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20 DC Characters Who Can Be In James Gunn’s Suicide Squad (And Who Should Play Them)

James Gunn may be off the Guardians of the Galaxy Vol. 3 project after being fired by Disney for some controversial tweets surfaced from long ago, but not only has he apologized and insisted that he’s a much different person than he was at that period in his life; he’s reportedly also getting another stab at creating a comic adaptation with the next Suicide Squad film.

While Marvel fans mourn the loss of the man behind some of the best movies in the MCU, it’s quite possible that Gunn will give the DC universe the boost it desperately needs to really compete with Marvel.

While we’ll have to wait and see what the actual film brings to the party, we have plenty of time to speculate about what its plot might be, what kind of tone to expect and above all, which characters might be included and who might be cast in those roles. While many of us are hoping to see some members of the Squad from the first film return, we’re also crossing our fingers, wishing for a chance to meet more members who weren’t included in the first movie. There’s really an endless amount of speculation to enjoy here and many fans have already photoshopped their choices for the best portrayals of characters audiences have loved for decades.

Casting for these iconic personalities won’t be an easy task, but here are 20 DC Characters Who Can Be In James Gunn’s Suicide Squad (And Who Should Play Them).

20 Christina Ricci As Harley Quinn

Let’s be honest: Margot Robbie is a sure-in for Harley Quinn at this point. The star surprised many fans while proving others right with her incredible performance as the psychiatrist turned psychopath. Ensuring that Quinn not only shone as the premiere talent in a film with its problems, but that she would endure for her own film afterward, Robbie is a fan favorite, through and through.

We could definitely see this version of Harley in a Gunn movie.

If for some reason Robbie had to back out of the project, as much as it would pain fans, some have taken to casting other ideas for actresses who could play Harleen Quinzel. Artist D3SIGNMILTIA’s piece depicts an interesting version of the character that might work well with Christina Ricci.

19 Joaquin Phoenix As The Joker

We’ve seen so many incarnations of The Joker over the years that it’s getting more and more difficult to choose the perfect person to play an updated version of Batman’s most notorious foe. Whether or not he’ll be in the next Suicide Squad film is unclear. Who can measure up to Jack Nicholson’s chilling Joker and Heath Ledger’s perfect monster?

Joaquin Phoenix, currently starring in Todd Phillips’ solo Joker, is certainly one candidate. Phoenix, who’s also utilized some unorthodox acting methods in the past, might give us a bit more grave swagger as the criminal mastermind. His ongoing presence in the DCEU will likely depend on the success of Joker, due out in October 2019.

18 Neil Patrick Harris As The Riddler

Everyone’s favorite child doctor has grown up to become a much beloved singer, showman, and nemesis of the Baudelaire children. Neil Patrick Harris shines in just about everything he’s in, so including him in the next installment of Suicide Squad makes perfect sense.

Harris as the Riddler is pure gold.

He’s got the chops to bring the perfect blend of humor and intelligence that the Riddler needs to truly succeed, which might hopefully replace the slapstick Riddler we got in Batman Forever years ago. Harris isn’t everyone’s favorite for the Riddler, though; stay tuned for more artist manipulations involving the Riddler later.

17 Manu Bennett As Deathstroke

Given the fact that the Arrowverse and TV adaptations of DC stories have proven so successful, it makes sense to borrow from that character pool to not only connect the universe but to help ensure the success of Suicide Squad 2. If Gunn and company are planning on including Deathstroke in the sequel, we think Manu Bennet would be a clear choice for the character.

While some fans speculate that Joe Manganiello will play the part, since he is Mr. Wilson in Justice League and has announced that he’s working on three more films featuring the character, his involvement in Suicide Squad 2 remains speculation at this point. Many believe that Deathstroke will indeed be a primary villain in the film, and Bennet has already proven that he would do the character justice.

16 Sophie Turner As Oracle

Lots of fans are imagining Marvel actors in DC roles, which is pretty delightful for those of us who Make Ours Marvel and DC. Sophie Turner, who gave us the Jean Grey that we were waiting for in X-Men: Apocalypse and is set to reprise the role in Dark Phoenix, would also make an excellent Oracle.

Barbara Gordon’s time as Oracle has included a gig as tech support for the Suicide Squad.

With Ruby Rose’s debut as Batwoman and a Batgirl movie announced, the inclusion of Oracle could provide some timeline intrigue. Plus, after decades of Batman saturation, this much Bat-women power would be so much fun.

15 Oprah Winfrey As Amanda Waller

Viola Davis was a pretty stellar Amanda Waller, which comes as no surprise to anyone who has ever seen Viola Davis in anything. Davis could read a grocery list and deserve an Oscar. That said, Kode Logic has imagined what Oprah might bring to the role and we have to say that it looks impressive. Firm, ruthless and beautiful, Oprah’s Waller seems to give the character a bit more experience points, which are conveyed in that hard gaze.

Davis has said that she loved playing Amanda Waller, who is aligned so well with her character Annalise Keating in the hit TV drama How to Get Away with Murder in many ways, but how much fun would it be to see Oprah bend the rules?

14 Will Smith As Deadshot

You don’t mess with what works, and Will Smith certainly worked as Deadshot in the original Suicide Squad. He did so well, in fact, that plenty of people thought that he deserved his own film and said that they’d have watched Suicide Squad again if it only starred Smith. This really isn’t a surprise, given Smith’s star power, and it’s been announced that he’s returning to the franchise in the role again.

It’s a good thing that we have some time before the movie’s released, too, since Smith is set to star in Bad Boys for Life and Bright 2 around the same time. Smith’s got three films releasing in 2019 alone, and while one is only a vocal role, he’s definitely going to be busy for the next couple of years.

13 Jeffrey Dean Morgan As Batman

Utter the words “Jeffrey Dean Morgan” in the same sentence as “The Batman” and you’re bound to get a room full of excited fans. He’s absolutely perfect for Wayne in an adaptation of something like Batman Beyond, but we could definitely see him as the Batman in just about any adaptation of the series, and DeviantArt user evelius has given us some visual art to really picture the idea.

Morgan has the darkness and the voice necessary for Batman to match this ragtag team of violent convicts.

While Bale and Affleck had their time in the cowl, it’s time for a new man behind the mask. Why not Negan?

12 Rila Fukushima As Katana

While Katana was featured in the first Suicide Squad film, most people believe her role was too small to really critique or appreciate. Japanese-American actress Karen Fukuhara wasn’t bad in the role; she just didn’t get much to do.

Adding Rila Fukushima in the second movie might lend Katana some traction given that she already portrays the character in the Arrowverse.

While Fukuhara, who is set to play Glimmer in the new She-Ra and the Princesses of Power TV series, is rumored to be reprising the role, Fukushima, star of last year’s Ghost in the Shell, was also fantastic as Yukio in The Wolverine, which would give us another fun link between the DC and Marvel universes.

11 Emma Stone As Poison Ivy

Who doesn’t love quirky, smart, and funny Emma Stone? The actress would be perfect for an updated role as Poison Ivy following Uma Thurman’s beautiful but wonky portrayal of Pamela Isley. One of BossLogic’s many creative manipulations, this artwork features Stone as the iconic plant-loving villain and it’s pretty impressive.

We already know that Ivy will be a big part of the upcoming Gotham City Sirens film, which will also feature Harley Quinn and Catwoman at its heart, so why not include her in the Suicide Squad movie as well? There are several other cool artist manipulations of actresses who might be great in the role, such as Jessica Chastain, so it’s going to be a tough one to cast.

10 Kristen Wiig As Cheetah

Many of us can’t stop celebrating Kristen Wiig being cast as Cheetah in Wonder Woman 1984. The strongest thing the DC movies have going for it right now is all the incredible female characters, most notably Harley Quinn and Wonder Woman, and we can’t wait to see where Aquaman takes us. If all goes well it would make perfect sense to include Wiig in Suicide Squad 2, especially since weaving in characters from multiple films would help provide better continuity for the DCEU.

Wiig is funny, smart, and beautiful, and we think she’s going to make an excellent foe for Wonder Woman.

In that case, her inclusion in another movie would also be fantastic to see.

9 Nathalie Emmanuelle As Vixen

DeviantArt artist farrou has created some truly amazing fanart of DC characters, and one of them, which features Nathalie Emmanuelle as Vixen, makes us believers. While we’re not sure if Emmanuelle has a Tantu Totem, we’re pretty sure she could make it work if Gunn and co. gave her one. The actress, best known for her role as Missandei on HBO’s Game of Thrones, is definitely ready for a a super suit and action in a big movie like this.

Then again, Jada Pinkett Smith has expressed interest in the role of Vixen, which would not only be interesting due to her husband’s presence in the movie but also due to her previous DC role as Fish Mooney in the TV series Gotham. Both actresses would be well-cast for the movie.

8 Jake Gyllenhaal As The Riddler

Do we really need the Riddler to come out and play in Suicide Squad 2? After the weirdness of Batman Forever and the sinister developments of Gotham, perhaps it’s time to reinvent the villain. Jake Gyllenhaal makes sense to play the villain not only because he was David Goyer’s original choice to play Batman in the Christopher Nolan movies, but because this fanart made by Vaskoho is something to behold.

While there are several people who could pull off the role, we think Donnie Darko has a fighting chance.

