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Third Walking Dead TV Series Casts Three Key Roles | ScreenRant

The planned third Walking Dead TV series has reportedly cast three of its major roles. Robert Kirkman kicked off the whole Walking Dead phenomenon in 2003 with the original post-apocalyptic zombie comic book, and in 2010 the comic made the jump to television, as AMC debuted the first season of what would go on to become one of the most successful series in cable history.

With The Walking Dead proving that television fans had a hunger for ongoing post-apocalyptic zombie mayhem (mixed with a big helping of soap opera), AMC in 2015 debuted the spinoff series Fear the Walking Dead. Even though the original show has seen its ratings dip in recent years, and Fear itself has never entirely found its footing, AMC still plans a third series in the franchise, this one featuring two young female protagonists and focusing on the first generation to come-of-age in the apocalypse. Scott Gimple is developing the new series along with Matt Negrete, the latter of whom will act as showrunner, with an eye toward kicking off production this summer.

Related: The Walking Dead Has Only 2 Years Left Of Comics To Adapt

With production set to commence soon, that third, as-yet-untitled Walking Dead series has now begun putting together its young group of apocalypse survivors. As reported by Variety, the show has added actors Alexa Mansour, Nicolas Cantu and Hal Cumpston to the cast. Sources say Mansour’s character is a “a good-natured rule breaker who lives for today. She is likable and funny on the outside but sad on the inside.” Cantu’s character is described as “small for his age” and is a black belt in karate. Cumpston’s character is “big for his age” and a “shy loner that scares some kids.” AMC has yet to confirm the report.

Of the three above actors, Alexa Mansour has the most experience, with previous credits that include Madame Secretary and the horror film Unfriended: Dark Web. She’ll be playing one of the show’s two female protagonists, with a second actress yet to be added. Mansour’s new TWD universe co-star Cantu previously appeared on The Good Place, and had a voice role on the animated series The Amazing World of Gumball. Cumpston meanwhile has just one prior credit, the 2019 Australian comedy Bilched.

Given the flagging ratings for The Walking Dead, many were surprised to learn AMC was going back to that well for a third series. But, TWD continues to be a money maker for the network despite the dip in ratings, and the network obviously has faith that Scott Gimple can deliver a successful series (even though Gimple is widely blamed for having driven the flagship series into the ground during his showrunner tenure). Considering the problems TWD has had depicting kid characters, Carl Grimes being the most notable case of a young protagonist whom fans became increasingly annoyed with, it’s fair to wonder if it’s really wise for them to make a whole series focusing mainly on younger characters.

More: The Walking Dead: 10 Most Vicious Fighters, Ranked

Source: Variety


2019-07-10 05:07:39

Dan Zinski

Saints Row: The Third – Nintendo Switch ‘Full Package’ Release Date Trailer



Saints Row: The Third “Full Package” is coming to Nintendo Switch on May 10.

Watch more trailers here!

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2019-04-22 18:01:22

The Phoenix Wright: Ace Attorney Trilogy Review: Third Time’s The Charm

The Phoenix Wright: Ace Attorney Trilogy is making a souped-up return to form on consoles everywhere. Now’s the perfect time to get busy in court!

As the name suggests, the Phoenix Wright: Ace Attorney Trilogy is a bundle of three games in Capcom’s long-standing franchise about being a lawyer who enthusiastically disagrees with everyone all the time. If you weren’t able to deduce that at first glance, then you might just want to forgo these titles completely.

Much like being a practicing lawyer, the Phoenix Wright games involve little to no guesswork or intuitive leaps that can’t be explained. This trilogy is firmly grounded in detective work, courtroom etiquette, and a hardcore puzzle background. The piece de resistance, however, is the wacky and wild veneer that it wears with aplomb.

Related: It’s Time To Start Trusting Capcom Again

The Ace Attorney trilogy is a collection of the first three mainline games in the expansive series: the original Ace Attorney, the divisive Justice For All, and Trials and Tribulations. The titles have been given a visual overhaul which gives them a very current feel in terms of the quality of the graphics. While there are a number of other Phoenix Wright games out there which may be well more known now after enjoying some popularity on consoles like the 3DS, this bundle is definitely the last word when it comes to content and getting the most well-rounded experience.

The games play out very much like the cross-section of a point and click adventure game and a visual novel. Add one part anime tropes, and shake well to mix. This is potentially most noticeable in Trials and Tribulations, which is as mechanically polished and coherent as any finale should be. The central conceit in basically any Phoenix Wright game is simple: you’re the namesake lawyer, and your job is to MacGyver your way out of some of the world’s most absurd legal situations.

Forget what you know about the law from watching Suits or any other dramatization where court appears to be about two, wildly attractive opponents exchanging clever words in measured voices. Phoenix Wright is chaos, and you have to embrace it if you really want to enjoy it.

Ever wanted to solve a case that went from identity theft to blackmail to multiple homicides all in the space of one day in court? Ever thought to yourself, “Gee, NCIS would be so much more interesting if someone on the force was a spirit medium”? The Phoenix Wright: Ace Attorney Trilogy has answers to both the above and more. It’s hard to top a murder case as your cold open, but if there’s one thing that these Capcom titles are good at doing it’s an admirable job at trying to consistently up the ante.

One should note that making sense of Phoenix Wright’s overarching narrative is difficult when it spans multiple games in the trilogy and most of it is garnered through interacting with these elaborate cases that have dramatic twists. Each title is split up into a number of seemingly unconnected cases that lead up to a shocking climax and a reveal that links them all. Given that the subject matter and the crimes are often vastly disparate, it doesn’t take a scientist to figure out that getting to the end of what a Phoenix Wright game is trying to tell you often involves a major suspension of belief.

Luckily, you’ll likely find yourself too wrapped up in the brightly-colored minutiae of the courtroom experience to actually wonder whether or not solving a case about a masked jester actually advances Phoenix Wright’s personal plotline in any way. After each game’s tutorial, you’re left largely to your own devices as case after bizarre case gets thrown your way. There’s a familiar pattern to the proceedings in each of the episodes making up their own segment of the game: you investigate, proceed to trial, and get thrown a curveball, and repeat till your client’s found Not Guilty.

An investigation is a mix of talking to suspects, key figures, and collecting evidence from a crime scene. Note: none of these are things that you do as a practicing lawyer. You’ll have the chance to tighten the screws on people from Justice For All onwards which introduces an interrogatory system known as Psyche-Locks, allowing you to target the core of what someone may be hiding from you before you head to court. However, once you’re in front of the judge, some of the more recognizable Phoenix Wright clichés come into play.

