert (or, perhaps it’s a separate mode built into the old suit by Tony Stark).

Unfortunately, this Spider-Man: Far From Home promotional poster doesn’t reveal anything new from the movie – neither in terms of the web-head’s suit nor otherwise. That said, with Far From Home set to hit theaters in July 2019, we aren’t too far off from Sony kicking off marketing for the Spider-Man sequel. While there are two MCU movies due in theaters before Far From HomeCaptain Marvel and Avengers 4 – their close release dates mean the marketing pushes for each film will inevitably overlap. Plus, given how secretive Marvel Studios has been with Avengers 4, it’s entirely possible we’ll see some official artwork for Spider-Man: Far From Home even before the Phase 3 capper releases a trailer. For now, fans will have to wait and see – and make due with Holland’s occasional social media reveals and the Spider-Man: Far From Home set photos.

Next: 2019 Will Have The Most Superhero Movies Ever Released

Source: Dirtees/Instagram





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2018-10-10 02:10:45 – Molly Freeman

James Gunn Is A Better Fit For Suicide Squad Than Guardians of the Galaxy

Controversial writer and director James Gunn is perfectly suited for Suicide Squad 2; in fact, it’s a far better fit for him than Guardians of the Galaxy ever was. Gunn certainly has form transforming a band of misfits into a superhero family/team, and Suicide Squad 2 should give him the ideal opportunity to demonstrate his skills yet again, although the story goes a little deeper than that.

Gunn’s career with Disney came to a shocking end back in July, when some of his old social media posts went viral. Gunn had fancied himself as something of a provocateur prior to working for Disney, and these posts included off-key jokes on everything from rape to pedophilia. Disney responded by swiftly firing him from Guardians of the Galaxy Vol. 3. Within a month, there were reports that Gunn had been approached by Disney’s rival Warner Bros. potentially with the option of producing a DC superhero movie.

Related: Why Rehiring James Gunn Was Harder For Disney Than Fans Realize

DC Films has expressed interest in Gunn before. Back in 2016, he admitted that he’d “had opportunities to make DC films,” but had turned them down; he reeled off a list of heroes he’d quite enjoy tackling, ranging from Swamp Thing to Jonah Hex, from the Metal Men to Shazam. Now, though, there have been reports that Gunn is on board to write, and possibly even direct, Suicide Squad 2.

  • This Page: Why James Gunn Is Perfect For Suicide Squad 2
  • Next Page: Why This Is A Better Fit Than Guardians of the Galaxy

Why James Gunn Is Perfect For Suicide Squad 2

It’s not hard to see what Warner Bros. want James Gunn on board. He’s a writer and director with a proven history of turning even the most unlikely franchises into box office hits. Back when Marvel Studios announced the first Guardians of the Galaxy film, everybody assumed this would be their first misstep; the Guardians had a low profile even among comic book fans, and their members including a walking tree and a talking raccoon. A series of tremendously effective trailers immediately changed that, and the movie grossed $773 million worldwide. Not bad for a bunch of “a**-holes.

Ironically, David Ayer’s Suicide Squad suffered as a result of Guardians of the Galaxy‘s success. Warner Bros. attempted to make their dark movie fit Gunn’s tone, with the trailers showing a strong Guardians of the Galaxy vibe. Viewers responded well to the trailers, and as a result there are reports Warner Bros. lost faith in Ayer’s approach, attempting to make the franchise as Guardians-like as possible. The result was a strange hybrid of a finished production, critically panned, which nevertheless managed to gross $747 million worldwide off the back of its strong marketing campaign. A sequel was always on the cards, but nobody was quite sure who could make it work. So why not bring in the man who made Guardians of the Galaxy work in the first place?

Suicide Squad 2 Matches James Gunn’s Earlier Movies

It’s important not to assume Suicide Squad 2 would just be a rehash of Guardians of the Galaxy, though. In truth, the comic book franchise is tonally similar to some of Gunn’s earlier works, most notably Super. This was a black comedy-drama centered around the character of Frank Darbo, a cook who took up the identity of the “Crimson Bolt” in order to rescue his wife from a drug dealer. Although critics weren’t impressed by the movie, it built a strong fanbase and put Gunn on Disney’s radar. Super rejoices in its confusing characters, who are filled to the brim with flaws and conflicting character traits – and gore ready to be spilled. Frank, for example, was a religious pacifist who made the world a better place through merciless violence. It was only after he began hearing warped messages “from God” that he began to understand the real world at all.

Related: Disney’s Decision On James Gunn Will Define The MCU

This is just the kind of crazy, conflicted approach that would work so well for Suicide Squad 2. After all, this is a team who are defined by their contradiction. They’re a group of super-villains who are forced to save the world; they deeply resent the fact they’re being forced to work together, and yet somehow consider one another a family. The best Suicide Squad stories are a blend of light and dark, tinged with anger and joy, betrayal and redemption.

And the characters in Suicide Squad are so very three-dimensional. Take Harley Quinn; although it didn’t quite make it through to David Ayer’s film, at heart she’s an abuse victim who’s struggling to find herself, and the relationship between Harley and the Joker is most definitely not intended to be some sort of “relationship goal“. Killer Croc is a brutal murderer who eats his foes, and yet develops such a fondness for his team-mates that he becomes dangerously protective of them. Boomerang wants to live a life of crime, and yet vaguely enjoys the idea he’s achieving something when he saves the world. These “villains” are three-dimensional in a way few superheroes are, with aspects of their own natures in direct conflict, pulling them this way and that. They’re every bit as mercurial and inconsistent as real people. And they’re just the kind of characters James Gunn has a form for developing, back in his pre-Guardians of the Galaxy days.

Page 2 of 2: Why This Is A Better Fit Than Guardians of the Galaxy

James Gunn Made Great Guardians of the Galaxy Movies – But He Changed Them To Do So

The truth is that, although James Gunn made tremendous Guardians of the Galaxy movies, he did so by taking major liberties with the comic canon. Gunn took the most basic concept underlying the franchise, and then made his own version of it. Gunn’s genius was that he saw the potential, he realized why it wouldn’t connect with audiences, and then he made it work. Even the tone and style of the Guardians movies was nothing like the original comics, which had typically gone for cosmic melodrama rather than ’80s nostalgia.

Characters, too, were completely rewritten in order to become the versions Gunn needed. Take Peter Quill as the classic example. Steve Englehart created the character back in 1976, and he described the original Star-Lord as “an unpleasant, introverted jerk.” Englehart planned to develop him into the most cosmic hero ever, but left Marvel before he’d even begun that character arc. As a result, the comic book version remained in that pattern, although he gradually transformed into a leader. James Gunn looked at the comic character, and decided to completely rework him. Star-Lord remained something of a jerk, but he was much more charismatic and extroverted; a revised origin explained that he was a child who’d run away from home after his mother’s death, and had never really grown up as a result. It made Quill a deeply empathetic character, viewed with affection in spite of his many flaws.

Related: Avengers Fans Are Being Too Hard On Star-Lord

Comic book readers traditionally complain when movies diverge from the comic book canon they grew up reading. In the case of Guardians of the Galaxy, though, James Gunn made his changes work so well that precious few objected. Marvel Comics, inspired by the surprise box office success of a previously-third-tier superhero franchise, quickly redesigned their own characters to align with Gunn’s versions. In the case of Peter Quill, they even retconned some of his previous appearances to say they’d taken place in another reality. Gunn won’t need to go the same lengths to make Suicide Squad 2 his own. As we’ve already pointed out, the characters are tailor-made for Gunn’s kind of character-work, and the themes and concepts that run through the comics fit perfectly with the kind of ideas he likes to work with.

Meanwhile, Gunn’s looser approach to canon and continuity will flourish in the DCEU. Although most viewers hadn’t picked up on it, Gunn’s maverick attitude towards continuity was never perfectly suited to the tighter, more intensely-scrutinized MCU; occasionally there were signs Gunn felt the pressure of it, and indeed rebelled against it. Guardians of the Galaxy Vol. 2 rendered a tie-in comic non-canon, for example, and Gunn admitted he contemplated breaking his own personal canon for the third film. “Marvel Canon – MCU – is crazy,” Gunn admitted. “I have a really good storytelling reason for breaking the canon, and I stayed up last night figuring out if I’m gonna do it or not. I still don’t know.” Given the complexity of the MCU and the degree to which fans take note of every detail, sooner or later that would have caused problems. Warner Bros., however, won’t particularly care; their view of continuity is very much that it should serve the director. That will give Gunn all the flexibility he needs to tell the best stories he can.

The latest reports confirm that James Gunn is on board as the writer of Suicide Squad 2, and he should breathe new life into the project. It remains to be seen whether or not Gunn will go on to become director as well; if he does, then he’d definitely be an effective choice, and the film would surely be guaranteed a success.

More: All 26 Upcoming & In-Development DC Films



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2018-10-09 03:10:13 – Thomas Bacon

Grey’s Anatomy: 20 Things That Make No Sense About Meredith

Grey’s Anatomy is the longest running scripted primetime ABC television show of all time. Ellen Pompeo is the highest-paid actress on television, banking twenty million dollars each season. Grey’s is poised to surpass ER as the longest primetime medical drama, as it waits for its sixteenth season renewal, and it has received thirty-eight Emmy Award nominations during the nearly two decades it has been on the air.

Meredith Grey has gone from a damaged intern having an affair with a resident and caring for her ailing mother to a widow with three children who runs the general surgery department at Seattle Grace. More characters have passed away on Grey’s Anatomy than most shows introduced during their entire runs, and the show is nearly unrecognizable now when compared to its first season because of its revolving cast of characters.