Fans point out that there were some Riddler Easter eggs in the Batman v Superman movie, so it’s possible that we’ll see The Riddler on film someday.

7 Dave Bautista As Bane

Can we all agree that, no matter the context, Dave Bautista must appear in Suicide Squad 2? Not only has the Drax actor delighted us all with his hilarious yet poignant portrayal in the Guardians of the Galaxy series, but he’s also publicly stated that he supports Gunn and wants to be involved in his next project.

We’re pretty sure any role could be molded to make room for such a beloved actor, but as as BossLogic has pointed out, he’d make an excellent Bane. After having two Banes that didn’t work so well in the Batman universe, we could definitely use a fresh face for the role. If he’s not Bane, Bautista would make a fantastic Solomon Grundy, too. We’re not too picky on this one.

6 Michael K. Williams As Black Manta

Could Black Manta make an appearance in Suicide Squad 2? It’s too early to rule anything out and many fans think he’d make a good inclusion, particularly following the Aquaman movie. While the majority of his screen time might simply have his head shrouded in a big bubble, his casting would be nonetheless important. Artist diamondking13 suggests actor Michael K. Williams for the job and we love the idea.

It would be cool to see how Gunn and co, would update the suit for a more modern, movie-friendly look.

Famous for his critically acclaimed roles in The Wire and Boardwalk Empire, Williams was just cast in Jordan Peele and Misha Green’s Lovecraft Country, but Suicide Squad 2 is far enough in the future to give him time for both gigs.

5 Bill Skarsgård As The Joker

This one is a no-brainer. Many of us just don’t care to see Jared Leto return as The Joker and it’s quite possible that The Joker won’t even see a second of footage in the second film. While we’d all probably be okay with that, if a new Joker is cast, Bill Skarsgård is a fantastic choice.

Skarsgård is hot right now following his success as Pennywise in the new adaptation of Stephen King’s It. He also played a less troubling character in Castle Rock over the summer, proving his mettle yet again in King’s world. Considered one of the good things to come out of Netfix’s Hemlock Grove, Skarsgård could probably do the Joker justice, as artist aikoaiham has shown.

4 Teresa Palmer As Killer Frost

After witnessing Killer Frost in the Arrowverse, many fans are calling for her inclusion in Suicide Squad 2. DeviantArt creator farrou has imagined what it might look like if Teresa Palmer played the villain and it’s a pretty spot-on representation.

The Australian actress is no stranger to action movies and could do well in the role.

Kristin Bauer van Straten has already voiced Killer Frost in the animated Suicide Squad: Hell to Pay, while Danica McKellar voices her in Lego DC Superhero Girls. She’s also been in 2009’s Public Enemies animated feature between Batman and Superman, but she’s never been in a live action movie before. Danielle Panabaker portrays the character in The Flash, but she hasn’t made a film in a few years.

3 Jon Bernthal as Rick Flag

Jon Bernthal is another actor already present in the MCU, portraying the most accurate and adept version of the Punisher we could ever hope for, so tossing the talented actor into the DC mix would just be plain fun. It’s not that Joel Kinneman was terrible as Rick Flag, and he’s done a great job standing up for the original film and its purpose, but Jon Bernthal would just be better.

The skill Bernthal has in striking that tricky sweet spot between ruthlessness and gravitas while still being a compelling, empathetic human being isn’t something anyone can do. Artist Riku7kun shows us what Bernthal as Flag might look like. It’s a little bare in comparison to Kinneman’s look, but that might actually work with Bernthal.

2 Josh Gad As The Penguin

It’s no secret that Josh Gad wants the role of The Penguin, having pushed for it himself in social media, and fans are clamoring for the opportunity to see the voice of the snowman, Olaf, and Gaston’s buddy LaFou in a much more sinister role.

Whether or not Gad will show up in The Batman remains to be seen but he definitely has the flippers to play the beloved villain.

BossLogic has given us some art imagining what he might look like in the role and it can only get better from here. In March, Gad started hilariously trolling Matt Reeves on Twitter, sending him animated penguin GIFs and hinting at what he could bring to the Batman franchise.

1 Margot Robbie As Harley Quinn

It’s an obvious inclusion, but it’s necessary. While the original Suicide Squad, hyped up to be the most incredible DC movie of all time, had plenty of problems, most fans and critics agree that the shining star of the whole production was Margot Robbie as Harley Quinn. Robbie’s portrayal was everything we hoped for– brutal, nuanced, and a delicate balance between her joker obsession and Harley coming into her own person without being too over-the-top.

Who isn’t excited to see Robbie return as Harley in theBirds Of Prey adaptation featuring the awesome women of DC, which is so ardently anticipated that it pushed Suicide 2 to the back burner? After this much love, Robbie has to be in this universe.

Who do you most want to see in a new Suicide Squad movie? Let us know in the comments!





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2018-10-11 02:10:45 – Sara Schmidt

Harry Potter: 20 Crazy Details Only True Potterheads Knew About Wormtail

For a lot of reasons, Peter Pettigrew, AKA “Wormtail”, may be one of the creepiest characters in all of the Harry Potter series. First and foremost, is the rather strange decision on the part of author J.K. Rowlings, to make Pettigrew’s animagus form hang around so closely with a preteen Ronald Weasley. With that particularly large elephant out of the room, we can get into some of the more unnerving, crazy, and interesting facts about this Voldemort supporter.

Everyone knows Wormtail to be the man who betrayed Lily and James Potter’s location to Voldemort, who sought to destroy them and their newborn son after finding out that Harry may one day defeat him. Although Voldemort’s attempt on Harry’s life backfired (quite literally), this moment it did cement Wormtail as one of Tom Riddle’s most famous supporters. In addition to this, Wormtail also got away with it all by blaming Sirius Black for that horrible night.

In many ways, Wormtail was the most unlikely member of Voldemort’s inner circle. He didn’t have the dedication to Voldemort’s evil agenda that Lucius Malfoy did. Nor did he have the obsessive nature of the deranged Bellatrix Lestrange. At the end of the day, Wormtail was a coward, and that why he let betrayed his friends to become part of one of the darkest cults of all time. Despite all he has done, Wormtail was still a far more engaging character than most fans may recall.

Without further ado, here are 20 Crazy Facts About Wormtail.

20 He Was Almost Not Sorted Into Gryffindor

When Peter Pettigrew arrived at Hogwarts School of Witchcraft and Wizardry, he lined up with the rest of the First Years to await The Sorting Hat’s decision on which House he would join. While in line, he met both Sirius Black, who uttered his contempt for Slytherin House, and James Potter. Immediately, Pettigrew took a liking to these boys and longed to be Sorted with them.

When he finally was placed under The Sorting Hat, Pettigrew waited a whole five minutes to be placed in Gryffindor.

This is what was called a “Hatstall.” The Sorting Hat clearly saw that this character was suitable for more than one house. Although Slytherin would be the obvious alternative choice, Hufflepuff was one as well.

19 He Was A Member Of The Order Of The Phoenix

Due to Peter Pettigrew’s friendship with James, Remus, and Sirius, he joined The Order of the Phoenix after his time at Hogwarts School for Witchcraft and Wizardry.

The Order of the Phoenix was a secret society founded by Albus Dumbledore to combat Voldemort and his sycophantic followers during the First Wizarding War. This was the time when Voldemort returned from traveling abroad and sought to overthrow the Ministry of Magic and persecute Muggles and Muggle-born magical folk. Although Pettigrew wasn’t a fan of Voldemort’s ideology, he was part of the Order purely because his friends were. It was a community for him. He did not have the same passion for the cause as the other members did.

18 He Wasn’t A True Believer In Voldemort

Much like Peter Pettigrew wasn’t a true believer in the Order of the Phoenix, he wasn’t one of Voldemort’s dedicated followers either. He did not share the same lust for dominance over the Wizarding World, nor the same level of intolerance.

When Pettigrew became a spy for Voldemort, it was purely out of fear.

Wormtail, at the end of the day, is an opportunist. He is someone who will do just about anything to survive, and that included betraying his best friends in order to remain on the powerful dark wizard’s good side. In many instances, especially in the books, Wormtail even couldn’t bear Voldemort’s violence and occasionally attempted to suggest alternative measures to achieve his dark desire.

17 McGonagall Didn’t Like Him, even as a kid

If there’s one thing that Minerva McGonagall has never done, it’s mince words. First and foremost, this Transfiguration professor and Gryffindor Head of House is brutally honest. In the books, she was honest about how she felt about Peter Pettigrew during his time at Hogwarts.

Of course, McGonagall taught him Transfiguration as well as watched over him as the H.O.H. She claimed that Pettigrew “hero-worshipped” both James Potter and Sirius Black. In fact, she even described him as a “lump of a boy” who constantly followed Sirius around like his lap-dog. She even claimed that Peter was “stupid” as well as “foolish.” However, Minerva clearly grew to have some respect for him once he joined the Order. She even spoke sadly about him before she learned that he was the one responsible for the betrayal and not Sirius.

16 He Lived As A Rat For 12 Years

As most fans know, Peter Pettigrew was one of the Mauraders, the small group of friends that consisted of James Potter, Sirius Black, and Remus Lupin. Peter even decided to become an animagus in order to make Remus feel more comfortable with the fact that he was tragically turned into a werewolf. The fact that Pettigrew could turn into a rat at will was something that came in handy after he was forced to fake his own demise in order to properly frame Sirius Black.