If you’ve been on the internet in the last decade, you’re probably familiar with Phoenix Wright’s famous pose – one arm extended, finger pointed at someone invisible rival, and “Objection” emblazoned across the screen. You’re going to see this sight a hell of a lot in across these three games, whether it’s coming from the player or from the prosecution, so you better get used to it. The courtroom procedure can be boiled down to two distinct parts: cross-examining, and presenting evidence. No points for guessing which of the two involves a healthy degree of objecting.

As mentioned above, the court system used in Phoenix Wright is a beast of what seems to be America (based on the game’s bastardized fantasy location) and Japan’s various formalities with a hearty helping of irreverence. No matter how inaccurate, the back and forth in the courtroom is frankly electrifying even though it’s punctuated by long swathes of the player pouring over the mountain of evidence at hand and wondering how best to nail the true culprit.

You’ll get the opportunity for said nailing during the cross-examination phase: after the game’s given you a pass at a person’s monologue, allowing you to formulate some initial thoughts about guilt and about what their weak points might be. As they deliver their testimony again, you can either choose to press them for further detail or to object heartily.

Be warned, though. More often than not, you’ll be asked to back up your misgivings with some evidence and failing to do so will dock you points with the judge. Lose enough of these, evidenced by a health bar at the top of the screen, and you’re cooked. Being kicked back an hour or so because of a courtroom fumble can be frustrating, so it’s good that the PS4 version allows you to save pretty much at any point in the game; solving the latest murder puzzle is only a reload away.

Surviving in this courtroom about being attentive, alert, and quick to trust your gut when you smell a rat. Sure, you may have your fair share of misfires early on, but that’s also part of the charm of Phoenix Wright – it examines so many fallible characters through a humorous and humanistic lens and treats your own failings the same way, which stops you from being discouraged.

That being said, it can be exceedingly hard to keep track of what you’ve presented and what the various stories are, especially when characters make repeated appearances across episodes and the complexity of information becomes incredibly daunting in each game’s final case. It can be hard to follow for even veterans, so don’t be ashamed if you find yourself resorting to a guide – there’s no right way to play this game, so long as the culprit is caught.

All in all, it’s really in the way that the sum of all of Phoenix Wright’s parts comes together for a campy, thrilling time. The individual mechanics are serviceable enough on their own, but it’s within the wider tapestry of the zany plot, the off-the-wall characters, and the way that the game turns everything you know about cases you’re just about to close on its head which keep things fresh in a franchise that’s about two decades old. Those who have been Ace Attorney fans won’t regret picking this up again, and if you’re a virgin to the series then this is one of the best introductions you’re ever going to get.

Next: 10 Best Video Game Movies Of All Time

The Phoenix Wright: Ace Attorney Trilogy is out now on PC, Nintendo Switch, and PlayStation 4. Screen Rant was provided with a PlayStation 4 code for the purposes of this review.


2019-04-22 02:04:03

Ginny Woo

Johnny Depp Feels Bad J.K. Rowling Had to Defend His Casting to Harry Potter Fans

Johnny Depp is finally addressing those who oppose his casting in the upcoming Harry Potter film, Fantastic Beasts: The Crimes of Grindelwald, including how they have affected writer J.K. Rowling. Last year, following the release of the first cast photo for the film, the author expressed her support of the casting. Rowling, along with director David Yates, skated around the concerns, saying that she is “genuinely happy” to have him on board.

Controversy regarding Depp’s involvement in the beloved franchise came about around the time of the first film. Depp had been embroiled in a legal battle with his ex-wife, Amber Heard, over allegations of domestic violence. The Aquaman actress responded to a statement made by Warner Bros. (the studio behind both films), sharing the joint statement released by the pair following their divorce, but indicating that she is not necessarily in support of her ex.

Related: Johnny Depp Confirms Fantastic Beasts 3 Return As Grindelwald

Now, Depp is speaking out for the first time about his role, and a little about the various allegations against him. In an interview with EW, the actor remarks that he “felt bad” that Rowling was called to defend her choice to cast him. However, he maintains that he is innocent, remarking that he is suing The Sun for defamation. He insists that Rowling is aware of his innocence, which is why she supports him. “She would not stand up if she didn’t know the truth. So that’s really it,” he says.

The allegations he speaks of goes beyond those made by Heard. In July, Depp was sued for assault surrounding an incident that allegedly occurred on the set of his film City of Lies. The actor fought back, claiming that the accusations were false and he didn’t ever touch the defendant, location manager Gregg “Rocky” Brooks. In August, just a month before the film’s scheduled release, City of Lies was pulled, though it’s unknown if this was connected. But in the case of Fantastic Beasts, things continue on as they have.

The studio has clearly fully embraced Depp in the role. At San Diego Comic-Con 2018, he appeared separate from his fellow actors during the Warner Bros. panel, making a speech as Gellert Grindelwald. He is also featured prominently in the latest image for the Fantastic Beasts sequel, front and center with his back to the viewer as the rest of the characters, including Eddie Redmayne’s Newt Scamander and Judd Law’s young Albus Dumbledore, face forward looking at him. Now that it’s been announced that he’ll be returning in the third film, it seems as though everyone has decided to lean in and ignore the problematic allegations against Depp, even as they persist.

More: Johnny Depp’s Casting In Fantastic Beasts 2 Is A Mistake

Source: EW



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2018-10-11 03:10:55 – Becca Bleznak

True Detective Season 3 Gets an Official Premiere Date & New Images

HBO has announced that True Detective season 3 will premiere early next year on Sunday, January 13. Nic Pizzolatto’s crime anthology series hasn’t been on the air since it wrapped its largely-derided second season in August 2015 and went on an extended break, in an effort (on the network’s part) to give the show’s creator more time to deliver a third installment that could better live up to the standard set by the series’ widely-celebrated freshman run. Judging by everything that we know about season 3 thus far, it seems that Pizzolatto is taking a back to basics approach with his latest crime narrative.

True Detective season 3, like season 1, takes place in the U.S. South (the Ozarks in Arkansas, to be exact) and explores a narrative that unfolds across multiple time periods (three, in this case). Oscar-winner Mahershala Ali stars in Pizzolatto’s new crime story as state police detective Wayne Hays, a fellow who (much like season 1 detectives Rust Cohle and Marty Hart before him) is haunted in the present by a case that he originally worked years earlier, back when he was a younger man. As Wayne puts it in the True Detective season 3 teaser trailer, “I want to know the whole story”.

Related: HBO’s Watchmen TV Series Will Feature Music By Reznor & Ross

In addition to confirming the premiere date, HBO has released a handful of new images from True Detective season 3 that feature Ali with his costars Carmen Ejogo (the Fantastic Beasts movies) and Stephen Dorff (Somewhere). You can check them out in the space below.