With twenty-nine principal cast members during its fifteen seasons, the writers of Grey’s Anatomy have so much history to contend with that maintaining continuity is an uphill battle that they often lose. As such, there are some details about our favorite dark and twisty surgeon at Seattle Grace that don’t make much sense at all. The confusion goes deeper than the debate on her hair color or who the next romantic lead of the show will be. Everything from her age to her internal motivations have been altered, forgotten and recreated during the show’s epically long run, and viewers are struggling to keep up.

Here are the 20 Things That Make No Sense About Meredith In Grey’s Anatomy.

20 Her Half-Sisters

When a show has been on the air for nearly two decades, it’s understandable that a few plotlines may get recycled. After all, who’s really going to notice if four of the show’s leads are revealed to have massive tumors in a principal cast of over twenty-five characters?

However, it’s hard to believe that Meredith Grey would have two half-sisters who she knew nothing about and that both of those women would come work as surgeons at her specific hospital in Seattle.

This is not even mentioning Lexie Grey’s questionable medical timeline – she started her medical internship program when most students are finishing their undergraduate studies – or Meredith conveniently forgetting her mother’s pregnancy before Maggie Pierce was born in the ’80s.

19 She Doesn’t Contact Derek’s Sisters When He’s About To Pass

Derek Shepard’s sisters were extremely important to him – so much so, that during the second episode of Grey’s Anatomy, Shepard explicitly states that if he were ever to be in a coma, he’d want all four of his sisters with him.

Meredith forgets this not-so-tiny detail when actually faced with a comatose Derek Shepard and takes him off of life support without giving his sisters a chance to say goodbye, including Amelia Shepard, who is her coworker and is easily reachable by phone. Meredith ignoring a key aspect of her husband’s personality, his love for his sisters, is more than an example of Meredith’s selfishness. It’s a lack of continuity and a disappointing, out of character oversight.

18 Getting Together With George

George O’Malley’s unrequited love for Meredith was well-chronicled during the show’s first season, enforcing the characters’ friendship, as O’Malley’s feelings for Meredith led him to provide emotional support when Derek Shepard chose to stay with his wife. Meredith never saw O’Malley as anything more than a friend, even after her break-up with Shepard.

Meredith getting together with O’Malley came from a desire to be wanted and treated well after Shepard had broken her trust, and O’Malley was clearly in denial about Meredith’s lack of interest. Still, it’s hard to believe that O’Malley would take advantage of Meredith in her vulnerable state or that Meredith would choose O’Malley as a physical rebound rather than an emotional one.

17 She Failed Her Intern Exam… And Still Became A Resident

The year 2007 was a rough one for Meredith Grey. Her stepmother passed away from a case of the hiccups, her father blamed her for the loss of his wife, her mom passed away, and she literally passed, and understandably, she cracked under pressure. Meredith didn’t answer a single question on her intern exam.

The logical next step here would have been to see Meredith repeat her intern year like George O’Malley does after failing that same exam.

Meredith would have been able to explore new dynamics with her peers while sorting through her many issues, and the show wouldn’t have to suffer through too drastic of a change. Instead, through some nepotism and a large suspension of disbelief, Meredith is allowed a do-over and breezes through to her residency, while poor O’Malley is given the short end of the stick yet again.

16 Her Inconsistent Pregnancies

After miscarrying her first child due to apparent stress from the Seattle Grace active shooter situation in season six, Meredith is told that the real reason for the loss of her child was actually a “hostile uterus.” Medically, in the real world, this means that it is difficult for a woman to become pregnant due to a variety of factors, including hormonal imbalances. It is treatable through synthetic estrogen or certain bypass techniques and does not necessarily cause miscarriages.

Meredith is able to conceive multiple times during the show, and she even manages to have a fairly normal pregnancy and gives birth to a healthy baby girl. A medical drama probably could have come up with a more realistic plotline for Meredith after writers’ decided that they wanted to complicate her family planning.

15 She Modeled Her Life After Ellis

After hating her mother, Ellis Grey, for most of her life, Meredith follows in her footsteps, as she becomes a mother while still chasing her medical aspirations. Meredith places the blame for her issues on her mother’s workaholic tendencies while raising her daughter, then still chooses to start her family just as her medical career is gaining momentum.

She falls in love with a married man, has his children, raises them alone, and wins a Harper Avery Award, just like her mother. Her professional life causes a rift in her relationship, like Ellis’ Harper Avery nomination leading to the termination of her relationship with Richard Weber. Instead of learning from her mother’s mistakes, Meredith has done something that she swore she’d never do: she has become Ellis.

14 Her First Marriage Wasn’t Legal

In a touching display of friendship, Derek Shepherd and Meredith Grey gave their perfect wedding to their dear friends Alex Karev and Izzie Stevens so that the couple could be married before Stevens possibly succumbed to her advanced brain cancer.

Shepherd and Meredith then have their own, private marriage ceremony in the comfort of their own home, where they write their vows on Post-It notes and promise their lives to each other.

This was all romantic and dramatic, but why on Earth would they not bother going down to City Hall and legalizing the marriage at any point before they tried to adopt their daughter? They most likely already had a marriage license, and the tax benefits alone would have been incentive enough to go through with the final step of their marriage – actually getting married.

13 She Tried To Hold Derek Back

It isn’t easy having a family with two working parents. Nannies help, and Seattle Grace has shown its daycare center on Grey’s multiple times, but Meredith’s frustration with being a mother first and a surgeon second rang true as it was depicted onscreen. Asking Derek Shepherd to take a year off from his practice to give Meredith the opportunity to work was brave and fair, considering the time that she had taken off up until that point.

However, expecting Shepherd to turn down the opportunity of a lifetime at the White House was out of character and unreasonable. Shepherd staying at Seattle Grace meant accepting a demotion, while Meredith could have kept her seniority in DC. Staying behind without Shepherd ran contrary to Meredith’s character development, especially since she expected Shepherd to make himself smaller rather than thriving with him.

12 She Ran Away To San Diego

A large factor in Meredith’s reluctance to move to Washington D.C. came from a fear of airplanes that developed after the plane crash that ended the lives of multiple doctors at the end of season eight. This makes sense, considering the circumstances. What doesn’t make sense, however, is how Meredith fled from Seattle to San Diego following her husband’s loss, telling no one of her location or her miracle pregnancy.

Her decision to choose Seattle over her husband indirectly lead to his passing, but once he’s gone, she immediately leaves. Her love for him wasn’t enough to keep her with him, but his loss was enough for her to ignore all of the reasons she had fought to stay. It’s confusing, upsetting, and utterly heartbreaking.

11 She Stayed At Seattle Grace

During season eight’s plane crash, Cristina Yang keeps asking why all of the doctors at Seattle Grace lose their lives. It was a tongue-in-cheek joke anticipating a question that all Grey’s viewers have at least once during the series. There are shootings, bombs, car crashes, drownings, a flood, a power outage, a bus explosion, and an earthquake during the twenty years that Meredith has worked at Seattle Grace.

At least fourteen doctors and family members have passed away under unusual circumstances at the hospital, filling it with horrible, PTSD-inducing memories.

Somehow, Meredith still works there. After losing parents, a sibling, a husband, best friends, and coworkers, she never thought to just go across town to the other, better-ranked hospital and leave a hospital that is so unlucky it might be on top of the Hellmouth.

10 She Still Has Her Medical License

In order to help Richard Webber’s wife Adele, Meredith enrolls her into her clinical trial for patients experiencing rapidly progressing Alzheimer’s. She tampers with the trial to give Adele the experimental drug rather than the placebo, even after Derek Shepherd’s warnings that doing so would ruin both of their careers.

Of course, because this is Meredith Grey, once her wrongdoing was exposed, no one suffered any long-term consequences. Richard takes the fall for Meredith to protect her job, but neither one loses their medical license. Richard eventually becomes the head of the residency program, while Meredith is the head of general surgery. Shepard had no real backlash for being involved. Everyone was just fine and still eligible to perform surgeries in a respected hospital, somehow.

9 She Considered Herself The Other Woman

After learning that Derek Shepherd was a married man, Meredith halted her physical relationship with him, only being intimate with him one time after learning of his marital status. She legitimately felt guilt for unknowingly dating someone’s husband and didn’t actively try to home-wreck Addison Montgomery’s marriage.

Despite the fact that many of her actions during this complicated time were respectful of Montgomery and her marriage, she still bonded with Mark Sloan when they realized that they both considered themselves homewreckers. Meredith’s characterization centers around her “dark and twisty” tendencies, so her pessimistic framing of the situation would make sense in her own mind, but there’s logically little to support her enduring belief that her relationship with Shepard began with any wrongdoing on her part.

8 She Is Still Alive

Meredith’s self-destructive and occasionally life-threatening tendencies put her in many dangerous situations. She has nearly escaped passing away so many times that its statistically improbable that she would still be alive. Setting aside the fact that she briefly drowned while helping at a ferry boat crash site, Meredith’s life makes no sense because anyone else who’d had this many close calls would not longer be with us.

Meredith held a bomb inside of a patient’s body and barely handed it off before it exploded in the hands of the bomb technician.

She also had prolonged exposure to toxic blood, she drowned for a long time, she asked an active gunman to shoot her, and her plane crashed. Yet here she is, waiting for the next ridiculous trauma that life throws at her.

7 She Barely Talks To Cristina

Cristina Yang was Meredith’s person. More than a best friend, a husband, or a family member, Yang was the one person who Meredith always relied on and trusted. Since Yang left Seattle Grace for Switzerland, all we’ve really heard from her was that Meredith didn’t tell her where she had run away to after Derek Shepherd’s car crash.