Due to his fear of being caught, Pettigrew lived as a rat for a solid 12 years.

He was eventually discovered by Sirius and Remus in Harry Potter and the Prisoner of Azkaban.

15 He Chose The Weasleys As Owners To Avoid The Death Eaters

After Pettigrew faked his demise, he chose to live as a rat in order to both keep up his lie as well as to avoid the Death Eaters. At this stage, many of Voldemort’s followers were unknown to the authorities and lived amongst the common-folk. Due to the fact that Voldemort’s apparent demise happened due to Pettigrew’s information, the Death Eaters believed that Pettigrew was a traitor and therefore sought to destroy him.

Wormtail knew that he stood a better chance at staying alive if he picked a “good” family to stay with. Eventually, he came to be Percy Weasley’s possession and was handed down to Ron. Presumably, Wormtail (as “Scabbers”) stayed with the Weasleys because he knew that the family would treat him right as well as shield him from Voldemort’s secret followers.

14 He Almost Ruined Ron And Hermione’s Relationship

Although Wormtail didn’t mean to, he almost completely ruined Hermione and Ron’s friendship in Harry Potter and the Prisoner of Azkaban. Throughout the book and the film (to a lesser extent), Ron was constantly trying to save Scabbers (AKA Wormtail) from Hermione’s carnivorous new cat, Crookshanks. When Wormtail heard that Sirius Black had escaped from Azkaban and was poking around the Hogwarts grounds, he decided to flee, faking his demise a second time.

In the book, he bit himself in order to leave blood that suggested that Crookshanks had finally taken him out.

It completely convinced Ron, and the pair’s relationship nearly ended until the truth was revealed. This is just another instance of Peter Pettigrew doing anything necessary to remain alive.

13 Rats helped him find Voldemort

A lot of fans of Harry Potter who haven’t paid close enough detail to the books wonder how Wormtail and Voldemort were reunited before the events of The Goblet of Fire. Well, the truth is Wormtail learned from fellow rats that a dark force was living in a forest in Albania. This force ended up being Voldemort himself, who was living off the animals in the forest. However, Voldemort was just clinging to life in his shriveled-up form.

Wormtail lured a prominent ministry witch, who was on vacation in Albania, into the forest and then proceeded to force information out of her that helped persuade Voldemort to take him back into his good graces.

12 He Fed Voldemort Nagini’s Milk to Save Him

Aside from finding Lord Voldemort in a forest in Albania and giving him some vital information about the upcoming Triwizard Tournament from the ministry official he lured into the forest, Wormtail also stayed in Voldemort’s good graces due to the fact that he kept him alive. At this point, Voldemort was simply a shriveled up humanoid creature who barely had any power at all.

With Wormtail’s help, he managed to stay strong enough to last until the end of The Goblet of Fire when he was “reborn.”

Wormtail was able to do this because he milked the venom out of Nagini, Voldemort’s giant snake who will appear in human form in Fantastic Beasts 2: The Crimes of Grindelwald. This venom provided Voldemort with the rudimentary body we see in Goblet of Fire.

11 He Helped Capture Mad-Eye

When Wormtail traveled to Albania to seek Voldemort, he ran into a ministry official who he forced into telling him legitimate information about the goings on at Hogwarts. This included the upcoming Triwizard Tournament that they would get Harry Potter to take part in, as well as the fact that Alastor “Mad-Eye” Moody would be the next Defence Against the Dark Arts teacher.

Another piece of information this ministry official gave was that there was a Voldemort supporter hiding out in England. This ended up being Barty Crouch Jr., who, with the help of Wormtail, tracked down Mad-Eye Moody and captured him. Crouch then famously continued to take locks of Mad-Eye’s hair in order to brew a Polyjuice Potion that turned him into Mad-Eye.

10 Snape Got His Revenge On Pettigrew

As we found out through various flashbacks during Harry’s time learning legilimency from Severus Snape, Severus was teased and pushed around by Harry’s father, Lupin, Sirius, and Peter Pettigrew as a child. Pettigrew probably wouldn’t have been the one to instigate this, but he was happy to play along with what the “cool kids” were doing. That, after all, was sort of his M.O. However, in their later years, Snape got his revenge on Wormtail after Voldemort ordered Wormtail to live with Snape at Spinner’s End in order to help him with various things.

Wormtail ended up being Snape’s punching bag and personal servant.

In fact, Snape treated him quite poorly, which, without a doubt had more to do with Wormtail betraying Lily Potter than anything else.

9 Voldemort Loathed Him

Lord Voldemort may not have had the ability to love anything except for himself, and even that is arguable, but he certainly had some appreciation and respect for certain members of his cult. At one time, he had immense respect for Lucius Malfoy, but that went away after Lucius continued to fail him. Bellatrix and Snape seem to be in his good graces constantly as they appeared to be his most ardent supporters. Snape, specifically, was the one he thought was infiltrating Dumbledore and the Order.

Wormtail is a different story entirely. Voldemort never liked Wormtail at all. He put up with him because Wormtail helped to keep him alive. But even before Voldemort’s first downfall, the villain knew that Wormtail was only around out of fear, not out of duty or respect.

8 He Wasn’t Skilled At Magic

Throughout the course of the Harry Potter series, two very different powerful magical folk made comments on Wormtail’s lack of power. The first was Wormtail’s old Transfiguration teacher, Minerva McGonagall, who claimed that he was far less talented than his friends when it came to magic. Then there’s Voldemort, who always regarded his servant as particularly weak. The truth is, they were mostly right about him.

He was a hopeless dueler, only besting opponents when catching them off-guard.

However, there are a couple of instances where he’s shown more potential than even he believed. One of these moments was when he caused an explosion that ended the lives of twelve Muggles and allowed him to get away from Sirius Black.

7 He Was Surprisingly Intelligent And An Opportunist

You can say a lot about Peter Pettigrew, including his cowardly demeanor, but one thing you can’t say is that he was dumb. On the contrary, Wormtail was actually pretty intelligent. This cunning helped him frame Sirius for the crime that he committed, as well as search out Voldemort.

Wormtail’s intelligence also allowed him to be quite the opportunist. This trait perhaps sums him up the most, as from the start of things he knew how to get in with the “right” crowd. When the tides changed and there was a better group to be associated with, that’s exactly where Wormtail would end up. A fool wouldn’t be able to navigate situations like this, let alone stay on Voldemort’s good side.

6 The Other Death Eaters Didn’t Like Him

Being an opportunist didn’t quite go over well when it came to Voldemort’s closest servants. First of all, many of them, including Bellatrix Lestrange, were there because they either believed in Voldemort’s cause or Voldemort himself.

Many of these Death Eaters saw Wormtail as a clinger; someone who was merely there to survive and never truly fought for what they believed in.

Another major source of the dislike the Death Eaters had for Wormtail had to do with Voldemort’s first downfall. This event happened on Wormtail’s information. When Voldemort was seemingly annihilated after attacking Harry Potter, many Death Eaters saw Wormtail as a traitor who purposefully led Voldemort to his grave.

5 His Hand Was Cursed

Although the filmmakers behind the Harry Potter movies didn’t explore Wormtail’s silver hand, it was certainly talked about in detail in J.K. Rowling’s novels. Wormtail first got this magical silver hand after he severed it from his body while resurrecting Voldemort in The Goblet of Fire. However, it came with a catch.

The catch with Wormtail’s replacement hand was that it was cursed. Sure, the hand had magical properties, including being impervious to certain jinxes, but it also led to his downfall. Though Wormtail didn’t receive a proper final scene in the films, his demise in the books occurred when he was planning to do good on his “life debt” to Harry. Wormtail’s magical hand turned on him, wrapped around his neck, and took his life.

4 He was insecure about his body

Every single person on the planet has their own set of insecurities. This is true of all of the characters within J.K. Rowling’s masterful series. For Wormtail, it was his stature. Not only was his short height an issue for him, but his weight and shape particularly bothered him. He no doubt compared himself to the more traditionally handsome James Potter and Sirius Black while growing up.

Due to actor Timothy Spall’s height, Wormtail was portrayed a taller than he was in the books.

However, when he first appeared in Prisoner of Azkaban, he was around the same height as a 13 and 14-year-old Harry and Hermione. Both Harry and Hermione would grow to be taller, while Pettigrew remained the same height.

3 He Was Made More Rat-Like For The Films

J.K. Rowlings described Peter Pettigrew has had some of the qualities of a rat, especially after living as one for a solid twelve years. These traits included watery eyes, grubby skin, a pointed nose, and even a squeaky voice that followed him after he revealed himself in The Prisoner of Azkaban.

Azkaban director Alfonso Cuaron wanted to make sure audiences absolutely knew that Pettigrew would have maintained some of his rat-like qualities after his twelve-year stint. These added details included extra nostril hair, knuckle hair, two big teeth, and a consistency between Scabbers’ fur and Wormtail’s locks. Hiding his neck with the right coat also made Wormtail’s rat-like look more believable. These details also came in handy for Wormtail’s visual transition back into his animagus form as he escaped.

2 He Took Voldemort’s Wand

Wormtail didn’t keep his distance the day after Voldemort’s downfall in Godric’s Hollow. He made sure he was nearby as he hoped his information would be useful. Voldemort, of course, wanted to take out a young Harry Potter due to the prophecy that stated that the boy could lead to his demise. Unfortunately for Voldemort, his attempt on Harry’s life backfired and he was practically disintegrated.