Pizzolatto is once again the sole writer on True Detective season 3 (though he got an assist from Deadwood‘s David Milch on episode four) and further directed this season alongside Daniel Sackheim (Jack Ryan) and Jeremy Saulnier (Hold the Dark). However, even with so many of the same story elements as season 1 and equally strong acting talent, season 3 is still missing an important ingredient from the show’s first season – namely, Cary Fukunaga, who helmed all eight episodes and is generally credited for elevating the series in a high-art take on pulpy crime genre tropes.

Still, there’s a lot about True Detective season 3 that sounds promising on paper and it seems reasonable to assume that, if nothing else, this installment will be a step-up from the slow mess that was season 2. Moreover, for fans of Ali’s work in films like Moonlight (which he won his Oscar for) and his soulful performance as the villainous Cottonmouth from Netflix’s Luke Cage season 1, this new season of True Detective promises to showcase the actor’s powerful screen presence in a way that it never has been before.

MORE: Riverdale Season 3 is Similar to True Detective

True Detective season 3 premieres January 13, 2019 on HBO.

Source: HBO



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2018-10-11 01:10:23 – Sandy Schaefer

20 Things Wrong With American Horror Story We All Choose To Ignore

The horror anthology hit TV show American Horror Story just might be the magnum opus of Ryan Murphy and Brad Falchuck. Scarier and more riveting than any of the duo’s other projects, the spine-tingling series features a new theme and characters every season that are all still linked to each other’s universe. From the casting announcements to the series hints, theme reveals, and each season’s unique introductory visuals, it’s riveting entertainment all around. Even so, some seasons fall further off the mark than others, with many episodes barely even registering on the “horror” radar while others left us scratching our heads wondering what the heck just happened.

The thing is, we tend to give glaring errors, plot flops, and other things wrong with the show a pass because we love it so much. From intriguing horror to irresistible characters, from unexpected plot twists to some of the best storytelling on TV, American Horror Story keeps us coming back, not because it’s flawless but because it’s still addictive despite, and sometimes because of, its many flaws.

We might love a character and conveniently forget that he or she is a monster. We’ll keep tuning in even after an entire sequence left us feeling disgusted, embarrassed for the actress who had to play out the scene, or even angry at the creators themselves. It’s just that addictive.

We love it and we’ll keep coming back for me, even with these 20 Things Wrong With American Horror Story We All Choose To Ignore.

20 Some Seasons Aren’t Scary

With a name like American Horror Story, you might expect every episode to be a scream-fest. That’s just not the case, especially in seasons four and five. While there’s no shortage of horror-inducing characters in these seasons, they didn’t really give us nightmares like previous and subsequent seasons were able to do.

Were we jaded from all the mutants, ghosts, zombies, and other creatures in previous seasons?

Both Freak Show and Hotel fell short on promises of terror, often vying for more intense drama (a calling card of Falchuck and Murphy) instead. While we still received interesting stories, Gaga’s vampire and Twisty the Clown just weren’t all that scary.

19 There’s No Reason Given For All The Hotel Vampire Kids

In season five, Hotel, Lady Gaga’s character, The Countess Elizabeth, is a little less fabulous than we expected her to be. Perhaps she couldn’t live up to the Gaga we all know and love already. One of the things that just made zero sense about the character was her propensity to collect children and turn them into little vampires. Does Elizabeth have an old woman in the shoe complex? Is she just that bored? What is the point?

Here’s the thing about kids in horror movies: they add instant scare-factor. Take a look at most scary film kids, from Village of the Damned to The Others and you’ll see the scariest moments. The fact that the vampire kid collection wasn’t even scary was a pretty big letdown.

18 Teeth Fall From The Sky For No Reason

Season six of AHS, Roanoke, was able to recover some of the lost ground from the previous two less-scary seasons but still suffered from the lack of the one and only Jessica Lang. The season saw a return to the haunted house theme, always popular in AHS history, and wove in some new elements, like the whole “based on a true story” theme.  Between Deliverance-like hillbillies and more incredible Kathy Bates, Roanake was much better-received than Hotel, but it had some weird unexplained moments, like teeth randomly falling from the sky.

Not only do the teeth inexplicably fall while Matt is at work, but they also disappear.

The reason why is never given, prompting us to chalk this one up to “random scare tactic.”

17 Queenie Tried To Hook Up With A Minotaur

While we definitely applaud Murphy and Falchuck’s use of mythology throughout American Horror Story, it often makes no sense. Gabourey Sidibe was fantastic as Queenie, the young and lonely witch who gave as well as she got, used LaLaurie as her own personal racist slave, and really deserved main credits billing. But there was that one time she tried to hook up with a grotesque Minotaur…

While the inclusion of adult content is pretty standard in AHS, getting involved with a man who has bull’s head sewed over his own is pretty far out there. It didn’t make any sense, nor did Queenie’s own survival following the incident (or anything else including the Minotaur, really), so we just move along and say that there’s nothing to see here.

16 Zoe’s Hell Is Just Life Without Kyle

Zoe Benson, portrayed by Taissa Farmiga, starts out as a compelling character in the third season of American Horror Story, Coven. She has unique powers that pay homage to classic horror and a long journey ahead.

Tossing in a love interest is a great way to derail a personal growth story.

That’s what happened to Zoe with Kyle, her resurrected boyfriend played by Evan Peters. While we’re glad that Murphy and Falchuck used Kyle to illustrate that mothers can be abusive to their sons just as much as fathers can, “life without Kyle” as Zoe’s own personal hell is really stupid and overly angst-ridden.

15 Aliens In Asylum Makes No Sense

When it comes to American Horror Story, many fans reacted to the inclusion of aliens in season two, Asylum, in the same way that fans of Indiana Jones reacted to the Kingdom of the Crystal Skull. For many horror fans, aliens don’t enter the territory without very specific rules, and you certainly don’t add aliens into an already-existing story for a scare factor.

The aliens of AHS also just weren’t scary. Sure, they made Pepper more interesting and gave convenient explanations for a few weird happenings, but at the end of the day mixing aliens in with mutants, a mean nun, demons, and war criminals just doesn’t work. It’s a hodgepodge of plot devices tossed together like a salad with too many kinds of dressing. Sometimes simpler is just better.

14 The Musical Sequences

We get that Sister Jude is losing her mind in this tenth episode of season two, Asylum, but must we lose ours as well? The episode itself was gripping, but watching Jessica Lange sashay through “The Name Game” wasn’t nearly as eerie as it should have been. It played off as more of an homage to the creators’ Glee in a way that didn’t work.