There was no confirmation that Yang came to Shepherd’s funeral, as she didn’t stay with Meredith after his passing or visit her newborn child and nary a text has been sent between the two onscreen. Long-distance friendships are hard, but with modern technology like Skype, FaceTime and texting, completely dropping off of the face of the Earth is a cause for confusion.

6 She Gives Thatcher Part Of Her Liver

The last viewers had seen of Thatcher Grey, he had drunkenly, publicly blamed Meredith for his wife’s passing and uninvited her from the funeral. This comes after he abandoned her and started a shiny new family that allowed him to forget about the daughter he left behind.

Even if Thatcher treating Meredith horribly wasn’t enough to dissuade her from saving his life, a complicated position to navigate, Thatcher had multiple daughters and presumably many other family members. Even if Lexie and her sister weren’t matches, how was there no other family member able to donate their liver other than his estranged daughter? There’s no reason it should have been Meredith except as an opportunity to inflict more unnecessary pain on our protagonist.

5 She Had A Busy Two Years

Everything that happened over the first five seasons of Grey’s Anatomy occurred during a two year period. Because the intern year occurs during seasons one through three and Meredith’s first year of residency is seasons four and five, there are many plotlines that happen in a short timeframe.

Plotlines such as George’s marriage and divorce with Callie, Denny Duquette’s storyline with Izzie Stevens, and Christina’s doomed engagement to Preston Burke all happen over the course of less than twelve months.

Meredith and her friends have known each other for only two years by season six, and so much crazy drama has occur in the midst of eighty hour work weeks and eight hour surgeries that it’s almost like they could fill half a decade’s worth of life experience.

4 She’s Always Drinking

Meredith drinks a lot of tequila for a doctor. While she’s shown abstaining from drinking while on-call, Meredith spends most of her down time getting drunk at Joe’s Bar or at home, and even had to be hooked up to an IV during a massive accident to sober herself up for work.

The state of near-constant hangover that she must be functioning in would make her workdays impossible, and the likelihood that she’s be called in during her downtime to work during a disaster situation at Seattle Grace, the grand mecca of disaster, is fairly high in the world of Grey’s Anatomy. How she manages to drink so often without a sponsorship from Pedialyte or AA is a mystery to us all.

3 Her Age

In the script for Grey’s pilot, Meredith is supposed to be thirty-two years old. After taking time off to travel through Europe with Sadie and to care for her ailing mother, it’s understandable that Meredith would be older than the average medical intern. It’s clear that the Grey’s writing team put some thought into Meredith’s backstory in the early years of the show and realized that between taking the MCAT and helping Ellis, there’s no way that Meredith could have started her internship at the median age of twenty-seven.

Meredith’s birth year is confirmed as 1978 multiple times during the course of season eleven, retconning her initial age to be twenty-eight. The writers probably weren’t too concerned about continuity ten years after the fact, but Meredith’s original age made much more sense than her current one.

2 Her Disappearing Children

After a hullaballoo regarding who should watch the children and how to be an active parent and a surgeon, Meredith’s children have completely disappeared from the show after Derek Shepherd’s passing. The children are occasionally referenced, but haven’t been shown in the hospital daycare, her home, or her carpool.

Her children have become an afterthought, despite the fact that they were the main source of conflict between Shepard and herself before he passed away.

Some of these children should be starting school, while others are still in infancy, but having Meredith completely forget that she chose to give birth and adopt multiple children erases multiple seasons of character development geared towards family and motherhood.

1 She Has Gone Through An Improbable Amount Of Trauma

As mentioned multiple times, nothing seems to go right for long in the life of Meredith Grey. Meredith’s mother passes away while Meredith was unconscious, she lost her husband, her boyfriend had a wife, she nearly passed away multiple times, she couldn’t have children, and everyone she knows left or passed away.

Every aspect of her life, from family to spouses to friends, ends with a major trauma and loss. She’s still continuing on with her life and career, while most people would be deep in therapy and rarely leaving their homes if faced with the same amount of sorrow. Meredith is a strong woman, but what she has been through could drive even the most optimistic individual to depression.

Are there any other aspects of Meredith’s character that make no sense in Grey’s Anatomy? Sound off in the comments!



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2018-10-09 01:10:23 – Kristy Pirone

10 Best Disney Movies According to Rotten Tomatoes (And 10 With Almost 0%)

After all these years, Disney movies remain the gold standard in family entertainment. Starting from the back of a realty office in Hollywood back in 1928, Disney is now a brand worth billions of dollars. But it’s not just money—Disney’s cultural influence is worldwide and manages to stay relevant with each subsequent generation. There’s no underestimating the power of nostalgia; chances are if someone grew up liking Disney movies, they’re probably a fan for life. Walt Disney pioneered the idea of feature-length animated movies, an idea considered ridiculous at the time. They would be too expensive to make, and what self-respecting adult would pay money to see a full-length animated film? Turns out everyone wanted to, especially those with kids. At the time, there was no such thing as a full-production studio dedicated to animated films—so with the profits of Snow White and the Seven Dwarves, Walt Disney built one. From there, it was only a short period of time before Disney branched out into producing live-action films, and before anyone knew it, Disney dominated the family entertainment market.

Since then, Disney has expanded its intellectual properties to include Marvel, Star Wars, ABC, and 20th Century Fox. This makes Disney virtually unstoppable. Some meme artists have even depicted Mickey Mouse as Thanos, with its individual properties the different gems in the Infinity Gauntlet. But there were a few hiccups along the way. Disney has had tremendous success with its films, but people tend to forget that even the mighty occasionally fall. Here are the 10 best Disney movies according to the ratings on Rotten Tomatoes, along with the 10 worst.

20 Best: Pinnochio (100%)

Pinnochio was Walt Disney’s second animated feature, released shortly after the success of Snow White and the Seven Dwarves. Like its predecessor, it had gorgeous visuals with a painstaking attention to every element of the production. Unlike Snow White, it initially flopped at the box office. Luckily, Walt Disney had faith in the movie and gave it a second release to recover production costs. The plan worked, and Pinocchio eventually earned enough money to put it back into the black.

The iconic “When You Wish Upon A Star” theme from the film is still synonymous with the Disney brand.

The artists of Pinnochio helped pioneered advances in effects animation, which specialized on non-character elements that move, such as water or fire. The animated ocean effects during the Monstro sequence were the most ambitious water effects ever achieved for its time.

19 Worst: That Darn Cat (13%)

If nobody remembers this movie, it’s partially because it came in and of the theatre pretty fast. A remake of Disney’s moderately successful live-action That Darn Cat from 1965, the 1997 version was not nearly as successful. Starring Cristina Ricci as Patti, the plot features a cat that becomes “witness” to a kidnapping gone wrong. Patti eventually convinces the authorities to investigate and she becomes central in helping to solve the details of the crime and eventual rescue.

The reviews of the film were dismal. One critic described it as “…a desperate dip into utter conventionality: dull car chases, explosions, inept slapstick.” Another says it is a “…disappointing, rather warmed over Disney offering.” Despite this, Cristina Ricci was nominated for two awards for her performance in the film, a Kid’s Choice Awards, and a Young Artist’s Ward.

18 Best: Mary Poppins (100%)

The mostly live-action Mary Poppins was a smash-hit. It earned 13 Academy Award film nominations and won five, including Best Actress, Best Original Score, and Best Visual Effects. It’s easy to see why. Julie Andrews brought her amazing charisma to the performance, dazzling audiences with her ability to sing, dance, and easily handle comedy intended for children. The songs are memorable, with several such as A Spoonful of Sugar and Supercalifragilisticexpialidocious becoming part of the American culture.

Disney had experimented with combining live action with animation before, but never in such an ambitious way. For many, their favorite part of the film is where Mary Poppins, Burt the Chimney Sweep, and the Banks children jump into the chalk drawing and have a little adventure in an animated world. Disney is releasing the sequel, Mary Poppins Returns, in December of 2018.

17 Worst: My Favorite Martian (12%)

Based on the 1960’s television show of the same name, My Favorite Martian tells the story of a humanoid Martian (Christopher Lloyd) that crash lands on earth. He enlists the help of a reporter in a funk to put him up while he tries to repair his spaceship and get home.

Though reviews were generally kind to Christopher Lloyd, the movie as a whole was mostly disliked by critics.

Said one reviewer on Rotten Tomatoes, “An utterly pointless and unimaginative remake based on the classic ’60s sitcom…a meteoric misfire.” Another gets right to the point: “A terrible movie. Beware.” My Favorite Martian did earn three nominations…of The Stinkers Bad Movie Awards. It was nominated for Worst Resurrection of a TV Show, Most Botched Comic Relief and Most Painfully Unfunny Comedy.

16 Best: The Many Adventures of Winnie the Pooh (100%)

Like most Disney movies, The Many Adventures of Winnie the Pooh was adapted from existing source material. It’s based on characters from short stories from the author A. A. Milne. The film focuses on young Christopher Robin and his stuffed bear, and a menagerie of other stuffed animals come to life. The movie is a collection of animated shorts edited together into a feature-length film.

Surprisingly, the Winnie the Pooh franchise is worth much more than one might imagine. Variety estimated the sales of merchandise related to Winnie the Pooh topped over $5 billion, which among Disney properties, is second only to Mickey Mouse. Disney released a live action movie, Christopher Robin, based on an adult Christopher Robin rediscovering Winnie the Pooh and his friends in August of 2018.

15 Worst: Cinderella II: Dreams Come True (11%)

One would think that after one of the most stereotypical happy endings of all time, writers would have a hard time coming up with a good sequel for Cinderella. One would be right. Cinderella II: Dreams Come True is actually an anthology movie that ties together three Cinderella short stories into one film. The first story describes her struggle to be herself as a new princess. The second follows Jaq the mouse feeling left out. And the third shows how Cinderella tries to teach one of her step-sisters how to smile. Seriously.