Wormtail deduced this once he came across the rubble of the house. He then found Voldemort’s iconic phoenix-feathered wand and took it for safe keeping.

He later gave it back to Voldemort once he was strong enough to use it once more.

There’s no telling where exactly Wormtail stored the wand while living as a rat for twelve years.

1 His Demise Was Connected To The Marauders

Wormtail’s connection to the Marauders, Lupin (Mooney), Sirius (Padfoot), and James (Prongs) was fully realized the day that he met his end. This is because Wormtail’s demise (at least in the book) was very similar to those of his three classmates.

All four of them, in one way or another, passed away while trying to protect or save Harry.

James met his end at the hands of Lord Voldemort that day in Godric’s Hollow. Sirius was protecting Harry when he was struck by Bellatrix’s curse. Lupin fought in the Battle of Hogwarts, giving Harry a moment to escape from Dolohov, who was later revealed to have taken Lupin out. Finally, Wormtail’s cursed hand turned on him the moment he was about to let Harry go, honoring his life-debt.

What do you think is the craziest fact about Wormtail in Harry Potter? Let us know in the comments below!



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2018-10-10 06:10:32 – Dylan Parker

Walking Dead Season 9 Premiere Live Ratings Hit All-Time Low

Despite kicking off Rick Grimes’ (Andrew Lincoln) heavily hyped final season, The Walking Dead’s season 9 premiere ratings fell to an all-time low. While AMC’s long-running zombie apocalypse drama ended season 8 by once again claiming the overall ratings crown among the advertiser-coveted 18-49-year-old demographic, it did so by much closer of a margin than it’s managed in the past. That’s because over the last two seasons, The Walking Dead has seen its ratings average absolutely plummet.

Last year’s season 8 ended up averaging a 3.4 in the 18-49 demo, and about 7.8 million total viewers per episode. That amounted to an over 30 percent drop in the total viewer and demo averages posted by season 7. On that subject, season 7 averaged a 5.4 in the 18-49 demo and drew about 11.3 million viewers, itself a considerable drop from season 6’s 6.5 demo average and 13 million total viewer average per episode. While it’s fair to say that scripted TV as a whole has seen huge dips in live viewership in the last several years, the size of Walking Dead’s falls have been much bigger than most, if only because it had farther to fall.

Related: Maggie Was RIGHT In The Walking Dead Season 9 Premiere

Going into season 9, positive advance reviews and an above average amount of hype surrounding the impending departures of stars Andrew Lincoln and Lauren Cohan looked poised to possibly right the ratings ship for Walking Dead. Sadly, that doesn’t look like it’ll be the case. As reported by TV By The Numbers, season 9’s premiere – entitled “A New Beginning” – earned only a 2.5 in the 18-49 demo, and drew in a total audience of just over 6 million live viewers. That’s down a whopping 50 percent from the 5.0 demo rating posted by season 8’s premiere, and over 30 percent from its total audience.

To put things fully in perspective, that 2.5 is The Walking Dead’s lowest premiere rating ever, even below the 2.7 earned by the series’ October 2010 debut. Sunday’s total viewer count was slightly higher than Walking Dead’s series premiere at least, which was watched live by 5.4 million viewers. Whichever way you look at it though, these numbers aren’t a good omen for season 9’s ratings prospects.

However, there’s one other factor worth considering, first pointed out earlier today by Comic Book. Last year, AMC launched a premium streaming service called AMC Premiere, which lets subscribers watch episodes ad-free, and in some cases, early. It’s only available to those who subscribe to a TV package containing AMC, but still, season 9’s premiere was made available 24 hours in advance to AMC Premiere users. Figures on how many people used that service to view the episode early aren’t available, but it definitely could’ve cut into the live viewership count. With that in mind, the real test of season 9’s ratings may be next week, although it’s worth noting that numbers rarely go up after a show’s season premiere.

More: Walking Dead Showrunner Explains Negan’s Absence From Season 9 Premiere

The Walking Dead season 9 airs Sundays on AMC.

Source: TV By The Numbers, Comic Book



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2018-10-09 03:10:07 – Michael Kennedy

All The Spider-Villain Movies Coming After Venom

Venom is the first Sony-Marvel film in a planned Spider-Man villain universe – and there’s a lot more on the way. If all goes well for Sony then Venom, in theaters this weekend, will set the ball rolling for a darker version of the Marvel Cinematic Universe

Once The Walt Disney Company’s acquisition of 20th Century Fox is complete, the world of Peter Parker and friends will be the only major segment of the Marvel canon not exclusively under their control. And, although Spider-Man is already part of the MCU, Sony has high hopes for creating their own franchise that can both stand on its own two feet (albeit with the possibility of tying it into the MCU down the line). Spider-Man remains one of the most iconic characters in comic book lore, and his most infamous foes are equally as popular with audiences thanks to the cartoon series and Sam Raimi trilogy.

Related: Is Venom In The MCU? Marvel/Spider-Man Movie Rights & Shared Universes Explained

Their current plans, which are reportedly being referred to internally as Sony’s Universe of Marvel Characters, or SUMC for short, involve expanding the world of the Spidey villains into their own saga. Venom, the human-symbiote who has become one of the series’ most beloved anti-heroes, is only the starting point in these plans. Sony has a whole host of other Spider-villain movies planned. Here are the titles that are either in pre-production or are currently part of the studio’s Spider-verse strategy.

  • This Page: Sony’s Confirmed Spider-Man Villain Films
  • Page 2: Spider-Man Villain Films Sony Has In Early Development

Morbius, the Living Vampire Is The Next Spider-Man Villain Movie

In an unexpected step, Sony has confirmed that the first film to follow Venom would be one centered on Morbius, the Living Vampire, and that the lead role would be played by Jared Leto. The character was created in the 1970s when the Comics Code Authority, the industry’s censorship board, lifted its ban on depictions of vampires and the supernatural. His true identity is that of Michael Morbius, a biochemist whose experiment to cure his rare blood disorder goes awry and gifts him with vampiric abilities.

The Morbius film will be directed by Life‘s Daniel Espinosa, based on a script by Matt Sazama and Burk Sharpless (writers of Gods of Egypt). on screenwriting duties. Morbius is also one of the favorite comic book characters of Avi Arad, who told Screen Rant at a Venom press junket:

We are excited about Morbius. Morbius was always one of my favorite characters. I love the story about the healer that becomes a killer, and how do you deal with it.

Audiences may get Morbius sooner than expected; Sony was last said to be eyeing a November start to production, making a 2019 release possible.

Read More: Morbius the Living Vampire: Who Is He, and What Are His Powers?

Venom 2 Is Likely Going To Happen

WARNING: Spoilers for Venom in this entry.

While we still have to wait for news of Venom’s success before sequel talk begins at Sony for real, it’s clear from the film itself that the studio is eager to establish follow-up films. In one of the two end-credit scenes, Eddie goes to San Quentin prison to interview a prisoner and comes face to face with serial killer Cletus Kasady, a.k.a. Carnage. The part is played by Woody Harrelson, who had previously worked with director Ruben Fleischer on Zombieland.

Like Eddie and Venom, Kasady becomes a host for the Carnage symbiote and proves to be far more powerful and deadly than Venom; in the comics, Carnage leads to Venom teaming up with Spider-Man to take on his uncontrollable rage. Introducing Carnage to their Spider-Man universe would be a strong way for Sony to bring Peter Parker together with Eddie Brock, or otherwise make him more of a hero in his own right.

Silver Sable & Black Cat Are Getting Individual Movies

Originally, Sony had announced plans for a Silver Sable and Black Cat team-up movie, to be titled Silver and Black and released in February 2019. Gina Prince-Bythewood, director of Love and Basketball as well as the pilot for Cloak and Dagger, was attached to helm the project. Now, the two characters will be given their own films and Prince-Bythewood is no longer directing, although she will still receive a producer credit.

Silver Sable (real name Silver Sablinova) is a mercenary and leader of the Wild Pack, a title she inherited from her father, who ran a Nazi-hunting team. Given the character’s roots as a Nazi hunter, it would be difficult for Sony to overlook this crucial part of her backstory. However, it could also open up many storytelling possibilities. Sony are hoping to bring on another female director for the project, but other than that, little else is known about production.

Felicia Hardy, the infamous cat burglar with the ability to produce bad luck in her enemies, is one of Spider-Man’s most popular adversaries as well as a collaborator and on-again, off-again romantic interest. Felicia was previously played by Felicity Jones in The Amazing Spider-Man 2, where she served as Harry Osborn’s assistant, but none of her extra-curricular activities fit into the stuffed movie. Black Cat will reportedly be a re-worked version of the Silver & Black script and Prince-Bythewood will remain a producer.

Page 2: Spider-Man Villain Films Sony Has In Early Development

Spike Lee Was Reportedly In Talks For Nightwatch

While no other films have gone as far in development, Sony has several other Spider-Man villain films in the works. Earlier this year, it was reported that Spike Lee had been in talks to direct a Nightwatch film, with a potential script from Luke Cage showrunner Cheo Hodari Coker, although both Sony and Lee declined to comment.