While some critics enjoyed the mind-boggling number, many of us like to pretend it never happened.

It’s not the last time the showrunners implemented a bit of music and dance, either. Season four, Freak Show, featured several ditties, including a rendition of “Come As You Are” by Evan Peters, Sarah Paulson’s “Dream a Little Dream of Me”, and Lange singing David Bowie’s “Life on Mars”.

13 What Happens To Dr. Arden’s Experiments?

The mutants created in Dr. Arden’s horrific experiments are the stuff of nightmares, and they definitely present an interesting side story among the rest of the godawful happenings at Briarwood Manor in season two of American Horror Story, Asylum. Their issue, of course, is that they disappear off the radar without much of a peep.

Once turned into a mutant and taken to a hospital, Shelley, played by Chloë Sevigny as a homage to the many women unjustly committed to asylums throughout history, seems as if she may be able to lead the authorities toward Arden, but alas, Joseph Fiennes’ conflicted yet greedy Monsignor Timothy Howard takes her out instead. We don’t hear much about them afterward. What happened to the mutants?

12 The Messed-Up Historical Figures

Anne Frank was lobotomized by the evil Dr. Arden from Briarcliff Manor in season two, Asylum. Not only does this make zero sense, but it also really does a disservice to Anne Frank’s memory. There is a lot of artistic license taken with historical figures throughout American Horror Story, from Delphine Lalaurie to James March. Even characters used as backgrounds for new characters, like Nellie Bly’s inspiration for Lana Winters, often seems a bit much, especially when the representation is so loose.

The misrepresentation or grand re-representation of historical figures is nothing new.

Our own history books present complete falsehoods about everyone from Christopher Columbus to Paul Revere. Perhaps it’s just so glaring because we acknowledge that now, particularly during an age of “fake news” awareness.

11 The Opening Sequence And Spoilers Promise More Than We Get

One of the most exciting elements of a new season of American Horror Story is always the opening sequence and the slowly-revealed spoilers. Cast announcements and cool visuals trickle in until we finally get to see that first episode with its incredible casting graphics. The creepy opening sequence does much more than announce the cast: it revs us up like the announcer for a really scary joust about to take place.

The only problem is that it often goes downhill from there. While season 1 typically delivered, the casting graphics in seasons like Freak Show were actually scarier than the episodes themselves. That’s a real problem if we are supposed to be watching a horror program.

10 We Have No Idea What Happened To The Pig Boys

They were a successful execution of “the scary children” in a way that the little vampire entourage of the previous season just couldn’t seem to manage, so maybe that’s why Murphy and Falchuck decided to never let the “pig boys” of season six be seen again.

Aside from the fact that the boys could have made for some truly scary storytelling, the problem here isn’t just that they had no deeper involvement in the story than “check out these creepy kids” but that they don’t even have a resolution. Why the kids say, “Croatoan!” and why they drink pig milk remains unknown, and we may never know what happened to the charming little tykes.

9 No Consequences for the bad things the “good guys” do

As fans of American Horror Story, we sure do forgive a lot of murderers, don’t we? When someone bad finally goes good, all of their wicked deeds don’t seem to be as problematic. Even sweet Nan takes out Joan. Misty Day, otherwise a kind hippie, offs a couple of guys with alligators.

Were these warranted attacks? Maybe, but that doesn’t erase the fact that many characters end the lives of others and we pretty much turn a blind eye toward it like we wouldn’t if they occurred in real life. Of course, from people returning from the grave to mutant attacks near an asylum, there’s really not a lot in the show that applies to real life.

8 There’s Really No War Between The Coven And The Voodoo Witches

During season three, Coven, there’s a big build up about an oncoming war between the coven and the voodoo witches of the area. Both are led by powerful women, and who wasn’t excited to see Fiona, played by Jessica Lange, and Marie Laveau, played by Angela Bassett, go up against one another?

While there was plenty of tension and a zombie attack, it pretty much stopped there, especially after the witch hunters came to town.

AHS often builds up to something we’re expecting and completely abandon it for another plot instead. While we get that they want to keep us on our toes, broken promises do leave us unsatisfied and underwhelmed.

7 Zoe And Madison Gave Their Souls To Azaezel And It Never Came Up Again

When the bus full of frat boys who assaulted Madison wrecks, taking out all of the monsters on board on Madison’s whim, it’s satisfying. Even seeing Kyle taken out doesn’t bother some of us, given that we’ve already seen Evan Peters return from the grave before and wouldn’t be surprised if he returned. He may have stopped his “brothers” but he certainly tried to help them not get caught, making him complicit in the attack.

When Zoe and Madison decide to put “boy parts” together to resurrect Kyle as the perfect Frankenstein boyfriend, they sell their souls to Azaezel in order to do so, and yet it never comes up again. Given that both girls bite the dust during the show, shouldn’t that at least be an issue?

6 Roanoke’s Reality Show Inception

It was one of the most pointless plot points to ever be inserted into a season of American Horror Story. During season six, Roanoke, we’re treated to a reality show type of setting where re-enactors help us understand what happened to the Millers in “My Roanoke Nightmare”, an obvious play on so many other popular reality-based ghost hunting and experience shows. That’s an intriguing concept that works well for much of the season, but then we’re hit with reality-ception.

Getting all of the actors and people involved in actual events together for the blood moon event is one thing, but what about the disclaimer that nobody even survived the ordeal? If that’s true (which makes sense, since this is Roanoke), how did we get the footage in the first place?

5 There’s No Point To Scathach

Scathach, the mythical warrior from the Isle of Skye in Irish folklore, is an incredible character. It’s too bad we didn’t really get to know her in season six, Roanoke.

Lady Gaga’s Scathnach has a plethora of powers, is said to be the first Supreme and yet has no real point in the series.

The witch does a few nefarious things here and there, from purchasing souls to rendering people evil and insane, but in the grand scheme of things she has no real point except to serve as one of those random elements of horror woven in to just be spooky. Given the history of the traditional character, it would be amazing to see Murphy and Falchuck to use this as a tie-in for a more myth-heavy season.

4 People Are Constantly Offed Only To Be Brought Back

Character losses in the American Horror Story realm are pretty much like those in any comic book series: you don’t ever count them as permanent. Even when an entire series ends and you believe a character to be truly gone, they may return in another season! It’s definitely not a new tactic to have characters return from the grave; it’s a strategy used in everything from Dallas to Supernatural.

It makes us feel a little more jaded and a little less invested when tragedy does strike.

Oh, Fiona is sick? Oh, Ethel’s not going to make it? It’s too often meaningless. We want to feel affected, and we can’t help but worry a bit because we do love these characters, but deep down we’re always still wondering when they’ll return.