This direct-to-video sequel wasn’t liked by critics. One top critic says simply, “Do not see this film.” Another, quite dramatically, announces, “A screaming black vortex of total, irredeemable awfulness.” A quick glance through other remarks reveals similarly negative responses. Nevertheless, Cinderella II: Dreams Come True still made approximately $120 million in sales.

14 Best: Toy Story (100%)

Toy Story was ambitious in scope, it being the first animated Disney feature that was fully animated with CGI. Audiences had never seen this kind of animated film before and impressed audiences made the movie a runaway hit. Though CGI animated movies have come a long way since then, Toy Story still holds up. The interplay between Woody the Cowboy (played by Tom Hanks) and Buzz Lightyear (Tim Allen) is the highlight of the film. Though they have different perceptions of reality, they learn to work together to make sure they don’t get left behind in their boy Andy’s move.

Toy Story garnered three Academy Award nominations and won a Special Achievement Academy Award for being the first feature-length computer-animated film. It has two hit sequels, with a third in production.

13 Worst: Blank Check (11%)

What if a kid found a blank check that allowed him to spend a million dollars? That’s the intriguing premise behind Blank Check, a movie that didn’t really build a successful story out of this great idea. Through an implausible series of events, young Preston Waters is given a blank check to help pay for a bicycle accident involving a car. But he’s given the wrong check, and the person who gave it to him is a criminal. Preston spends the rest of the movie spending lavishly while trying to avoid the authorities and the criminal who is hot on his tail.

One top critic explains it’s “One of those smart-aleck kid adventures that manages to be entirely obnoxious with very little effort.” A Rotten Tomatoes super reviewer hilariously opined, “If you loved Home Alone, you’ll still gonna hate Blank Check!”

12 Best: Darby O’Gill and the Little People (100%)

Though many modern audiences have never heard of Darby O’Gill and the Little People, it probably remains the most successful movie ever made about Leprechauns. In the film, the aging laborer and caretaker Darby O’Gill has spent much of his life trying to catch the Leprechauns. One day, in his old age, he is actually caught by them. He spends the rest of the film strategizing how he will spend the three wishes granted upon him by Brian, the King of the Leprechauns.

The film also features a young and dashing Sean Connery as Michael McBride, the love interest to Darby O’Gill’s daughter.

Though it won no awards, it has been critically well-received over the years and had state-of-the-art special effects for its day.

11 Worst: Mr. Magoo (7%)

The character of Mr. Magoo was a successful cartoon character from the late 40’s through the 50’s. The running gag for each story was that millionaire Mr. Magoo was practically blind, which led him into comically dangerous situations. Mr. Magoo was also amazingly lucky, which seemed to save him every time.

The Disney adaptation starred Leslie Nielsen, an actor beloved for being able to handle silly comedy with a straight face. But it just wasn’t enough to save the film, which seemed to suffer from the repetitive and unfunny gags. Critics were beyond cruel to the film. One announced, “The movie is an insult to the intelligence of the entire human race.” Another agrees, “Mr. Magoo is transcendently bad. It soars above ordinary badness as the eagle outreaches the fly. There is not a laugh in it. Not one.”

10 Best: Toy Story 2 (100%)

After the runaway success of the first Toy Story, a sequel seemed inevitable. Somehow avoiding the curse of most sequels being inferior to the original, Toy Story 2 managed to be a moving story which many think is even better than the first. It also introduced a brand new character to the saga, Jesse the Cowgirl.

Toy Story 2 has one of the most heartbreaking songs in Disney’s collection, When She Loved Me, performed by Sarah McLachlan. The song describes being abandoned by the child she loved, a sequence that left hardly a dry eye in the house. It went on to become a smash hit, just like the first one. Though it won no academy awards, it won many independent awards and some argue it is the best Toy Story movie of the entire franchise.

9 Worst: A Kid in King Arthur’s Court (5%)

A Kid in King Arthur’s Court is very loosely based on Mark Twain’s A Connecticut Yankee in King Arthur’s Court, a story that has been adapted into several other films. Modern ’90s kid Calvin Fuller is playing baseball for his team when an earthquake hits. A chasm opens up on the field and he falls in. Calvin is inexplicably transported to England in the age of King Arthur, where he quickly wows the locals with his modern knowledge. While there, he also falls in love with the local princess.

Critics seemed to be surprised this was a Disney film. One critic laments, “Rarely do the well-financed wizards at Walt Disney Pictures cook up a movie this badly written, acted, and directed.” Another says, “Sitting through it, I found myself shuddering at what Disney may have in store for next summer.”

8 Best: Old Yeller (100%)

Old Yeller was famous for ruining many a childhood with a depressing plot twist, the on-screen demise of its titular dog. After saving his family multiple times over the years from bears, wild hogs, and wolves, Old Yeller finally seals his fate when he fought off a rabid wolf to protect his people. Not only did the the dog pass away, but its owner and best friend Travis had to put him down himself because he had been infected with rabies. This scene has become one of the most famous tear-jerking live-action scenes in all of Disney’s films.

Despite the bummer plot development, the film was still a critical and commercial hit. And it still managed to leave on a high note—by the end, Travis adopts Old Yeller’s puppy and names him Young Yeller.

7 West: Meet the Deedles (4%)

As handsome as Paul Walker was, even he couldn’t have saved Meet the Deedles. The story describes the hapless Phil and Stew Deedle, brothers who are in high school and avid surfers. Their father becomes disgusted with their lazy behavior and sends them off to a boot camp where they can learn some discipline.

In an extremely unlikely series of events, the Deedle brothers assume false identities as park rangers and…hilarity is supposed to ensue.

As with most movies received this badly, the Rotten Tomatoes reviews are hilarious to read. One critic announces dryly, “If all of this sounds ridiculous, it is.” Another is much more cruel, saying, “Dumb is one thing, but this sorry attempt at action-comedy from stuntman turned director Steve Boyum is in an intelligence-deprived class all its own.”

6 Best: Snow White and the Seven Dwarves (98%)

Snow White and the Seven Dwarves was Disney’s first animated film feature and the first animated film to gain massive success. It was actually the profits from Snow White and the Seven Dwarves that allowed Disney to build its first full-fledged production studio in Burbank, California. From there, Disney was unleashed to produce dozens of huge hits.

Early forecasters predicted Snow White would be a huge flop, but Disney had the last laugh when the film was finally released. Critics, even the ones predicting its failure, absolutely loved it. Audiences flocked to it and children adored it. Walt Disney received a special Academy Honorary Award for making a “significant screen innovation.” The Honorary Oscar came with seven little miniature Oscars. As with Beauty and the Beast and Cinderella, Disney is producing a live-action adaptation of the film.

5 Worst: Mulan 2 (0%)

Did we ever even need a Mulan 2? According to critics, the answer is a resounding “no.” The original Mulan was a hit in 1998, following the adventures of the Chinese legend of Hua Mulan, a woman who became a fearsome warrior against all odds. Mulan 2 features a convoluted plot wherein Mulan prepares to get married and go on an important mission at the same time, trying to prevent several kingdoms from collapsing against the Mongolian hordes.

The plot doesn’t sound terrible, but it didn’t deliver. Critics seemed to dislike it mainly for being bland. One explained, “If it were any more trivial, it’d be invisible. Mulan II is, rather, more conceptually offensive.” Another spoke bluntly, “It’s harmless, sure, but it’s also charmless.” Another sequel was planned but eventually shelved.

4 Best: 101 Dalmatians (98%)

With 101 Dalmatians, Disney opted to develop a somewhat obscure children’s story.  This was a bit different from the popular fairy-tale adaptations that Disney had been known for. After a bachelor and his new blushing bride get married, their respective male and female adult Dalmatians breed a large litter of puppies. An over the top villain, Cruella de Vil, steals them along with other Dalmatian puppies with plans to eventually turn them all into a fur coat. The adult Dalmatians and other animals lead efforts to rescue ALL the puppies and bring them back to safety.

101 Dalmatians cut costs by adopting a more minimal animation style but still was a critical and financial success.

The movie was adapted into two live-action movies in the ’90s and also had an animated sequel in 2003.

3 Worst: The Big Green (0%)

Not many Disney fans know this film even exists. The Big Green was released in 1995 and tells the story of a scrappy British teacher who introduces kids with low self-esteem in a small Texas town the game of soccer. Sort of a Bad News Bears for the soccer crowd, the movie follows these underdog kids as they go from losers to heroes.

However, according to critics, it’s derivative and not as good as either of those films. Perhaps the poster, which features a young kid getting hit in the groin by a soccer ball, is the first sign the “comedy” wasn’t up to par. One critic writes, “The Big Green is at its worst and most desperate when resorting to ridiculous hallucinations and silly sped-up photography to get laughs, and it’s at its best when… well, it’s over.” Yikes.

2 Best: Cinderella (97%)

It’s hard to believe, but Disney suffered a bit of a downturn during WWII and by the late 40s was financially doing poorly. Disney turned back to its classic roots and decided to produce Cinderella, an old story based on folklore and also told in a classic Grimm’s fairy tale. The movie not only brought Disney out of debt, but gave the studio enough capital to create its own film distribution company, begin production on other films, and start building Disneyland and Disney World.

The movie received critical praise not seen since Snow White and the Seven Dwarves and Pinnochio. Many noted its rich colors and backgrounds, realistic human animation, and memorable music. It was later nominated for three Academy Awards, including Best Original Song for Bippity Boppity Boo.