Doctor Kevin Trench watched a costumed man die while battling terrorists armed with invisibility devices. When he unmasked the dead men, he was shocked to realize that it was an older version of himself. Afraid for what this meant for his future, he stole the costume and fled to a deserted island in the hopes that, if he just never wore the suit, he could avoid his own death. In more recent comics, including She-Hulk, Trench is portrayed as a wealthy philanthropist who secretly spent most of his career as a supervillain and retconned everyone’s memories of his nefarious past.

Kraven The Hunter Has A Script From The Equalizer’s Writer

One character who’s long been eyed for a solo movie is Kraven the Hunter. A Spider-Man villain who’s been rumored for inclusion in movies for years – including the MCU side – it now looks like he could be getting a solo movie at Sony. In August, it was reported that a Kraven script was being written by The Equalizer‘s Richard Wenk, although there’s been no talk of the project since then.

Kraven is one of Spider-Man’s well-known villains, remembered best for the Kraven’s Last Hunt arc which saw him travel to New York in a bid to hunt down and kill Spider-Man, then taking over as a more brutalized version. An involving story, it’s one that would definitely lend itself well to a big screen adaptation.

Read More: Who Kraven Can Hunt In His Movie Instead Of Spider-Man

Jackpot & Silk Have Movies In Development

A couple of other movies have been reported recently. First there’s Jackpot, a more recent addition to the Spider-verse, created by Dan Slott and Phil Jimenez, who only got her own mini-series in 2010. The character also has two aliases: Sara Ehret, a scientist who accidentally gives herself superhuman strength; and Alana Jacobson, who uses performance-enhancing drugs like Mutant Growth Hormone to mimic Jackpot’s powers. A Jackpot movie could open new ground for Sony and the superhero genre: Sara is a 40-something woman with a daughter while Alana is a lesbian, which could bring some much-needed diversity to the field.

There’s also Korean-American superhero Cindy Moon, a.k.a. Silk. Cindy first appeared in The Amazing Spider-Man #1 in April 2014. Her own powers, similar to Spider-Man’s, manifested when the same radioactive spider bit her after biting Peter Parker. Unlike Peter, Silk has the ability to create organic webbing, something she has trouble controlling. She is later approached by businessman Ezekiel Sims, who offers to guide her in her newfound abilities. Cindy briefly appears in Spider-Man: Homecoming as a classmate of Peters and is portrayed by Tiffany Espensen, although the in-development Silk movie is more likely to recast.

Next: Sony’s Marvel Universe May Already Have A Spider-Man Replacement



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2018-10-08 03:10:27 – Kayleigh Donaldson

20 Crazy Details Behind The Making Of E.T. The Extra-Terrestrial

It’s been almost forty years since E.T. the Extra-Terrestrial was first released, but this 1982 Steven Spielberg-directed gem is still going strong to this day with audiences of all ages. This wonderful film about a boy and his friend alien melted the hearts of all those who first watched it back in the early 1980s, and it still remains a most treasured family film. Its legacy is seen in every aspect of our pop culture, and it is regularly cited as people’s favorite film of all time. Only a director as visionary as Spielberg could take such a simple concept and transform it into a lasting cinematic treasure.

E.T. also helped transform the lives of those who participated in its making, sending a young Drew Barrymore into stratospheric fame and solidifying Henry Thomas as one of the most famous child actors of all time. There’s no doubt that E.T. will continue to leave its mark on future generations, and we can only hope that its perfection is respected without Hollywood grasping for a remake or an ill-advised, modern-day sequel.

If you’re a fan of this classic film or if you’re a Steven Spielberg aficionado wanting to know his tricks of the trade, you’ll be fascinated by the secrets that went on behind the scenes during the movie’s making. From the movie’s conception based on Spielberg’s life to the inspiration behind E.T.’s famous face, we have all the facts you’ll want to know about this iconic film.

With that in mind, here are 20 Crazy Details Behind the Making of E.T. The Extra-Terrestrial.

20 Henry Thomas Brought Up His Tragic Past For His Audition

Landing the role of Elliott in E.T. unquestionably changed child actor Henry Thomas’ life. Having only previously done a couple of small movie parts in 1981, Thomas all of a sudden became the most famous kid in the world thanks to his on-screen adventures with his alien co-star.  

According to the Mirror, Thomas was only nine years old when he landed this role of a lifetime. In order to secure himself the part, during the audition the young actor drew upon the traumatic experience of seeing his pet dog attacked by his neighbor’s dog, which brought on real tears. Spielberg and the casting directors were immediately impressed. Being able to call upon real emotion showed the director that he could definitely act, and solidified Thomas as a genuine child talent.

19 Drew Barrymore’s Vivid Imagination Got Her Her Role

Drew Barrymore has been on the Hollywood scene for a long time, but her first big start on screen was in E.T. playing the part of Gertie. According to an interview on Ellen, Barrymore revealed that she wasn’t originally even going to audition for E.T. During her interview, Barrymore explained how she was actually trying to get a part in Poltergeist, but the director wasn’t there that day. Instead, Poltergeist’s producer, Steven Spielberg was there in his place.

She told Ellen: “I was six, and I lied my face off. I told him I was in a rock ‘n’ roll band, that I was a drummer, that I was a cook.”

After her audition, Spielberg said she wasn’t quite right for Poltergeist, but that he’d love to have her come in and audition for another project he was working on. Sure enough, he called her up soon after and gave her the part of Gertie in E.T.

18 It had a very boring title at first

When a movie becomes a huge hit, especially one that continues to garner success decades and generations after its first release, it’s hard to imagine it separately from its title. Indeed, the title of a movie becomes its first point of cultural consciousness, and there are those that last the test of time, and those that don’t.

Mention E.T. The Extra-Terrestrial to anyone and they’ll know exactly what you’re talking about. It’s not only a memorable film title, it’s also become so deeply ingrained in our collective pop culture that we all know what it is even if we haven’t seen it. Well, E.T. might have faded away in the land of forgotten films, had they gone with the original title, A Boy’s Life, as noted by The New Yorker. While there’s nothing inherently wrong with A Boy’s Life, it’s not half as memorable as E.T. The Extra-Terrestrial.

17 Harrison Ford Shot a Cameo

While Spielberg was working on getting things ready to begin filming E.T., he was still in the process of filming Raiders of the Lost Ark, which, of course, starred Harrison Ford as Indiana Jones. Ford dating Melissa Mathison, who was the scriptwriter for E.T., at the time.

Because of his friendship with Spielberg and his relationship with Mathison, Ford agreed to make a cameo appearance in the film.

According to Entertainment Weekly, Ford’s bit part was supposed to be a kind of a joke as he was going to play against his usual type, here as an uptight school principal who would scold Elliott after the frog-releasing scene. In the final edit, the decision was made to cut the Ford scene as it didn’t fit in with the rest of the movie and it was thought Ford’s presence would be too distracting from the story line.

16 M&M’s Were Supposed To Be E.T.’s favorite candy

Reese’s Pieces surged in popularity after the release of E.T.. The candy was featured in the scene where Elliott tries lays a trail of candy to lure E.T. back to his house. Many people back then, and now for that matter, might have thought it strange that Elliott used Reese’s Pieces.

Well, according to Business Insider, the reason for the choice of sweet was down to the fact that M&Ms had refused the production permission to use its brand in the film. Culinary Lore also states that Mars Inc., which owned M&Ms, refused the filmmakers the right to use the candy because it didn’t want to be associated with aliens. This was clearly a bad call, as after the release of E.T., sales of Reese’s rose exponentially, topping the numbers sold of M&Ms for the first time ever.

15 E.T.’s Face Was Modeled On Some Famous People

E.T. is one of the most recognizable movie characters in history and one of the cutest, albeit weirdest, examples of an on-screen alien. No character had, or has since, looked like like this singular creature, and its aesthetic is all thanks to Spielberg and his incredible designer Carlo Rambaldi.

Rambaldi created the aliens for Close Encounters of the Third Kind, and his talents were once again put to use in E.T.

In a special featurette called The Making of E.T. The Extra-Terrestrial, Spielberg reveals: “I remember saying to Carlo, here’s some pictures of Albert Einstein, Ernest Hemingway and Carl Sandburg. I love their eyes, can we make E.T.’s eyes as frivolous and also wizened and as sad as those three icons.” Based on these famous celebrities, we have the E.T. we all know and recognize.

14 E.T. Was Played by Three Different Actors

With today’s technology, it would be a fairly easy task creating a CGI alien to act as the main part in a blockbuster film. However, when E.T. was being made in 1982, things were not so simple According to The Vintage News, creating a believable, friendly alien back then took three mechanical puppets as well as three actors, one of whom was a young 12-year-old boy who had been born without legs.

There wasn’t always someone wearing the suit in every scene, as often E.T. was being controlled by a team of mechanical operators. However, when the alien was required to walk or move about, a small person was often behind the movements. Watching E.T. today, the alien might seem like quite a basic piece of engineering, but back then, Spielberg and his team were making technological strides.

13 Drew Barrymore Thought E.T. Was Real

Drew Barrymore was only six years old when she played the part of Gertie in E.T., and even though she was already developing into a bright, young, talented actress, she was still very much at an age where imagination and make-believe can cloud reality. Barrymore’s acting is fantastic in the film, especially for someone so young, but her great reactions to things on screen could be down to the fact that she believed E.T. was a real alien.