3 Twisty’s “Resolution” Is Basically A Deus Ex Machina

Season four’s big villain, Twisty the Clown, turned out to be much more Bozo than Pennywise. Sure, he was scary-looking, and he had the tragic backstory to boot, but Twisty’s crimes felt more garden variety scary movie than the monstrous panache we’d expect from AHS.

Twisty, played by John Carroll Lynch, even had a disappointing resolution as a character. Not only was he never really sorted out by a main character or a victim bent on revenge, but he was literally yanked out of the show to join Edward Mordrake’s nightmarish troupe, collecting the clown’s soul after hearing his tale of woe.

2 Misty Day Was Unjustly Lost

One of the characters fans most resonated with in season three, Coven, was Misty Day, played by the talented Lily Rabe. Misty’s character screamed Supreme, from her unique abilities to her lack of really caring about the position.

Misty was all about fairness, being kind to animals, and protecting the vulnerable, making her a fantastic character to root for.

Unfortunately she was also a red herring. Falchuck and Murphy offed her in such a terrible way in a Hell made up of her own personal vivisection nightmare, which made zero sense given her ability to bring things back to life so easily. Misty didn’t deserve her ending, but neither did Nan and many other characters.

1 Tate Is A School Shooter

Tate Langdon is one of the most romanticized characters in the history of AHS. The season 1 character is a doting friend, devoted boyfriend who would do anything for Violet, and speaks volumes of teen angst to many a smitten heart. It doesn’t hurt that Evan Peters, who plays Tate, is easy on the eyes as well. Is that why it’s so hard to remember that Langdon is such a deplorable character?

Tate is a school shooter. He took the lives of several classmates and should represent what we most despise and do not condone in this nation right now. He also assaulted Violet’s mother, Vivian, causing her to become pregnant with his Antichrist baby. How can anyone still crush on this guy knowing what harm he’s done?

What other problems with American Horror Story do fans overlook? Let us know in the comments!



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2018-10-10 08:10:37 – Sara Schmidt

The Flash Premiere Had The Arrowverse’s First Batwoman Easter Egg

The fifth season premiere of The Flash surprised fans by making the first official reference to the existence of Batwoman, months ahead of her first scheduled appearance during the annual Arrowverse crossover event this winter. The episode also dropped a number of references to the classic comic book mini-series Crisis On Infinite Earths, which has been hinted as an eventual occurrence in the future of the Arrowverse.

Batwoman’s arrival in the Arrowverse was first announced shortly before San Diego Comic Con 2018, when the news broke that The CW was considering developing a television series based around Kate Kane, a cousin of Bruce Wayne who unintentionally followed in his footsteps when she became a vigilante. It was later confirmed that not only was The CW developing the series, but they intended to introduce Kate Kane as part of Elseworlds – the next annual Arrowverse crossover event. Ruby Rose, of Orange Is The New Black fame, was ultimately cast in the role of Kate Kane.

Related: First Look At Ruby Rose In Costume As Batwoman In Arrowverse Crossover

The nod to Batwoman came near the end of the third segment of “Nora.” The action of the episode centered around Nora West-Allen, the future daughter of Barry Allen and Iris West-Allen, accidentally traveling back in time to before she was born and meeting her parents shortly after they got married. Barry quickly realized something was up when Nora seemed more concerned about spending time with him than doing the same with Iris and asked Nora, point blank, if that had anything to do his disappearance during a crisis in 2024, which he had read about in a future newspaper. Nora responded by showing Barry a newspaper from her time – the year 2049 – and confirming that he never returned home and that she grew up without a father.

Published 25 years to the day after the original article from the future, which was first seen in the first episode of The Flash, the 2049 article discusses the same crisis, but with a bit more detail. The 2024 article mentioned The Flash disappearing while fighting alongside Green Arrow, The Atom, and Hawkgirl. The 2049 article lists a larger number of heroes being involved in the battle, including Batwoman. The article says:

“But in the years following the crisis, accounts only grew more contradictory. Some eyewitnesses remember dozens of other heroes present, including Green Arrow, Batwoman, and Elongated Man. Others remember heroes thought lost in time, like The Atom, or from other worlds, like Supergirl. Some even contend they saw Reverse-Flash leading an army of ‘shadow demons’.”

It is interesting to note that Batwoman is mentioned in the same sentence as Green Arrow and Elongated Man – two heroes who frequently fight alongside The Flash on Earth-One. Until now, it had not been confirmed what Earth in the Arrowverse Kate Kane would be based on, though most assumed she would be from Earth 38 – the same Earth as Supergirl – as that would make it easier for the two to team-up in the future, in the same way that Batman and Superman frequently join forces in the comics. The wording of the article would suggest, however, that Kate Kane will be from Earth-One.

The mention of Reverse-Flash leading an army of shadow demons is another point of interest, given that shadow demons were the main mooks of The Anti-Monitor – the villain of the Crisis On Infinite Earths mini-series, where The Flash seemingly died saving the multiverse. The article also makes mention of The Psycho Pirate – another super-villain who had a major role in the events of The Crisis. It has long been suspected that the Arrowverse would eventually reenact Crisis On Infinite Earths in live-action and this latest bit of news about Batwoman from The Flash premiere seems to make that probability all the more certain.

More: The Flash Fixes Plot Hole By Secretly Changing Arrowverse History



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2018-10-10 07:10:43 – Matt Morrison

Godzilla Vs Kong Movie Casts Atlanta’s Brian Tyree Henry

Brian Tyree Henry is set to join the cast of Godzilla Vs Kong. Legendary is getting into the cinematic universe game with the MonsterVerse and are building towards their big crossover in style. Gareth Edwards’ Godzilla launched the universe in 2014 and was followed by Jordan Vogt-Roberts’ ’70s-set Kong: Skull Island. They’ve now established the two monsters, but are giving Godzilla a sequel next year to further set up their upcoming confrontation. That will happen in the appropriately titled Godzilla Vs Kong, directed by Adam Wingard.

The crossover movie has been getting itself into position to start filming, which was previously reported to start at the beginning of this month. There’s so far been no indication that this has actually happened and it would be difficult to do so without the entire cast set. The biggest star so far is Millie Bobby Brown reprising her role from Godzilla: King of the Monsters.

Related: Godzilla Just Swam to Skull Island According to Monarch’s Website

Variety now reports that Emmy-nominated Atlanta actor Brian Tyree Henry is joining the cast of Godzilla Vs Kong. There’s no details about who he will be playing, only that it is described as a “significant” role. This could make him either a hero or a villain in the larger story, both of which Henry’s shown the ability to succeed in.