1 Worst: Kronk’s New Groove (0%)

The Emperor’s New Groove was a unique and charming Disney film that has become somewhat of a cult classic over the years, featuring the voices of the hilarious David Spade and Patrick Warburton. Its sequel, Kronk’s New Groove was not received nearly as well. Part of the problem may be the thin plot, which has something to do with Kronk running a restaurant, falling in love with a camp counselor, and trying to impress his father. Yzma returns as a villain but doesn’t really have much to do.

Voice talents notwithstanding, the resulting film was a dud with critics.

Pointed out one, “Great voice talents, but weak storyline and frankly not much groove.” Another astutely observed, “It’s just too generic, and generic is not what we want from a sequel to a film that managed to escape the Disney mold.”

Which of these films did you love most? Let us know in the comments!



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2018-10-07 06:10:17 – Gary Gunter

Doctor Who: Biggest Questions After Jodie Whittaker’s First Episode

Warning! SPOILERS for the Doctor Who season 11 premiere ahead!

The new season of Doctor Who finally arrived and now the world has had their first taste of Jodie Whittaker’s 13th Doctor. The episode, “The Woman Who Fell to Earth,” is exciting, scary, action-packed, and surprisingly emotional – all the elements that make up a great Doctor Who episode. It’s a brand new era for the 50+ year-old sci-fi series, and it’s only just getting started.

Along with a new Doctor, there’s a whole new cast of characters joining Whitaker on the adventure. This cast is also the most diverse cast Doctor Who has ever had, which feels like the right choice for this new era of Who, and that diversity exists both on screen and off, with season 11 including the first writers of color in the show’s history. For a television series that can go anywhere and do just about anything, it’s about time Doctor Who began branching out and including new voices.

Related: Doctor Who Season 11 Premiere Early Reviews Praise Jodie Whittaker’s Doctor

Now that the world has seen the 13th Doctor’s first episode and gotten a taste of the show’s new direction, we have a few questions that we’re very interested to see answered in the upcoming season.

  • This Page: Why Did the TARDIS Abandon The Doctor?
  • Page 2: How Powerful Is The New Sonic Screwdriver?

Why Did The TARDIS Abandon The Doctor?

When the Doctor began regenerating from 12 into 13, the TARDIS also began to change. The console room exploded and the Doctor went tumbling out the doors. As she fell to Earth, the Doctor could only watch as the TARDIS dematerialized – abandoning her. And while the TARDIS is known to be a temperamental old thing, it doesn’t usually strand the Doctor without good reason. So where has it gone? And why?

The next episode of Doctor Who will probably reveal where the TARDIS ended up, but it could be a little while before we get a full explanation for why it disappeared in the first place. One reason might be that the TARDIS simply doesn’t care for this new version of the Doctor. As far as we know, this is the first time the Doctor has regenerated into a woman. Maybe the TARDIS just doesn’t recognize her? Or is more fond of men? Those would be rather silly explanations for why the TARDIS acted the way it did, but they aren’t entirely out of the realm of possibility.

It’s more likely, however, that the TARDIS is malfunctioning. This could be happening either as a result of the regeneration (the TARDIS also went haywire when 10 regenerated into 11) or because it’s been tampered with somehow. Whatever the reason, it’ll be up to The Doctor to reunite with her TARDIS, and in doing so, the show may just reveal more about the special bond between The Doctor and her best traveling companion.

Page 2: How Powerful Is The New Sonic Screwdriver?

How Powerful Is The New Sonic Screwdriver?

The 13th Doctor isn’t only without her TARDIS in the Doctor Who season 11 premiere – she’s also without her trusty sonic screwdriver. But the Doctor is very clever, and a bit of tinkerer. With a few parts from an alien transportation pod and some Sheffield steel, she constructs her own sonic screwdriver. Well, it’s more than a screwdriver, as fans already know, but with her building her sonic screwdriver instead of receiving one from the TARDIS we have to wonder… how is it different from previous screwdivers?

In the episode, the screwdriver already appears to have a few short circuits, sparking when the Doctor first reveals it. But then, as the episode continues, it more or less performs it’s job as it should. So will the fact that this screwdriver is handcrafted from arguably lesser quality materials than a typical sonic device (sorry Sheffield steel, you just aren’t that high tech) affect how powerful it is? And more importantly, will this screwdriver work on wood?

Related: Doctor Who Season 11 Premiere Video: Jodie Whittaker Arrives On Earth

Who Will Rescue The Doctor?

At the end of the episode, as the Doctor is attempting to transport herself to the planet where her TARDIS wound up, she manages to send not just herself but Ryan, Yaz, and Graham as well. And she doesn’t actually transport them to a planet, but rather into outer space, where they’re left floating in the vacuum.

Of course, the previews for next week’s episode already reveal they’ll be rescued, but by who? The obvious guess is that it’s the other people seen on the planet in that preview. Their outfits  appear to be space suits or a uniform, suggesting they’re a crew of some sort. They may also be military, which isn’t going to sit well with the Doctor at all. Just how they rescue The Doctor and her new companions from an icy death in space remains to be seen, but perhaps the bigger question we should be asking is – why were they transported to space in the first place?

The Doctor said the signal came from the TARDIS, but there is no TARDIS where they are. And though initially it appeared as if the TARDIS abandoned the Doctor, maybe it was actually stolen? A stolen TARDIS isn’t the same as it being lost, and it would mean someone is trying to keep the Doctor away from it – in which case, season 11 might see the Doctor searching the galaxy for her TARDIS. It’s a little unlikely given that the reveal of a new TARDIS interior is almost as big of a deal as a new Doctor, but it would be an interesting twist on the typical formula. And besides, it isn’t as if the Doctor hasn’t been without their TARDIS before.

Next: Doctor Who Season 11: New Cast & Character Guide

Doctor Who season 11 continues next Sunday with ‘The Ghost Monument’ at 8pm/7c on BBC America.



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2018-10-07 04:10:37 – Sarah Moran

7 New Character Additions That Hurt Buffy The Vampire Slayer (And 13 That Saved It)

It’s been over twenty years since Buffy the Vampire Slayer’s groundbreaking pilot hit TV screens and it remains one the most beloved and influential shows of all time. The series subverted expectations, in the process shattering illusions of what people thought television was capable of. It forever altered the pop culture landscape, introducing audiences to a feminist icon they could truly identify with. The show popularized serialized storytelling at a time when TV programs were largely episodic and even changed the way that viewers talked by introducing them to “Buffy speak.”

By taking the idea that high school is Hell quite literally, Joss Whedon was able to use werewolves, witches, and vampires to explore themes of desire, female empowerment, and addiction. The writers personified feelings such as isolation, alienation and humiliation, using them to ground fantastical situations in those very real emotions.

Buffy was praised for a great many things, from snappy dialogue to clever plotting. However, one of the most vital elements of Whedon’s magnum opus was undoubtedly the amazing characters with which he chose to populate this world. These players were as lovable as they were relatable and the series continues to resonate with viewers of all ages. However, not all characters introduced to the series could be as awesome as Buffy, Willow, or Xander. While certain new additions had an undeniably positive effect on the series as a whole, there were also a few that BtVS would’ve been better off without.

Here are 7 New Character Additions That Hurt Buffy The Vampire Slayer (And 13 That Saved It).

20 Saved – Spike and Dru

Sunnydale got its very own Sid and Nancy when Spike and Drusilla showed up in season 2 episode “School Hard”, quickly establishing themselves as the new Big Bads in town. They were never meant to last as long as they did, but stellar performances from James Marsters and Juliet Landau gave both characters a stay of execution. These two didn’t just shake up Sunnydale, but the show’s entire mythology. They were living proof that vampires were capable of genuine emotion. Their intense bond and amazing chemistry made fans fall hard for the couple. 

Spike, of course, went on to play a much larger role in the series as a whole. Writers kept finding new ways to justify his continued existence and fans never complained, because no one wanted the vampire gone.

19 Hurt – Riley

Buffy needed to move on from Angel, but did she really have to take up with “Captain Cardboard”? Riley Finn (Mark Blucas) first appeared in the season 4 premiere, “The Freshman”, and went on to hurt the show in ways almost too numerous to list.

With him came the Initiative, which remains the storyline that most BtVS fans would rather forget.

Even after the organization was no longer part of the narrative, Riley continued to overstay his welcome. Viewers were forced to deal with his constant whining and eventually, his infidelity. These were all plot points that the show could’ve done without. It was sad when Riley helicoptered out of Buffy’s life, but only because we care about her feelings. Ultimately, no one really missed him.

18 Saved – Tara

Now this is how you create a new love interest. Oz and Willow had become one of the show’s most beloved couples and fans were as heartbroken as she was over his sudden departure. Replacing the werewolf was going to be just as difficult as finding a way for Buffy to get over Angel. However, the show chose to go in a new direction entirely with Tara Maclay, who debuted in season 4 episode “Hush”. Not only was she a woman, but she also complemented Willow in very different ways than Oz had.

Not all viewers embraced this storyline initially, but Amber Benson’s performance quickly won most of them over. Before long, fans became incredibly invested in Willow and Tara’s relationship. In many ways, they became the show’s central couple, as well as its emotional anchor.

17 Saved – Anya

Much like James Marsters, Emma Caulfield earned more time on the show through her impressive performance. Her arc wasn’t meant to last much past her first appearance in season 3 episode “The Wish”.  Anya Christina Emmanuella Jenkins went from human to vengeance demon and back again. She was over 1100 old, but had completely lost touch with her humanity before meeting the Scoobies.