 The cast and crew encouraged her to believe E.T. was really alive, and she seems to have taken the bait completely.

In a behind-the-scenes featurette for the movie, Elliott actor Henry Thomas reveals: “Drew, she’s imaginative. She introduced E.T. to her mom and said ‘He’s just a little shy now. He doesn’t want to talk to you right now but he’s just a little shy.’”

12 E.T.’s Voice Comes From Raccoons, Otters, Horses, and Burps

E.T. is one of the most imitated movie characters, with people of all ages having tried at one time or another to impersonate the alien’s singular speech patterns. If you listen closely, you’ll hear that there are a lot of different elements and sounds to the alien’s voice. This wasn’t achieved by employing one spectacularly gifted voice recording artist. Instead, as we learn from the BBC, it was a talented sound designer, Ben Burtt, who collected noises from an entire array of sources and put them together to create E.T.’s voice.

As Burtt tells the BBC: “I created the voice for E.T. out of many different things, about 18 different people and animals and sound effects. There are raccoons in there, there are sea otters, there are some horses, there’s a burp from my old cinema professor from USC.” They also used the voice of a chain-smoking housewife.

11 Spielberg Dressed As A Woman On Set

Being around such a young cast, Spielberg had to ensure that there was enough fun and playfulness on set. In The Making of E.T. The Extra-Terrestrial from 1996, we learn that the director definitely didn’t take himself too seriously while on set. Apparently, around Halloween, Spielberg came to set dressed up as a lady school teacher.

As Henry Thomas remembers: “Halloween was great. He directed the whole day like that, as an old lady.”

Spielberg adds: “I didn’t have children back then in the early 1980s, and you know suddenly I was becoming a father every single day, I felt like a father and it felt good.” Spielberg certainly knew how to keep spirits high on his set, and his kind, playful personality has left wonderful lasting memories on his cast and crew.

10 A Mime Was Hired To Move E.T.’s Arms

In The Making of E.T. The Extra-Terrestrial, we learn that it took a lot of work to create the alien we all know and love. Aside from having a whole team of mechanics working to ensure the creature looked real, Spielberg also hired a mime to help out E.T.’s gestures.

The director reveals: “When I saw the mechanical arms, they were really great but they were very jerky when they worked. The fingers would move, but almost too thoughtfully. And I felt E.T.’s got to have almost balletic arms, almost like the hands of a mime. So I just put it out there, can we hire a mime and we’ll put the E.T. hand makeup on a mime’s hand so the artist can really be artistic about picking things up and touching themselves and reaching out. So this is where this wonderful mime artist came to work with us.”

9 The Original Ending Was Very Different

When a movie is as beloved as E.T. is, it’s hard to imagine it being any different. Grown men and women still weep when thinking about the emotionally-charged final scene, but we could have ended up an alternative ending had Spielberg gone with his original idea.

According to actor Michael MacNaughton’s interview in Express, “The last scene was going to be all of us playing Dungeons & Dragons again, except this time, Elliott’s the dungeon master. Because he was the one that found ET, he sort of got in with the group. […] And then they would pan up to the roof and you’d see the communicator and it’s still working — in other words, Elliott is still in touch with E.T. But after they did the score and they saw what they had with the spaceship taking off and everything… How can you follow that? I mean, it was a wise choice.”

8 There Was A Dark Sequel Planned

Because E.T. did so unexpectedly well at the box-office, it’s a wonder why there was never a sequel released. Had the movie been made today, it’s almost certain that Hollywood would have tried to make it a franchise. Well, according to Syfy, there was actually a story treatment for an E.T. sequel, but it was so terrible that it never got made.

Apparently, its dark tone was done on purpose.

Spielberg was reportedly completely against the idea of a sequel to his 1982 film, saying: “Sequels can be very dangerous because they compromise your truth as an artist. I think a sequel to E.T. would do nothing but rob the original of its [purity].” Who knows, maybe someday someone will dust off the draft and attempt to make it, but Spielberg will certainly be the first to veto the project.

7 They shot the movie in chronological order for the kids

It’s a well known fact that most large-scale film projects aren’t filmed in chronological order. Due to shooting schedules, location requirements, and budget factors, it’s usually not possible to film in script-order. Well, E.T. is one of the very few exceptions to this usual Hollywood practice, as Steven Spielberg insisted that the scenes be shot chronologically.

According to TIME, Spielberg made this unorthodox decision in order to help his younger cast. The director explained: “I insisted on shooting the film in complete continuity so the kids knew, emotionally, where they had been the day before, and they pretty much didn’t have any idea of where they were going the next day. So, like real life, every day was a surprise – Drew, Henry Thomas and Robert really believed that this was happening to their lives.”

6 Robert MacNaughton’s Dungeons & Dragons love got him his part

Robert MacNaughton played Elliott’s older brother Michael in the movie, and he revealed to Express that a childhood pastime of his helped land him the role. Apparently, E.T.’s screenwriter Melissa Mathison was a huge fan of Dungeons & Dragons and she was always playing it with her then husband Harrison Ford at their house.

This explains the game at the start of the film, where we see Elliott trying to join in playing D&D with Michael and his friends.

MacNaughton revealed that he too was an avid Dungeons & Dragons player, and when asked by Spielberg what his hobbies were, he told the director about his love of the game. Spielberg seemed pleased that MacNaughton’s hobbies fit with his character Michael’s pastimes, and the role became his shortly after.

5 The Film Was Shot From A Child’s Point-of-View

One of the things that you may not have noticed while watching E.T. is the fact that is is filmed from a child’s point of view. According to Filmsite, the movie was deliberately shot from a lower-angle in order to encourage younger audience members to identify more easily with the child characters on screen. It also helps adults put themselves back into the shoes of a child, encouraging them to remember how scary and threatening the taller, bigger world of adults can really be for a kid.

In fact, the only adult we ever see in full is the mother, Mary, who was played by Dee Wallace.

Otherwise, most of the other grown-ups in the movie are seen from the waist down, the way a child would see the world in front of them.

4 Real Doctors And Nurses Were Hired As Actors

E.T. is a very emotional movie. From the burgeoning friendship between Elliott and E.T. to the ending when we face the teary goodbyes between these unlikely friends, the movie is rife with sentiment. One of the most poignant, dramatic scenes is when E.T. and Elliott are lying side-by-side in the makeshift medical facility at their house, both fading away while doctors and nurses try to revive them.

According to People, the medical staff we see looking after these two friends were actually real-life medics. Spielberg contacted the UCLA Center for the Health Services in order to get information on cardiopulmonary resuscitation, and he was referred to a specialist. Wanting the scene to look as real as possible, Spielberg got real-life medical staff to play out the scene in order to simulate the chaos that really happens in emergencies.

3 E.T. was inspired by real children

E.T. is one of the most lovable incarnations of an alien to grace our screens.

Part of this androgynous creature’s charm is the fact that there’s so much goofiness and childlike innocence to it.

Well, this sweet naivete, as well as E.T.’s powers, were actually inspired by the screenwriter’s interactions with children. As Melissa Mathison tells us in The Making of E.T. The Extra-Terrestrial: “Many of the scenes from the movie come from my own experience being with children. For instance, what children would like [E.T.’s] powers to be. A lot of the children would mention the obvious of telepathy or telekinetic powers but I was struck by the fact that several of them mentioned that they would like this magic creature to be able to heal. And I thought it was such an incredibly poignant idea to come from a child.”

2 Spielberg Didn’t think E.T. Would Make A Lot of Money

According to Business Insider, E.T. The Extra-Terrestrial is the fourth highest-grossing movie of all time– not too shabby for a low-budget film about a boy and his alien pal. While the movie became a immense success and has been hailed as the most successful film to come out of the 1980s, Steven Spielberg didn’t think it was going to be a hit with audiences.

Speaking in The Making of E.T. The Extra-Terrestrial, the director said: “I think E.T.’s not going to make a lot of money, I think I’m making a movie that is only going to appeal to kids. I said I’m probably making a big mistake, I’m going to make an old-fashioned Walt Disney movie about an alien and a kid and that’s all it’s going to be.”

1 The Movie Was Inspired by Spielberg’s Lonely Childhood

It’s always interesting to find out how some of our favorite movies came about, but no one would ever expect that Spielberg’s tale of a boy and an alien would stem from his own childhood experiences. In an interview with director James Cameron for People, Spielberg admitted that E.T. was “never meant to be a movie about an extra-terrestrial,” but instead about something very personal.

“It was supposed to be a movie about my mom and dad getting a divorce,” he explains.

“So I started a story, not a script per say, but I started writing a story about what it was like when your parents divide the family up and they move to different states.” Eventually, the idea for a boy and an alien friend developed from this, and the rest is E.T. history.

Do you have any other trivia to share about E.T. the Extra-Terrestrial? Let us know in the comments!



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2018-10-06 04:10:51 – Steph Brandhuber

A Star Is Born’s Ending Is Bad (And Always Has Been)

WARNING: Major spoilers for A Star Is Born

A Star Is Born‘s ending undoes what could have been a Hollywood classic – but that’s not exactly Bradley Cooper’s fault. From its first version in 1937, A Star Is Born has always had a problematic resolution to its story, one that’s only got worse over the past century, and this latest version is no different.