Henry is best known and recognized for his work in FX’s Donald Glover comedy/drama, and has only continued to line up future projects. He was already seen this year in smaller roles in Hotel Artemis and White Boy Rick, but has three more movies coming out by the end of the year. Supporting roles in Widow and If Beale Street Could Talk have already put him on the receiving end of great critical praise, while he’s also providing the voice of Miles Morales’ dad in Spider-Man: Into the Spider-Verse. He still has a third season of Atlanta, Amy Adams’ drama The Woman in the Window, Melissa McCarthy’s comedy Superintelligence, and the Child’s Play reboot in his future as well. Now that we can add Godzilla Vs Kong to his upcoming filmography, Henry will continue be someone audiences become very familiar with.

The cast of Godzilla Vs Kong extends beyond just Henry and Brown, though. The movie also brought Hunt for the Wilderpeople and Deadpool 2 star Julian Dennison on board earlier this year. There were even rumors that Black Panther‘s Danai Gurira was being eyed for a major role in the movie, but that has yet to be confirmed. Even if that doesn’t pan out, the movie is off to a great start with its casting. None of the stars may be certifiable box office draws just yet, but that’s why a battle between Godzilla and King Kong is at the center of the film. And, who knows, by the time Godzilla Vs Kong arrives in theaters, the constant exposure Henry is getting could make him a major selling point.

MORE: Godzilla Vs Kong: Every Update You Need to Know

Source: Variety



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2018-10-10 05:10:45 – Cooper Hood

Johnny Depp Confirms Fantastic Beasts 3 Return As Grindelwald

Following his official debut in Fantastic Beasts: The Crimes of GrindelwaldJohnny Depp confirms that he’ll reprise his role as Gellert Grindelwald in Fantastic Beasts 3. With 2016’s Fantastic Beasts and Where To Find Them, Warner Bros. launched a Harry Potter prequel spinoff series starring Eddie Redmayne as Newt Scamander, a magizoologist who anchors the overall narrative. Since the saga is set decades before the main continuity, it also features some familiar key players like Nicholas Flamel and a young Albus Dumbledore (Jude Law) linking both timelines in the franchise together.

Backlash about Depp’s involvement began immediately after his reveal in Fantastic Beasts and Where To Find Them, given controversies hounding the actor. Despite calls for a recast, Warner Bros. stood its ground with both director David Yates and J.K. Rowling defending their casting choice. However, following the actor’s disastrous San Diego Comic-Con appearance, it’s as if Warner Bros. has been trying to minimize his presence in The Crimes of Grindelwald‘s marketing – an odd move considering that he plays the headlining character in the film. While many took this as a sign that the studio is finally hearing people’s pleas, it turns out that it really isn’t the case with Depp already set for the franchise’s third film.

Related: Fantastic Beasts Is Stretching Harry Potter Continuity To Breaking Point

Speaking with Collider, Depp talked about his experience being part of the Wizarding World and confirmed that he will continue to be involved in it, at least until the third film in the Fantastic Beasts series wraps up.

“I loved it yeah. I loved it because that’s really an arena where you can fly around and try different things and approach a character with a lot more…um…to take someone who is teetering on being a fascist, yeah he’s a fascist, he’s one of those, but to play him as a sensitive, concerned yet manipulative and powerful wizard. The possibilities in that world are wide open, so you can really try anything. So it was a gas and I look forward to the next installment, which I think we start the middle of next year.”

It remains to be seen how The Crimes of Grindelwald will perform at the box office, with people already knowing that Depp will play a central figure in the film. Its predecessor made $814 million against a $180 million production budget, but the actor’s involvement wasn’t revealed until the very end of the movie. If the sequel’s haul turns out to be significantly lower than Fantastic Beasts and Where To Find Them, and if there’s substantial proof that it’s linked to the backlash from Depp’s appearance, it’s still possible that Rowling and Warner Bros. might reconsider sticking with him throughout the next installment. Since the first movie established that Grindelwald can effectively disguise himself, perhaps they can bring Colin Farrell back to play the role permanently or any other actor that doesn’t pose a PR nightmare.

In the meantime, Depp is expected to be front and center in Fantastic Beasts: The Crimes of Grindelwald, which hits theaters in a little over a month. The sequel follows the events of Fantastic Beasts and Where To Find Them, with Grindelwald successfully escaping and continuing his villainous schemes. Young Dumbledore teams up with Newt to take down Grindelwald once and for all, and it’ll also present a brand new threat to the underground Wizarding World.

More: New Fantastic Beasts 2 Poster Puts Grindelwald Front & Center

Source: Collider



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2018-10-10 05:10:12 – Ana Dumaraog

18 Best Sequels, According To Rotten Tomatoes (And 8 Stuck With 0%)

We live in an age where sequels are all the rage. Every major studio is chasing those franchises that can keep their cash flow healthy for years to come. Sometimes, they’re exhausting. Other times, they can be our most anticipated movies. Maybe we could do without more Transformers movies, but Marvel and Mission: Impossible sequels are event movies that drive us to the theater in droves.

Sequels are tricky and unpredictable, though. On one hand, they’re often necessary for expanding stories and the good ones continue sagas we want to see progress. On the other, some are soulless cash grabs that shouldn’t exist. In the worst cases, some of them completely derail promising franchises by failing to deliver the goods. Then again, in some instances, sequels can get a series back up and running after they’ve experienced setbacks.

This list will look at those rare sequels that are considered worthy — and even superior — follow-ups. Those rare beasts that make us grateful for multiple movies in a series. Furthermore, we’ll also be discussing the most maligned sequels that brought no critical good will to their respective franchises whatsoever. It’s more fun this way. In order to fully appreciate the best of the best, we also must acknowledge the worst of the worst. Without evil, we wouldn’t be able to understand all that’s good and pure. Without terrible movies, we wouldn’t be grateful for the good ones.

With this in mind, here are 18 Best Sequels According To Rotten Tomatoes (And 8 Stuck With 0%).

26 Best: Captain America: Civil War (91%)

The decision to keep the same team of writers for all three Captain America films paid off in the end. The trilogy just went from strength to strength with each passing entry, though some would argue that The Winter Soldier is equally as good — if not better — than Civil War. Either way, they’re both prime examples of how to do sequels right.

Civil War tackles the same themes you’d expect from a movie about a do-gooder like Cap, but where the film truly soars is during its wild third act. The airport showdown is the best action showdown in the MCU, and that’s saying something.

25 Worst: The Bad News Bears Go To Japan (0%)

If you didn’t know that sequels to The Bad News Bears exist then no one would think any less of you. While the first movie is a cult classic about an underdog baseball team, the sequels have faded from the collective memory with the passing of time, lost like tears in the rain. That’s for good reason.