It was more than Anya’s evolution that made her special, though. She was the character who posed the questions that most people want to ask but think that they shouldn’t. Whether ruminating on love, loss, or the simple cold truth of mortality, Anya always said exactly what she meant. Even her lack of tact was charming. The former demon brought a different perspective to the group, as well as some undeniable humor.

16 Hurt – Dawn

This is kind of a tough one, because the storyline surrounding Dawn’s existence was one of the show’s best. Her introduction in the season 5 premiere, “Buffy vs. Dracula”, was particularly genius. Dawn was dropped into the series as if she had always been there, leaving viewers wondering if they had missed earlier clues of Buffy having a sister.

Dawn herself was always little more than an annoyance to most fans.

It didn’t help that Michelle Trachtenberg played the character as younger than she was. This wasn’t all her fault, as Dawn was initially meant to be portrayed by a younger actress. The main problem wasn’t season 5 Dawn anyway. In later years, writers clearly weren’t sure what to do with her, giving Buffy’s sister one ludicrous plot line after another: “Dawn’s in trouble. Must be Tuesday.

15 Saved – Glory/Ben

Glory is one of the greatest Big Bads ever to appear on BtVS. Debuting in season 5 installment “There’s No Place Like Home”, she brought the season-long threat to a whole new level. Glory wasn’t just another demon. She was a literal god, just trying to get back to her home sweet Hell. However, it was more than just sheer power that made Glory such a great villain. Clare Kramer’s manic performance is what really set her apart.

Introduced an episode before Glory, Ben (Charlie Weber) was serviceable enough.

What really brought depth to the kind doctor was the revelation that he and Glorificus were sharing a body.

This was one of the show’s most successful twists. Seriously, no one saw it coming.

14 Saved – Wesley

While it can be argued that the character of Wesley Wyndam-Pryce was utilized far better on Angel, there’s no denying that the stuffy new Watcher was another great addition to the cast of BtVS. Debuting in season 3 installment “Bad Girls”, Alexis Denisof imbued Wesley with undeniable heart and humor, despite the character’s uptight personality.

Aside from Wesley himself, it was the dynamic between him and Giles that helped to elevate the series during season 3. We got to explore a whole new side Buffy’s Watcher. It was one thing to know about his “Ripper” past, but it was the juxtaposition of Rupert and Wesley that truly proved how awesome Giles actually was – not that we didn’t love him already.

13 Hurt – Warren

The Trio is kind of everyone’s least favorite Big Bad. However, while Jonathan and Andrew were both worthy additions to the series, Warren never had any redeeming qualities. He first appeared in season 5 episode “I Was Made to Love You” and proved himself a total creep immediately.

Although Warren started out as a punchline, he turned out to be a misogynistic monster.

Adam Busch did an excellent job of making the character incredibly unlikable, but it was Warren’s cruelty that brought season 6 to the lowest of places. “Dead Things” was one of the most brutal episodes of BtVS, and not in a good way. Plus, no Buffy fan will ever forgive him for firing the gun that took Tara’s life. Warren did a lot of damage and his character was never compelling or likable enough to outweigh that fact.

12 Saved – Oz

Fans fell in love with Daniel “Oz” Osbourne (Seth Green) around the same time that Willow did. From the moment he appeared in season 2 episode “Inca Mummy Girl”, he was pretty much smitten with her – even in her Hallowe’en costume. Unlike Xander, Oz actually realized how awesome Willow was and fans were overjoyed to see her finally properly appreciated.

Oz was so beloved, in fact, that even though he left under truly awful circumstances, many viewers were still torn when he came back for Willow. A lesser character could never have remained in fans’ hearts after such indiscretions. In the end, the writers found someone even better for Willow, but it speaks volumes that so many viewers were willing to forgive Oz after he locked himself in a cage with Veruca.

11 Hurt – Veruca

Veruca (Paige Moss) made her first appearance in season 4 episode “Living Conditions”. Oz may have thought that she was pretty cool, but viewers noticed that something was off about her.

Most Buffy fans are pretty protective of Willow and no one liked seeing her relationship with Oz threatened.

It’s not that it makes no sense that something would break up Willow and Oz. They dated in high school and many such relationships do not survive the transition to college. The main issue was the werewolf herself. Veruca was kind of over the top, from her musical performances to her evil machinations. Perhaps she was meant to be a two-dimensional mustache-twirling villain. Regardless, no one mourned Veruca after Oz ended her life.

10 Saved – Mayor Wilkins

Fans were introduced to Mayor Richard Wilkins in season 3 episode “Homecoming”. Sure, he was a major Big Bad whose ascension plans would’ve left the world in ruins, but he was also incredibly polite. BtVS has often excelled at creating villains that fans still kind of rooted for. The Mayor was one of the best, and not just because he was such a formidable opponent.

Richard’s relationship with Faith gave his character real depth. Much like the love that Spike and Dru shared with one another, the Mayor’s affections for his protégée made him much more human, which in turn made viewers care more about him. Plus, Harry Groener’s pitch-perfect performance made it impossible not to enjoy Mayor Wilkins.

9 Hurt – Kennedy

Kennedy was as much of an epic fail as Riley. The writers proved that they could craft more than one great love interest for Willow, so what happened with her? Introduced in season 7 episode “Bring on the Night”, Kennedy (Iyari Limon) was spoiled, argumentative and honestly, kind of bland. The key to a great TV relationship is making both characters compelling in their own right.

While fans came to love both Oz and Tara rather quickly, you’d be hard pressed to find many Kennedy fans out there.

There was nothing about Willow’s new girlfriend to even distinguish her from the other Potential Slayers, save her bad attitude. Willow deserved better and so did fans.

8 Saved – Faith

Shaking up things from the moment she arrived in season 3 installment “Faith, Hope and Trick”, Faith Lehane was Buffy’s dark reflection. The Slayers were incredibly different from one another and yet, undeniably two sides of the same coin. Eliza Dushku’s magnetic performance brought so much passion and energy to the role, and she had no trouble fitting in with the rest of the cast.

Faith provided new depth not only for the slayer line, but also to the idea of what it actually means to be Slayer. Before Faith’s arrival, fans had never seen a Slayer go rogue. However, it didn’t matter how far Faith went. Viewers were always hoping that she could somehow redeem herself. Thanks to her time on Angel, she was given that chance.

7 Saved – Robin

Robin Wood’s (D.B. Woodside) debut in season 7 premiere “Lessons” initially painted the new school principal as another villain lurking in the shadows. However, much like the rest of the characters on BtVS, appearances are often deceiving. Not only was Robin one of the good guys, but he was also the son of New York-based slayer, Nikki. The series teased this out slowly until fans realized the truth shortly before it was revealed.

It was a pretty genius move.

Although it’s easy to hate on Robin for his sneak attack on Spike, the vampire did off his mother, so his frustration can be understood. In the end, Robin turned out to be a great addition to the Scoobies, bringing both new perspective and an actual bag of tricks to the mix.

6 Hurt – Adam

Buffy almost always managed to deliver the goods when it came to the season-long Big Bad: compelling characters, with humor and even a bit of heart. The series excelled in that moral grey area, making viewers sympathize with villainous even as they committed unforgivable acts. Sadly, Adam (George Hertzberg) was a giant exception to this success.

The ersatz Frankenstein’s monster – or Walsh’s monster, as the case may have been – first appeared in season 4 episode “A New Man”. The only cool thing he ever really did was skewer his creator, Maggie, who was also not a great addition to the series. All in all, Adam was very powerful, but a boring villain. Defeating him required a major deus ex machina, which would’ve been fine if he had been a better character in the first place.

5 Saved – Andrew

Andrew Wells, aka Tucker’s brother, initially seemed as irredeemable as Warren Mears. When we met him in season 6 episode “Flooded”, he was a whiny coward with nothing even resembling a moral compass. After Andrew returned the following year, the first thing he did was take his best friend’s life.

Most fans weren’t happy to see him again, but somewhere over the course of season 7, this changed.

Like BtVS has done with the best of its characters – most of whom, let’s be real, have done some terrible things – the show found a way to endear him to viewers. Andrew may not have exactly been instrumental in Buffy’s battle with the First, but the former villain definitely brought some levity to a fairly dark season. He also provided an excellent example of the power of compassion.

4 Saved – Kendra

Interestingly, Bianca Lawson was originally cast in the role of Cordelia Chase. However, due to scheduling conflicts, the actress was forced to take a smaller part in BtVSIf we can all just put aside her painfully awful accent, everyone can probably admit that Kendra herself was a pretty cool addition to the series.

Fans were introduced to the other slayer in season 2 installment “What’s My Line Part 1”. She appeared initially to be another enemy, but instead proved vital in saving Angel’s life. Kendra’s existence answered important questions about the slayers and it was this new line, beginning with her, that later allowed for the introduction of Faith. The juxtaposition of Kendra and Buffy was also quite interesting, as they each approached their calling so differently. She also helped Buffy see that slaying was more than just a job.

3 Hurt – Forrest

Another irritating and useless season 4 addition, Forrest Gates (Leonard Roberts) was introduced in “The Initiative”.

He was little more than a foil for Riley and Buffy’s relationship.

Forrest’s feelings for his fellow soldier bordered on obsession and there was nothing interesting about him in his own right.Riley’s other pal Graham may have been boring, but at least he wasn’t so annoying. Forrest was self-righteous and obviously had very little going on in the way of an actual life. No one mourned him after he his passing. The worst part about Forrest’s demise was that it wasn’t even the last we saw of him, because Adam chose to reanimate his husk. Even then, he was still a total drag.