A Star Is Born is a classic story that Hollywood loves so much it’s told it four times (with a suspiciously-similar earlier version, several failed attempts and many, many imitators). A top-of-his-game star (in 2018, Bradley Cooper’s rock star Jackson Maine) is suffering from alcoholism and in a stupor discovers a struggling artist (Lady Gaga as Ally, a waitress moonlighting in a drag bar), falling in love with both her and her talent. He provides her with a big break, sending her fame into the stratosphere just as his addictions begin to derail his career. The pair marry, but despite their love things begin to fray.

Related: Read Our A Star Is Born Review

It’s a tale of rags to riches, of falls from grace, of the power of love, and personal identity within all of that. And, for much of the runtime, A Star Is Born 2018 is genuinely a great version of all those stories. Gaga’s first major concert leaves you floating, Cooper shows mental affliction with grace, both perform their songs incredibly (to actual live crowds, no less), and are utterly believable as troubled lovers. It is, for much of its runtime, a very good film worthy of that deafening hype.

However, everything implodes into a black hole of pretentiousness as what could have been a great film its own right has to follow through on being called A Star Is Born

  • This Page: The Problem With A Star Is Born’s Ending
  • Page 2: A Star Is Born’s Ending Has Always Been Bad
  • Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

What Happens In A Star Is Born’s Ending

We’ll stick with Cooper’s take for now before going deeper into the past. A Star Is Born‘s third act is kicked off by Ally winning the Grammy for Best New Artist – a major step for her career, undercut entirely by Jack drunkenly taking to the stage with her and relieving himself on live TV. He goes into rehab and she wrestles with where her focus should lie, eventually deciding to try and protect her recovering husband. She cancels her European tour when her agent, Rez, blocks the duo playing together.

As a result, Jack kills himself. He’s confronted by a seething Rez who has no sympathies or expectations of sobriety and states outright Jack’s ruining his wife’s career. When she matter-of-fact states the tour cancellation, he sees the impact of his actions and, while she plays a concert, he hangs himself in their garage.

Related: Every Song On A Star Is Born’s Soundtrack

This breaks Ally at first, leaving her emotionally distraught, before her understanding the meaning of Jack’s sacrifice – to enable her to truly become the star he always saw – helps her pull through. The film ends at a tribute concert in Jack’s memory. “My name is Ally Maine.” she declares before singing “I’ll Never Love Again”, a song based on their relationship they wrote together while he was recovering. A flashback shows the pair singing, she looks through the camera at the audience, the end.

Why A Star Is Born’s Ending Is Bad

Removing the ending of all presentation and self-imposed importance (a character looking into the camera at the end is an overused trope that Cooper simply doesn’t earn), in just writing down the events of A Star Is Born its problems should be obvious.

Jack decides to kill himself to save his wife, committing suicide because it’s the only way to set her free. This comes about two hours into a film which has slowly built up its numerous interpersonal relationships, and so comes as a drastic and rather unearned turn. Now, there is an argument to be made about accuracy to the unpredictability of mental illness, but given the intimacy audiences had with both Jack and Ally up until this moment, that doesn’t fit with the rest of the film. A Star Is Born, plainly, presents suicide as the only way out. It’s meant to come across as a selfless act but still values success as a true route to happiness, meaning anything emotional about the “gesture” is laced with hypocrisy.

But it’s what comes after and Ally’s coming to terms with her loss that’s so disquieting. For all her innate talent being the drive of the story and her freely made decision to step back what motivated Jack to kill himself, the final scene makes everything about Jack; the mononymous singer for the first time takes on her husband’s surname at his concert, where she performs a song that he helped her write in her original singer style. The suggestion is meant to be that Jack was holding her back, but in the shadow of the previous two hours the strange implication is that the act of a true star being born came from the adversity of Jack’s sacrifice. Making Ally’s success symbiotic to her dead husband is already heavily in the text of the film, but the final scene makes her final ascension even more indebted to his drastic act.

It’s hard to not read A Star Is Born‘s ending as trivializing suicide down to a plot point to give the fundamentally broken male lead the defining role in its female protagonist’s arc. It’s a weird move to make in 2018, although don’t believe this is just the product of an 80-year-old movie being remade. There’s something flawed at the heart of A Star Is Born.

Page 2: A Star Is Born’s Ending Has Always Been Bad

The True Story Behind A Star Is Born’s Ending Explains The Problem

There have been four versions of A Star Is Born: the 1937 Hollywood-skewering original starring Janet Gaynor and Frederick March, the 1954 musical starring Judy Garland and James Mason, the 1976 shift to the music industry with Barbra Streisand and Kris Kristofferson, and the latest Cooper/Gaga release. Each one has its own quirks, but all endeavor to tell the same story of love and fame intertwined, and all have the same basic ending. But the 1937 version isn’t the start. While A Star Is Born‘s narrative is a fiction, it’s very much based on truth; each movie is rooted heavily in the entertainment industry of the time – Hollywood for the 1937 and 1954 versions, music for 1976 and 2018 – and aims to tell an encapsulating story. There are some real-life events that inspired it.

The established star falling for an unknown as she climbs to the top was seen in actors Barbara Stanwyck and Frank Fay’s relationship, with the pair marrying in 1928 when the former was an unknown after starring in a Broadway show together. Their marriage fell apart after she rose above him and he fell into alcoholism. They separated in 1935 after seven years of marriage, two years before A Star Is Born was released. This appears to have been composited with the death of silent film actor John Bowers, who died at sea in 1936 after failing to win a part (whether it was a suicide or not is unclear). There are others (as we’ll see) but these are regarded as the ones who powered the 1937 version.

Related: Lady Gaga Fans Are Trolling Venom With Fake Bad Reviews

Of course, there’s one key distinction between inspiration and movie: in real life, it was two unrelated stories. There are the famous lovers who piggyback success and the past-it star who takes his own life, but in all cases these two aspects are entirely independent; the woman goes on to greater success by cutting the man out, while elsewhere another man falls from grace. Both stories epitomize Hollywood together, and taken alongside each other rather than melded have an ingrained believability. A Star Is Born trades that for something more streamlined in having the suicide be the culmination of the romance, but it’s also idealistic and wistful, losing the real moral of either.

This is reflected in what is regarded as a proto-Star Is Born, the 1932 film What Price Hollywood? Released five years before the 1937 version and produced also by David O. Selznick (and directed by George Cukor, who was approached for the first A Star Is Born and directed the first remake), this is regarded as something of a dry run at the story. Obviously from the release year it can’t share the same real-life inspirations (although, because this is the Golden Age of Hollywood, there are others pointed to), but the core concept and even smaller story beats are there, albeit with one massive difference: the leads are not romantically involved. Lowell Sherman’s Max drunkenly finds Constance Bennett’s Mary and helps make her a star, eventually killing himself after he sees realizes how far he’s fallen and is hurting his friend, while Mary’s suffers an ill-fated marriage that breaks down due to her absences filming and is reconciled at the end.

Watched today, What Price Hollywood? has a cynicism about the film industry ahead of its time despite ultimately being a movie romanticizing Hollywood – and at the core of this is the tragic story of Max and its impact on Mary’s life. The title question is apt.

How The Remakes Have Tried To “Fix” The Ending

In contrast to What Price Hollywood?, A Star Is Born 1937 carries a self-awareness and charm, but in bridging the romantic and the career side of protagonist Esther creates the problematic suicide reading. It’s not helped by dated elements, including the defining part of Esther’s ascension being the actress known as Vicki Lester taking on her husband’s name with a declaration “This is Mrs. Norman Maine“. It works given the time period, but even 16 years later needed an update.

Related: Watch the Trailer For A Star Is Born

The 1954 version is, for the most part, a beat-for-beat remake, just with dance number expansion to make it a musical, but it does make some strides to justifying the ending. The toll that caring for a drunk has on Judy Garland’s Vicki Lester is shown gradually, most upsettingly in an off-stage breakdown she immediately returns to filming from: an unavoidable presentation of the line between art and performer. But, ultimately, it ends in the same way: Norman Maine overhears Vicki’s plans to quit acting to care for her husband, so he feigns going for a swim and drowns himself; after a traumatic period and being unmasked at her funeral (the invasion of the press), Vicki returns to the public eye where she declares herself “Mrs. Norman Maine“. Every issue discussed is here.

The 1976’s A Star Is Born is overall incredibly melodramatic, nowhere less than its handling of the ending. What it should be praised for is its attempts at giving the female lead a greater sense of autonomy: throughout Streisand’s Esther makes decisions that power the narrative, not just being led along by Kristoffersen as those who came before her, but that’s lost thuddingly in the finale. After his meltdown, John Howard has imposed isolation – not rehab – and when returning home immediately sleeps with a reporter wanting an interview for Esther. The couple tries to power past this, but John figures he’s still broken and crashes his car at high speeds. Again, Esther is sad before taking his name (and singing at a tribute event).

Like we’ve already explored with A Star Is Born 2018, all versions have tried to provide their own contemporary spin on the tale to iron out its kinks, yet all wind up having to repeat the same suicide-anger-name triple-tap that doesn’t belong. A degree can be accounted to the changing times, but that ignores that the original trio of movies released over nearly 40 years, and that Cooper wasn’t able to address it either.