None of the sequels are good, but The Bad News Bears Go To Japan is especially bad.

While the idea to relocate to Japan for a big game is good on paper, the sequel is just bland, forgettable, and was made to cash in on the brand name.

24 Best: Star Wars: Episode VII – The Force Awakens (93%)

Some fans argue that The Force Awakens is essentially a retread of A New Hope in many ways. However, clearly the critics and audiences didn’t necessarily agree, given its stellar Rotten Tomatoes score and its audience score of 87%, not to mention its impressive box office haul.

As far as Star Wars movies go, it hits the spot. The new characters are great, the return of some old faces is a trip down memory lane, and the story still made significant effort to push the franchise forward. In those regards, the film definitely succeeded.

23 Best: War for the Planet of the Apes (93%)

Anyone who has a problem with classics being rebooted needs to watch the most recent Planet of the Apes trilogy.  The finale pits the apes in a brutal battle against the humans, which leads to an epic confrontation between the Caesar the Ape and humanity’s ruthless colonel (played by an utterly wicked Woody Harrelson). As far as concluding trilogies goes, War for the Planet of the Apes has everything.

By no means is this a pleasant movie, but it is rewarding. And not only does it wrap up an epic story, but the film boasts some of the great CGI wizardry out there. The action is also ridiculously impressive and compelling, which is crazy considering it’s a movie about people versus monkeys.

22 Best: Logan (93%)

James Mangold’s Logan, the gloriously violent and heartbreaking farewell to Patrick Stewart’s Professor X and Hugh Jackman’s Wolverine, is an all-timer. Taking cues from the Old Man Logan comics, the movie has just as much in common with neo-westerns as it does with superhero yarns, which makes for a gritty, character-driven elegy to characters many of us grew up with.

Logan deserves praise for going R-rated and taking some stylistic risks.

The movie is proof that audiences will still flock to see superhero movies with some edge. If you’re going to send off some icons, this is the way to do it.

21 Worst: Return to the Blue Lagoon (0%)

Considering that no one liked The Blue Lagoon (it currently holds a 9% rating on RT), why anyone would want to return to the franchise is beyond comprehension. Of course, every sequel is a perfect opportunity to right some old wrongs if handled with care. Unfortunately, this was not. The story follows two children who are marooned on a tropical island as the grow up and fall in love, etc. The characters don’t wear enough clothes either, which makes for some weird, uncomfortable viewing.

There are some unintentional laughs to be had at the poor script and performances.

Otherwise the Blue Lagoon isn’t a scenic cinematic paradise worth spending time in unless you want to punish yourself for some reason.

20 Best: The Dark Knight (94%)

Few superhero movies are ever regarded as anything more than popcorn fare. However, if there were ever a superhero movie that proved the genre could be prestige cinema, it would be The Dark Knight. Christopher Nolan’s take on Batman is an exploration of chaos and just how far people are willing to go to achieve their goal.

The Dark Knight — for better or worse when you consider how devoid of fun some DC movies have been since — also brought a gritty, realistic touch to the genre. The movie feels more like a Michael Mann crime saga than it does a story about superheroes versus their outlandishly evil counterparts.

19 Best: Finding Dory (94%)

In recent times, Pixar has been criticized for relying too heavily on sequels, but if it ain’t broke… Finding Dory was released 13 years after Finding Nemo, and it was a smash with critics and audiences alike.

Its 94% on Rotten Tomatoes is complemented by an 84% audience score.

Upon release Finding Dory was praised for being as funny and thought-provoking as the first movie, while also adding a new dimension to the story. As with any Pixar movie, Finding Dory can be appreciated by audiences of all ages. 

18 Worst: Staying Alive (0%)

No other actor on the planet has experienced a career of ups and downs like John Travolta has. When he broke out he had the world at his dancing feet. After that, his career experienced a downturn until it was resurrected briefly following Pulp Fiction until it ultimately plummeted when he started starring in movies like Battlefield Earth. Staying Alive was released in 1983 when Travolta was experiencing his first fall from grace. Following up a classic like Saturday Night Fever was never going to be easy, but it shouldn’t have been this difficult, either.

The sequel lacks the gritty realism of its predecessor, and instead tries to get by on dance sequences. What’s the point in dancing when we don’t care about who’s doing it?

17 Best: Creed (95%)

No franchise tends to remain compelling seven sequels in, but Creed is proof that the Rocky franchise is the rare exception. Granted, some Rocky movies aren’t exactly knockouts, but Creed got things back on track and showed that it’s game for a few more rounds.

By serving as both a sequel and a spin-off/soft reboot, Creed gave the franchise a breath of new life.

It passed the gloves on to Michael B. Jordan as the eponymous character.  Creed 2 is right around the corner. Let’s see if it can do what the original saga failed to do and deliver a second outing that’s as good as the inaugural entry.

16 Worst: Leprechaun 2 (0%)

The first Leprechaun movie doesn’t come close to being certified fresh rating on Rotten Tomatoes, so it should come as no surprise that the sequels didn’t receive any critical acclaim. Especially not the second movie, which no critic seemed to enjoy at all.

Here, the infamous critter resurfaces in Los Angeles to find a bride, which leads to him abducting a young woman and trying to claim her as his own. This isn’t high art by any means, nor does it try to be.

15 Harry Potter and the Deathly Hallows: Part 2 (96%)

The Harry Potter books were an emotional roller coaster that affected millions of readers worldwide. Reliving those adventures on the big screen was also a great time to be alive, and the grand finale lived up to expectations. In the final installment of the saga about the Boy Who Lived and his fight against the forces of darkness, the ultimate showdown finally happens as our hero and his pals face off against Voldemort in Hogwarts castle.

It’s a true epic in every sense of the word.

As far as wrapping up the story goes, Death Hallows: Part 2 delivered the goods and gave us cinematic closure in style.

14 Worst: Looking Who’s Talking Now (0%)

Look Who’s Talking is a perfectly serviceable comedy that should never have received any sequels. In a bid to end to the trilogy on a high following the disappointing previous sequel, Look Who’s Talking Too, someone thought it would be a good idea to introduce talking dogs to the mix for the series’ swan song. 

Needless to say, Look Who’s Talking Now wasn’t the glorious goodbye the series was looking for, but at least the film did cast some cute dogs.

13 Best: The Good, the Bad, and the Ugly (97%)

The third installment of Sergio Leone’s influential Dollars trilogy, The Good, The Bad and the Ugly is the creme de la creme of spaghetti westerns. 

The story centers around two men who form an uneasy alliance following a scam.