2 Saved – Jonathan

Jonathan Levinson (Danny Strong) had a continuing presence on Buffy the Vampire Slayer for years after his first appearance in season 2 installment “Inca Mummy Girl”. He was always on the periphery, being picked on, rescued or taken advantage of. Prior to joining the Trio, Jonathan was at the center of season 3 episode “Earshot” and season 4 installment “Superstar”. The former was incredibly poignant and the latter, a hilarious change of pace.

Many fans were surprised to see Jonathan pulled by the dark side, but he never fully committed like his cohorts did. Less obviously evil than Warren and not as easily manipulated as Andrew, he eventually saw the error of his ways. Sadly, by the time Jonathan made an effort to redeem himself, it was too late. That opportunity was stolen from him by his best friend.

1 Saved – Angelus

None of Buffy’s greatest Big Bads were quite as personal or painful to witness as Angelus. Aside from the unfortunate implications of essentially punishing Buffy for being intimate with her boyfriend, there is no denying that the second half of season 2 was the show at its best. This was due in large part to David Boreanaz’s villainous turn.

Two people who were so in love destroying each other was utterly brutal and completely gut-wrenching. It also led to some of BtVS’s most empowering moments. Buffy was just a teenage girl shouldering the weight of the entire world. Feeling as though she had lost everything led to the epiphany that she still possessed what mattered most. Much of the series is about surviving life on life’s terms. More than just enduring this pain, Buffy managed to recover from it.

What new characters do you feel hurt or saved Buffy the Vampire Slayer? Let us know in the comments!



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2018-10-06 04:10:54 – Jamie Gerber

A Star Is Born’s Ending Is Bad (And Always Has Been)

WARNING: Major spoilers for A Star Is Born

A Star Is Born‘s ending undoes what could have been a Hollywood classic – but that’s not exactly Bradley Cooper’s fault. From its first version in 1937, A Star Is Born has always had a problematic resolution to its story, one that’s only got worse over the past century, and this latest version is no different.

A Star Is Born is a classic story that Hollywood loves so much it’s told it four times (with a suspiciously-similar earlier version, several failed attempts and many, many imitators). A top-of-his-game star (in 2018, Bradley Cooper’s rock star Jackson Maine) is suffering from alcoholism and in a stupor discovers a struggling artist (Lady Gaga as Ally, a waitress moonlighting in a drag bar), falling in love with both her and her talent. He provides her with a big break, sending her fame into the stratosphere just as his addictions begin to derail his career. The pair marry, but despite their love things begin to fray.

Related: Read Our A Star Is Born Review

It’s a tale of rags to riches, of falls from grace, of the power of love, and personal identity within all of that. And, for much of the runtime, A Star Is Born 2018 is genuinely a great version of all those stories. Gaga’s first major concert leaves you floating, Cooper shows mental affliction with grace, both perform their songs incredibly (to actual live crowds, no less), and are utterly believable as troubled lovers. It is, for much of its runtime, a very good film worthy of that deafening hype.

However, everything implodes into a black hole of pretentiousness as what could have been a great film its own right has to follow through on being called A Star Is Born

  • This Page: The Problem With A Star Is Born’s Ending
  • Page 2: A Star Is Born’s Ending Has Always Been Bad
  • Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

What Happens In A Star Is Born’s Ending

We’ll stick with Cooper’s take for now before going deeper into the past. A Star Is Born‘s third act is kicked off by Ally winning the Grammy for Best New Artist – a major step for her career, undercut entirely by Jack drunkenly taking to the stage with her and relieving himself on live TV. He goes into rehab and she wrestles with where her focus should lie, eventually deciding to try and protect her recovering husband. She cancels her European tour when her agent, Rez, blocks the duo playing together.

As a result, Jack kills himself. He’s confronted by a seething Rez who has no sympathies or expectations of sobriety and states outright Jack’s ruining his wife’s career. When she matter-of-fact states the tour cancellation, he sees the impact of his actions and, while she plays a concert, he hangs himself in their garage.

Related: Every Song On A Star Is Born’s Soundtrack

This breaks Ally at first, leaving her emotionally distraught, before her understanding the meaning of Jack’s sacrifice – to enable her to truly become the star he always saw – helps her pull through. The film ends at a tribute concert in Jack’s memory. “My name is Ally Maine.” she declares before singing “I’ll Never Love Again”, a song based on their relationship they wrote together while he was recovering. A flashback shows the pair singing, she looks through the camera at the audience, the end.

Why A Star Is Born’s Ending Is Bad

Removing the ending of all presentation and self-imposed importance (a character looking into the camera at the end is an overused trope that Cooper simply doesn’t earn), in just writing down the events of A Star Is Born its problems should be obvious.

Jack decides to kill himself to save his wife, committing suicide because it’s the only way to set her free. This comes about two hours into a film which has slowly built up its numerous interpersonal relationships, and so comes as a drastic and rather unearned turn. Now, there is an argument to be made about accuracy to the unpredictability of mental illness, but given the intimacy audiences had with both Jack and Ally up until this moment, that doesn’t fit with the rest of the film. A Star Is Born, plainly, presents suicide as the only way out. It’s meant to come across as a selfless act but still values success as a true route to happiness, meaning anything emotional about the “gesture” is laced with hypocrisy.

But it’s what comes after and Ally’s coming to terms with her loss that’s so disquieting. For all her innate talent being the drive of the story and her freely made decision to step back what motivated Jack to kill himself, the final scene makes everything about Jack; the mononymous singer for the first time takes on her husband’s surname at his concert, where she performs a song that he helped her write in her original singer style. The suggestion is meant to be that Jack was holding her back, but in the shadow of the previous two hours the strange implication is that the act of a true star being born came from the adversity of Jack’s sacrifice. Making Ally’s success symbiotic to her dead husband is already heavily in the text of the film, but the final scene makes her final ascension even more indebted to his drastic act.

It’s hard to not read A Star Is Born‘s ending as trivializing suicide down to a plot point to give the fundamentally broken male lead the defining role in its female protagonist’s arc. It’s a weird move to make in 2018, although don’t believe this is just the product of an 80-year-old movie being remade. There’s something flawed at the heart of A Star Is Born.

Page 2: A Star Is Born’s Ending Has Always Been Bad

The True Story Behind A Star Is Born’s Ending Explains The Problem

There have been four versions of A Star Is Born: the 1937 Hollywood-skewering original starring Janet Gaynor and Frederick March, the 1954 musical starring Judy Garland and James Mason, the 1976 shift to the music industry with Barbra Streisand and Kris Kristofferson, and the latest Cooper/Gaga release. Each one has its own quirks, but all endeavor to tell the same story of love and fame intertwined, and all have the same basic ending. But the 1937 version isn’t the start. While A Star Is Born‘s narrative is a fiction, it’s very much based on truth; each movie is rooted heavily in the entertainment industry of the time – Hollywood for the 1937 and 1954 versions, music for 1976 and 2018 – and aims to tell an encapsulating story. There are some real-life events that inspired it.

The established star falling for an unknown as she climbs to the top was seen in actors Barbara Stanwyck and Frank Fay’s relationship, with the pair marrying in 1928 when the former was an unknown after starring in a Broadway show together. Their marriage fell apart after she rose above him and he fell into alcoholism. They separated in 1935 after seven years of marriage, two years before A Star Is Born was released. This appears to have been composited with the death of silent film actor John Bowers, who died at sea in 1936 after failing to win a part (whether it was a suicide or not is unclear). There are others (as we’ll see) but these are regarded as the ones who powered the 1937 version.

Related: Lady Gaga Fans Are Trolling Venom With Fake Bad Reviews

Of course, there’s one key distinction between inspiration and movie: in real life, it was two unrelated stories. There are the famous lovers who piggyback success and the past-it star who takes his own life, but in all cases these two aspects are entirely independent; the woman goes on to greater success by cutting the man out, while elsewhere another man falls from grace. Both stories epitomize Hollywood together, and taken alongside each other rather than melded have an ingrained believability. A Star Is Born trades that for something more streamlined in having the suicide be the culmination of the romance, but it’s also idealistic and wistful, losing the real moral of either.

This is reflected in what is regarded as a proto-Star Is Born, the 1932 film What Price Hollywood? Released five years before the 1937 version and produced also by David O. Selznick (and directed by George Cukor, who was approached for the first A Star Is Born and directed the first remake), this is regarded as something of a dry run at the story. Obviously from the release year it can’t share the same real-life inspirations (although, because this is the Golden Age of Hollywood, there are others pointed to), but the core concept and even smaller story beats are there, albeit with one massive difference: the leads are not romantically involved. Lowell Sherman’s Max drunkenly finds Constance Bennett’s Mary and helps make her a star, eventually killing himself after he sees realizes how far he’s fallen and is hurting his friend, while Mary’s suffers an ill-fated marriage that breaks down due to her absences filming and is reconciled at the end.

Watched today, What Price Hollywood? has a cynicism about the film industry ahead of its time despite ultimately being a movie romanticizing Hollywood – and at the core of this is the tragic story of Max and its impact on Mary’s life. The title question is apt.

How The Remakes Have Tried To “Fix” The Ending

In contrast to What Price Hollywood?, A Star Is Born 1937 carries a self-awareness and charm, but in bridging the romantic and the career side of protagonist Esther creates the problematic suicide reading. It’s not helped by dated elements, including the defining part of Esther’s ascension being the actress known as Vicki Lester taking on her husband’s name with a declaration “This is Mrs. Norman Maine“. It works given the time period, but even 16 years later needed an update.