Page 3: Why Bradley Cooper Couldn’t Fix A Star Is Born

Why Bradley Cooper Can’t Fix A Star Is Born

Bradley Cooper certainly tries to bring a modern slant to the worn tale of A Star Is Born. He invests heavily in making Jack and Ally’s opposite trajectories operate independently – Jack is suffering from tinnitus before he’s heard a note of “La Vie En Rose”, while Ally’s SNL appearance is deemed to contradict his advice – while making the love story more immediate. It’s a bigger story, more personal and considerably more consummately paced.

But, like all the others, the ending hits a snag. And some of his decisions make it worse. The method of final descent is different, with the awards show upset and rehab undone not by Maine going off the rails again as in every other take, but rather by Ally’s agent calling his supposed bluff. It’s implied from the British Rez knowing when exactly Jackson first toured across the pond that he was once a fan, now disillusioned with his hero, making him a millennial scapegoat to any affronting reading.

Related: 2018 Fall Movie Preview: The 30 Films to See

This generational push and pull could have been what sent A Star Is Born to greatness. Sam Elliott’s speech about there only being twelve notes played over and over, with the majesty coming from how the artist uses them is a beautiful sentiment that sees Cooper self-justifying another remake and appears like a zen view on the entertainment business that birthed it. Except it isn’t, because this idea is also trying to explain the ending, claiming that the music industry is cyclical and that stars are born and then new stars are born later; Jack’s death is enabling that. What the film seems to miss is that for one state to ever enter another, a star must always die. Ally will fall too. The raw textual argument is that the failures are as eternal as the successes, raising the question of worth, yet the film provides no further exploration and presents it as somehow immediately uplifting.

And that’s the hump that A Star Is Born 2018, like its predecessors, can’t get over. The story thinks it’s a biting, self-aware take on itself, but it’s too close to the subject to see that it’s really just propagating a harsh cycle. This isn’t helped by the film being weighted by so much – the casting of Lady Gaga, his writer-director-producer-actor whammy, even Sam Elliott as the Sam Elliott-type – although those concerns are also the key explanation for what’s really going on.

A Star Is Born Only Exists Because Of Ego

Throughout this article, there’s been one question dangling unspoken. Why are there four versions of A Star Is Born anyway? It’s a story that is flawed and dated, on a topic which has been tackled in more films than any other. Yes, each movie got serious Oscar nominations and wins, but that alone isn’t enough to justify going back. The true answer is enlightening.

1954’s A Star Is Born was conceived as a bid to restart Judy Garland’s career after it stalled over the 1940s. 1976’s A Star Is Born was Barbra Streisand’s attempt (along with then-husband Jon Peters) to boost her standing in Hollywood. And 2018’s A Star Is Born is Bradley Cooper’s grand attempt to win the Oscar that he believes he deserves (his entire post-Hangover career is a carefully played game of chess with a Golden Baldie the King). There are studio concerns too (before Cooper, Warner Bros had been attempting to get a remake off the ground since the early 2010s, although as a Beyonce vehicle has the same career expansion goals), but those are the primary purposes of each version. A Star Is Born is a vanity project on repeat.

Related: A Star Is Born Is An Oscar Favorite – But Could An Infamous Producer Hurt Its Chances?

Now, vanity projects needn’t be bad, and indeed a lot of good comes from each of these attempts. Indeed, each was ultimately successful in both their primary and commercial goals: Garland’s career was rejuvenated; Streisand won her second Oscar; and Cooper’s currently the front-runner in multiple categories for next year’s Academy Awards.

But this aspect appears to be why each version of A Star Is Born struggles to understand the real meaning of its ending. Each powering force believes this movie will be what takes them being a Norman/Jack Maine to a new Esther/Ally while missing that it’s built into the story to be impossible. They believe so much in the two contradictory Hollywood legends wholesale, so don’t see that the story is almost warning against such a thing.

A Star Is Born Is No Longer Needed

In recent years, we’ve seen Hollywood’s reliable rotation of movies about itself take a genuinely incisive slant. 2015’s Best Picture Winner Birdman was an ostentatious exploration of ego that too ended with the protagonist committing suicide, but there it was with the wry critique that fame and adoration are fleeting and that such a bold act was the only way for the self-involved hero to reach the heights he dreamed of. Then there’s 2017’s almost-Best Picture Winner La La Land, which was a celebration of Hollywood-gone-by looking at love in a city of stars, eventually concluding that success required the sacrifice of the central relationship.

Together, these take on all the ideas that A Star Is Born is playing with and apply them in a more thoughtful way. The messages are more widely applicable and their endnotes have considerably less of the hypocrisy. Birdman and La La Land may find joy in the arts, but they also uncover the trials of creativity and fame, keeping the brutal truths in earshot while presenting from a position of success.

A Star Is Born 2018 is a good movie, an undeniable achievement for both Bradley Cooper and Lady Gaga. But there is a flaw at the heart of the tale that just doesn’t ring true. Unless it’s made with a completely revisionist, ego-less eye, in twenty years we do not need another one.

More: Every Version Of A Star Is Born Ranked, From Garland To Gaga



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2018-10-06 01:10:52 – Alex Leadbeater

Shane Black Has Never Watched The Lethal Weapon TV Series

Lethal Weapon creator Shane Black has never watched the TV spinoff. Black (The Predator) wrote the original Lethal Weapon when he was only 23, and the script’s combination of witty dialogue and action set pieces saw it get snapped up by Warner Bros. Richard Donner helmed the movie, and the onscreen chemistry between stars Danny Glover and Mel Gibson saw it become a major hit.

Black returned to pen a script for Lethal Weapon 2, which was ultimately rewritten. Black’s first draft was much darker and even featured Riggs dying of his wounds in the finale. The studio wanted a lighter tone – and the possibility of more sequels – so it was reworked. Black has nothing to do with parts 3 and 4, which became noticeably goofier in tone, with Lethal Weapon 4 in particular feeling like a big budget sitcom with occasional explosions. A TV version arrived in 2016 with Clayne Crawford as Riggs and Damon Wayans – who previously starred in the Black scripted buddy comedy The Last Boy Scout – as Murtaugh.

Related: Lethal Weapon Season 3 Teaser Introduces Seann William Scott’s New Character

Fans didn’t expect much from the show, but Lethal Weapon proved to be a surprisingly solid ratings performer. The show has suffered a fair amount of behind the scenes drama, however, with clashes between co-stars Wayans and Crawford eventually leading to the latter being fired, and replaced with Seann William Scott’s new character. The new season airs this month, but Black revealed to Digital Spy recently he’s never watched the show.

I will be entirely upfront with you: I have not watched a full episode of the show, so I can’t speak to whether or not the first guy was great. I just didn’t watch it. It’s a TV cop show. Maybe it’s great. I’m happy it’s doing well. I do get a cheque every now and again. But please, let’s cast – I don’t know – anybody in the role. A talking penguin? I don’t care. I’ll get a cheque.

Black has been plenty busy on The Predator the last couple of years, so it’s somewhat understandable that catching up on the Lethal Weapon TV series hasn’t been high on his list of priorities. Black actually developed a Lethal Weapon 5 script in 2008, which would have found Riggs and Murtaugh fighting mercenaries in New York during a snowstorm. Black would have directed this script, but it seems Gibson and Glover’s loyalty to Richard Donner prevented it from moving forward.

Donner himself has been talking of a fifth and final Lethal Weapon movie for a couple of years, and while prospects of it sounded bleak at one point, it appears the project is still alive. In the meantime, fans are waiting to see how season 3 of Lethal Weapon fares with a new leading man. The new season will only run for 13 episodes, so it seems Fox is hedging their bets on the show’s future.

More: Revamped Lethal Weapon Will Only Run 13 Episodes

Source: Digital Spy



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2018-09-10 05:09:19 – Padraig Cotter

Did you know? Sunny Leone was DISGUSTED when she watched porn for the first time


Did you know? Sunny Leone was DISGUSTED when she watched porn for the first time

Sunny Leone started her career with adult film industry in the United States Of America and later became a household name in the Indian film industry first with her stint in Bigg Boss and later with her entry into movies. Now, she is back with a web series based on her life and it sure is interesting to map her inspiring life journey through the years. Sunny AKA Karenjit Kaur interacted with Bollywood Hungama exclusively on her web series and how she chose her profession, which is unconventional in every sense.

Did you know Sunny Leone was DISGUSTED when she watched porn for the first time

She was asked about her first reaction was when she watched a porn film and well, it was pretty much what we all felt when we saw an adult film clip for the very first time in life. She confessed that she felt it was extremely gross, creepy and was disgusted by the video. She later elaborated that when one is young, one has many ideas about what they will do after growing up but life has other plans for them. She said that people evolve with age and it is not easy to predict early on in life where they will land eventually. Let’s face it; life is an adventurous journey which one embarks on.

In her words, “As a child you don’t know what you are gonna do in life. View as a child when you are eight, ten or maybe coming of age is completely different when you become an adult. So at that time it was gross and weird and never in a million years would I have thought that I would be entering a field where I was ten years before saying, ‘Oh my God this is disgusting.”

Sunny said that as a child one does not know what you will do in your life. As an adult perspectives change and you evolve into someone else and she never thought she will enter the adult film industry because initially she thought of it as something very weird but then later her perspective changed about it. Check out the video below and get her perspective on her choice as an adult film star.

Also Read: Sunny Leone goes out of her way to HELP her Man Friday Prabhakar and here’s what she did for him!



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