This leads them on a quest as it turns out there’s money buried in the desert and they want to find it. However, they have to compete against another who won’t hesitate to put a bullet in them to claim the prize. On top of being one of the most acclaimed movies out there, the film has been hailed as a major influence on directors like Quentin Tarantino.

12 Best: The Godfather: Part II (97%)

The continuation of Francis Ford Coppola’s Best Picture-winning 1972 crime saga, The Godfather: Part II chronicles Michael Corleone’s further ascendency in organized crime while simultaneously taking us back to the past to explore his dad’s humble beginnings.

Like its predecessor, the sequel also won Best Picture and is hailed by many a critic and film buff as one of the best movies ever made. Whether it’s better than the original is up for debate, but they’re like two sides of the same coin. These movies set the bar for mob pictures, and to this day, other directors are still trying to recreate the formula.

11 Mad Max: Fury Road (97%)

Director George Miller was in his seventies when he unleashed Mad Max: Fury Road, but the energy and madness imbued in every frame of this extravaganza suggest a man half his age.

Maybe we’ll never see another Mad Max movie, but the world needs a Furiosa spin-off eventually.

Fury Road is essentially one non-stop chase that barely lets up from the get-go all the way to the climactic ending. Furthermore, it’s a movie that defied expectation by taking the focus away from the titular character and making Charlize Theron’s Furiosa the real hero of the adventure. 

10 Worst: Jaws: The Revenge (0%)

Is Jaws: the Revenge a good movie? Definitely not. Is it an entertaining movie, though? Definitely yes.

How many other movies have sharks that make a conscious decision to get revenge on the humans that wronged them? Not only that, but the shark here followed its target to the Bahamas from Massachusetts. And why would someone who wants to avoid sharks go to an island surrounded by ocean? The movie is illogical, silly, nonsense, but it does offer sheer entertainment value for bad movie buffs.

9 Best: Aliens (98%)

Alien and Aliens are quite different in some regards, but they complement each other perfectly. The first is an exercise in pure suspense and terror. The sequel, on the other hand, retains the horror elements but adds a lot more action to proceedings.

Aliens shows how to make a successful sequel: acknowledge what came before but don’t be afraid to bring some fresh ideas to the table.

James Cameron was on fire in the ’80s and he wasn’t afraid to make Ridley Scott’s baby his own.

8 Best: Mad Max 2: Road Warrior (98%)

While George Miller’s inaugural Mad Max caper is a cult classic, most film buffs would agree that a couple of the sequels are slightly superior. Taking nothing away from the first movie, Road Warrior is a vast improvement when it comes to world building and sheer action spectacle. The story follows the eponymous character as he helps a group of people steal oil from a tyrannical madman and his band of goons.

As far as cinematic thrill rides go, few movies are on par with Road Warrior. Here, Miller turned up the volume significantly by making the post-apocalyptic terrains feel more dangerous and the action sequences more gung-ho and grander in scale.

7 Best: Evil Dead 2 (98%)

Sam Raimi’s first Evil Dead movie was a huge achievement for independent filmmaking when it was released back in 1981. The movie still holds up to this day with its innovative camera work, effective scares, and excellent cast as well.

The sequel is a triumph in its own right.

While the first movie contained moments of dark comedy, the sequel amps up the zaniness to become what is essentially the splatter flick equivalent of a Laurel and Hardy flick. For 90 minutes, Bruce Campbell is tormented by laughing ornaments and his own severed hand. As silly as that sounds, Evil Dead 2 still manages to pack more punch than your average MMA fighter.

6 Worst: Police Academy 4: Citizens on Patrol (0%)

In the third installment of the Police Academy franchise, the cops are understaffed and in need of some help. Naturally, the force turns to America’s civilians to help aid in their mission. Things don’t go smoothly, for the characters in the film and the movie itself.

Rotten Tomatoes describes Police Academy 4: Citizens on Patrol as “Utterly, completely, thoroughly and astonishingly unfunny” and  a movie which sent “a once-innocuous franchise plummeting to agonizing new depths.” That sounds about right.

5 Toy Story 3 (99%)

Few franchises manage to strike three home runs in a row. Even The Godfather stuttered when it came to the third outing. Toy Story, on the other hand, never ceases to replicate the magic time and time again.

This emotional installment sees Andy get ready to leave for college and neglect his old toys.

He’s all grown up and has no use for them anymore, and what ensues is what is by far the most heartfelt movie in the series.

4 Worst: Highlander II: The Quickening (0%)

As far as pure entertaining action-fantasy goes, the first Highlander movie is a fun slice of popcorn entertainment that aficionados of cult cinema lose their head over. The sequel, meanwhile, is an incomprehensible mess.

Highlander II is too overplotted to explain, but the cusp of the story revolves around the hero from the first movie taking on a corporation after being led to believe that they don’t have the world’s best interests in mind. In this one, our hero is a defender of the ozone as well. What makes Highlander II so awful is that it completely retcons everything good about the original film and the mythology it introduced.

3 Best: The Bride of Frankenstein (100%)

We all desire to be loved by someone special– even bolt-head monsters made up of the remains of other people. But to find them a mate, one must dig up some more corpses and create a suitable partner that’s similar in genetic make-up. This is also the storyline behind James Whale’s 1935 masterpiece, Bride of Frankenstein.

There are too many Frankenstein movies to keep track of at this point, but this sequel remains the pinnacle of the original series.

The movie is a masterpiece that successfully blends campy fun with Gothic beauty and genuine chills that’s stood the test of time as a result.

2 Paddington 2 (100%)

No one expected the the first Paddington to be as good as it is. That movie is a bona fide classic in the making in its own right, but the sequel is some next-next level brilliance.

Paddington 2 sees the lovable bear go to prison and, unsurprisingly, all the mean criminals fall in love with him as well. Critics, like the fictional convicts, were also full of praise for the titular bear and his second big onscreen adventure as well. At one point, Paddington 2 was even the best reviewed movie in history.

1 Best: Toy Story 2 (100%)

Following up a movie like Toy Story was never going to be easy, but that didn’t stop Pixar from trying and succeeding. In this one, we find out that Woody is a collectible when he’s discovered and stolen by a greedy museum owner. Naturally this prompts Buzz Lightyear, Mr. Potato, and the rest of the gang into action and they set out to save their friend.

General consensus on Rotten Tomatoes states that Toy Story 2 is that rare sequel that improves upon its predecessor.

The sequel raises the stakes and ups the element of adventure while retaining the humor and heart that made audiences fall in love with the franchise in the first place.

What’s your favorite sequel? Let us know in the comments!



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2018-10-10 04:10:39 – Kieran Fisher