Related: Watch the Trailer For A Star Is Born

The 1954 version is, for the most part, a beat-for-beat remake, just with dance number expansion to make it a musical, but it does make some strides to justifying the ending. The toll that caring for a drunk has on Judy Garland’s Vicki Lester is shown gradually, most upsettingly in an off-stage breakdown she immediately returns to filming from: an unavoidable presentation of the line between art and performer. But, ultimately, it ends in the same way: Norman Maine overhears Vicki’s plans to quit acting to care for her husband, so he feigns going for a swim and drowns himself; after a traumatic period and being unmasked at her funeral (the invasion of the press), Vicki returns to the public eye where she declares herself “Mrs. Norman Maine“. Every issue discussed is here.

The 1976’s A Star Is Born is overall incredibly melodramatic, nowhere less than its handling of the ending. What it should be praised for is its attempts at giving the female lead a greater sense of autonomy: throughout Streisand’s Esther makes decisions that power the narrative, not just being led along by Kristoffersen as those who came before her, but that’s lost thuddingly in the finale. After his meltdown, John Howard has imposed isolation – not rehab – and when returning home immediately sleeps with a reporter wanting an interview for Esther. The couple tries to power past this, but John figures he’s still broken and crashes his car at high speeds. Again, Esther is sad before taking his name (and singing at a tribute event).

Like we’ve already explored with A Star Is Born 2018, all versions have tried to provide their own contemporary spin on the tale to iron out its kinks, yet all wind up having to repeat the same suicide-anger-name triple-tap that doesn’t belong. A degree can be accounted to the changing times, but that ignores that the original trio of movies released over nearly 40 years, and that Cooper wasn’t able to address it either.

Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

Why Bradley Cooper Can’t Fix A Star Is Born

Bradley Cooper certainly tries to bring a modern slant to the worn tale of A Star Is Born. He invests heavily in making Jack and Ally’s opposite trajectories operate independently – Jack is suffering from tinnitus before he’s heard a note of “La Vie En Rose”, while Ally’s SNL appearance is deemed to contradict his advice – while making the love story more immediate. It’s a bigger story, more personal and considerably more consummately paced.

But, like all the others, the ending hits a snag. And some of his decisions make it worse. The method of final descent is different, with the awards show upset and rehab undone not by Maine going off the rails again as in every other take, but rather by Ally’s agent calling his supposed bluff. It’s implied from the British Rez knowing when exactly Jackson first toured across the pond that he was once a fan, now disillusioned with his hero, making him a millennial scapegoat to any affronting reading.

Related: 2018 Fall Movie Preview: The 30 Films to See

This generational push and pull could have been what sent A Star Is Born to greatness. Sam Elliott’s speech about there only being twelve notes played over and over, with the majesty coming from how the artist uses them is a beautiful sentiment that sees Cooper self-justifying another remake and appears like a zen view on the entertainment business that birthed it. Except it isn’t, because this idea is also trying to explain the ending, claiming that the music industry is cyclical and that stars are born and then new stars are born later; Jack’s death is enabling that. What the film seems to miss is that for one state to ever enter another, a star must always die. Ally will fall too. The raw textual argument is that the failures are as eternal as the successes, raising the question of worth, yet the film provides no further exploration and presents it as somehow immediately uplifting.

And that’s the hump that A Star Is Born 2018, like its predecessors, can’t get over. The story thinks it’s a biting, self-aware take on itself, but it’s too close to the subject to see that it’s really just propagating a harsh cycle. This isn’t helped by the film being weighted by so much – the casting of Lady Gaga, his writer-director-producer-actor whammy, even Sam Elliott as the Sam Elliott-type – although those concerns are also the key explanation for what’s really going on.

A Star Is Born Only Exists Because Of Ego

Throughout this article, there’s been one question dangling unspoken. Why are there four versions of A Star Is Born anyway? It’s a story that is flawed and dated, on a topic which has been tackled in more films than any other. Yes, each movie got serious Oscar nominations and wins, but that alone isn’t enough to justify going back. The true answer is enlightening.

1954’s A Star Is Born was conceived as a bid to restart Judy Garland’s career after it stalled over the 1940s. 1976’s A Star Is Born was Barbra Streisand’s attempt (along with then-husband Jon Peters) to boost her standing in Hollywood. And 2018’s A Star Is Born is Bradley Cooper’s grand attempt to win the Oscar that he believes he deserves (his entire post-Hangover career is a carefully played game of chess with a Golden Baldie the King). There are studio concerns too (before Cooper, Warner Bros had been attempting to get a remake off the ground since the early 2010s, although as a Beyonce vehicle has the same career expansion goals), but those are the primary purposes of each version. A Star Is Born is a vanity project on repeat.

Related: A Star Is Born Is An Oscar Favorite – But Could An Infamous Producer Hurt Its Chances?

Now, vanity projects needn’t be bad, and indeed a lot of good comes from each of these attempts. Indeed, each was ultimately successful in both their primary and commercial goals: Garland’s career was rejuvenated; Streisand won her second Oscar; and Cooper’s currently the front-runner in multiple categories for next year’s Academy Awards.

But this aspect appears to be why each version of A Star Is Born struggles to understand the real meaning of its ending. Each powering force believes this movie will be what takes them being a Norman/Jack Maine to a new Esther/Ally while missing that it’s built into the story to be impossible. They believe so much in the two contradictory Hollywood legends wholesale, so don’t see that the story is almost warning against such a thing.

A Star Is Born Is No Longer Needed

In recent years, we’ve seen Hollywood’s reliable rotation of movies about itself take a genuinely incisive slant. 2015’s Best Picture Winner Birdman was an ostentatious exploration of ego that too ended with the protagonist committing suicide, but there it was with the wry critique that fame and adoration are fleeting and that such a bold act was the only way for the self-involved hero to reach the heights he dreamed of. Then there’s 2017’s almost-Best Picture Winner La La Land, which was a celebration of Hollywood-gone-by looking at love in a city of stars, eventually concluding that success required the sacrifice of the central relationship.

Together, these take on all the ideas that A Star Is Born is playing with and apply them in a more thoughtful way. The messages are more widely applicable and their endnotes have considerably less of the hypocrisy. Birdman and La La Land may find joy in the arts, but they also uncover the trials of creativity and fame, keeping the brutal truths in earshot while presenting from a position of success.

A Star Is Born 2018 is a good movie, an undeniable achievement for both Bradley Cooper and Lady Gaga. But there is a flaw at the heart of the tale that just doesn’t ring true. Unless it’s made with a completely revisionist, ego-less eye, in twenty years we do not need another one.

More: Every Version Of A Star Is Born Ranked, From Garland To Gaga



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2018-10-06 01:10:52 – Alex Leadbeater

Assassin’s Creed Odyssey Somehow Includes Syndicate’s Evie



Assassin’s Creed Odyssey will include an appearance from one of the two Assassin’s Creed Syndicate protagonists, Evie Frye. Odyssey, the next upcoming game in the Assassin’s Creed franchise, will go further back in time than ever before. Although the last entry in the franchise was Assassin’s Creed Origins and told the story of the beginning of the Assassin’s Order, Odyssey will take place hundreds of years prior.

This place in the timeline makes Evie’s inclusion particularly confusing. Assassin’s Creed Syndicate takes place in late 1860s, placing the game nearly two millennia after Origins, not to mention Odyssey. Defying all logic or sense of time, though, Evie will be a helpful non-playable character in Odyssey – but only if certain conditions are met.

Related: Assassin’s Creed Was Originally Supposed To Be A Trilogy

GamesRadar reports that Evie has spotted as one of the unlockable Special Lieutenants for Assassin’s Creed Odyssey‘s naval combat. Odyssey won’t have as huge a naval focus as Assassin’s Creed IV: Black Flag. However, naval exploration will be a significant portion of the game with a customizable ship, crew and the ability to face off against enemies on the Mediterranean Sea all available. Evie will be one special addition to the game. Adding Evie as the ship’s Special Lieutenant will give the player +12 percent fire damage in naval combat and add specific crew and ship designs.

Evie is arguably one of the best leads in the Assassin’s Creed franchise and has quite a huge following. Yet the means of unlocking Evie won’t be readily available to everyone that buys the game. Odyssey players will be required to join the Ubisoft Club, a free-to-join rewards program, that is included in most of the Assassin’s Creed developer’s modern games. While the Ubisoft Club does usually contain some microtransactions to receive new weapons and/or cosmetics, it appears that Evie will be free. It’s unclear how much Evie will really be featured in the game. It’s not even currently known if Evie’s original voice actress Victoria Atkins will provide new lines for Odyssey. 

Evie won’t be the first time that the Assassin’s Creed franchise has included a logic-breaking Easter egg. It was possible, also through the Ubisoft Club, to unlock the outfits of previous Assassin’s Creed leads in Origins. Origins‘ main character, Bayek of Siwa, could dress up in the robes of Edward Kenway, Ezio Auditore and Altair, even though Bayek (canonically) predates them all. Evie being included in Odyssey does break the franchise’s lore but it’s really just a fun nod to the series’ past. It’s also a fitting nod as Evie was the first female playable assassin (in a non spinoff title) and Odyssey will give players the choice to play as a male or female character.

Of course, it’s not as if Evie being in Odyssey is the only element of the game that is slightly confusing. As previously mentioned, Odyssey takes place hundreds of years before the supposed “origins” of the franchise. There doesn’t seem to be a way that Odyssey can have an impact on the overarching plot of the world of Assassin’s Creed without negating or contradicting huge swatches of Origins. Odyssey does look like an extremely promising game even if it’s releasing in a packed holiday season. It may be best not to think of Odyssey‘s importance or place in the Assassin’s Creed timeline and simply enjoy it as a fun adventure, set in the past, with some hallmarks of the Creed series.

More: Next Assassin’s Creed Game May Be Set In Japan

Assassin’s Creed Odyssey is releasing on October 5 for PlayStation 4, PC, and Xbox One.

Source: GamesRadar



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